Odd Man Out | Gunsmoke (11-24-57)

Summary

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Old Time Radio Westerns: Gunsmoke – Odd Man Out (11-24-57)

Host: Andrew Rhynes
Original Air Date: November 24, 1957
Podcast Release Date: July 12, 2026

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Episode Overview

This episode of Old Time Radio Westerns features the classic Gunsmoke drama "Odd Man Out," starring William Conrad as Marshal Matt Dillon. Through digital restoration, host Andrew Rhynes presents this story with enhanced audio clarity, allowing listeners to step back into the golden age of radio with immersive soundscapes.

Set in Dodge City, "Odd Man Out" unwinds a somber and sensitive tale: Cyrus Huggins, an aging farmer, reports the mysterious disappearance of his wife, Bertha, after 37 years of marriage. Marshal Dillon investigates a web of memory, grief, and rural hardship — probing the blurry line between loss and denial in the harsh realities of frontier life.

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Key Discussion Points & Plot Breakdown

1. Cyrus Huggins' Arrival in Dodge City

• Cyrus Reports Bertha Missing
  • Cyrus visits Marshal Dillon, showing signs of distress and confusion (03:12).
  • He describes his wife's sudden disappearance after decades together:

    "37 years we've been together. Through better and worse. Finest woman that ever lived, Marshal. She left me." – Cyrus Huggins (05:46)

  • Says Bertha’s been gone three weeks, and the loneliness is overwhelming (06:48).

2. Community Support and Growing Suspicion

• Conversations in the Long Branch Saloon
  • Matt discusses Bertha's disappearance with Kitty and Doc. Kitty raises the possibility of foul play, but Dillon dismisses it:

    "Oh, no, there's no reason to think anything like that." – Matt Dillon (11:08)

  • Doc highlights Bertha’s frail health and the toll prairie life takes on women (12:34).
  • The trio ponders Cyrus's odd, vague behavior and the lack of clues.

3. Break in the Case: Discovery of Bertha’s Belongings (14:00–17:30)

• Clothes and personal items belonging to Bertha turn up in a general store, being sold by a newcomer named Hody Peel.
  • Hody claims he got the items from an old man on a farm west of town — the Huggins place (16:36).
  • Hody describes seeing Cyrus digging a hole by a spring, noting,

    "I remember thinking at the time it looked sort of like a grave." – Hody Peel (17:01)

4. Confronting the Truth on the Prairie (20:36–24:55)

• Marshal Dillon and Chester visit Cyrus
  • Cyrus's memory is clouded; he alternately claims Bertha ran away, visited her sister, or is still around.
  • He repeats stories from their long marriage but is confused about recent events:

    "Funny thing, when something had happened way back, I remember it fine. … Things the last three weeks, though, there kind of clouded over for some reason." – Cyrus Huggins (22:23)

• At the spring, Dillon finds a fresh grave with a wooden headboard reading:

  "Bertha Huggins, beloved wife of Cyrus Huggins, married 37 years."
  (23:29)

• Cyrus finally faces the truth
  • Emotional confession:

    "I pretty went out of my mind, Marshal… I started pretending, I guess. Like she went off someplace and was coming back. Pretty soon I started believing it. I had to believe it. I couldn't even think of going about without her. I just couldn't face it." – Cyrus Huggins (24:23)

  • Concedes, heartbreakingly:

    "She's dead. She's really dead. And that's the truth." – Cyrus Huggins (24:55)

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Notable Quotes and Memorable Moments

• Cyrus on Grief and Denial
  “I started pretending, I guess... I had to believe it. I couldn't even think of going about without her. I just couldn't face it.” (24:23 – Cyrus Huggins)

• Doc on Prairie Hardship
  “It's easier to say what isn't. Oh, I suppose too many years in the prairie sums it up. Too many 16 hour work days, crop failures, too many nights awake in Indian country.” (12:34 – Doc)

• Kitty's Wit
  “Don't tempt me, Doc.” (12:57 – Kitty’s banter with Doc about running away to Boston)

• Matt Dillon's Empathy
  “Cyrus, you can't go on living on a dream. You better tell me about it, huh?” (23:47 – Matt Dillon)

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Important Timestamps

• 01:42–02:48: Classic "Gunsmoke" introduction
• 03:12–06:48: Cyrus reports Bertha’s disappearance
• 09:44–14:00: Matt discusses the case with Kitty and Doc; suspicions arise.
• 14:00–17:30: Bertha’s belongings discovered; Hody Peel’s account of the grave
• 20:36–24:55: Matt and Chester confront Cyrus at the farm; discovery of the grave; Cyrus’s confession

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Tone and Language

The episode has a classic Western gravitas, balancing tough law-and-order stoicism with undercurrents of loneliness, human frailty, and empathy for Cyrus's predicament. The dialogue is plainspoken and poignant, marked by wry humor, gentle ribbing, and a deep sense of place and loss.

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Conclusion

Odd Man Out is a moving, psychologically nuanced episode that explores themes of grief, aging, and denial on the harsh frontier. William Conrad’s Dillon brings quiet compassion to Cyrus’s unraveling story, underlining Gunsmoke’s unique space in Western storytelling—where law, loss, and humanity intersect.

Listeners seeking a deep, introspective Western tale will find this episode haunting and resonant, restored with new clarity for a modern audience.

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Transcript

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[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines, and let's get into this episode. This episode is going to be Gunsmoke Original Air date is November 24, 1957 and the title is Odd Man Out. Thanks for listening and let's get into it.

[Narrator]

Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal. And the smell of gun smoke. Gun smoke. Starring William Conrad. The story of the violence that moved west with young America. And the story of a man who moved with it.

[Matt Dillon]

I'm that man. Matt Dillon, United States Marshal, the first

[Narrator/George Walsh]

man they look for and the last

[Matt Dillon]

they want to meet. It's a chancey job, and it makes

[Cyrus Huggins]

a man watchful and a little lonely.

[Doc]

Marco.

[Cyrus Huggins]

Marshall. Dylan. Yeah. Wow.

[Matt Dillon]

Morning, Cyrus. How have you been?

[Cyrus Huggins]

Oh, pallavar wrecking, Marshall. Rheumatism is plaguing me some. No, it's my time of life. A man's got to expect a few miseries. Are you heading for your office? Are you?

[Matt Dillon]

I sure am.

[Cyrus Huggins]

Well, I just thought maybe we'd get set and talk. Sparrow.

[Matt Dillon]

Come on.

[Cyrus Huggins]

I don't get into town too often, Marshall.

[Matt Dillon]

Yeah, I know that.

[Cyrus Huggins]

I just thought we'd sit and talk.

[Matt Dillon]

Oh, I see. Things all right off the farm?

[Cyrus Huggins]

Oh, yes, yes. Same as usual. Farming don't change much. You get a good crop one year and a bad one another. But all evens out in the long run.

[Matt Dillon]

I guess it does Go ahead.

[Cyrus Huggins]

Thank you, Marshall. Morning, Mr. Dun.

[Matt Dillon]

Ah, Chester. You know Cyrus here, don't you?

[Narrator/George Walsh]

Sure.

[Cyrus Huggins]

How are you, Mr. Huggin? Fine, fine, Chester.

[Mr. Jonas]

My land.

[Cyrus Huggins]

I didn't hardly recognize you at first. We don't see you in town very often. No, the place keeps me pretty well tied down.

[Matt Dillon]

Have a chair, Cyrus.

[Cyrus Huggins]

Oh, thank you, Marshall. It feels good to say it. I ain't getting any younger.

[Matt Dillon]

I guess none of us are.

[Mr. Jonas]

Mr. Dill Knight fetched the mail up

[Cyrus Huggins]

from the depot there on your dad.

[Mr. Jonas]

Oh, thanks.

[Cyrus Huggins]

Wasn't nothing important to us.

[Matt Dillon]

I'll look at it later. Say, you haven't got any coffee, have you?

[Cyrus Huggins]

I. I got some brewing. Will it be all right if I whittle, Marshall?

[Matt Dillon]

Well, sure, go ahead.

[Cyrus Huggins]

Seems to help a man to talk. Whittling and talking just go together somehow. Yeah.

[Matt Dillon]

What was it you wanted to talk about, sir?

[Chester Huggins]

Why?

[Cyrus Huggins]

Oh, nothing, Jackly. Just talk. So.

[Matt Dillon]

Oh, I see.

[Cyrus Huggins]

This is gonna muss up your floor some. Oh, well, that's all right, Mr. Huggins. I gotta boom it out later. Anyhow. That's one thing Bertha never stands for. Bertha figures the barn or out in the yard's place to widow.

[Matt Dillon]

How is Bertha?

[Cyrus Huggins]

Fine. She's fine. We've been together a long time, Marshall. Me and Bertha. 37 years we've been married. That's a long time.

[Matt Dillon]

Sure is.

[Cyrus Huggins]

Married back in Ohio. Then we went down to East Texas for a while and come on up here later. Yeah. Been a lot of changes in them years.

[Matt Dillon]

Yeah. Oh, thanks, Justin.

[Cyrus Huggins]

Weren't no town here at all when they first come to Dodge. Just the fort, then later a trading post. Buried our boy here the second year. Used to grow corn down bottomland and it to the garrison at the fort. And it's when the Indians didn't get it first. Yes, sir, it is. Been a lot of changes.

[Narrator/George Walsh]

Yeah.

[Matt Dillon]

Cyrus, you. You didn't come clear into town just to sit and talk about the old days, did you?

[Cyrus Huggins]

I don't know what you mean, Marshall.

[Matt Dillon]

I think you do.

[Cyrus Huggins]

37 years we've been together. Through better and worse. Finest woman that ever lived. Marcia. She left me.

[Narrator/George Walsh]

Say what? Bertha.

[Cyrus Huggins]

She's run off. Disappeared. Without so much as by your knees?

[Matt Dillon]

Oh, Cyrus, that doesn't sound like birth.

[Cyrus Huggins]

She did. Woke up one morning and she wasn't there. I kept thinking she'd come back, but she.

[Matt Dillon]

Well, maybe she's visiting one of the neighbors.

[Cyrus Huggins]

No, they all been by, the ones she married.

[Matt Dillon]

Well, there must be some reason. Sarah, she just wouldn't up and leave you. She'll Be back.

[Cyrus Huggins]

That's what I hoped. Mighty lonely on the place without Bertha. I couldn't even go on without her. And the neighbors, well, they figured I ought to come tell you about it. So that's what I done.

[Matt Dillon]

Well, how long has she been gone?

[Cyrus Huggins]

Three weeks.

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[Narrator/George Walsh]

Now just listen a minute, if you will. I've got a little story to tell you. Well, it's not so little. It's sort of a tall tale. It's about Kemp Morgan. Ever heard of him? Well, he was one of the legendary heroes of Oklahoma, or to be more specific, of the oil industry. Seems it was Morgan who first discovered oil in them parts. Now, folks say that old Morgan didn't need divining rods and such to show him where the oil was. No, sir, he'd just follow his nose. Why, he'd just snip his way across the field. And when he found the right smell coming up out of the ground, that's where he'd plant his well. Old Kemp Morgan didn't need any help planting that well either. No, sir. He was his own crew, all Morgan was. Kemp would dig down as far as he could reach. Then he'd unlimber his sharps and shoot a hole through the bottom of the pit. And talk about fast. Why, that boy would have his derrick up and his oil tanks built before the oil had time to reach the surface. Oh, he was a gore, he was. One time he dug a well so deep that it come out on the other side of the world right into the middle of a rubber plantation down around Brazil. It was for days that well spouted pure rubber man from Akron. Akron, Ohio, that is. Took it off Morgan's hands at a nice little profit for old oil nose. Yes, sir, Morgan was tops in the oil fields. Never brought in a dry hole. But once camp wasn't one to lose, though. You can bet your bottom dollar on that. He took that old dry hole, sawed it into lengths and sold every last one of them to Kansas farmers for fence post holes. Kind of hard to believe in it. Say, isn't it nice being citizens of a country where you can laugh and talk about things, free as a breeze. Write and read and worship too. Yes, sir. Maybe you don't think about it much, but you should.

[Kitty]

Now just take it easy, mister.

[Chester Huggins]

Come on.

[Matt Dillon]

How about another little drink, sweetheart?

[Kitty]

No, not right now. You'll have to excuse me.

[Matt Dillon]

Yeah, don't be like that, sweetheart.

[Kitty]

Sorry, but a friend of mine just came in.

[Doc]

Well, I'm a friend of yours too, ain't I?

[Kitty]

That's one way of putting it. See you later, mister. He.

[Doc]

Now, I've been spending good money on you.

[Kitty]

Evening, Matt.

[Matt Dillon]

How are you? Kidding.

[Kitty]

Here to talk drink, enforce the law,

[Matt Dillon]

Proposed marriage, What talk will do.

[Kitty]

I guess I don't like to sit down. Where you been for the last few days?

[Matt Dillon]

Trying to find a woman.

[Kitty]

Well, in that case, man.

[Matt Dillon]

No, no, this is a particular woman.

[Kitty]

I'm fairly particular at times.

[Matt Dillon]

Well, you're not 60 years old, though.

[Doc]

Good of you to notice.

[Matt Dillon]

And your name's not Brother Huggins.

[Cyrus Huggins]

Oh.

[Kitty]

Oh, yeah, of course. I heard she disappeared.

[Matt Dillon]

Yeah, disappeared's right. Chespie and I have checked every possible way of leaving Dodge City, and as far as we can find out, she's still gotta be here, so.

[Kitty]

But where?

[Matt Dillon]

We even followed up the chance that she might have hired a wagon or

[Kitty]

a buggy, maybe even horseback.

[Matt Dillon]

No, she's 60 years old, Kitty. And she's in bad health too.

[Kitty]

Well, doesn't her husband, what's his name, Cyrus? Doesn't he know anything about it?

[Matt Dillon]

Just that he woke up one morning, she was gone. That was over three weeks ago. Nobody's seen her since.

[Kitty]

Strange. Matt, you don't suppose. Suppose Cyrus might have. Well.

[Matt Dillon]

Oh, no, there's no reason to think anything like that.

[Kitty]

No, I guess not. I imagine he's pretty broke up over.

[Matt Dillon]

He sure acts like it. You know, Kitty seems 10 years older all of a sudden. He talks vague.

[Doc]

Half Bobby, by golly. A man steps out just long enough to deliver a baby and he. He finds somebody trying to steal his girl.

[Matt Dillon]

Hello, Doc.

[Kitty]

He's not trying, Doc. More is the pity. Ah.

[Doc]

And you're not my girl, Kitty. More's the pity.

[Kitty]

Why haven't you ever asked me?

[Doc]

Oh, you mind if I sit down here, man? Yeah.

[Matt Dillon]

Seems to me you're already sitting.

[Doc]

Well, Kitty, the last thing in the world you need is a broken down old cow town sawbone.

[Kitty]

What do I need, Doc?

[Doc]

Well, not me. Oh, and not this hard headed, battered up excuse for a lonely.

[Kitty]

I thought he was in pretty fair shape.

[Doc]

He's got so many bullets in him. If you drop him in the water, he'd sink like a rock.

[Kitty]

You know what I'm saying?

[Matt Dillon]

Sure he'd say. He'd say anything to keep from buying a beer.

[Doc]

Well, now, I just can't out of it, man. Not the way you've been letting my patience disappear on me.

[Kitty]

Oh, you mean Burka Huggins. Was she a patient of yours, though?

[Matt Dillon]

You know, come to think of it, Kitty, maybe that's why she ran off. Self preservation.

[Doc]

She better not have done any running, not in her condition.

[Matt Dillon]

I know. Is it bad, Doc?

[Cyrus Huggins]

It's bad enough.

[Kitty]

What's wrong with it, Doc?

[Doc]

It's easier to say what isn't. Oh, I suppose too many years in the prairie sums it up. Too many 16 hour work days, crop failures, too many nights awake in Indian country.

[Matt Dillon]

Well, it's sure no country for a woman.

[Doc]

All right, it's no country for a human being. So I think I'll get out of it. I'll just marry Kitty here and I'll go back and live in Boston.

[Kitty]

Don't tempt me, Doc.

[Matt Dillon]

You'll never leave Kitty any more than

[Kitty]

I will or Doc here, I guess. Anyway, I don't think I'd be very welcome in Boston.

[Doc]

Oh, well, I'd like to know why not.

[Kitty]

Thanks, Doc. You're wel on the house, boys. I'll go bring his.

[Doc]

Well, what do you think's happened to Mrs. Huggins, man?

[Matt Dillon]

Beats me, Doc. Not a soul in town has seen her in the last three weeks. Not since the morning Cyrus woke up and found her gone.

[Doc]

It seems to me he's acting kind of strange about it.

[Matt Dillon]

Well, he's pretty broken up about it, naturally.

[Doc]

Well, yesterday morning I saw him on the street and I asked him how she was. He said fine. Well, then he walked right on down to your office and reported her missing.

[Matt Dillon]

Well, Saris isn't getting any younger.

[Doc]

But I asked him to leave her come and see me and he said he'd tell her, you know, I've got some medicine from St. Louis that I. That I thought just might help her.

[Chester Huggins]

Mr. Dillon.

[Matt Dillon]

Oh, yeah, what is it?

[Doc]

Just Mr. Jonas or the journal story. Wants you to come over there right away. It's about Ms. Huggins.

[Cyrus Huggins]

What?

[Doc]

There's some fellow come in there trying to sell some secondhand clothes.

[Narrator]

Clothes and things.

[Mr. Jonas]

Mr. Jonas recognizes stuff.

[Doc]

It belongs to Ms. Hudson.

[Matt Dillon]

Oh, good evening, Marshall.

[Mr. Jonas]

Right glad to see you. I am for a fact.

[Matt Dillon]

Is that him, Mr. Jones? Yeah, standing there by the stove.

[Mr. Jonas]

He's getting restless too.

[Matt Dillon]

Had a Hard time keeping him here. Well, I'll see what he's up to.

[Mr. Jonas]

Careful, Marshall.

[Matt Dillon]

He's wearing a gun under his coat. So am I. Evening, stranger.

[Mr. Jonas]

Howdy.

[Matt Dillon]

You're new in town, aren't you?

[Mr. Jonas]

Just going through.

[Matt Dillon]

When'd you get here?

[Mr. Jonas]

I ain't sure that's any of your business, mister.

[Matt Dillon]

I met Dillingham, a U.S. marshal. That make you any more sure?

[Mr. Jonas]

I didn't know you was a lawman.

[Matt Dillon]

Why don't you hit dodge Just today.

[Mr. Jonas]

You got no reason to jump.

[Matt Dillon]

I haven't yet. What's your name?

[Cyrus Huggins]

Hody Peel.

[Mr. Jonas]

Look, I ain't done nothing and you

[Matt Dillon]

got nothing to worry about. Just stand still. Hully?

[Doc]

Yeah.

[Mr. Jonas]

What'd you take my gun for?

[Matt Dillon]

I'd save us both a little trouble.

[Mr. Jonas]

I ain't gonna stand for this, Marshal. I'm a law abiding citizen with a wife and a family.

[Matt Dillon]

No.

[Narrator/George Walsh]

Where are they?

[Mr. Jonas]

We've been camping about five miles up the river. I rode into town alone. We've been looking for some land to take up homesteader. If I can find a decent piece of land, I am.

[Matt Dillon]

How long you been camped up there?

[Mr. Jonas]

Around three weeks, I guess.

[Matt Dillon]

Come on over here to the counter. All right, Marshall.

[Mr. Jonas]

I don't know what you're thinking, Marshall, but you're wrong. I ain't done nothing.

[Matt Dillon]

There's a stop, Mr. Jones? Yeah, that's right, Marshall. Most of the things here, like these turtle shell combs and hand mirror and some of the clothes could be anybody's.

[Mr. Jonas]

But this wool shawl and this needlepoint shopping satchel. I've seen Miss Huggins in town with these time and time again. So that's what it's about.

[Matt Dillon]

Now you're sure, Mr. Jonas? Well, of course I'm sure.

[Mr. Jonas]

She's had them things for years, Marshall. This stuff was give to us. I didn't. Some farmer stopped us when we drove past his place. And give it to us.

[Matt Dillon]

You know his name?

[Mr. Jonas]

I didn't ask. It's about eight, 10 miles west of town. A place with two white bars.

[Matt Dillon]

That's the Huggins place, Marshall.

[Mr. Jonas]

He's an old fella, talked kind of crazy. That was about three weeks ago. We cut off the trail and drove into his pasture to water our team. And he was there by a little spring.

[Matt Dillon]

Going what?

[Mr. Jonas]

He was busy digging a hole. We didn't hardly notice him at first. Then he took us up to the house and give us his stuff.

[Matt Dillon]

You see a woman around the place?

[Mr. Jonas]

No, just him. Dirt from head to foot. Kind of funny, that hole he was digging. I remember thinking at the time it looked sort of like a grave.

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[Chester Huggins]

Well, now, this is quite a surprise, Marshall.

[Matt Dillon]

Morning, sirs.

[Cyrus Huggins]

Hi, Mr. Huggins.

[Chester Huggins]

Oh, can't complain. Come on, get out of them saddles and unrest yourselves. Mighty good to see you.

[Matt Dillon]

Oh, thanks.

[Chester Huggins]

Come on up the house and I'll have Bertha fix you some coffee.

[Cyrus Huggins]

What?

[Matt Dillon]

You'll have Bertha fix coffee?

[Chester Huggins]

Sure will. Well, she'd be awful upset if she knowed you stopped by. And I didn't even bring you up to the house.

[Cyrus Huggins]

Well, but your wife's gone. Mr. Huggins is gone.

[Matt Dillon]

Well, that's what you told me a couple of days ago.

[Chester Huggins]

Oh, you must be mistaken, Marshall.

[Matt Dillon]

You came to my office, sir. So? You told me that she was missing, that she'd run off.

[Chester Huggins]

Why, Bertha wouldn't do a thing like that. We've been together 37 years.

[Matt Dillon]

Well, then she's here. She's up at the house.

[Cyrus Huggins]

No.

[Chester Huggins]

No, she's not. But you just said pressed her. She. She went to visit her sister in San Antonio.

[Matt Dillon]

Oh, I see.

[Chester Huggins]

I forgot about it. It just slipped my mind for a minute.

[Matt Dillon]

Cyrus, you got a spring over there in the pasture. I'd like to take a look at it.

[Chester Huggins]

Well, it's just a spring.

[Matt Dillon]

Marshall, do you mind walking over with us?

[Cyrus Huggins]

No, I don't mind.

[Chester Huggins]

By golly, it's funny about me forgetting. Bertha went to visit her sister.

[Matt Dillon]

Yeah.

[Chester Huggins]

And you say I come into town a few days ago and told you she'd run off.

[Matt Dillon]

That's right.

[Chester Huggins]

Golly, looks like my memory's starting to go on me.

[Matt Dillon]

Maybe.

[Chester Huggins]

Funny thing, when something had happened way

[Cyrus Huggins]

back, I remember it fine.

[Chester Huggins]

Like Bertha and me was talking the other day about when we first got married. Remembered it just like it was yesterday. And that was 37 years ago.

[Cyrus Huggins]

It's funny.

[Matt Dillon]

Yeah.

[Chester Huggins]

Things the last three weeks, though, there kind of clouded over for some reason.

[Matt Dillon]

When did your wife leave Sarah to go visit her sister?

[Chester Huggins]

About three weeks ago. Well, here's the spring.

[Matt Dillon]

Yeah. Let's take a look over here.

[Chester Huggins]

No, I. I don't want to.

[Matt Dillon]

Let's go.

[Cyrus Huggins]

All right. Marsh.

[Matt Dillon]

Did you dig this grave, sirs?

[Mr. Jonas]

Why, I don't.

[Chester Huggins]

Don't know what you mean.

[Matt Dillon]

Wooden headboard. Read what it says.

[Chester Huggins]

I don't. I don't see it. I don't know what you're talking about.

[Matt Dillon]

Says Bertha Huggins, beloved wife of Cyrus Huggins, married 37 years.

[Chester Huggins]

Bertha's in Shannon tone. I don't know why anybody'd put that up.

[Matt Dillon]

Cyrus, you can't go on living on a dream. You better tell me about it, huh, Cyrus?

[Chester Huggins]

Well, it was in the night it happened. She was feeling poorly for weeks. That morning when I woke up, she

[Cyrus Huggins]

was already gone, laying there cold. I pretty went out of my mind, Marshall.

[Matt Dillon]

So you buried her? You gave away her clothes and things, huh?

[Chester Huggins]

I started pretending, I guess. Like she went off someplace and was coming back. Pretty soon I started believing it. I had to believe it. I couldn't even think of going about without her. I just couldn't face it.

[Cyrus Huggins]

But at the same time, I knew,

[Chester Huggins]

of course, in a way that she. Marshall.

[Matt Dillon]

Yeah?

[Chester Huggins]

Marshall, she's dead. She's really dead. And that's the truth.

[Matt Dillon]

Come on, chester.

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[NHTSA Traffic Safety Announcer]

This weekend, someone is walking their dog. Someone is crossing the street to their car. Someone's kid is riding a bike home. And they're counting on you to drive the speed limit. Speeding accounts for nearly 30% of traffic fatalities. And most of those crashes don't happen on the interstate. They happen on the streets where people live. Slow down. It's an act of care for the people around you. So remember, speeding catches up with you. Know the road and respect its limits. Presented by nhtsa. Now back to your podcast.

[Ryan Reynolds]

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[Lady Luck]

$45 for three months, $90 for six months or $180 for 12 month plan required. $15 per month. Equivalent taxes and fees. Extra initial plan term only greater than 50 gigabytes. Me slow when network is bus.

[NHTSA Traffic Safety Announcer]

Sam.

[Gun Smoke Announcer]

Gun Smoke produced and Directed by Norman McDonald. Stars William Conrad as Matt Dillon, U.S. marshal. The script was specially written for Gun Smoke by Les Crutchfield with editorial supervision by John Meston. The music was composed and conducted by Rex Corey. Sound patterns were by Ray Kemper and Bill James. Featured in the cast were Parley Bear and as Chester, Howard McNear as Doc and Georgia Ellis as Kitty.

[Narrator/George Walsh]

George Walsh speaking.

[Gun Smoke Announcer]

Join us again next week for another specially transcribed story on gun smoke. This is the united states armed forces radio and television service.

[Matt Dillon]

Sa.

[Mr. Jonas]

Foreign.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcast trwesterns.com you can call and leave us a voicemail 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright for more information go to otrwesterns.com copyright have a great day and thanks for listening.

[Doc]

Hey everybody.

[Lady Luck]

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[SpinQuest Disclaimer Announcer]

Spinquest is a free to play social casino void where prohibited. Visit spinquest.com for more details.

[NHTSA Traffic Safety Announcer]

This weekend, someone is walking their dog. Someone is crossing the street to their car. Someone's kid is riding a bike home and they're counting on you to drive the speed limit. Speeding accounts for nearly 30% of traffic fatalities. And most of those crashes don't happen on the interstate. They happen on the streets where people live. Slow down. It's an act of care for the people around you. So remember, speeding catches up with you. Know the road and respect its limits. Presented by NHTSA now back to your podcast.