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Andrew Rines
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Go.
Andrew Rines
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Andrew Rines
Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines and I'm excited to bring you another episode. This is one of over 80 episodes released monthly. From your enjoyment, you can find more western shows at our website by going to otrwesterns.com now let's get into this episode.
Narrator
A fiery horse with the speed of light. A cloud of dust and a hode. Hio Silver the Lone Ranger.
Andrew Rines
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The building of the first transcontinental railroad was one of the most important steps in the winning of the West. The railroad was of prime importance to the future of the country. But powerful forces, cattlemen, stagecoach lines and steamship companies opposed it. Outlaw opposition sprang up and the Lone Ranger was commissioned by the President to lead the fight against the enemies of progress. Return with us now to those thrilling days of yesteryear from out of the past come the thundering hoof beats of the great horse. Silver. The Lone Ranger rides again. Come on, Silver. There's trouble at Dry Creek.
Joan Barkley
Hello.
Narrator
The building of the transcontinental railroad was a gigantic undertaking. And as the shining rails thrust further and further into the western plains, the men of the Iron Spur, the powerful outlaw organization which fought to smash the railroads, used more and more violent means to accomplish the destruction of the iron horse. One dark night, two grim faced men waited on the trail that led to Dry Creek. They carried rifles across their saddles. Hold still. Your dog on cayuse. Randy. If that railroad messenger here's our horses he'll sadly we're planning to dry gulch him light out like a rabbit with a coyote on his tail. He's coming now. Sure it's him? Must be. Who else would be covered in a trail this time of night? Grab your horse's muzzle so he don't Winnie. Yeah, Kino. I'll cut in front to head him off. You swing in behind. So we get him two ways. Whips out, huh? Let off a couple of shots into the air. It'll show we mean business. Get ready. Get along dusty. Here boy. 15 miles of dry Creek. Cover the ground, boy. Now get up there. Stand and deliver. Mister. This is the Iron Spur. Moon come up now. Kim Sabi and he light the sea by. We'll travel along the edge of this cliff about a half a mile before there's a spot where we can quarter down the slope and hit the Dry Creek trail. We get to railroad maybe a couple. Oh, right up. Steady. Slowly. What manner down there on the trail. Oh. What man do on ground. Him may be dead. One man on the ground, an empty saddle and two mounted riders. Looks like an ambush tunnel. And we're too late. Not right if man him dead. Hold on. Look. Man on the ground isn't dead. I saw him move. Maybe they his friends. Maybe horse tripping him fall to ground. They're his friends. They wouldn't be ignoring him. They'd huh. One man left gun to shoulder. Kimasabe. You mean to shoot man on ground. We can't get down there fast enough to ride for the path down the cliff. I'll hold him off of the rifle. Now ride. Get him off. Scout. Range is long and my aim must be perfect. He's starting to move. Laredo. Reckon I didn't punch him hard enough. We got a vamos. Randle. Pull the trigger. There's no hurry. No fun shooting a gent when he's Unconscious. I want him to know what's happening. The moon's up. It's late. Somebody may amble along this trail any minute. We got what we want. Don't be local, Randy. Give him a bullet. I reckon you're right, Laredo. Keno. Mr. Railroad man say adios. What the. Hit the rifle, Laredo? I don't know, Randy.
Joan Barkley
Look.
Narrator
Up on the cliff. That gent on the white horse, he's a clear target. Poured at him. Grantly. I had enough. That on break can split ahead 100ft. Got bullets buzzing around me like hornets. Kino. We better travel while we can first. I'll take care of this railroad man like I was going to before this homo wife. Oh, that's a second time that ombre hit my gun square. Let's go. Get up there. Come on, get up. Oh, thanks, Engine. I'm sure glad you happened along. Those hombres were all set. My jaw. We see them from up there. Top of the cliff. Two bad men ready to shoot you when you're lying ground. We see them. I. I heard shooting, but that's a long way off, Injun. You mean you shot from up there? Well, enough to scare those coyotes off. Only me. Not the one to shoot me. Right ahead. Come down path and cliff. My dog. Me for a lop eared maverick. Who was it did that shooting? Buffalo Bill? No. Him. Come now. Hi. Hi, Kimo Savage. Hey, that's a wonderful horse. That gent Scott. Hey, Silver. Steady. I see you're all right. Yep, thanks to you and the engine. Mister, you sure saved my life. Judging by what. What in tarnation? Your mask. That's right. But you can't be outlaws. They was outlaws. Al and I are friends. What's that? Tonto. Is this Indian's name Tonto? That right. And your horse is named Silver? Why, you must be. Perhaps this will settle it for you. Silver Bullet. The Lone Ranger. Well, no wonder you was able to scare off them iron spur off. Just a moment. Did you say iron spur? Sure, that's who they was. You worked for the railroad. How'd you know? Never mind. What were they after? Well, I don't rightly know. We look in saddlebags, saddlebag open, but nothing gone. The only thing open was this letter. Don't seem important to me. Yeah, I see that. Oh, sure. Can you read at the moonlight? I don't think there's enough light. Oh. All it says is that railroad service between Dry Creek and Wolf Bend is due to start a week from today. One train every two days. The first Trip to be from Wolf Bend to Dry Creek. Yeah. Now why should the iron spur be interested in that? Put your horses in the corral. Right. Later. We better tell you first, Fisher. We got what we went after. First passenger service between Wolf Bend and Dry Quick starts a week from the day we found the letter on the railroad messenger road straight here. Yep. Took a seven hour study, but we figured the iron spur would want to know. Prono. Yeah. It takes time to set up these j. We rode our horses to a lather. You killed the railroad Manicors. Did you hear me? I said you meant to kill him, Fisher, but you didn't finish him. But I gave orders we couldn't fish you. We tangled with some gun smoke. Gun smoke? A little trouble there. 10 miles out of Dry Creek on the wagon trail, some hombre started to pour hot lead at us from the top of the cliff. We skedadded off of the cliff. Well, you yellow leopard skunks, you should have fought back. Nobody can shoot dead from that distance. That's where you're wrong, Fisher. This gent knocked a hand out of my gun twice. He put bullets so close he was singeing my whiskey. Hey, nobody can shoot that. Don't tell us we was there. You want to make an argument about then? Just cool off. Friendly. Break him a little on the prod. Forget it. All right. This gentle. It's half a mile around to get down the cliff. We had a good head start. We covered the trail too. Nobody knows where we're headed. Fishing. First train is weak for the day, huh? Well, that's just dandy. And what's your scheme, Fisher? The stagecoach company is still running between Wolf Bend and Dry Cricket won't stand a chance when the railroad gets going. You make almost as good a time. Sure, but the stagecoach bumps around. Passengers get shook up from here to breakfast. Besides, the railroad's a new thing. Everybody wants to ride the steam cars. I heard that old man Larson plans to give up the stage as soon as the railroad starts. He won't even try to compete. Larson don't own the stage line anymore. I bought it from him yesterday morning. What you got ears, Loredo? Me? I'm the new owner and I plan to compete. Savvy? I'm wasting your money. The iron spurs get plenty of money. And it won't be wasted because the stagecoach is going to get the business and keep it. If you cut the rate, so will the railroad. Friendly. Supposing something happens to that first passenger train? Supposing it runs into trouble? Trouble? What Kind of trouble? Oh, I don't know. Only if it does, folks are going to be a might afraid of traveling by rail, don't you think? He's home. Say, that's right. It gets spookier than cattle in a thunderstorm. So that's your scheme? Just wait and see, Laredo. Wait and see. The iron spurs got an ace up its sleeve. When the time is ripe, we play it. We play it and we win.
Joan Barkley
Well, dad, in a few days this train will be carrying passengers instead of rails and ties and equipment for the truck gang.
Narrator
Sure will, Ms. Barclay.
Joan Barkley
And thanks for bringing me back to Wolf Bend.
Narrator
Oh, Miss Barkley, ma'. Am.
Joan Barkley
Oh, Billings, don't tell me you're still excited about that hold up.
Narrator
Oh, no, ma'. Am. That was two days ago. It's a stagecoach line I'm excited about. Now, looky here. They've been passing out these handbills all over town. Thicker than locusts in a field of corn. Look. Telling everybody not to ride the railroad. What?
Joan Barkley
I don't believe it.
Narrator
Made my eyes bug out too. Ride the stagecoach. It says the railroad ain't safe. Don't put your person and property in danger. Protect life and limb.
Joan Barkley
Oh, never. But Billings, I was talking to Mr. Larson only four days ago. He said he wasn't going to run the stagecoach anymore. He said he knew it was useless to compete against the railroad.
Narrator
Sure, that's what Larson said. But just read that name at the bottom.
Joan Barkley
The Wolf Bend and Dry Creek St. Stage Company. Carl J. Fisher, owner and billy.
Narrator
Yes. Fisher's took the stage line over lock, stock and barrel. I tell you, Ms. Barkley, I don't like it. Fisher's shady. He's crooked as a curlin rattler. He's been mixed up in more underhanded deals than a card shop from the Barbary Coast. I hear Telly's in with the iron spur. And he's the kind of an ombre that would take the pennies off his.
Joan Barkley
Fisher, say hello.
Narrator
This Miss. I meant what I said. What about it? If I was you, I'd apologize. Apologize nothing. I forgot to add that no self respecting skunk could stay in the same room with you. You're wearing guns. You can slap leather any kind of willing.
Joan Barkley
Fisher.
Narrator
Wait.
Joan Barkley
Both of you're on railroad property. Clear out.
Narrator
What's that?
Joan Barkley
You heard me. This station belongs to the railroad. There's a law against gunfighting. And the railroad has its own marshals and soldiers to enforce that law. Clear out.
Narrator
Is this gent raising a ruckus? Ms. Jones, you know it's time at your hand. I'm leaving, but savvy this. In five days, the stage to Dry Creek will be racing against the train.
Joan Barkley
The train will start at eight in the morning, Mr. Fisher.
Narrator
So will the stage. We'll see who gets to Drag Creek first.
Joan Barkley
We certainly will.
Narrator
30 years to you, Billings. I still got a score to send with you, Ms. Barkley. What'd you stop him for?
Joan Barkley
He's a gun fighting fool, Billings. You wouldn't have had a chance. Isn't that right, Tonto? You're here.
Narrator
Ah, Tonto. Bring you message.
Joan Barkley
Excuse me, Billy.
Narrator
Oh, certainly, Ms. Bar.
Joan Barkley
What is it, Tonto?
Narrator
And tonight you ride to place where trail curb round Cliff. Lone Ranger got something to tell you.
Joan Barkley
I don't see him. Boy, I'm sure Tondo told me this was the spot.
Narrator
Right here, Ms. Barkley.
Joan Barkley
You were behind those cottonwoods.
Narrator
Couldn't take any chances.
Joan Barkley
What did you have to tell me?
Narrator
You've heard about Fisher, Ms. Barkley. It was Fisher who had Billings held up here on the trail several nights ago.
Joan Barkley
Are you sure?
Narrator
Yes, we're positive. They tried to cover their tracks, but Tunnel and I followed them. Aaron Spurr has a cabin in the hills. We saw Fisher there.
Joan Barkley
He's got some scheme up his sleeve. Mask man. Do you know what it is?
Narrator
No, not yet. But he must be confident that the stage will beat the train.
Joan Barkley
Oh, it just isn't possible.
Narrator
You're dealing with desperate men, Ms. Barclay. They stop at nothing to beat the railroad.
Joan Barkley
But a stagecoach can't go nearly as fast as the train. It wouldn't even.
Narrator
What path? Look. The gang of outlaws up on the cliff. Get after them.
Joan Barkley
They're heading for the path down the cliff. There must be a dozen of them.
Narrator
Must have plenty narrow. Barclay, head for town. Come on. I'll try to hold them up. Rules, I say. Gallop your horse. Go on. They got plenty guns, plenty men. Path is narrow, Tado. Only two can come down at a time. If we get there first, they won't be able to come any further. But we've got to travel. Come on and shoot as you go. Get them up. The curtain falls on the first act of our Lone Ranger story. Before the next exciting scenes. Please permit us to pause for just a few moments.
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Narrator
Apply. It. Now to continue our story. While Ms. Barkley galloped for the safety of the town, the men of the iron spur poured a withering fire from the cliff down upon the lone range with a running battle in the moonlight, both racing to reach the path that led down from the cliff. New spurs are traveling like the wind. Get up, dad. Get up. They reached the path before we struck down. They called us all so kings them come. Those homies are near our cabin in the hills. The Smart will finish him off right through. What? He's right. There's a path that's going to be closed. Get up. Get up there. Here it is, Keto. Who's going down first? The masked man in the engine at the bottom. Johnson? No, Bedwell. Not me. Or yellow pits. If you're so anxious, Randle, you go first. Why, sure. Come on. We're waiting for you. Keno. Masked man, here we come. Ho ho. Ho. Ho. Hoy ho. He put a bullet clean through the crown of your Stetson. It's plum suicide, Raleigh. Him and the injured could stand off an army. Yeah, might as well give up. Fisher will be madder in a hop. Toad. Those two hombres are mighty friendly with the railroad. Well, we don't know for sure. It's because we spotted them around our diggings and trailed them back here. And saw them power on with that girl. That girl's secretary to Colonel Parkman, chief engineer of the railroad. That's proof enough. Well, anyways, there's no sense being foolish finally. I reckon so. Leave them there. They don't dare come after us. We got 15 to 2. Besides, the main thing is that job we got. When the stagecoach races the train. We gotta make arrangements. What matter up there? Why you not take path, huh? That doggone engine. I'd like to Kino Laredo. Maybe we'll tangle with him later. All right, gents. Head this way. May not try to make fight, huh? No reach the path in time. Hello. Steady, Silver. Steady. They're heading west. They must have been seen when we scouted that cabin. Not right. We still have no idea what Fisher's planning to do. They work for Fisher? Who else? That way it must be. But what we do now? Kimasabi heading west. The railroad line is out that way. Tanto. I'm going after them. You head back for wolf bend. Tell Ms. Barkley what happened. Stay with her till you hear from me. Kimasabi. You're not taped, Tonto. No, but you not fight them alone. 15 outlaw that. Not too many. Do as I ask, tonto. Stay with Ms. Barkley. If necessary, go out on the first passenger train. You may not hear from me before it leaves. Hunto not savvy. What? I don't intend to fight them, Tono going to trail them. See where they're heading and what they're aiming to do. And this time I'll make sure they don't know I'm after them. Adios. How to do what you say? Me head for Wolf, Ben. Adios. Get him up, Silver.
Joan Barkley
No word from the Lone Ranger?
Narrator
No, no word.
Joan Barkley
There's not much time left, Tano.
Narrator
You not worry?
Joan Barkley
I can't help worrying. Fisher left Wolf Bend last night with a grin on his face like a coyote in a sheepfold. He's so confident. The passenger train starts tomorrow morning. We still don't know what he's scheming to.
Narrator
Do you not worry, Mask friend. Him find out.
Joan Barkley
Find out what? Where is he? We can't hold up the train tunnel. Not after the whole town's ready for the race.
Narrator
Train go when ready. And me go with train. At what? Lone Rangers say at what? Tanta. Do you not worry? There's a whistle, folks. Hop aboard.
Joan Barkley
Hop aboard.
Narrator
First passenger train to go all the way to Dry Creek. It's an historic event. You can tell your children and your grandchildren about it. Pay your fair and hop aboard. Hop aboard. How come you, Railroad man? Tell that armory to stop blowing that whistle. He's scaring the horses. Don't worry, Johnson. When we Start up. We'll leave that coach and horses so far behind they won't be scared at all. They won't even hear the train whistle. Oh, don't pay no mind to him, folks. Ride the stage coach. Then you'll be sure to reach Dry Creek all in one piece. Why, that contraption's due to blow up any minute. It's full of steam already. We'll see who gets the last laugh. Johnson, tell your boss Fisher that I'll be gunning for him when I get to Dry Creek. That is if he still wants that fight. Mister, the stage is going to beat the train. And Fisher beat you. Maybe they'll use that engine for your tombstone. Oh, here I am, Ms. Tone. This bridle legged cactus here coyote him
Joan Barkley
banding words won't make any difference. It's almost 8 o'.
Narrator
Clock. Oh, come on, we better hurry. Get on the stage folks. We're heading for Dry Trick. Oh now, no head start there, Johnson. You wait. Sure I'll wait. And I'll wait for you. And dry quick too. This Jones.
Joan Barkley
Oh, here you are, Thomas.
Narrator
Me put horse and baggage car, is that right?
Joan Barkley
Yes, and we'll be in the engine with a cab crew. Is there any word?
Narrator
No, no words. Come there. It's 8 o'. Clock. Any second the judges shoot off the starting gun.
Joan Barkley
Come along, Tano. We've got to be on the train. I reckon the Lone Ranger failed. For once in his life, the Lone Ranger failed.
Narrator
We go on train. Have your stage coaches ready. Fire that gun when you're a miner. Shoot off your gun, Judge. Here goes the passenger train.
Joan Barkley
Here we go.
Narrator
Come on. Come on.
Joan Barkley
Get up. Get up.
Narrator
Get along.
Joan Barkley
Get along there, boy.
Narrator
Need more steam into the boiler. Put more wood on the fire. We're heading for Dry Creek. Side by side, the stage coach and the train rolled out of Wolf Bend first. The stage easily out distanced the train as the driving rods moved more swiftly. The puffing locomotive caught up with the racing stage, then left it behind in a thick cloud of heavy smoke. We're leaving him behind like he was stuck in the mud. Slow Poke, we'll keep your middles hot for you and drive free.
Joan Barkley
We're pulling ahead now, Toto.
Narrator
Thing go Penny fast.
Joan Barkley
I still wish research from the mast man.
Narrator
A little further along, the stage coach and the train separated. Curving away from each other, they would not meet again until only 10 miles from dry Creek. The morning sun rose high and then began to swing down again. In the rocking, creaking cars, the passengers dozed. Joan Bark and Tonto were up in the engine room with a cab crew. Suddenly, Tonto pointed. Ah, look there, Silver. Over a ridge flashed the Great Stallion, the Lone Ranger. Leaning forward in the saddle, more than 20ft with each stride. Silver galloped over the flat prairie, angling as he ran until he was parallel with the steel rails. Masked man's face and arms were dust covered in the long ride. But his eyes behind the mask were sharp and keen as ever. Slow down. Slow down. Hello. Can you hear me?
Joan Barkley
Otto?
Narrator
Here. You follow bad men? I follow them. And I learn what they're planning to do. Ms. Barkley, are there any guns on the train?
Joan Barkley
I reckon there must be.
Narrator
Good. There's going to be a fight. Those outlaws are planning to wreck the trestle as the train crosses. It'll look like an accident. Yes, but we can stop them. Tell the engineer to stop just this side of the trestle. Understand? All right, then. Now speed up. All right. Alongside. You can't keep up with this, mister. Speed up. Silver can keep up with you. All right alongside.
Joan Barkley
Come on, Silver,
Narrator
Cut it through. Cut that log. That does it, Fisher. Hey, there's three logs cut on a trestle. Any more good? Never mind, boys. There's plenty. Hey, watch your steps. Long drop down. We climbed up. We can make it down. Here's the ground. Watch it. Take a look at it. Wish plenty seller did it. Yep, that's a way to look to the engineer, too. But as soon as the weight of that train gets on it, she'll crash like an avalanche. That whole train will pile up on the bottom of the ravine. It might finish some of the passengers, Fisher. Sure. I hope it does, because it'll mean the finish of the railroad, too. They won't get any passengers after this wreck. Fisher, it's a train. Hey, it sure got here sooner than we figured. Yeah, but it won't leave. Come on back at a segment where the rest of the gents are waiting. And what a watch is. They don't want them to see us hedgeheads. That was a train whistle you heard. Pretty soon it'll come inside. Just keep watching that bend in the track. There she is. Keep watching, boys. Keep watching. Look, there's a gent riding right alongside. Well, I'll be doggone. It's a mask, man. Blazes. Train stopping. Stopping this side of the trestle bushes. Get on. Your horses are coming after us. We've been pulled. Men poured out of the train, rushing toward the woods. The outlaws, confused and taken by surprise, tripped over tree trunks, blundered into low Hanging branches. He gets that one. In less than 10 minutes. It was over. Surrounded by a ring of guns. Fisher himself disarmed by the Lone Ranger. The outlaws were quickly tied and hustled into a baggie by the gleeful passengers. There they are, mister. Tied and locked in that baggage car like so many beef heading for market. Not right. Only they head for jail. Huh? You've still got to hurry. Remember that stage coach is on its way to Dry Creek.
Joan Barkley
The stagecoach. Billings. We forgot all about the race. Masked man. What are we going to do? There are three logs cut on that trust. So how can we get across?
Narrator
There are plenty of men here. Use them, Miss Barkley. It'll take only half an hour to see. Tie those logs up again so the train can get across and go on to Dry Creek.
Joan Barkley
Half an hour?
Narrator
That's time enough if we hurry. I don't know. I'll gallop alongside for the rest of the way. We fix trestle now. Yes. Come on, men. This started out as a fair race, but it won't be fair if the stage coach wins. Who'll help fix the trestle? Man sure helped us fix that. That trestle in record time. Ms. Joan. There's still a chance.
Joan Barkley
Are we near Dry Creek yet then?
Narrator
Just around the next bend, Ms. Barkley. There it is. Yes.
Joan Barkley
Here's the crowds waiting at the station. That means the stage hasn't arrived yet.
Narrator
It sure hasn't. Look over there. It's a stage coach. And it's a good mile behind us. We win, Miss Joan. The railroad wins.
Joan Barkley
Yes, my supermass man. Lean out, Billings. Lean out and tell him the railroad run.
Narrator
I sure will, Hoppy. Dog gone. Miss Tony's gone. Him and the Indian both. Look. There they go. Well, the fat ain't just like the Lone Ranger. He saves a railroad and don't even wait around for bangs. Sam.
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Narrator
You know what they say.
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Narrator
The story you have just heard is a copyrighted feature of the Lone Ranger Incorporated.
Andrew Rines
This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com YouTube become one of our ranch hands and unlock some exclusive content. We want to thank our most recent ranch hands, Steve who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail 707-986-8739 this episode is copyrighted under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.
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Host: Andrew Rhynes
Date: April 7, 2026
Episode Theme:
A classic Western showdown between progress and sabotage unfolds, as the Lone Ranger and Tonto race to thwart a criminal plot to derail the first passenger train journey between Wolf Bend and Dry Creek. With the fate of the transcontinental railroad—and the spirit of the Old West—on the line, this episode brings classic radio storytelling to life, immersing listeners in a battle of good versus evil and the pioneering triumphs of the American frontier.
The episode dramatizes a pivotal moment in the building of the first transcontinental railroad, focusing on the relentless conflict between progress (the railroad) and those who seek to sabotage it (the Iron Spur outlaw gang). The Lone Ranger, assisted by Tonto, is entrusted with protecting the nascent railroad and its inaugural passenger train from a gang determined to ensure the dominance of the rival stagecoach line through violence and sabotage.
The episode is driven by the tension and excitement of a Western adventure—danger, cunning villains, heroic quick-thinking, and ultimately the triumph of innovation and resolve over lawlessness. The voice acting and restored audio vividly immerse listeners in the world of creaking stagecoaches, crackling gunfire, and racing locomotives.
“Race to Dry Creek” is a taut, action-packed episode that captures the enduring appeal of The Lone Ranger and classic radio Westerns—a tale of justice, determination, and the inexorable march of progress, brought to life with crisp restoration and authentic period drama.
Recommended For: Fans of classic Western storytelling, history buffs, and anyone who loves a tale of high-stakes frontier justice.