Little Girl – Gunsmoke (07-03-60)

Summary

Podcast Summary: Old Time Radio Westerns - "Little Girl" (Gunsmoke Episode)

Episode Information

• Title: Little Girl – Gunsmoke (07-03-60)
• Host: Andrew Rhynes
• Release Date: June 14, 2025

---

Introduction In this episode of the Old Time Radio Westerns, host Andrew Rhynes presents a digitally restored version of the classic "Gunsmoke" episode titled "Little Girl." This episode transports listeners to the rugged terrain of Dodge City, where the steadfast U.S. Marshal Matt Dillon confronts new challenges that test his resolve and compassion.

---

Setting the Scene The story unfolds in the vast and untamed frontier surrounding Dodge City. The environment is meticulously recreated, enhancing sounds like birds chirping, saloon doors creaking, and thundering hooves, immersing listeners in the authentic Western atmosphere.

---

Main Characters

• Marshall Matt Dillon (William Conrad): The central figure, known for his unwavering dedication to law and order.
• Chester (Harley Bear): Dillon's loyal deputy, providing support and camaraderie.
• Doc (Howard McNear): The town's doctor, offering wisdom and medical assistance.
• Charity Gill (Georgia Ellis): A young girl who becomes pivotal to the episode's emotional depth.
• Kitty (Anne Whitfield): A minor character interacting with the main cast.

---

Plot Summary

Initial Investigation ([03:11] - [09:44]) The episode begins with Marshall Dillon and his deputy Chester investigating the aftermath of a mysterious fire. They discover the charred remains of a man in a deserted cabin. Dillon muses, “He was just sitting there on fire” ([08:44]), highlighting the perplexing nature of the incident. As they delve deeper, they find a burnt blanket and signs of negligence, suggesting foul play or tragic accident caused by a combination of whiskey and kerosene ([09:15]).

Introduction of Charity Gill ([08:44] - [25:37]) As Dillon and Chester assess the scene, they stumble upon Charity Gill, a young girl who survived the fire. Charity reveals that she tried to save her stepfather but was overwhelmed by the flames, leading her to flee. Her presence brings a new layer of complexity to Dillon's duties, emphasizing the theme of responsibility and compassion. Charity expresses her desire to stay with Dillon, saying, “But I like you” ([15:13]), which challenges Dillon's solitary existence.

Conflict and Resolution ([15:33] - [25:37]) Dillon grapples with the decision to take Charity under his wing. He acknowledges her innocence and vulnerability, stating, “You ought to have a home, a real home, Charity” ([24:22]). The emotional climax occurs when Charity confronts Dillon about her need for a family, leading to a heartfelt resolution. Dillon agrees to help her find Aunt Annie, promising, “Tomorrow morning, we're gonna ride out to Aunt Annie's, huh?” ([25:17]), symbolizing hope and new beginnings.

---

Key Themes

• Responsibility: Dillon's internal conflict about taking in Charity reflects the broader theme of personal responsibility.
• Compassion vs. Duty: Balancing law enforcement with human empathy is a central tension.
• Isolation: Dillon's loneliness is juxtaposed with Charity's need for familial connection.

---

Notable Quotes

1. Marshall Dillon on Responsibility:

   “You ought to have a home, a real home, Charity, with folks close to you, who see that you're cared for.” ([24:22])

2. Charity Gill’s Innocence:

   “Sometimes I don't understand grown ups… But grown ups are always crowding together indoors and smelling smoke and drinking whiskey and talking loud. What is that?” ([20:53])

3. Dillon’s Reflective Nature:

   “It's a chancy job, and it makes a man watchful and a little lonely.” ([02:31])

4. Charity’s Determination:

   “I tried to make him move, but he was too big. I couldn’t move him.” ([12:18])

---

Character Development

• Marshall Dillon: Exhibits growth from a lawman focused solely on his duties to someone willing to embrace familial responsibilities.
• Charity Gill: Represents innocence and resilience, challenging Dillon to open his heart and reconsider his solitary lifestyle.

---

Conclusion "Little Girl" is a poignant episode that delves deep into the human aspects of frontier life. Through the interactions between Marshall Dillon and Charity Gill, the narrative explores themes of responsibility, compassion, and the transformative power of human connection. This digitally restored rendition by Andrew Rhynes not only preserves the classic storytelling of "Gunsmoke" but also enhances it with rich audio quality, making the timeless tales of the Wild West more vivid and engaging for modern audiences.

---

Final Thoughts For listeners who haven’t experienced this episode, "Little Girl" offers a compelling mix of suspense, emotional depth, and classic Western charm. It underscores the enduring legacy of "Gunsmoke" and its ability to resonate across generations through its exploration of timeless themes and relatable characters.

Transcript

[Teen Advocate]

Use of flavored tobacco by teens is a crisis. Tobacco companies use flavors like cotton candy, watermelon ice and cool mint to hook kids like me. They seem harmless, but they aren't. Addiction to nicotine sets us up for a lifetime of health problems. Organ legislators can do something about it. Passing Senate Bill 702A will keep flavored tobacco away from kids. But there are just a few short weeks left for lawmakers to act. Take action to protect kids like me@ flavorshookorgankids.org paid for by the Campaign for Tobacco Free Kids Action Fund.

[Andrew Rines]

Crispy strips listos paraventurace en la mescla de mayo Ketchup, La barbecue que ton el fondo de la cajita. Hot fudge sundae and la Nueva Creamy Chili McCrispy Strip Dip. Los Nuevos McCrispy strips out in McDonald's. Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines, and I'm excited to bring you another episode absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now let's get into this episode. Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal and the smell of gun smoke. Gun smoke. Starring William Conrad. The story of the violence that moved west with young America, and the story of a man who moved with him. I'm that man. Matt Dillon, United States Marshal, the first man they look for and the last they want to meet. It's a chancy job, and it makes a man watchful and a little lonely.

[Teen Advocate]

Nearly 90% of kids who vape say flavors are why they do it. A lot of the flavors that I've heard are like peach, mango, watermelon. It makes it seem like more childlike and innocent. Oh, if I try this once, it won't be that much of a problem. But then, eventually, it becomes a problem. It's time to restrict the sale of flavored tobacco products in Oregon and protect our kids from nicotine addiction. Urge lawmakers to Pass Senate Bill 702A. Take action at flavorshookoreegonkids.org paid for by the Campaign for Tobacco Free Kids Action Fund.

[Andrew Rines]

No sense trying to save the cabin, Chester. The bar and the sheds will cook them down good. All right, Mr. Dillon. Oh, hauling well water takes too long. You better get it from the stream. I'm after the bucket sight bigger than these 10 pails we got here. Let me give you a hand. I'm sick of rust. I Don't know how these fellows draw a war. It don't seem like nobody hasn't worked this thing for a long time. Well, it's come and come, but the bucket's still a long way down there. Wait a minute. Hold it. Maybe I can hold it up by hand. Can you get it? Yeah, I can get it. There. Hold. Bastard.

[Charity Gill]

Now.

[Andrew Rines]

I will. But whether this rope can hold the bucket or not, it's something else again. That rope was plum rotten. Yeah, well, maybe out in the barn, the shed, you can find something to haul water in. I just don't figure how he got his water. He sure didn't use his well. He. Well, the fellow that lived here, the one Alby dragged out of the cabin, where'd he take him? Yonder on them trees. You check the barn, Chester. I'll see the Albie. You look kind of singed, Alvy. You all right? He's just a sinned, that's all I can think. He's just a cinder out under the blanket here. He ain't a man at all. He's a cinder. Yeah, that's all. Elby. Could you tell? Was he alone in the cabin? I couldn't believe it. He was sitting at the table. His head was slumped forward, and there was fire all around. And then I seen he was on fire. He was just sitting there on fire. Take it easy, now. And I got to him, and he toppled off right onto the floor. And he laid there burning. He didn't know it. I seen trees burn. I seen fields. I seen logs. I never seen a man burn before. Just forget about it. You know, it's funny. A man on fire, first thing you do is put a blanket on him. He's burning hot, so you're smothered. You put the fire out, Alvie. That's the way to look. You put a blanket on his Alvey. You put a blanket around his tractor. You. Were you talking to me, Marshall? The blanket. It was in the cabin. A blanket? Oh, it was on the floor, right by the table. Oh, that's wet. It felt wet when I grabbed it. Uhhuh. It's a funny smell, isn't it, Marshall? Yeah. Whiskey and kerosene together make a funny smell, Alvy. Is that what that is? That's what it smells like. Mr. Dillon, can you come back here? Yeah, right away, Chester. You rest yourself, Alvy. You've done more on your share. Oh, I'm all right, Marshall. Where'd you find him, Chester? In corral on the barn. Poor things, ain't they? Puny looking. Whole thin flesh bone shroom. Yeah, somebody neglected them for a long time. They're about starved. Any feed in the barn? Ain't nothing in that barn but rusty cans and a broke plow. Everything in there is crumbling except the rats. Well, there's grass down by the creek. We'll lead them down there. It don't seem like this was Indians, does it, mister. Don't now. It looks queer. Chester. Everything around here looks queer. At least the barn is still standing and a couple of sheds. We done what we could, mister. Gentlemen. You hadn't been riding by and come to fetch us. We couldn't have done this much of it. I couldn't do enough alone. Funny, in a way. It ain't too far from Dodge. But you know, I didn't pass one settler on the way in. You didn't see anybody around here? No, not a soul. It's just odd. That's what it is, odd. Odd as can be. Well, you got to figure he was alone excepting for them two starving horses. I don't know his name, so can't mark his grave. Can't help wondering about him, though. What's a man like that lives alone. Lets his place go to rust and rubble. His horses starve and that. Well, I don't know when that's been used. I don't think he drank water, Chester. You mean that smell of whiskey on the blanket? Martin might be drank himself into a stupor. Knocked the whiskey over along with it. A kerosene lamp. That'd start a fire. That'd burn a man to death. Yeah, that must have been the case. Well, if he was all alone, maybe it doesn't matter what we know. Well, for the rub. What? Mr. Don, look. Coming up in the creek bed yonder. Maybe he wasn't alone after all. Well, that's just a child. She can't be more than nine or 10. I'm afraid I'm no judge.

[Charity Gill]

Who are you?

[Andrew Rines]

I'm Marshall Dillon from Dodge City. Who are you?

[Charity Gill]

Charity.

[Andrew Rines]

How's that?

[Charity Gill]

Charity? Charity Gill. That's my name. It was a big fire, wasn't it?

[Andrew Rines]

Yeah, it was. You live here?

[Charity Gill]

Mm.

[Andrew Rines]

Well, where you been, Charity?

[Charity Gill]

Up the creek. I play up there. Stay up there all I can. All right, get up there.

[Andrew Rines]

You knew about the fire, Charity.

[Charity Gill]

I tried to make him move. I told him to and I. I pulled at him, but he was too big. I couldn't move him. I tried, see? I burned my dress.

[Andrew Rines]

He was your father?

[Charity Gill]

No. He married Mama and me when I was little. She Said I was to call him Daddy and I did. But I didn't like him.

[Andrew Rines]

Where is your mama, Jerry?

[Charity Gill]

Oh, she's dead. She died when I was seven. I'm almost 10 now. He's dead, ain't he?

[Andrew Rines]

Yes, he is.

[Charity Gill]

I didn't like him.

[Andrew Rines]

You don't think. I don't know. It'd be hard to think, wouldn't it, Chester? Yes. I'd say you were a pretty healthy young lady.

[Charity Gill]

I never been to a doctor before.

[Andrew Rines]

You never have. Will you take a tip from me? You stay away from all you can, Charlie.

[Charity Gill]

You're funny.

[Andrew Rines]

Well, some folks think so. Now then, I guess you can slip into your dress yourself.

[Charity Gill]

I always do.

[Andrew Rines]

Well, Marshall Dillon, I'll be waiting for you in the other room when you're ready.

[Charity Gill]

I won't be long.

[Andrew Rines]

What about her, Doc? Oh, she's fine. You could use some more meat on her bones. But there's nothing really wrong with her. The way her dress was burned, I thought maybe the fire got to her too. Was not a sign of a burn. You know something? She seems a lot older than 10, doesn't she? I don't know anything about kids, Doc. Well, I don't mean she is older than that. She just seems to older than her years, I guess she's seen a lot. You talk to her much about the fire? She said she tried to move her stepfather couldn't Miss Bo. She didn't like him. She keeps saying that.

[Charity Gill]

I'm hungry, Mr. Dillon.

[Andrew Rines]

Yeah, well, we'll fix that pretty quick. Now, does Matt get Chester to eat with her? Hey, he sets a mighty good example. He does at that charity. Will you tell us about the fire?

[Charity Gill]

What about it?

[Andrew Rines]

Oh, how it started, for instance?

[Charity Gill]

Well, it's almost happened lots of times. Mama used to tell him that it happened sometimes he wasn't careful. He'd drink out of that jug and then he'd fall asleep. And if the lamp was near, he'd knock it over.

[Andrew Rines]

That's what happened this morning?

[Charity Gill]

I guess so. I went down to the creek to get my breakfast. He didn't talk to me ever. So I didn't talk to him. He was just sitting there with a jug.

[Andrew Rines]

Your breakfast, Jerry.

[Charity Gill]

Yeah, the berries are nice down by the creek.

[Andrew Rines]

Oh, you ought to eat more than berries for breakfast.

[Charity Gill]

I thought you wanted to know about the fire.

[Andrew Rines]

That's right. We do.

[Charity Gill]

When I came back from breakfast, the lamp was on the floor and everything was burning. I tried to make him move, but he was too big. And when my dress started to burn, I ran away.

[Andrew Rines]

Just you and your stepfather? That's all that lived there, huh?

[Charity Gill]

Mm. And Coley and Sue.

[Andrew Rines]

Coley and Sue? Yeah. The horses, Doc. We brought them into Mont Sale.

[Charity Gill]

Marshall?

[Andrew Rines]

Yeah, Charlie?

[Charity Gill]

Will I live with you now?

[Andrew Rines]

Well, no. We'll find a place for you, but.

[Charity Gill]

But I like you. Yeah, but don't you like me?

[Andrew Rines]

Well, sure. Sure, I like you. All right, honey. You want to say something, Doc? Huh? Oh, no, no, no, no, I don't. Oh, come on, Doc. Help me make her understand now, would you?

[Charity Gill]

You wouldn't let me be alone, would you?

[Andrew Rines]

What? No, Charity. I wouldn't do that.

[Teen Advocate]

Nearly 90% of kids who vape say flavors are why they do it. A lot of the flavors that I've heard are like peach, mango, watermelon. It makes it seem like more childlike and innocent. Oh, if I try this once, it won't be that much of a problem. But then eventually it becomes a problem. It's time to restrict the sale of flavored tobacco products in Oregon and protect our kids from nicotine addiction. Urge lawmakers to Pass Senate Bill 702A. Take action at flavorshookoregonkids.org paid for by the Campaign for Tobacco Free Kids Action Funds.

[Andrew Rines]

Listros paraventurace en la mesca de mayo ketchup, la barbecue Que ton el fondo de la cajita hot fudge sundae and La Nueva cream creamy chili McCrispy strip dip. Los Nuevos McCrispy strips out in McDonald's.

[Charity Gill]

You walk too fast, huh?

[Andrew Rines]

Oh, yeah, I guess I do.

[Charity Gill]

Are you in a hurry?

[Andrew Rines]

Well, it's going to be dark before long. I want to get you settled with Ma SM for the night.

[Charity Gill]

Who's Ma sm?

[Andrew Rines]

She's a woman. Runs a boarding house.

[Charity Gill]

What's the boarding house?

[Andrew Rines]

Well, you know, you board there, you get a room to sleep in and your meals.

[Charity Gill]

Can I eat with you?

[Andrew Rines]

Well, sure. Sometimes. Maybe.

[Charity Gill]

Sure, I can cook a little bit. I mean, when there's food in the house, I can cook.

[Andrew Rines]

Well, yeah, I bet you can.

[Charity Gill]

Do you have a little girl like me?

[Andrew Rines]

No.

[Charity Gill]

Little boy?

[Andrew Rines]

No.

[Charity Gill]

Why not?

[Andrew Rines]

Well, I'm not married, Charity.

[Charity Gill]

Well?

[Andrew Rines]

Well, what?

[Charity Gill]

Why don't you have little girl? Little boy, anyway.

[Andrew Rines]

Now, you listen to me, little lady.

[Charity Gill]

You were gonna call me Cherry.

[Andrew Rines]

Yeah, well, you ask an awful lot of questions, Charity.

[Charity Gill]

That's how you learn, asking questions.

[Andrew Rines]

Well, sure. That's how you learn.

[Charity Gill]

Then why don't you have a little girl like me?

[Andrew Rines]

I told you, Charity, I'm not married.

[Charity Gill]

Well.

[Andrew Rines]

Come on, Charity. You're going to like moss. Wally.

[Charity Gill]

Does she have a little girl?

[Andrew Rines]

No.

[Charity Gill]

She married?

[Andrew Rines]

Well, I think she used to be. Yeah, but the.

[Charity Gill]

Well.

[Andrew Rines]

The Charity, I just don't understand. I know you don't, honey, but I just don't figure I'm the one to make you understand. Now come on. Evening, Marshall. Evening, Rob. What's that you got there? This is Charity, Rob. Well, she's a young and a girl. Yeah.

[Charity Gill]

Do you have a little girl?

[Andrew Rines]

Don't start that again, please. Well, you talk right up to her, don't you Marcia? Is Ma around, Rob? Can't start that soon enough. With a young un. Girl especially. Can't give them the head, you know. Gotta lay down the law right early in life. I was asking after Ma. Where is she? Inside? No, she is not. Then where is she, Rob? Medlin, that's where she is. Thinking and talking free with a whole sewing circle of half wit women who should have been Buzz long time ago.

[Charity Gill]

Is he mean, Marshall?

[Andrew Rines]

Yeah, he's mean as a butterfly. Ain't no mean about it. Just sitting down the back. Stating the case, you might say. Now if someone had put Ma and them others in their place when they was this youngin's age, we'd have had a warm supper this evening and a few of the comforts us men. Folks entitled to. Rob, you're gonna run down pretty soon and tell me where Ma is clean all the way to Wichita Hall. Wichita Left on the morning Santa Fe big as you please. Her and the Dorsey girls. Boss Grimmick's wife, Fanny Doy. Clara Jones. Hold up a minute, will you? You're calling off every woman in Dodge. They can't all be at Wichita. Well, you're the marshal. Make yourself a house to house search. Ain't woman left in town and they ain't going to be for five days running. Well, what's going on? Suffering, Rob. You talk straight to me now or so what they call it suffering. They all met for it. Women from all over the state according to Ma, pouring into Wichita. And every single one of them got suffering on their minds. Sufferance? You mean suffrage? Oh, it's one and the same thing. It's that sneaky way women folks has a talking. Why don't they just come out plain and say that they want the vote. No, they got to call it suffering. Suffrage. Well, you let them vote a while and see if the country ain't suffering.

[Charity Gill]

I'm awful sleepy, Marshall.

[Andrew Rines]

Yeah, me too. Charity. You're not serious, man. You're the only woman in town. Kitty. It's only natural that you'd want to take care of her now, isn't it? In a saloon, there's nothing natural about that. She can sleep in your room. Can she? My room, the long branch, Any of this? It's no place for little girl. You should know it isn't. You think one of my jail cells is better? Maybe. Well, there's no words. Honestly, Matt, I know this is a problem, but I don't think I'm the solution. There must be someplace in town or even out of town some family we rode out to. Alby Stevens. He's got eight kids. Yeah, they're stacked up out there and they're all boys. What about Mrs. Stevens? She's going to Wichita with Ma Smalley and the rest of them. Eight kids. And she wants to vote, too. Well, Alby says she went for the outing. I guess you can't blame her for wanting to get away.

[Charity Gill]

Hello.

[Andrew Rines]

Oh, hello, honey. You got the drink you wanted?

[Charity Gill]

Well, the man said he didn't have any milk, so I had some water.

[Andrew Rines]

She ought to have milk, man. Well, yeah, but they keep a cow at Del Monaco. Oh, yeah. Yeah, I guess they do. Well, go and get us some. Teddy will be all right. Here for the. Here, honey, you sit down here and you wait with Miss Kitty. Huh?

[Charity Gill]

You're not gonna leave?

[Andrew Rines]

No, I'll be back as soon as I get you some milk.

[Charity Gill]

I like him.

[Andrew Rines]

Yeah, I like him, too.

[Charity Gill]

You're pretty.

[Andrew Rines]

You think so, honey?

[Charity Gill]

And you smell pretty, too. Only.

[Andrew Rines]

Only what?

[Charity Gill]

You got your face painted. Mama used to tell me only Indians painted their faces.

[Andrew Rines]

Maybe your mother was pretty enough without using powders and things.

[Charity Gill]

Oh, she was pretty. Freckles. She had freckles all over.

[Andrew Rines]

Well, that proves it. I don't have any freckles.

[Charity Gill]

This is a funny place, ain't it?

[Andrew Rines]

Kind of funny, yeah.

[Charity Gill]

Sometimes I don't understand grown ups, Miss Grand Kitty. Outside there's alfalfa and sweet clover to smell and quick water to drink and currants and wild gooseberries and sheep shower to eat. But grown ups are always crowding together indoors and smelling smoke and drinking whiskey and talking loud. What is that?

[Andrew Rines]

I don't know, Charity. I just know they do. And if they didn't, I'd be out of business. Now, Mr. Dillon, I just don't see the need of this at all. I never been in jail before in my life. Stop acting like an old woman, Chester. You're not in jail now. Really? Poor Egret McPeters was in the same doggone cell Just last week, before they took him off to Hay City to hang. Now, you listen to me, Chester. It's been a long day. I had about all the jaw and I can handle. Charity's going to sleep in your bed. I'm going to sit up in mine, and you're going to sleep on that cot there. And that's the end of it. Now shut up. Yes, sir, I understand. But I don't see why I got to be locked up. You're not locked up, Chester. You closed the door shut on me. All right, all right, all right. There. Better. Is that better, huh? Yes, sir, it is a sight better. Good night, Chester. Night, Ms. Jones. Yes? I guess Charity's asleep. But now all right. She probably was before we started this ruckus. Yeah. Oh, that poor little thing. Whatever's gonna come here, Mr. John? I don't know, Chester. I don't know anyone who wants kids that hasn't got them. I sure never run up against anything like this before. She plumbed on on you. Tags along like a little stray. Too bad you can't keep her. Now you're out of your head. Well, now, I can see it ain't the most practical thing in the world. Chances are you'd feel a lot better having a little boy. But all the time. Chapter. Yes, sir, I'd feel a lot better having nothing at all. No boy, no girl. Well, yes, I suppose so. You're more used to that. Good night, chester. Good night, Mr. Dillon.

[Charity Gill]

Ain't you gonna get in your bed, Marshall?

[Andrew Rines]

Hey, you're supposed to be asleep, young lady.

[Charity Gill]

I know, but I keep thinking. I never can sleep when I'm thinking.

[Andrew Rines]

I guess the secret's to quit thinking then, huh?

[Charity Gill]

I'm worried about you, Marshall. Dylan.

[Andrew Rines]

Worried.

[Charity Gill]

You don't know what to do about me, do you?

[Andrew Rines]

No, honey, I sure don't.

[Charity Gill]

I guess you're tired of me, too.

[Andrew Rines]

I'm not tired of your Charity. I just don't rightly know what to do with you.

[Charity Gill]

You don't want me to live with you, do you?

[Andrew Rines]

Well, honey, you can't very well. You've seen how I live here is not the right place for a little girl. You ought to have a home, a real home, Charity, with folks close to you, who see that you're cared for.

[Charity Gill]

Who will love you like my Aunt Annie.

[Andrew Rines]

Aunt Annie?

[Charity Gill]

Oh, maybe I haven't told you about Aunt Annie.

[Andrew Rines]

Maybe you haven't.

[Charity Gill]

At first I. I thought it'd be nice to live with you. But mostly you and I just walk around. I get tired.

[Andrew Rines]

Charity, where does Aunt Annie live?

[Charity Gill]

Just down yonder from where I used to live before the fire. Maybe five miles. Not far. I like you, Marshall Dylan.

[Andrew Rines]

Yeah, well, I like you, too, Charity. And tomorrow morning, we're gonna ride out to Aunt Annie's, huh?

[Charity Gill]

I think I'll sleep better now.

[Andrew Rines]

Yeah, me too, honey. Me too.

[Teen Advocate]

Nearly 90% of kids who vape say flavors are why they do it. A lot of the flavors that I've heard are like peach, mango, watermelon. It makes it seem like more childlike and innocent. Oh, I tried this once. It won't be that much of a problem. But then eventually it becomes a problem. It's time to restrict the sale of flavored tobacco products in Oregon and protect our kids from nicotine addiction. Urge lawmakers to Pass Senate Bill 702A. Take action at flavorshookoregonkids.org paid for by the Campaign for Tobacco Free Kids Action Fund.

[Andrew Rines]

What is daddication? The thing that drives me every day as a dad is Dariana. We call them dae date for short. Every day he's hungry for something, whether it's attention, affection, knowledge. And there's this huge responsibility in making sure that when he's no longer under my wing that he's a good person. I want him to be able to sit back one day and go, we work together. We did a good job. That's dedication. Find out [e-mail] brought to you by the U.S. department of Health and Human Services and the Ad Council.

[Charity Gill]

Munch, Munch, munch.

[Andrew Rines]

A bunch of burritos Corn chips. It's not polite to smack your lips, but you can't help with Fritos corn chips. Munch, munchy, munchy, munchy.

[Charity Gill]

Fritos Corn chips.

[Andrew Rines]

Some things you eat because they taste good and some things you eat because they're good for you. But Fritos corn chips are one snack you can eat for both reasons. Gun movies produced and directed in Hollywood by Norman McDonald stars William Conrad as Matt Dillon, U.S. marshal. The story was specially written for gun folk by Kathleen Height with editorial supervision by John Meston. Featured in the cast were Anne Whitfield, Joseph Kearns, and Lawrence Dobkin. Harley Bear is Chester, Howard McNear is Doc, and Georgia Ellis is Kitty. This is George Walsh inviting you to join us again next week when CBS Radio presents another story on gun smoke. It.

[Teen Advocate]

Use of flavored tobacco by teens is a crisis. Tobacco companies use flavors like cotton candy, watermelon ice and cool mint to hook kids like me. They seem harmless, but they aren't. Addiction to nicotine sets us up for a lifetime of health problems. Oregon legislators can do something about it. Passing Senate Bill 702A will keep flavored tobacco away from kids. But there are just a few short weeks left for lawmakers to act. Take action to protect kids like me@ flavorshookorgonkids.org paid for by the Campaign for Tobacco Free Kids Action Fund Packages by Expedia.

[Andrew Rines]

You were made to be rechargeable. We were made to package flights, hotels and hammocks for less. Expedia made to travel. This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com YouTube become one of our ranch hands and unlock some exclusive content. We want to thank our most recent ranch hands, Steve and Technogod, who who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail 707-986-8739 this episode is copyrighted under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.

[Teen Advocate]

Nearly 90% of kids who vape say flavors are why they do it. A lot of the flavors that I've heard are like peach, mango, watermelon. It makes it seem like more childlike and innocent. Oh, I try this once, it won't be that much of a problem. But then eventually it becomes a problem. It's time to restrict the sale of flavored tobacco products in Oregon and protect our kids from nicotine addiction. Urge lawmakers to Pass Senate Bill 702A. Take action at flavorshookoregonkids.org paid for by the Campaign for Tobacco Free Kids Action Fund.

[Andrew Rines]

Ryan Seacrest here. When you have a busy schedule, it's important to maximize your downtime. One of the best ways to do that is by going to chumbacasino.com Chumba Casino has all your favorite social casino games like spin slots, bingo and solitaire that you can play for free for a chance to redeem some serious prizes. So hop on to chumbacasino.com now and live the Chumba Life. Sponsored by Chumba Casino. No purchase necessary. VGW Group void where prohibited by law, 21/ terms and conditions apply.