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This podcast is sponsored by Talkspace.
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Last year I went through many different life changes. I needed to take a pause and examine how I was feeling in the inside to better show up for the ones who need me to be my best version of myself.
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Lucky Peters
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Where's that dang paperboy?
Tonto
I need my news outdated and rolled up like a burrito.
Talkspace Host
Finally.
Lucky Peters
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Andrew Rines
Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines and I'm excited to bring you another episode. This is one of over 80 episodes released monthly for your enjoyment. You can find more Western shows at our website by going to otrwesterns.com now let's get into this episode.
Narrator
Fiery Horse with the speed of light, A cloud of dust and a hearty high O Silver the Lone Ranger.
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This podcast is sponsored by Talkspace.
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Last year I went through many different life changes. I needed to take a pause and examine how I was feeling in the inside to better show up for the ones who need me to be my best version of myself.
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When you're navigating life's changes, Talkspace can help. Talkspace is the number one rated online therapy, bringing you professional support from licensed therapists and psychiatry providers that you can access anytime, anywhere.
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Living a busy life, navigating a long distance relationship, becoming a first stepfather, Talkspace made all of those journeys possible. I could speak with my therapist in the office. I could speak with my therapist in the comfort of my home. I was never alone.
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Narrator
With his faithful Indian companion, Tonto, the masked rider of the plains led the fight for law and order in the early western United States. The stories of his strength and courage, his daring and resourcefulness have come down to us through the generations. And nowhere in the pages of history can one find a greater champion of justice. Return with us now to those thrilling days of yesteryear. From out of the past come the thundering hoof beats of the great horse Silver. The Lone Ranger rides again.
Tonto
Come on, Silver. There's danger along the Rio Grande.
Lucky Peters
O Silver Boy.
Narrator
In the simmering heat of a summer day, two horsemen rode along a lonely trail in the back country north of the Rio Grande. Spirals of dust shot from beneath their horses hoops and hung in the still, hot air beneath the brims of their sombreros. Their eyes were narrow, their features hard, ruthless. The unmistakable faces of outlaws.
Lucky Peters
We better be moving out of these parts, Vince. This country's getting a mite too civilized.
Vince Collins
Never satisfied, are you, Lucky?
Lucky Peters
It ain't just me. The rest of the boys are getting restless, too.
Vince Collins
I'm still the boss, Lucky. When it's time to push on, I'll decide when and where it'll be.
Lucky Peters
Sure, Vince, but you gotta admit that rustling ain't safe no more. It's too risky getting rid of the cattle afterwards.
Vince Collins
I'm not figuring on rustling. They're gonna open a new stagecoach line from Elbow Bend to Colby next week.
Lucky Peters
What about it?
Vince Collins
They'll be freightin gold.
Lucky Peters
No stage stick ups for me, Vince. This country's too open. Ain't no cover in it anywhere.
Vince Collins
Getting scared, Lucky?
Lucky Peters
Not scared, Vince. Just say, ain't that a creek we're coming to?
Tonto
Yeah.
Lucky Peters
You sure that sand crossing. It's a ford?
Vince Collins
It must be.
Lucky Peters
You don't sound too convincing. I'm gonna try it out.
Vince Collins
You're worse than an old woman, Lucky. What are you afraid of? Quicksand.
Lucky Peters
Yeah.
Tonto
Oh, boy.
Narrator
Over there.
Tonto
Easy. Easy.
Lucky Peters
Gonna try it out with a rock. Here's a heavy one.
Vince Collins
Be careful you don't.
Lucky Peters
Just like I thought.
Tonto
What?
Lucky Peters
Quicksand. That sand swallowed that rock like it was starving.
Narrator
Yeah.
Vince Collins
How wide would you say that Creek was about 60ft.
Tonto
Why?
Vince Collins
Too wide for a stage to cross that sand to the other side.
Tonto
Sure.
Lucky Peters
Stage couldn't get more than halfway.
Andrew Rines
Yeah,
Vince Collins
it'll sure be nice getting our hands on some gold again, won't it, Lucky?
Lucky Peters
What do you mean?
Vince Collins
The stage is gonna take this road.
Lucky Peters
You're loco, Vince. The stage will take the main trail straight through to Colby.
Vince Collins
No, it won't. Not after we switch the signpost at the crossing.
Lucky Peters
Switch?
Vince Collins
The Elbow Bend to Colby run is a new rod for the stage company, Lucky. The drivers will be determined on a signpost to direct them, especially at night.
Lucky Peters
Yeah, that's right.
Vince Collins
It's on the night stage that they'll be freighting the gold.
Luke Davis
You mean?
Vince Collins
I'm thinking we can make mighty handy use of that quicksand, Lucky.
Lucky Peters
You sure got a head between them shoulders, Vince. Wait till the boys hear about this.
Vince Collins
That's right. We gotta be ready for the first Colby. Heat it up, Ed.
Sheriff
Get it up.
Narrator
Night hung over the border town of Elbow Bend. It was a week later and there was a bustle of activity before the express office. The night stage was being prepared for its first run to Colby. From the shadow of a building nearby, a tall man who wore a white hat and a black mask watched the proceedings with his Indian companion.
Tonto
That's Jim Lane now, Tuller. Ah.
Sheriff
In drive, Stage.
Lucky Peters
Whoa, whoa. Hold up there. All right, Lucky. He can hitch his team to the stage now. Coming, Jim.
Narrator
Jim Lane.
Sheriff
Not outlaw now.
Tonto
He never was an outlaw, Toddo. He just fell in with the wrong crowd. When we helped him out of that scrape in Mexico, he promised a break with that gang. I knew he'd keep his word.
Narrator
Him good man.
Tonto
Now he's coming this way. Give us a chance to compliment him on his new job. Hello, Jim.
Lucky Peters
The masked man. Well, this is a surprise.
Tonto
You remember Tado?
Lucky Peters
Sure. How could I forget either of you after what you did for me? How are you, Tondo?
Sheriff
Tondo? Fine.
Lucky Peters
Well, I. I kept my promise. I even got a job driving that stage.
Tonto
I know, Jim. Congratulations.
Lucky Peters
Thanks. Say, am I indebted to you for this job, too?
Tonto
What do you mean?
Lucky Peters
Well, when I asked to drive the stage, they cold shouldered me. Then one day the marshal stopped me on the street and questioned me. A few minutes later, he took me to the express office and the job was mine.
Tonto
That's fine, Jim.
Lucky Peters
Have you been in town since I got here?
Tonto
Yes, Jim. I wanted you to have your chance.
Lucky Peters
Just as I thought. Oh, how can I ever thank you?
Tonto
By doing your job as well as you can, Jim.
Lucky Peters
You can rest easy about that, partner. I'm gonna be the best stage driver the company has. Besides, I've got another reason for wanting to make good. You see that girl stepping into the stage?
Tonto
Yes.
Lucky Peters
That's Barbara Wilkins. We're gonna be married next week.
Tonto
Congratulations again.
Lucky Peters
She lives in Colby. She's been over here visiting. The horses are all hits. Jim. We better get moving.
Tonto
That man's face seems familiar.
Luke Davis
Who is he?
Lucky Peters
Lucky Peters.
Tonto
He's the guard for the gold you're carrying gold, huh?
Lucky Peters
Hey, Jim, come on. Goodbye, you two.
Tonto
Good luck, Jim. Todd and I may see you and Colby. Come on, Silver.
Sheriff
Get him up.
Lucky Peters
Count. Ah, great pair. Them too. Hello, Barbara. Better tuck that robe around your knees. It'll get cold when we hit the trail.
Barbara Wilkins
Thank you, Jim.
Lucky Peters
Hey, give me a hand in the driver's seat. Lucky. Yeah. Here you are.
Andrew Rines
Yeah.
Lucky Peters
The gold stored away?
Tonto
Yeah.
Lucky Peters
Come on, you cayuses. We're heading for Coldie. Get up there.
Narrator
Black clouds hovered in the heavens when an hour later, Vince Collins and his gang rode up at the quicksand ford at Elbow Creek.
Vince Collins
All right, boys. Wait here till we see the stage. What are you laughing at, Luke?
Luke Davis
Lucky getting the job as guide of the gold on the stage.
Vince Collins
Yeah, that is kind of funny.
Luke Davis
Nothing can go wrong now, boss. We switched the signposts and the stage of the Cinch to take this trail instead of the right one.
Tonto
Yeah.
Vince Collins
Remember, Luke, when the stage hits the creek, you take a couple of the boys and ride down there. Get the girl out and take it to Colby. Then report the sheriff.
Luke Davis
I got you, Vince. After we leave, you and the rest of the boys will unload the gold, cut the horses loose and drive the stage into the quicksand. Right.
Vince Collins
That's it. Sink without a trace. Express coming. You'll figure the gold went down with it.
Sheriff
Hey, boss, the stage is coming.
Vince Collins
Get your horses out of sight. Over that hill, man. Luke, you and your boys stay here. Mind no slip ups.
Luke Davis
There won't be any.
Vince Collins
Vince, treat that girl passenger. General. They wanted to think you're trying to help her.
Luke Davis
I understand, boss.
Vince Collins
All right, boys, get them up.
Tonto
Get away.
Lucky Peters
You sure this is the right road, Lucky? Sure, Jim. I know this country like a blood. Don't look familiar to me. I'm pulling up. Don't be a fool, Jim. You want to be late on your first run. We're doing Colby in an hour. Never get there on this trail. You must have taken the wrong turn back at the fort. Well, the sign pointed this way. Well, maybe somebody twisted it. I'm gonna pull up. Hey, there's Elbow Creek up ahead. That proves we're right. That proves we're wrong. There ain't any creek on the new stage route. Whoa. Hey, give me those. Take your hands off. I'm driving this. Hand em over quick. You'll get a slip from this shooting. I what? Hey, what's the idea? I'll show you. Why, you low down double crossing coyote. That'll teach you not to argue with a gun.
Sheriff
Hold there.
Lucky Peters
Pull. Hold up there. Steady now. Hold.
Barbara Wilkins
What's happened? Why are we stopping?
Lucky Peters
The bridge over the creek is down, ma'. Am. You can't go through. Driver, that bridge is down. What happened?
Sheriff
I don't know.
Luke Davis
The last big storm he had must have washed it away.
Lucky Peters
They kind of ford across the creek.
Luke Davis
I wouldn't advise crossing that. Mister, that's quicksand. Got any passengers inside?
Lucky Peters
Just one. A girl. Mind giving her a lift to town?
Luke Davis
Of course not. Boys, help the young lady out. Everything's set lucky.
Lucky Peters
Good.
Luke Davis
What about the driver?
Lucky Peters
Yeah, he's out, but he'll be all right. Want me to hoist him up in your cayuse?
Luke Davis
No, Vince and the boys will take care of him. They'll be here as soon as we leave with the girl.
Barbara Wilkins
Jim. Jim, where are you?
Lucky Peters
You better keep an eye on the girl. She may cause trouble.
Luke Davis
I know what to do.
Barbara Wilkins
Jim.
Luke Davis
He can't come now, ma'.
Lucky Peters
Am.
Luke Davis
He's busy taking charge of the stage.
Barbara Wilkins
When he and the guard were fighting, I thought I heard a groan.
Luke Davis
Must have been your imagination, ma'.
Barbara Wilkins
Am.
Luke Davis
Jim's all right, boys. You mean you're taking your to cold.
Narrator
Following the new stage route. Sometime after Jim Lane had set forth on his first run, the Lone Ranger in Tonto rode at an easy pace toward Colby. Suddenly, the masked man reined in his great white stallion.
Sheriff
Who's got. Ho, feller.
Lucky Peters
Ho, ho.
Sheriff
Why we stop here?
Tonto
That sign. Tallow arrow points along the other road.
Sheriff
Oh, that sign not right. That trail goes south.
Tonto
Yes, I know. I'm afraid Jim may have taken it with the stage. You better investigate. Come on, Silver, get on.
Lucky Peters
Scout this road.
Sheriff
Go to Elbow Creek. Antiband quicksand. No bridge.
Tonto
With this moon, we'll be able to see the creek from the top of the next rise. A feeling I've seen the guard of that stage before him.
Sheriff
May be outlaw kill gold.
Tonto
Perhaps Toto he is. He may be working with a partner who switched the sign. There's a stage now wo Silver Woolworth.
Sheriff
Many men there. What them do?
Tonto
Some of them seem to be unloading the gold.
Sheriff
They may be outlaw, huh?
Tonto
Tado, look. Two of the men are unharnessing the horses.
Narrator
Watch.
Tonto
They're driving them away.
Sheriff
Why didn't do that?
Tonto
I don't. Yes, there's a reason. The gang is pushing the stage into the quicksand. They're trying to conceal all traces of the stage.
Sheriff
Kimasaba, you look there.
Tonto
What is it, Tano? That fellow drives stage Jim Lane. He's a prisoner. See?
Narrator
Look.
Tonto
I've tied his hands.
Sheriff
That's right.
Tonto
Now the gang's leaving. Heading south. Come on, Silver.
Sheriff
Get him up.
Tonto
Scout. Stage is sinking Tottle quicksand.
Sheriff
Swallow stage Panic fast.
Tonto
We can't let it. We've got to get that stage out. Faster, Silver. Faster, boy. Easy, Silver. First we'll make sure the gold was stolen.
Sheriff
Me climb free?
Tonto
That's a good idea. You can climb on that limb and crawl out over the stage Here. Wait a minute. I'll give you a hand up. Look for the gold in the baggage compartment. The box with the lid open.
Sheriff
Counter savvy.
Tonto
Can you see it yet?
Sheriff
Box empty.
Tonto
That's all we need to know. Come on back, Toto. We've got to get that stage out of the quicksand to prove the theft. Sinking deeper every minute.
Vince Collins
What we do, we use Silver Tado,
Tonto
a scout to help him. We can pull that stage out. Here's my rope.
Narrator
Spinning his lariat, the Lone Ranger skillfully looped a rack jutting from the rear of the stage. He threw a hitch about the pommel of Silver saddle. Another rope was tied to Scout's saddle. Then he gave the signal.
Tonto
Come on, Silver. You can do it.
Sheriff
Ho, Scout.
Luke Davis
Ho.
Narrator
The powerful white stallion and the sturdy paint threw all of their great strength into the task. Quicksand that was sucking the stage into its mire began to yield.
Tonto
They're doing it.
Lucky Peters
Hello.
Tonto
The stage is pulling free. Good boy, Silver. Many good Scout.
Narrator
The curtain falls on the first act of our Lone Ranger story. Before the next exciting scenes, please permit us to pause for just a few moments.
Talkspace Host
This podcast is sponsored by Talkspace.
Talkspace Testimonial Speaker
Last year, I went through many different life changes. I needed to take a pause and examine how I was feeling in the inside to better show up for the ones who need me to be my best version of myself.
Talkspace Host
When you're navigating life's changes, Talkspace can help. Talkspace is the number one rated online therapy, bringing you professional support from licensed therapists and psychiatry providers that you can access anytime, anywhere.
Talkspace Testimonial Speaker
Living a busy life, navigating a long Distance relationship, becoming a first stepfather, Talkspace made all of those journeys possible. I could speak with my therapist in the office. I could speak of my therapist in the comfort of my home. I was never alone.
Talkspace Host
Talkspace works with most major insurers and most insured members have a $0 copay. No insurance, no problem. Now get $80 off your first month with promo code space80 when you go to talkspace.com match with a licensed therapist today at talkspace.com save $80 with code space80@talkspace.com the sun is calling.
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Barbara Wilkins
Sam.
Narrator
Now to continue our story. Riding into Colby with Barbara, the outlaws led by Duke, headed for the sheriff's home.
Lucky Peters
Oh.
Sheriff
Oh, boy.
Tonto
Oh, boy.
Lucky Peters
Be back in a minute, ma'.
Narrator
Am.
Luke Davis
Just want to report what's happened to the stage, to the sheriff.
Barbara Wilkins
Well, nothing's happened to it. It just can't get through.
Luke Davis
It's freight and gold, ma'.
Lucky Peters
Am.
Luke Davis
There may be outlaws on the prow.
Barbara Wilkins
Outlaws? Then Jim may be in danger. I'll go with you.
Luke Davis
You wait here, ma'. Am. I'll take care of everything. Who is it? Luke Davis, Sheriff. I got news for you.
Tonto
Who are you?
Luke Davis
Just a cow puncher, Sheriff. Mind if we talk inside.
Sheriff
Now, what's on your mind, mister?
Luke Davis
I want to report a robbery, Sheriff.
Sheriff
What's that?
Luke Davis
That's what it appeared to be to the boys and me. Anyways, we was riding along Elbow Creek when we saw the stage from Elbow Bend, standing by the side of the road.
Sheriff
Elbow Creek? What was the stage doing down there?
Luke Davis
I don't know, Sheriff. Maybe the driver and the guard had a plan to steal the gold they was freighting.
Sheriff
What makes you think that?
Luke Davis
Well, when the boys and me rode up to see what the trouble was, they both pulled guns on us. Told us to give the passenger a lift to town and keep our mouths shut.
Sheriff
I see.
Luke Davis
We did like we was told. But when we topped the rise, I looked back and they were driving the stage into the creek.
Sheriff
Trying to for it, eh?
Luke Davis
Maybe. I heard the guard call the driver. Jim, I figured.
Sheriff
Yeah, Jim Lane, I told the Express commentator, was a mistake. Hiring a reformed outlaw for the stage. Well, he won't get far. I'll have a posse on his heels so quick it'll make his head spin.
Narrator
At the outlaws camp, Vince Lucky and their gang were celebrating the success of their venture. Jim, bound and gagged, lay on the ground near the fire.
Vince Collins
How many of you boys still feel like moving on?
Sheriff
Not me, Vince. That goal looks too good.
Vince Collins
That answer your beef, Lucky?
Tonto
Yeah.
Lucky Peters
I still say we ought to head for the border.
Vince Collins
We'll wait for Luke. Maybe you'll have news that'll change your mind.
Sheriff
Luke's coming now, boss.
Tonto
Oh, Hoss. Ho. Ho. Hoy.
Vince Collins
Ho.
Narrator
There.
Vince Collins
Everything go off all right with the sheriff, Luke?
Luke Davis
Everything went fine, Vince. The sheriff rounded up a posse in Rod Elbow Creek. The stage had sunk into the quicksand just like we figured. There wasn't even a scrap of evidence.
Lucky Peters
You mean you. You couldn't even see the stage underwater? Not a trace. Funny you took a dancer.
Vince Collins
What'd you say about the driver, Luke?
Luke Davis
Well, I told the sheriff Jim had driven me and the boys away with the gun and then drove the stage into the creek. That convinced him Jim was reverting to his old crooked habits.
Vince Collins
Some smart sheriff, he figures.
Luke Davis
Jim mired the stage in the quicksand while attempting to get away with the gold. And that when the gold disappeared along with the stage and horses into the sand, Jim vamoosed.
Vince Collins
That's what we want him to think, huh, Luke?
Lucky Peters
Yeah.
Luke Davis
The sheriff will spend all his time hunting Jim.
Vince Collins
And Jim's not gonna see Kobe for a long, long time. Got nothing to worry about, boys. Maybe we can even get our Hands on some more of that gold.
Tonto
Why?
Lucky Peters
What do you mean, Vince?
Vince Collins
There's another stage coming from Elbow Bend tomorrow night.
Lucky Peters
You ain't thinking of pulling that sign post trick again?
Vince Collins
Maybe.
Lucky Peters
But the driver won't fall for that wrong road a second time. He'll know about it.
Vince Collins
I got a different angle for this holdup. Suppose we stop the stage at the crossroads.
Luke Davis
Yeah.
Vince Collins
We make prisoners of the driver and guard, same as we did you and Jim. Then we drive the stage into the quicksand at the creek first unloading the gold. Presto. The coach disappears and there's no evidence. Nothing.
Lucky Peters
What's a sheriff gonna think if it happens again?
Vince Collins
He's gonna go hunting for Jim here. But he's never gonna find him.
Luke Davis
And the sooner we get rid of that hombre, the better it'll be for us, Vince.
Vince Collins
Not yet, Luke. Jim's gonna do a job for us first. Just in case somebody spots us waylaying a stage. Jim's gonna be real prominent in front of. And he won't be wearing a mask.
Narrator
Early the next day, Barbara Wilkins called on the sheriff in his office. Her eyes flashed and her chin jutted forward in determination.
Sheriff
Well, Barbara, this is a surprise.
Barbara Wilkins
Sheriff, I hear you suspect Jim of trying to steal a gold from the stage.
Sheriff
That's right, Barbara.
Barbara Wilkins
Jim's innocent. He wouldn't do such a thing.
Sheriff
Jim's been an outlaw before, Barbara. I reckon riding in the same coach with gold tempted him back to his old habits.
Barbara Wilkins
That's not true.
Sheriff
I'm telling you, Barbara, Jim landed the stage in quicksand trying to make his getaway and vermoose when he couldn't budge neither the coach nor the gold.
Barbara Wilkins
I don't believe it. Jim's not that sort of. We were going to be married.
Sheriff
I'm sorry, Barbara. Take my advice and forget Jimmy. Ain't worth the trouble.
Lucky Peters
Senor. Senor. Sheriff. His stage coach come down the road.
Sheriff
Stagecoach. The day coach ain't due from Elbow Bendel this afternoon.
Lucky Peters
He's night coach, Sheriff. He's wanting to get stuck in the quicksand.
Sheriff
Oh, in thunder. You coming, Barbara? I want a gander at that stage.
Barbara Wilkins
I'm coming, Sheriff.
Sheriff
Theree she comes. Two men on the box.
Barbara Wilkins
One of those men's an Injun, the other's mass.
Sheriff
Get ready to cover him, then.
Barbara Wilkins
Don't shoot, Sheriff. The masked man's reining up. He's gonna stop.
Sheriff
I ain't taking any chances, Barbara.
Lucky Peters
Halt.
Sheriff
Pull up them horses. In the name of the law.
Lucky Peters
Who shall you host?
Tonto
Your gun, Sheriff. Stand where you are, turning this stage over to you as evidence, you'll find that the baggage compartment has been broken open.
Lucky Peters
Ranger is right, Sheriff. There's nothing here.
Sheriff
Then the gold was stolen. What have you done with it, stranger?
Tonto
The gold was stolen by outlaws, Sheriff.
Sheriff
You're right, stranger. You and Jim Lane, you're on the wrong trail.
Tonto
Neither I nor Lane had anything to do with taking the gold. In fact, Jim Lane is being held captive by the gang.
Barbara Wilkins
Jim? A prisoner?
Sheriff
Who'd believe that? If Jim Lane is with a gang, he's more than likely one of them.
Barbara Wilkins
That's not true.
Tonto
If I were an outlaw, Sheriff, why should I drive the stage here?
Sheriff
We'll find out about that when the time comes. Meanwhile, I'm locking you up.
Lucky Peters
Oh, whoa there, Wo bor.
Barbara Wilkins
It's the marshal from Elbow Pitt.
Lucky Peters
What's going on here?
Sheriff
We're just in time, Marshal. This here's one of them outlaws that robbed the stage last night.
Lucky Peters
You're making a mistake, Sheriff.
Sheriff
He just rode up in that coach. And the gold's been broken out of the baggage compartment.
Lucky Peters
Sorry, Sheriff. That gold was the property of the United States government. The government's taking charge of this case right now. Release that man.
Sheriff
I hope you know what you're doing, Marshal.
Lucky Peters
I do, Sheriff. I've already talked with your prisoner.
Sheriff
What do you mean?
Tonto
Just this.
Lucky Peters
Instead of locking up the masked man, you're taking orders from him.
Narrator
That night, the Lone Ranger once more astride the fiery silver rode at the head of the sheriff's posse.
Sheriff
Ain't it time you told us where we're heading, stranger?
Tonto
Crossroads, Sheriff. That's where the outlaws plan to waylay the stage.
Sheriff
Just point them out and I'll do the rest.
Tonto
I've told your men that we're just watching the hold up.
Sheriff
You told them what?
Tonto
It'll be time enough to attack later when we've gotten the evidence.
Lucky Peters
Besides, we've got to find out where they're hiding that first shipment of gold. Won't be carrying it with them.
Barbara Wilkins
Faster, Rex, faster.
Sheriff
Barbara, what in tarnation brings you here?
Barbara Wilkins
Jim's in danger, Sheriff, and I want to help.
Sheriff
This ain't no place for a petticoat. Now, skedaddy.
Barbara Wilkins
I'm not leaving until we found Jim Ren.
Tonto
In your horses, men. Watch the hole up from this hill. Oh, silver hole. There's the gang hiding in that ravine.
Barbara Wilkins
Yes, with this full moon, we can see them plainly.
Sheriff
They're the outlaws, all right. They're all masked.
Tonto
One in front isn't.
Lucky Peters
Listen, isn't that the Stage rounding the bend.
Sheriff
Yeah, there she comes. The outlaws have spotted it, too. Heading straight for ambush.
Lucky Peters
That isn't the new states. It was marred in the quicksand.
Tonto
No, Marshal.
Lucky Peters
I understood your Indian friend drove it back to Elbow Bend so it could make the night run.
Tonto
I had a better idea, Marshal.
Sheriff
Say, that's Jim Lane in front of them outlaws.
Barbara Wilkins
Oh, no, it can't be.
Tonto
Yes, it is Jim, Sheriff. But he's not an outlaw.
Sheriff
My eyes tell me he is stranger. All right, boys.
Tonto
Not time to attack that sheriff.
Sheriff
What are we waiting for? They're tying up the driver and the guard, ain't they? Non loading the gold.
Tonto
You can't accuse an innocent man, Sheriff. Jim Lane is the outlaw's prisoners. See, the man standing behind Jim is holding a gun on him.
Lucky Peters
It's true.
Tonto
Look.
Sheriff
They're driving the stage down the trail toward the creek. And Jim Lane's holding the reins.
Tonto
I've seen enough. Tell your men to follow me, Sheriff.
Luke Davis
Where to?
Sheriff
We can't let them outlaws get away.
Tonto
Hurry, Sheriff. Every minute counts.
Lucky Peters
Come on, Silver.
Sheriff
All right, men. Follow the mash man.
Lucky Peters
All right. Smart hand with a stage, Tim. You double cross and pull. Easy, son. One thing sure ain't driving these horses to their quicksand. Better if you know what's good for you. You don't frighten me. I heard you talking last night. You're figuring I'm murdering me after this job and high tailing it from Mexico. Whoa, Rain.
Narrator
Up there.
Lucky Peters
Oh, boy. Steady. What are you slowing up for? Keep him covered. Fence. I'm taking the reins. Get up there. You or critter, get up. I'm riding along the trail with you, Lucky.
Vince Collins
I'll keep the kid in my gun sight.
Lucky Peters
Watch that on the trail up ahead at the creek. Looks like a wagon. It's my new stage. Somebody must have pulled it out. Pull up, Hucky. No, I can't. The brakes won't hold you. Crash, swing over to the side.
Sheriff
There ain't room.
Lucky Peters
There's a ditch alongside. Wait in your horses. The horses are out of control. I'm going to jump. Luke, take care of Jim. He's getting away. Saddle him on your cayuse and head for camp.
Luke Davis
See you there, Vince.
Vince Collins
You all right, Lucky?
Sheriff
My leg.
Lucky Peters
Oh, feels like it's broken.
Vince Collins
I'll give you a lift up my horse.
Lucky Peters
Easy there now. There.
Vince Collins
We'll have a look at it back at camp.
Lucky Peters
Make tracks for the hideout, boys. Sheriff must have wasted that stage, Vince. And if he did, he may have followed a trail to the camp.
Vince Collins
I Should have listened to you in the first place, Lucky. We'll hustle back to the hideout for the gold and hightailer from Mexico.
Sheriff
Prado.
Vince Collins
Come on, get up.
Tonto
Easy, horse.
Vince Collins
Get up there. Here's the camp, Lucky. Better have a look at that gold right away. Yeah, well, up there.
Luke Davis
What do you want done with Jim, Vince?
Vince Collins
Forget him for a minute.
Lucky Peters
Couple of you boys start digging up that gold.
Luke Davis
It ain't been touched, boss. If anybody had taken it, they wouldn't have bothered to fill up the hole stuff.
Vince Collins
How are you gonna help with that digging?
Luke Davis
Just as you say, boy.
Vince Collins
Where's that shooting coming from? The woods that came from the south.
Lucky Peters
They've got your cornered, Vince. You rode into a trap. Turn on your guns.
Tonto
You're surrounded.
Lucky Peters
Come and get us.
Tonto
All right, men, close it on.
Lucky Peters
The ghost is cooked, Vince. I know that voice, you tongue wagon coyote. At least they won't take you alive. Oh, I'll reside for the masked man
Luke Davis
we gotta throw in Vince. They're too many for it.
Lucky Peters
Ain't that your fool. You just can't see him to shoot at him. Well, I ain't giving up our Shaw. Ooh, another hit for them ass man. Come on and get him. They're all reaching for the sky.
Tonto
They're your prisoners, Sheriff. The gold is buried under that tree where they started to dig.
Sheriff
Yeah. Say, you're all right, stranger.
Lucky Peters
Wouldn't have located him if it hadn't been for you.
Tonto
Connell deserves a credit, Marshall. He drove Jim's stage to Elbow Creek for the outlaws to find.
Lucky Peters
If it hadn't been for you, I'd be six feet under. We couldn't have acted sooner, Jim, or the sheriff would have arrested you for an outlaw. But you're clear now. When you get back to Elbow Bend, don't be surprised to find not only your job waiting, but a raise. A raise? Call it a wedding present. Jim.
Barbara Wilkins
Jim. Oh, Jim. You're safe.
Lucky Peters
You're Don too.
Tonto
Am, honey.
Lucky Peters
And guess what? The mask man. He's riding away. Oh, and just as I was going to invite him to our wedding. Sam. Mom, can you tell me a story?
Ad Host (Blue Lizard / Rakuten)
Sure. Once upon a time, a mom needed a new car.
Tonto
Was she brave?
Ad Host (Blue Lizard / Rakuten)
She was tired mostly. But she went to Carvana.com and found a great car at a great price. No secret treasure map required.
Lucky Peters
Did you have to fight a dragon?
Tonto
Nope.
Ad Host (Blue Lizard / Rakuten)
She bought it 100% online. From her bed, actually.
Lucky Peters
Was it scary?
Ad Host (Blue Lizard / Rakuten)
Honey, it was as unscary as car buying could be.
Lucky Peters
Did the car have a sunroof?
Ad Host (Blue Lizard / Rakuten)
It did, actually.
Barbara Wilkins
Okay, good story.
Ad Host (Blue Lizard / Rakuten)
Car buying you'll want to tell stories about. Buy your car today on Carvana. Delivery fees may apply.
Jake Stauch
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Lucky Peters
Sam.
Narrator
The story you have just heard is a copyrighted feature of the Lone Ranger Incorporated.
Andrew Rines
This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com YouTube become one of our ranch hands and unlock some exclusive content. We want to thank our most recent ranch hands, Steve who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail 707-986-8739 this episode is copyrighted under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.
Lucky Peters
Sam.
Release Date: June 12, 2026
Host: Andrew Rhynes
This remastered episode of The Lone Ranger transports listeners to the adventurous Wild West, centering on themes of trust, redemption, and clever justice. “Quicksand Tells a Tale” follows the masked hero, the Lone Ranger, and his steadfast companion, Tonto, as they expose and foil an elaborate plot by outlaws targeting a gold shipment on a new stagecoach route. With classic radio drama flair—horse hooves, masked desperados, and sharp frontier dialogue—the story celebrates personal redemption and the triumph of law and order.
[05:55 – 08:15]
Two outlaws, Vince Collins (the boss) and Lucky Peters, discuss shifting from cattle rustling to a more lucrative opportunity: robbing a stagecoach expected to transport gold.
The gang discovers a wide creek crossing with dangerous quicksand, and Vince devises a plan to redirect the stage onto the quicksand by switching a signpost.
Quote:
“I’m thinking we can make mighty handy use of that quicksand, Lucky.”
— Vince Collins [08:03]
[08:52 – 11:23]
Jim Lane, a reformed outlaw, is granted a new start as a stage driver (with the Lone Ranger and Tonto quietly ensuring he gets the job).
Jim’s fiancée, Barbara Wilkins, is revealed as a passenger on his first run, underscoring his motivation for redemption.
Quote:
“Oh, how can I ever thank you?”
— Jim Lane to the Lone Ranger [10:01]
[11:23 – 13:59]
The outlaws set their plan in motion as Jim’s stagecoach, carrying Barbara and the gold, is unknowingly diverted onto the dangerous path.
Lucky, disguised as a guard, betrays Jim, taking control of the stage.
The outlaws pose as Good Samaritans, extracting Barbara and removing Jim, then proceed to dump the stagecoach (and the gold) into the quicksand to erase evidence.
Quote:
“That sand swallowed that rock like it was starving… Quicksand.”
— Lucky Peters [07:17]
[14:23 – 17:16]
The Lone Ranger and Tonto, suspicious of the route, discover the switched signpost and spot the gang unloading gold before sinking the stage.
Showcasing resourcefulness, they retrieve the stagecoach from the mire using Silver and Scout, proving there was theft.
Memorable Moment:
“The powerful white stallion and the sturdy paint threw all of their great strength into the task… The stage is pulling free. Good boy, Silver!”
— Narrator / Lone Ranger [17:16]
[21:14 – 25:19]
In Colby, the outlaws report to the sheriff, pinning the blame for the missing gold on Jim. The sheriff, already biased, eagerly believes Jim reverted to outlaw ways.
The outlaws gloat at their camp, knowing evidence is destroyed. They plot a second gold heist using the same ruse—but this time, Jim is to be forced to appear complicit.
Quote:
“The sheriff will spend all his time hunting Jim... Maybe we can even get our hands on some more of that gold.”
— Vince Collins [24:04]
[25:19 – 28:05]
[28:05 – 33:04]
The Lone Ranger leads the sheriff and posse to witness the next planned holdup, where Jim is forced by the outlaws to front the ambush.
Amid chaos, Jim resists and the outlaws attempt to repeat the quicksand trick.
The posse surrounds the gang’s camp, and after a tense shootout, the outlaws surrender. The gold is recovered, Jim’s name is cleared, and hope for his marriage with Barbara is restored.
Quote:
“They're your prisoners, Sheriff. The gold is buried under that tree where they started to dig.”
— Lone Ranger [32:35]
Memorable Moment:
“Call it a wedding present, Jim!”
— Lone Ranger [33:04]
With its suspenseful, frontier-style storytelling and period dialogue, the episode delivers classic Western drama—quick with the draw, rich in atmosphere, and marked by camaraderie, villainy, and redemption.
This summary captures the full arc and spirit of “Quicksand Tells a Tale,” making it accessible even to those who haven’t heard the episode. For more classic radio Western adventures, visit otrwesterns.com.