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Matt Dillon
Refreshers contain caffeine.
Jenny Burton
Foreign.
Andrew Rines
Welcome to the old time radio westerns. I'm your host, Andrew Rines. And let's get into this episode. This episode is going to be Gunsmoke Original air dates December 1, 1957. Title is Judd's Woman. Let's get into it, and I hope you enjoy.
Narrator
Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal and the smell of gun smoke.
Matt Dillon
Gun smoke.
Narrator
Starring William Conrad. The story of the violence that moved west with young America. And the story of a man who moved with it.
Matt Dillon
I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chance, a job. And it makes a man watchful and a little lonely.
Chester
I declare, if this keeps up, we're gonna be needing us an ark. Mr. Dillon.
Matt Dillon
We can't make much headway through this. We better look around for cover.
Chester
I don't rightly know anybody who settled around. Sure would help if this prairie had a few trees to shelter a body.
Matt Dillon
Yeah, if a lightning doesn't hit him. Hey, look over there, Chester. Isn't that a light?
Chester
Yes, sir, it sure is. Whose place, do you suppose?
Matt Dillon
I don't care whose place as long as it has a roof on it. Come on.
Chester
It's a house all right, Mr. John.
Matt Dillon
But I don't see that light anymore.
Chester
Oh, it seems to have gone out or something.
Matt Dillon
Now, let's tie our horses around here out of the wind.
Chester
All right,
Matt Dillon
You ready? Let's run for it. Hello there.
Chester
Well, I know I seen a light, Mr. Dillon. They must be plain deep in there.
Matt Dillon
Or dead. Come on, open up. Open up.
Chester
Mr. Dylan, look.
Matt Dillon
What?
Chester
The shutter on that window there.
Storyteller
It's opening.
Matt Dillon
Oh, I'm sorry to ross you out, but I'd crank you for shoulder till the storm lets up.
Kitty
Go away.
Matt Dillon
I don't like to bother you, man.
Jenny Burton
Hey, go away.
Matt Dillon
Look, I'm a U.S. marshal on my way back to Dodge. Maybe I know your husband. Are you alone out here?
Jenny Burton
It don't matter.
Kitty
Go away.
Matt Dillon
Ah, come on, Chester.
Chester
Mr. Hill, maybe a place.
Matt Dillon
Come on.
Chester
All right. I swear that ain't the unfriendliest.
Matt Dillon
It's more than that, Chester.
Chester
What do you mean?
Matt Dillon
She's scared to death about something. Better get moving before we freeze to death.
Jenny Burton
All right.
Matt Dillon
Dog Garland.
Chester
I sure did have my mouth set for a cup of coffee.
Matt Dillon
And it might have been set for good. What it was pointing a shotgun out of that window.
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Storyteller
listen a minute, if you will. I've got a little story to tell you. Well, it's not such a little story. It's sort of a tall tale. Ever hear tell of Wind Wagon Smith? Well, according to legend, we practically owe our whole system of modern transportation to Old Wind Wagon. Yes, sir. Before his days, folks traveled afoot on horseback or by ox team. But Wind Wagon, he wasn't about to put up with that slow type of travel at no siree. For him, 15 miles a day seemed like standing still. So he came up with a contraption that he called a prairie clipper. The clipper was a wagon without any kind of animals to pull it. It had a sail a sticking up from the middle of it just like a ship at sea. That clipper moved along pretty good too. When the wind was right. Old Wind Wagon figured he could make around 70 miles in one day. First, folks all laughed at him. But when he pointed out how the country was a spreading out and how big cities would be springing up right and left and how people would need transportation for themselves and their goods, they began to figure that the Clipper might be a pretty good idea at that. Well, to kind of kick off the Clipper to a good start. Wind Wagon invited the United States Secretary of War and the Secretary of the Navy to go along on the maiden voyage. But disaster struck. The Clipper got out of control. The Secretary of War rolled out of the Clipper and the Secretary of the Navy bounced into a cactus patch with Wind Wagon. And the Clipper kept a going till they were plumb lost over the horizon. No one ever saw the Clipper again. But as transportation grew in America, people all over the country told of seeing Wind Wagon Smith. They say he was in the pilot house of the first steamboat to sail up the Yellowstone. He held a golden spike when the first transcontinental railroad was completed. And when the first transcontinental plane roared off the Runway, it was Wind Wagon Smith, the spirit of American transportation, who waved the pilot on his way. Yes, sir, he really got around old Wind Wagon did. Say, isn't it nice being citizens of a country where you can laugh and talk about things free as a breeze? And write and read and worship, too? Yes, sir. Maybe you don't think about it much, but you should.
Matt Dillon
Sincerely, Mac Don U.S. marshall.
John Daly
Come on.
Matt Dillon
What? Come on, now. Is that him, Jenny? Is that the man? Just a minute here. Now, speak up. Who are you? Is that the man?
Jenny Burton
That's him.
Matt Dillon
You can let go of her, mister. Now, what's your name? Judd Barton. Now, my woman says you was the one was out to my place last night. I seen the horse tracks. You live north of town, just past Little Creek. That's my place now. I don't allow nobody coming around my woman. It was Storming Barton. I figured your place for a shelter. Well, you sure was wrong. Now, wait a minute. There were two of us there. Didn't she tell you that? You're the one she talked to. That sure didn't do me any good. She didn't let us in. Did you, Ms. Barton?
Jenny Burton
No, I didn't let him, I'll tell you.
Matt Dillon
Wait a minute. Pardon. You ever come out there again, Marshall, I'll kill you. Your badge won't do you no good. I'll kill you.
Chester
Sure.
Matt Dillon
I've moved two times now just to keep men away from my woman. I ain't aiming to move again. Get out of here, Burton. Now, I warned you. Go on, get out of here. All right, come along, Jenny.
Kitty
Want another beer, Matt?
Matt Dillon
No, thanks, Kitty. I think I'll just sit here for a while.
Kitty
I hear you got your feet wet. The other night.
Matt Dillon
What'd Chester tell you?
Kitty
Yeah, he was in here sneezing earlier today.
Matt Dillon
I couldn't get him to take his wet boots off after we got back.
Kitty
Why not?
Matt Dillon
He said he'd better keep his feet on them to keep him from shrinking his feet. Next time, I'll let Chester tell his own story.
Chester
Mr. Dylan. Evening, Miss Kitty.
Kitty
Hello, Chester.
Matt Dillon
See what I mean?
Chester
Mr. Dylan, there's a lady outside claims she has to see you.
Matt Dillon
Oh? Who is she?
Chester
I don't know. She says somebody told her you was here and she don't rightly feel she ought to come into a saloon.
Kitty
Of course not.
Chester
Oh, well, now.
Matt Dillon
Well, I better go see what she wants. I'll see you later, Kitty.
Kitty
All right.
Jenny Burton
Marshall Dillon.
Matt Dillon
Ms. Burton.
Jenny Burton
Jenny. Marshall, just Jenny.
Matt Dillon
You wanted to see me?
Jenny Burton
I had to see you. You gotta help me, Marshall.
Matt Dillon
Oh, where's your husband?
Jenny Burton
Back at the place. Dead drunk. I don't know how I'd have stood it if he didn't drink himself into a stupor ever. Once and so often.
Matt Dillon
Well, what is it you want me to do, Miss Burton?
Jenny Burton
Jenny.
Matt Dillon
All right, Jenny. Well, what can I do?
Jenny Burton
Hide me. Marshall, please, I. I gotta be hit by the time it comes to.
Matt Dillon
Well, I'd sure like to help you, Jenny, but I can't do that, Marshall.
Jenny Burton
I can't go back to him.
Matt Dillon
Well, the law can't come between a man and his wife.
Jenny Burton
Jenny, you don't understand. I gotta have help.
Matt Dillon
Hey, Jenny. She fainted. Chester, you go find Doc. I'll carry her on up to his office.
Chester
There we are. Now, you just lie there quietly for a little while.
Matt Dillon
That's it.
Chester
You'll be all right. I'll be back shortly.
Matt Dillon
She all right, Doc?
Chester
That's a messy business.
Matt Dillon
What's the matter with her? Is she going to be all right?
Chester
I suppose so. Oh, she'll be all right this time. But she can't go through this many more times now that she wants to live.
Matt Dillon
I don't understand. What do you mean?
Chester
I mean that she's been beaten, Matt, Savagely and often. I'll tell you something else. It's like signing her death warrant to send her back to that husband of hers.
Matt Dillon
Yeah, I guess you're right.
Chester
I know I'm right. By all it's holy a man to do a thing like that. Ought to be strung up.
Matt Dillon
Yeah. You gonna be all right to move her?
Chester
Yes, she can move.
Matt Dillon
Won't be too comfortable for her, but she can move good. And I'll take her over to Kitty's Till I can fix it so that this won't happen again.
Chester
You get it all fixed up, Mr. Dillon?
Matt Dillon
Yeah, Chester. I just left her up in Kitty's room. Doc gave her a Potter so that she'd sleep through the night.
Chester
Oh, my, that poor lady. What kind of a man would do a thing like that?
Matt Dillon
I don't know, but it looks like we're going to get to know him better real soon.
Chester
Is that him, Darren?
Matt Dillon
Yeah.
Chester
Where is she, Dylan?
Matt Dillon
Where you got her? You come to give her another beating? She's my woman. I come for her. I haven't got her. Pardon? Oh, you got her, all right. You got her.
Chester
You're the only one she ever run off to.
Matt Dillon
Now, you give her back, Marshall, I'll kill you. Now, you listen to me, Barton. I haven't got her. I don't care much whether you believe me or not, but I haven't got her. I don't believe I did have her. I wouldn't turn her over to you. You nearly kill her as it is. That's my business. I'm making it my business. I don't know what kind of a man you think you are, beating a woman like that, and I don't care. But my job is to protect people from the likes of you. I'm gonna find her, Dylan. That's the first thing I'm gonna do. Then I'm gonna kill you. You get out of Dodge, Burton. No, you just climb on that horse of yours and head on out. I'll be back, Dylan.
Chester
And he will be back, too, Mr. Dillon. He's too all fired. Mean not to.
Matt Dillon
Yeah, I know. But right now I'm playing for time.
Chester
How's that, Mr. Dylan?
Matt Dillon
We gotta get Jenny out of here.
Chester
Well, you got a plan?
Matt Dillon
No, not yet. I better come up with something by morning because Barton's not going to stay put very long.
Kitty
Oh, yeah, Matt, she's sleeping all right now. It took her a long time to settle down.
Matt Dillon
Too scared, huh?
Kitty
Scared to death. But that's not all. There's something else bothering her, Matt. Something she doesn't want to talk about.
Matt Dillon
What is it?
Kitty
Well, I'm not sure, but she acts sort of ashamed about something.
Matt Dillon
She's got nothing to be ashamed about.
Kitty
Well, of course not. Anyway, she's pretty desperate to get out of Dodge.
Matt Dillon
Yeah, she mentioned any place that she
Kitty
could go, but she talked about her brother. Said he'd always take her in, no matter what.
Matt Dillon
Where does he live?
Kitty
You know, north of here. Off the stage line someplace. 30, 40 miles away.
Matt Dillon
I think well, that's the thing to do then.
Kitty
But, Matt, the stage is one thing. Barton's sure to watch.
Matt Dillon
Can you get her ready in the morning?
Kitty
Sure, but isn't that risky?
Matt Dillon
She took a chance coming here, Kitty. She'll have to take a chance getting to her brother. This land is your land. This land is my land. This land was made for you and me In France.
Kitty
Mon vert means green Mountain in the United States states Vermont. Vermont means Green Mountain. The similarity is purely intentional, for the mountainous state of Vermont was originally settled by the French. There is other evidence too, of the early French settlers. Like Vergennes, the one time capital named for the French minister of Foreign Affairs. But despite its French ancestry, Vermont is American through and through. From Ethan Allen and the furniture which is made today bearing his name to Steamtown, USA near Bellows Falls. From St. Albans, leading producer of an all American commodity, maple syrup. To a little country store in Weston. The fresh fragrance of red clover. The granite beneath its hills characteristic of its people. The well known Vermont cussedness or independence. Admiral George Dewey and Calvin Coolidge. All things typically American. Typically Vermont.
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Jenny Burton
Driver, how. How soon are we leaving?
Chester
Any minute now, ma'.
Kitty
Am. Oh, good.
Jenny Burton
That's good. Oh, will you please watch the way you handle that case?
Chester
Sure thing, ma'.
Kitty
Am.
Jenny Burton
You've got it upside down.
Chester
Oh, I'm sorry. Well, now we'll fix that and I'll set it right up there on top.
Jenny Burton
No, no, I. I want it in the stage with me. Do you hear?
Chester
I guess that'll be all right, ma'.
Jenny Burton
Am.
Chester
Sure not Pull up.
Jenny Burton
Thank you, driver. We're home.
Chester
Jim.
Matt Dillon
Oh, hello there.
Chester
Chester isn't all right, I mean. Oh, sure, Chester. There's nothing to worry about this trip. Only got one passenger.
Matt Dillon
Oh, well, that's good.
Chester
Unless this gent's figuring on riding with us too. You take in the stage, mister.
Matt Dillon
I'll let you know.
Chester
Well, you better make up your mind because I'm fixing to leave as soon as I cinch on these bags. James, wait. If I get around the other side for a minute, Chester, I want to tie you. Yeah.
Matt Dillon
Aren't you the feller that I seen with Marshall last night?
Chester
Well, you, you, you might have saw me with him.
Moto Casino Announcer
I, I'm.
Matt Dillon
Why are you so interested in this stage?
Chester
Well, I just down see Jim for a minute. We're old friends. Now. What was it, Chester? Nothing, Jim. I guess I, I, I. I guess I said just about all I had to say before. Well, I should certainly think so. I don't know how many times you have to tell me. Just a minute. I'll make the stop all right, just like you said. For heaven's sake, you want to make a special stop? Well, mister, I don't know.
Matt Dillon
Well, now, that's interesting, ain't it? I think I'll just ride along with you.
Chester
After all, you ain't got a ticket.
Matt Dillon
This gun is all a ticket I need. Climb on up there now.
Chester
Well, now, go on.
Moto Casino Announcer
Come on.
Matt Dillon
And I'm gonna ride right with you.
Chester
Now, listen, mister.
Matt Dillon
Oh, shut up. I'll take that whip.
Jenny Burton
Well, who was that man? What in the world was he doing?
Chester
I can't take time to explain it to you now, ma'.
Narrator
Am.
Chester
I gotta get Mo.
Matt Dillon
Now, when we got there, Jenna, you climb out and onto the stage as fast as you can, huh?
Jenny Burton
I'll try, Marshall.
Matt Dillon
I'll watch until you've gotten safely away.
Jenny Burton
I sure am beholden to you for what you're doing.
Matt Dillon
That's all right. Everybody needs a little help once in a while. Now, there's the stage road. We'll pull over into these cottonwoods and wait. Ah, ah. Ought to be coming along anytime, though.
Jenny Burton
I hope so. I, I just assumed this was all behind me.
Matt Dillon
You're going fine.
Jenny Burton
Lots of things I'm thinking I ain't saying, Marshall.
Matt Dillon
No need to say anything.
Jenny Burton
One thing I'd like you to know special. It wasn't true about me and the mother men. Marshall, it never was true. It was just Judd's crazy way of looking at things. Any man I saw, he's suspicioned he had a Crazy way.
Matt Dillon
It's about the kindest thing you could say about him.
Jenny Burton
Maybe I deserved it. I can't help thinking maybe it was all doomy.
Matt Dillon
Here comes the stage. Johnny.
Jenny Burton
It's Judd.
Matt Dillon
Well, it's Judd.
Jenny Burton
Marshall.
Matt Dillon
I'll buy the driver. Oh, okay. Get down in the wagon bed and stay down.
John Daly
Jenny, I seen you. I seen you there, Jenny.
Matt Dillon
I know you kind of right there in that wagon, Marshall. And now I'm going to kill you. Don't do it.
Chester
Pardon.
Jenny Burton
No. Marshall.
Matt Dillon
Wow.
Chester
Is he dead?
Matt Dillon
Yeah, jim. He's dead.
Narrator
He.
Chester
He was crazy, marshall plum crazy.
Matt Dillon
Yeah, he was. I'm sorry I had to kill him, Jenny.
Jenny Burton
I don't think anything short of that would have stopped him. Marshall. He was full of hate.
Matt Dillon
You must have seen something in him once. So to marry him.
Jenny Burton
No, Marshall. Judd never married me. He just cleaned me.
Matt Dillon
Well, why didn't you speak up, Jenny? Folks could have helped you knowing that and saved you a lot of hurt.
Jenny Burton
It was a shame. I couldn't face the shame of telling folks I was living that way.
Matt Dillon
It was easier taking the beatings.
Jenny Burton
Yes, Marshall, it was. A woman needs to be thought of as respectable.
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Jenny Burton
Ram.
Narrator
Gun Smoke, produced and directed by Norman McDonald stars William Conrad as Matt Dillon, u. S Marshal. Featured in the cast were parley bear as Chester, Howard McNear as Doc and Georgia Ellis as kitty. George Walsh speaking. Join us again next week for another specially transcribed story on gun smoke. This is the United States armed forces radio and television service.
Jenny Burton
Foreign.
Andrew Rines
This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call and leave us a voicemail. 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.
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In this episode of the Old Time Radio Westerns podcast, host Andrew Rhynes presents a restored broadcast of the “Gunsmoke” episode “Jud’s Woman,” originally aired December 1, 1957. The story centers on U.S. Marshal Matt Dillon’s efforts to protect a vulnerable woman, Jenny Burton, from her violently possessive partner, Judd Barton. Set in the harsh frontier town of Dodge City, the episode confronts challenging themes of domestic abuse, jealousy, and the pursuit of dignity and protection in a lawless land.
Chilling Threats from Judd (09:21)
Doc’s Stark Assessment (13:01)
Kitty’s Empathy (16:29–16:42)
Jenny’s Shame and Desperation (25:08)
The episode maintains the gritty yet compassionate atmosphere characteristic of Gunsmoke. The story is direct, sometimes blunt, not shying from the harsh realities and emotional complexity—a hallmark of Matt Dillon’s world. Dialogue is forthright, and the emotional undercurrents (fear, shame, duty, reflection) are palpable, especially in the exchanges between Jenny, Matt, Doc, and Kitty.
“Jud’s Woman” is a tense, emotionally charged Gunsmoke episode exploring the dangers faced by women on the frontier and the limits of law—and community—in protecting the vulnerable. U.S. Marshal Matt Dillon’s struggle to protect Jenny Burton from her abuser, Judd Barton, culminates in a fatal confrontation, revealing the tragic consequences of jealousy, control, and societal shame. The episode, revived in enhanced audio, remains a poignant, sobering commentary on the costs of violence and the enduring need for empathy and justice.