Nettie Sitton | Gunsmoke (05-01-60)

Summary

Old Time Radio Westerns Podcast

Episode: Nettie Sitton | Gunsmoke (05-01-60)
Host: Andrew Rhynes
Release Date: May 11, 2025

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Episode Overview

In this gripping episode of the Old Time Radio Westerns podcast, titled Nettie Sitton | Gunsmoke, listeners are transported back to the rugged terrains of the Wild West. The story intricately weaves themes of survival, trust, and the complexities of frontier life, all while spotlighting the enigmatic character Nettie Sitton.

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Main Characters

• Matt Dillon (William Conrad): The steadfast United States Marshal, embodying duty and resilience.
• Chester (Greg Harley Bear): Matt Dillon's loyal companion, providing support and camaraderie.
• Doc (Howard McNear): The town's doctor, offering wisdom and medical assistance.
• Nettie Sitton (Georgia Ellis): A mysterious woman living alone in Ute territory, whose interactions with Matt and Chester unveil her tough exterior and hidden depths.

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Detailed Summary

Introduction to Conflict [00:00 - 06:33]

The episode opens with Matt Dillon arriving in a seemingly peaceful town, only to discover tension brewing beneath the surface. A confrontation unfolds between Matt, Chester, and Doc, highlighting the fragile state of the town and the lurking threats.

Matt Dillon [00:30]: "I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job, and it makes a man watchful and a little lonely."
[00:42]

As discussions between Matt and Chester hint at recent troubles with renegade Utes, Nettie Sitton makes her first appearance, adding ambiguity to the unfolding situation.

Rising Tensions and Injuries [03:04 - 06:47]

During an encounter with hostile forces, Chester sustains an injury, leading to a tense moment where Matt's resilience is tested.

Chester [03:13]: "How's your leg feel? Was you hit bad, Mr. Dillon?"
[03:39]

Despite the pain, Matt insists on pressing forward, showcasing his determination to confront the threats head-on.

Encounter with Nettie Sitton [10:14 - 16:11]

The narrative thickens as Matt and Chester seek refuge in a deserted cabin, only to be confronted by Nettie Sitton. Her tough demeanor and assertive nature immediately establish her as a formidable presence.

Nettie Sitton [11:00]: "I buried four husbands. 20 children. A couple of strangers. Don't faze me."
[12:22]

Tensions escalate as Nettie demands their valuables, leading to a power struggle that reveals her intricate relationship with the Ute people and the land.

Revelation of Nettie's Past [13:03 - 20:24]

Through compelling dialogue, Nettie unveils her backstory, intertwining her fate with that of White Bear, the Ute chief. Her knowledge of both settler and Native American ways provides depth to her character.

Nettie Sitton [19:22]: "He comes here like you for a shot, Ailin. White man's doing. Mr. Sitton and me, we took him in, tended him. He was a young chief then. But White Bear never forgot. Not in all these years."
[19:42]

Matt's personal losses and Nettie's hardened persona create a poignant contrast, illustrating the human cost of frontier life.

Climactic Confrontation [20:30 - 23:33]

As night falls, the impending threat from renegade Utes looms large. Matt and Chester find themselves outnumbered and outgunned, relying on Nettie's unexpected assistance to navigate the perilous situation.

Nettie Sitton [22:21]: "It's Dylan they're riding off."
[22:21]

The climax sees Nettie making a crucial decision to spare Matt and Chester, hinting at a possible future alliance and mutual respect.

Resolution and Reflection [23:33 - 24:18]

In the aftermath, the characters reflect on their survival and the intricate dynamics that have developed. Nettie's complex character leaves listeners pondering her true intentions and the blurred lines between friend and foe.

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Notable Quotes with Timestamps

• Matt Dillon: "I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job, and it makes a man watchful and a little lonely."
  [00:42]

• Nettie Sitton: "I buried four husbands. 20 children. A couple of strangers. Don't faze me."
  [12:22]

• Nettie Sitton: "He comes here like you for a shot, Ailin. White man's doing. Mr. Sitton and me, we took him in, tended him. He was a young chief then. But White Bear never forgot. Not in all these years."
  [19:42]

• Nettie Sitton: "It's Dylan they're riding off."
  [22:21]

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Themes and Insights

• Survival and Resilience: Matt Dillon's unwavering commitment to his duty, even when injured, underscores the theme of resilience in the face of adversity.

• Trust and Betrayal: The uneasy alliance between Matt, Chester, and Nettie explores the fragile nature of trust on the frontier.

• Cultural Conflicts: Nettie's interactions reveal the deep-seated tensions between settlers and Native American tribes, highlighting historical conflicts and personal vendettas.

• Isolation and Loneliness: The characters' solitary experiences emphasize the emotional toll of life in the Wild West.

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Conclusion

Old Time Radio Westerns masterfully brings to life the enduring saga of Matt Dillon and the enigmatic Nettie Sitton. This episode intricately blends action, drama, and rich character development, offering listeners a vivid portrayal of life on the frontier. Through meticulously restored audio, the podcast not only pays homage to classic Western radio dramas but also breathes new life into timeless tales of courage, conflict, and camaraderie.

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Final Thoughts

For those new to the Old Time Radio Westerns podcast, this episode serves as a compelling entry point, showcasing the series' commitment to preserving and enhancing classic Western narratives. Whether you're a fan of the genre or exploring it for the first time, Nettie Sitton | Gunsmoke promises an engaging and immersive listening experience.

Transcript

[Narrator]

Foreign.

[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines, and I'm excited to bring you another episode absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now, let's get into this episode.

[William Conrad]

Around Dodge City and in the territory on west. There's just one way to handle the killers and the spoilers, and that's with a U.S. marshal. And the smell of gun smoke. Gun Spoke, starring William Conrad. The story of the violence that moved west with young America and the story of a man who moved with it.

[Matt Dillon]

I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job, and it makes a man watchful and a little lonely.

[Nettie]

Your moot, Doc.

[Chester]

Yes, yes, I see this.

[Doc]

Only I don't like my choices. You got me kind of cornered. Kidding?

[Unknown]

Oh, now then, Smart man like you ought to be able to think his way out.

[Doc]

Well, let me see now. Nope. There's nothing I can do.

[Chester]

Except this. And pray.

[Doc]

Your eyesight's going back on you.

[Unknown]

Not today, it hasn't Documented.

[Nettie]

Yep, yep. There.

[Unknown]

You can't pedal any eyeglasses here today.

[Doc]

How many games you won now?

[Nettie]

Five straight.

[Unknown]

And remember, we were playing $2,000 a game in trade.

[Nettie]

That was some bet.

[Unknown]

I'd have to die to collect it.

[Doc]

And the same thing, if I had a one kitty. $5,000 worth of your whiskey would wipe out every doctor in the West. You don't want to play another game, by any chance?

[Unknown]

Not by any chance.

[Nettie]

Ah, thank heavens.

[Unknown]

Why don't you go make a few calls, Doc?

[Doc]

I'd love to. The trouble is no one needs me. The town and the county are just busting with good health.

[Unknown]

Yeah. Look at this saloon. One paying customer at the bar and he's drinking beer.

[Doc]

Well, I'd say that Matt and Chester picked themselves a good time to be out of town.

[Unknown]

Yeah, they got it pretty soft, all right. Of course, they get shot at now and then. At least they get out of Dodge.

[Nettie]

Once in a while.

[Doc]

Yeah, Let me see. We're using a pueblo this time.

[Unknown]

Wasn't it near there, anyway? Didn't say how long they'd be gone.

[Doc]

No, and I'll bet I know why. Why, it's some of the best fishing in the world. Not far from Pueblo. Wouldn't surprise me the least bit if they settle back next to a stream that's just jumping with Mountain TR.

[Chester]

How's your leg feel? Was you hit bad, Mr. Dillon?

[Matt Dillon]

I never heard of being hit. Good, Chester.

[Chester]

Pant leg's bloody in some.

[Matt Dillon]

Yeah, I know.

[Chester]

What got into them Indians, anyway? We was just riding through.

[Matt Dillon]

Well, if it hadn't been us, they'd have gone after a rabbit or a coyote, maybe. These rocks they were shooting for, the noise of it.

[Chester]

I guess they had to be utes, didn't they?

[Matt Dillon]

Renegade Utes, most likely.

[Chester]

Well, they got tired of us. Or they think they killed us. One or the other. Can you bear weight on that leg?

[Matt Dillon]

I don't know. Let's try.

[Chester]

Just let me slip my arm behind you here. Yeah, Cool yourself up. Hold on to me, Mr. Dillon. Can you make it?

[Matt Dillon]

Yeah, I can make it to my horse, I think.

[Chester]

There we go.

[Matt Dillon]

Easy.

[Chester]

You better rest some before I try to mount.

[Matt Dillon]

Now let's get it over with.

[Chester]

Chester, you'll have to swing your hurt leg over.

[Matt Dillon]

Oh, you'll have to guide it. If I kick your teeth out in the process, you take it as nothing personal, huh?

[Chester]

Yes, sir.

[Matt Dillon]

All right, here we go.

[Chester]

You. You all right, Mr. Dillon?

[Matt Dillon]

Yeah.

[Chester]

I could strap you in your saddle.

[Matt Dillon]

Oh, there's no need. All right, let's go.

[Chester]

You're awful peeky looking, Mr. Dillon. About played out, ain't you?

[Matt Dillon]

There's water ahead to the left and those trees there.

[Chester]

Well, you can't go on. Just water.

[Matt Dillon]

That'll help water the horses, too.

[Chester]

Ain't much daylight left. I90 we'd find a settler and get you bedded down for the night.

[Matt Dillon]

It's a ute country, Chester. They brought it out most of the cellars and through those trees now. Yeah. There's good grass by the stream.

[Chester]

Don't. Don't you move yet, Ms. Dylan.

[Nettie]

I'll help you.

[Matt Dillon]

All right, now you stand to steady me. My leg won't bear any weight.

[Chester]

Yes, sir.

[Nettie]

There you go.

[Chester]

Now just fall free again.

[Nettie]

Me?

[Chester]

Right. Now, you just. You just stretch out there. How's that, Mr. Dillon?

[Matt Dillon]

It's fine, Chester. It's just fine.

[Chester]

I'll get you some water. I declare, you look afraid.

[Matt Dillon]

I say to catch my breath. Just rest a little bit.

[Chester]

I sure do wish I could make you comfortable in a bed with some warm food.

[Matt Dillon]

I know. I know you. Here's my. The horses, huh?

[Chester]

Yes, sir.

[Matt Dillon]

Chester. Chester.

[Chester]

Oh, you wait, Mr. Dylan.

[Matt Dillon]

Yeah. Yeah. I shouldn't have gone to sleep.

[Chester]

I guess you didn't have no choice. Once you swallowed that cool water, you were just plumb.

[Matt Dillon]

What is that? Was that horses?

[Chester]

Oh, no, Miss Dylan. I hobbled them before I set out. They ain't making A sound.

[Matt Dillon]

Wait a minute. That's horses, all right. They're coming this way.

[Chester]

I sure don't hear a thing. You're afire with fever, Mr. Dillon. You just might be imagining.

[Matt Dillon]

Now, you keep listening. You'll hear them. Yes, sir.

[Chester]

What I was gonna say was. While you was resting, I set out and took a look around. There's a cabin not more than a couple hundred yards away.

[Matt Dillon]

They're coming from the north.

[Chester]

I think you're right, Mr. Dillon.

[Matt Dillon]

Look. Look through the trees there.

[Chester]

Indians. Could be them same renegades.

[Matt Dillon]

Yeah, maybe.

[Chester]

We sure better make for that cabin.

[Matt Dillon]

No, we're better off here. Trees will hide us. Unless they already know we're here. Just lie flat, Chester. They start through the trees. Fire.

[Chester]

You able to handle a gun ready for them? They're making right for us. Sure is seeing.

[Matt Dillon]

Yeah.

[Chester]

They'Re right at the trees.

[Matt Dillon]

Take it easy.

[Chester]

I sure ain't keen on them seeing us first.

[Matt Dillon]

They're riding right along the tree line, going on south.

[Chester]

I can't make them out anymore. You see him?

[Matt Dillon]

They're on past the thicket, but I can't see them.

[Chester]

I swear. That was close.

[Matt Dillon]

Yeah, it's still close. Sounds like I stopped.

[Chester]

I counted six of them. Yeah, six.

[Matt Dillon]

That cabin. Where is it?

[Chester]

Afraid that's where they are. It's that direction. No more than a couple hundred yards away.

[Matt Dillon]

Yeah, that's something better.

[Chester]

That's a welcome sound. For a fact.

[Matt Dillon]

You're talking about a deserted cabin, Chester.

[Chester]

I didn't see no signs of life. Likely been that way for years from the look of it.

[Matt Dillon]

You'll have to drag me, Chester. I can't mount again.

[Chester]

I'll get you there, mate. Done. Don't you fret yourself.

[Matt Dillon]

All right.

[Chester]

Ain't more than about 10 steps. You can make it, Ms. Dylan.

[Matt Dillon]

I. I don't know, Chester.

[Chester]

Come on, now. You just lean heavy on me. You make out you come no closer.

[Nettie]

Ma' am.

[Chester]

You can just put that shotgun away right now.

[Nettie]

I'll judge about the shooting. What ails him.

[Chester]

He's sharp and weak, ma' am. I gotta put him down inside.

[Nettie]

I never laid eyes on you before.

[Chester]

No, ma' am. We're clean from dodge city.

[Matt Dillon]

Just Mr. Dillon.

[Chester]

You all right, Mr. Dillon? Mr. Dillon?

[Nettie]

He dead?

[Chester]

No, ma' am. Not yet. Would you just try to help? Set that shotgun aside and help a body.

[Nettie]

How are you on food?

[Chester]

We got precious little, I'll tell you that.

[Nettie]

Blankets, shells. You got anything?

[Chester]

What I got is a mighty sick friend here, ma' am. And I'm lifting Him up right now and taking him in that cab.

[Nettie]

How much money have you got?

[Chester]

I don't know. A little. Hand it over once we're inside.

[Nettie]

I tell you, boy, I'd soon shoot the both of you jaw with you. I want your money and your gun.

[Chester]

There, now.

[Nettie]

Then his money too.

[Chester]

Oh, my goodness. Here. I'm bringing him inside now.

[Nettie]

Yeah, all right. But for this little bit of money, he ain't gonna be there long now. You're another weak one, are you?

[Chester]

Well, I'm carrying my weight in logs.

[Nettie]

Put him by the stove and quit whimpering. Soft bellies, the lot of you.

[Chester]

How is he?

[Nettie]

Ask him. He only making out he's sleeping.

[Chester]

Ms. Dylan.

[Matt Dillon]

You can't fool her, Chester. Don't try.

[Chester]

You sure did give me a fright. I wasn't sure you was gonna make it.

[Matt Dillon]

I'm all right.

[Chester]

She get the bullet out?

[Matt Dillon]

Yeah, and half of my leg, I think.

[Nettie]

Yeah, I seen new cubs with tougher hides.

[Chester]

You told me you knew what you was about.

[Nettie]

Now, you mind your tongue. I'm no mind to hear you, Ballard.

[Matt Dillon]

A cause to go at her, Chester. She did all right.

[Chester]

Well, she took everything we had, Mr. Dillon. Our guns, bullets, money. I never seen her life.

[Nettie]

You'd best quiet him. I buried four husbands. 20 children. Couple of strangers. Don't faze me.

[Matt Dillon]

You better get some sleep, Chester. She says you watched over me all night.

[Chester]

Well, now, if you need me, Mr. Dillon.

[Matt Dillon]

No, I'm fine. You go on now. You go to sleep, huh?

[Doc]

Yes, she.

[Matt Dillon]

Four husbands. Men.

[Doc]

Four.

[Nettie]

I outlived them. They was men. Regular men.

[Matt Dillon]

I can believe that.

[Nettie]

We didn't trifle with marshals, army folk. No days. Mr. Sitton and me lived as peaceable as could be with Indian folk. We come here peaceable.

[Chester]

Me and Mr. Sitton.

[Matt Dillon]

When was that?

[Nettie]

The 30s?

[Matt Dillon]

Things were different then.

[Nettie]

No different than with Mr. Griffith, Mr. Albright. Even later on with Mr. Netherton. There was lessons to learn in the west in them days. Eat the porridge.

[Matt Dillon]

Much obliged, ma' am.

[Nettie]

Nettie. How's that, Nettie? I say, Nettie. Sitting. I go by that. I can't abide being called ma' am. I lean toward Nettie.

[Matt Dillon]

Nettie. Nettie. You live alone in the middle of Ute country. How do you manage?

[Nettie]

I come by your guns. Such little money you had. Sometimes it's food, sometimes roads. I take what I can get. No matter to me if it's settlers or Scouts or US Marshals or Utes. Folks don't find Nettie lessen they're Lost a half dead. And open your eyes to see what they part with.

[Matt Dillon]

You always greet them with a shotgun?

[Nettie]

If need be.

[Matt Dillon]

Before we came here yesterday, a band of Ute braves stopped here.

[Nettie]

I got good arrows, strong bows, rifles. Even a couple of buffalo guns off a mountain man. Broke his leg down the canyon.

[Matt Dillon]

They got a camp near here. The Ute.

[Nettie]

You got something more to give me?

[Matt Dillon]

Chester says you cleaned us out.

[Nettie]

Then you're getting full measurements.

[Chester]

Hey, no. Here.

[Nettie]

Here. Now, you can't. Am I right? I ain't had a pretty first spell. That's a fact.

[Chester]

I bought that ring myself in St. Louis. Man's not satisfied they sleep in here.

[Nettie]

It'll fit just fine once I wrap some twine around it. Body's fingers thin with age.

[Chester]

I declare. Next thing I know, you will be picking my bones.

[Nettie]

Mind your tongue.

[Matt Dillon]

Give him his ring back.

[Nettie]

Oh, not likely. No.

[Chester]

Dylan. What Say you can't hit an old woman when she's so mean and contrary?

[Matt Dillon]

For one thing, her shotgun.

[Nettie]

I'd as soon use it as have a ruckus with you.

[Matt Dillon]

You take his ring. You give us something, Nettie.

[Nettie]

Oh, I do admire her. Pretty. I clean forgot the bright feeling.

[Matt Dillon]

They give you our guns for the ring, Nettie. That's fair.

[Nettie]

I come by your horses down by the creek this morning. They're grazing on my grass and swilling my water. The pretties to Pay for that, Mr. Joan.

[Chester]

I better go see to them horses.

[Nettie]

You'll stay where they're sick and ailing. I'll see to the horses.

[Matt Dillon]

You sayin he can't leave the cabin?

[Nettie]

Not alive, he can't. Well, you doggone.

[Narrator]

She means it, Chestnut.

[Nettie]

I do that now. I got tendin to do outside. No need peering around for your guns whilst I'm gone. You won't find them.

[Chester]

Mr. Dillon, we have got to get out of here.

[Matt Dillon]

We need horses to do it. Come here. Now steady me.

[Chester]

You ain't that stand yet.

[Matt Dillon]

You stand steady.

[Chester]

There.

[Matt Dillon]

Now. We'll have to crawl once we're outside. Anyway, I can manage to the door like as much.

[Chester]

He just crouched out there waiting for.

[Matt Dillon]

Well, it's worth a chance. We might not get another one. All right, get on your belly. Move small through the brush toward the stream. Can you see her?

[Chester]

No, I can't.

[Matt Dillon]

The stream. How far is it?

[Chester]

A good hundred yards, maybe more.

[Matt Dillon]

I don't see the horses.

[Chester]

I don't neither.

[Matt Dillon]

Flatten Chester. It's Ute.

[Chester]

She's talking to them Indians.

[Matt Dillon]

We're gonna have to go back, Chester.

[Chester]

To the cabin.

[Matt Dillon]

Without guns or horses, we're no good out here. Come.

[Chester]

What do you reckon she's done with her guns, Mr. Dylan?

[Matt Dillon]

Her? She might have eaten them.

[Chester]

Here, I'm steady after the walk.

[Matt Dillon]

I'd give a lot for some of her strength right now.

[Chester]

You reckon I could find them guns alone?

[Matt Dillon]

Get yourself killed doing it. That's no good, Chester. We're gonna have to wait.

[Nettie]

You just about as foolish as can be, ain't you? Crawling around in the brush out there. What's id?

[Matt Dillon]

Fresh air.

[Nettie]

You got no guns, no food. There's Utes all around. You don't think too good to get hides, do you?

[Matt Dillon]

Where are the horses, Nellie?

[Nettie]

Your color's coming back, sir.

[Chester]

You heard him. What about them horses?

[Nettie]

They bring a good price in these parts. I could get me a passer of things trading horses.

[Matt Dillon]

You're real friendly with the Ute, huh?

[Nettie]

They treat me good. Cause they know Mr. Sitton and me come peaceable to their country. Not to run em off. What right lays their land?

[Chester]

You ever seen em at their killing? Women, babies, no matter to them.

[Nettie]

Ever ask yourself who started it all? Well, I seen it happen. The whites and their guns moving in. It wasn't pretty work they did. Women and children too. That's a fact.

[Matt Dillon]

They let you live here? There's gotta be a reason.

[Nettie]

He come here like you for a shot, Ailin. White man's doing. Mr. Sitton and me, we took him in, tended him. He was a young chief then. But White Bear never forgot. Not in all these years.

[Matt Dillon]

White Bear's the oldest chief among the Ute now.

[Nettie]

He don't forget Neddy sitting. He's near to relation I got.

[Matt Dillon]

You're from another age, Nettie. You and White Bear.

[Nettie]

Maybe you got someone, a wife?

[Matt Dillon]

No, no wife.

[Nettie]

The mother's in.

[Matt Dillon]

I got her memory and a pair of earrings she always wore. That's all.

[Nettie]

Not on you. I'd have come on them.

[Matt Dillon]

They're back in Dodge City.

[Nettie]

Oh, that's a pity. That's a pity.

[Matt Dillon]

You think you can get the guns without waking her?

[Chester]

I can't make out good through a light, but I can fight an old woman in the dark.

[Matt Dillon]

Not long till sun up. This may be our last chance. Take it easy.

[Nettie]

Now. That's just close enough. I don't mind shooting one bit. Stealing upon an old woman. What kind of man are you?

[Chester]

You're a doggone witch, that's what you are. Seeing in the dark. And you ain't no kind of woman at all.

[Nettie]

Maybe not. Now, boy. But I was once more woman than you could imagine.

[Matt Dillon]

All right, shut up, both of you. Somebody's coming.

[Nettie]

They come earlier than I said.

[Chester]

It's them same Indians, Mr. Dillon.

[Matt Dillon]

Yeah.

[Nettie]

Made you stand still, the pair of you.

[Chester]

Mr. Dillon, I swear I had my rival. I'd blow us up before I'd let them take us.

[Matt Dillon]

Maybe I'd help you, Chester.

[Chester]

She's out there right now trading for us. You know that.

[Matt Dillon]

Now get ready. Somebody's coming.

[Nettie]

Oh, now, that cut of beef will last me a good long time. It was a gift from my friend white bear for us. Oh, now then, you worth a sight more than that.

[Chester]

It's Dylan they're riding off.

[Matt Dillon]

You're sparing us, Nettie.

[Nettie]

Why sparing you?

[Matt Dillon]

You didn't tell them about us.

[Chester]

We didn't ask how come you're acting human so sudden like after near scaring us to death.

[Nettie]

I ain't gonna miss this boy. Anstituth of it. He's one ballin big mouth.

[Matt Dillon]

We'll be glad to get out of your way and trade for guns, our horses and a cut of your new beef.

[Nettie]

I've been thinking about them here bobs.

[Matt Dillon]

I've been thinking about our guns under my bed.

[Nettie]

These two horses saddled at the spring. Now them here bobs, there aren't a.

[Matt Dillon]

Strong box in Dodge city. You mean to ride back with us?

[Nettie]

I wouldn't be seen in daylight with you.

[Matt Dillon]

Yeah, well, I might get back this way someday. If I do, I'll bring him to.

[Nettie]

You for these old ears. Here, boy. Take your ring, pretty. It ain't for me. Not anymore.

[Chester]

I'll take it. I declare, I don't understand you at all.

[Narrator]

You.

[Chester]

You. You just beat the Dutch, that's what you do.

[Nettie]

If you was regular men, you'd find yourself a woman. Pretties don't belong on a man's hand. There ain't no strong box. Us women folk gives us that bright feeling having a pretty.

[George Walsh]

Gunsmoke, produced and directed in Hollywood by Norman McDonald, stars William Conrad as Matt Dillon, u. S. Marshal. The story was specially written for Gunsmoke by Kathleen Height with editorial supervision by John Meston. Featured in the cast was Virginia, Greg Harley bear is Chester, Howard McNear is Doc, and Georgia Ellis is Kitty. And now, here's a special word from our star.

[Narrator]

This is William Conrad. I've taken off the marshall's badge to remind you that the crusade for freedom is counting on our continued support to keep radio free Europe on the air. I might just mention over 90% of the refugees escaping Iron Curtain countries report that they were Radio Free Europe listeners. That means we're getting the truth through the jamming and past the propaganda barrage. Let's keep the truth alive. Keep faith with more than 76 million people who can rely on us for it. Send what you can now to the Crusade for Free Freedom, care of your post office.

[George Walsh]

This is George Walsh inviting you to join us again next week when CBS Radio presents another story on gun Smoke.

[Andrew Rines]

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[Matt Dillon]

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