
Original Air Date: December 03, 1949Host: Andrew RhynesShow: Grand Ole OpryPhone: (707) 98 OTRDW (6-8739) Exit music from: Roundup on the Prairie by Aaron Kenny https://bit.ly/3kTj0kK
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Rod Brassfield
Foreign.
Andrew Rines
Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines and let's get into this episode. This episode is going to be Grand Ole Opry Original Air Dates December 3, 1949 We've got red Foley and Wayne Rady in this episode.
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Rob Grassfield
It's Grand Ole Opry time.
Minnie Pearl
Roll back the rug on the floor.
Rob Grassfield
Light up your all car pipes.
Minnie Pearl
Everyone will have some fun at the Grand Ole Opry tonight.
Rob Grassfield
Welcome to Grand Ole Opry with Rob Grassfield, Minnie Pearl starring Red Bully.
Rod Brassfield
Oh wake up in the morning with my Head on the floor where I left it Saturday night Making up my mind to never sin no more Start my Sunday ride oh, the bells are ringing and I dingy and a dang and get along they're chiming and be going to hurry to the meeting before the shot begin On a Sunday down in Tennessee oh, brother, take me by the hand I'll lead you to the promised land the gals are like a honey suckled vine they just keep clinging all the time it's early in the evening when the sun goes down by the weeping willow tree I get a great big kiss from my little miss On a Sunday down in Tennessee let's.
Rob Grassfield
Go, Seym sa.
Rod Brassfield
Lamb the gals are like a honey buggle vine chairs keep clinging all the time early in the evening when the sun goes down by the weeping willow tree I get a great big kiss from a little miss On a Sunday down in Tennessee I'm going to walk that aisle with my head up high look there the parson Riley in the eye Shouting hallelujah till the day I die on Sunday Sunday Diamond Tennessee Olin lost answer for the blues Rod Brassfield. Yes, sir.
Rob Grassfield
Well, thank you. Me box sticks house.
Rod Brassfield
Donkey. Shame.
Rob Grassfield
That this shirt. Nashville sure is getting to be a funny town, ain't it?
Rod Brassfield
Now, wait a minute. Wait a minute. What you. What do you mean, Rodney?
Rob Grassfield
Well, I standing down here on Church Street a little while ago, just standing there like a human being minding everybody's business but mine. And I got sleepy looking up at all them tall buildings. And all of a sudden I yawned and gaped a couple of times there and the feller walked up and mailed.
Minnie Pearl
A letter in my mouth.
Rob Grassfield
Yeah, and if you don't mind, I'd love to get my letter back. I forgot to put stamps on it by Nettie. It's my uncle S. Now, look, now that you're here. Visit me? You got to do something on the radio. How's that? Couldn't hear it thunder by now. Now that you have visited me, you got to do something on the radio. How about singing a song, huh? Song? Yeah. Song, Rodney. I don't know but two songs. One's a doxology and the other ain't. Well, what is the other? Soul. How's that?
Rod Brassfield
Well, I'll just declare.
Rob Grassfield
I said, what is the other song, Uncle Sipe? Boy, it's a good one. Yeah? Yep. I learned it back in 1917. Yes, sir. It's called Mademoiselle from Armamentiers. Boy, it's got some verses in it that won't quit.
Rod Brassfield
Well, never mind, never mind. Now that's.
Rob Grassfield
That's all right. I don't think maybe you better sing. I don't think maybe me and you better tell a funny joke. I know one.
Minnie Pearl
Wouldn't use one. What?
Rob Grassfield
A joke. A joke? Yeah. Is it a good un. Oh, it's a dandy. Maybe you better use it, Rodney.
Rod Brassfield
Why? Well, you're.
Rob Grassfield
I'm just a visiting and you're on here regular. You better use. Now don't get smart, Uncle Sip. I'll slap a fire out of you. Now look here. Here's a joke. Just tell a joke, Uncle Sipe. Look, I'll. I'll say. I mean, you saved to me. I got a goat down at my house. Got a what? A goat. Goat? Yeah, goat. Ain't got no goat. Well, you can get one, can't you? What for? For the gag. I don't think you ain't SAP would let me keep a goat in the house just for a gag, bro. Gardening, huh? I know where there's a bunch of goats. No, Uncle Sipe, not a bunch of goats. You mean herd of goats. How's that? What'd you say? Shut up. A herd of goats. A herd of goats.
Minnie Pearl
Oh, yeah, I heard of them.
Rob Grassfield
Uncle Sar. Heard the what? Heard the goat. You have?
Rod Brassfield
Yeah.
Rob Grassfield
I'm gonna slap you down, enemy. All we want is just one little old teeny weeny, beat up little old, little bitty goat. Just one Go about how big.
Doug
Oh.
Rob Grassfield
Look, Uncle Sipe, I'd say, well, what difference does it make how big it is? I don't care. Look, Uncle Cyp, it's just for the joke. It's a joke. A joke? Yeah, it's a joke. Oh, I thought you talking about gold. Look, Uncle Sight, you just say to me I got a goat at my house.
Minnie Pearl
Oh, you have?
Rob Grassfield
Yeah, yeah. I'm telling you, you can go, no, I ain't got no goat. I mean, I'm on.
Minnie Pearl
Oh, slither.
Rob Grassfield
Look, Uncle Cy, here's what you say and then judge what I'll say. Oh, you say. I mean, I'll say I got a goat at my house, ain't got no nose. Then you say, how do he smell? Then I'll say, not so bad, but he's just a young goat.
Rod Brassfield
Hey, pardon me, Rod. Pardon me, pardon me. Just a minute, Rod. Look, we gotta go. Hi, Mr. F. All right, we gotta go on. Look, we got to go on with the show here. And I'm glad you're business, uncle type. Say, is any of Rod's kin Folks, any of rod skin folks are welcome up here. Tell me, Uncle Sci Fi, is there any more down in H wall like Rod here?
Rob Grassfield
We got a goat down in our house.
Doug
Oh, no.
Rob Grassfield
Oh, the way. Not now, Uncle S. No.
Rod Brassfield
You know the way this Rod cuts up here on the. I just wonder if you had any trouble with him at home.
Minnie Pearl
Oh, he don't smell so bad, but.
Doug
He gets.
Rod Brassfield
Wally Fowler with his famous Oak Ridge Quartet. And they're singing Eyes in his care. Well, one day as I was walking.
Roy Acuff
Down the road the spirit spoken to me Lodian to fill my heart with zone to One day as I was walking Walking up and down the Rose Road Easy I believe God Eyes in his care now limiting your care.
Rod Brassfield
Great.
Roy Acuff
Lord he's got his arms all around me no evil in the world can army goes now I do thank God Eyes in his care well.
Rob Grassfield
Daniel, he.
Roy Acuff
Was a good man Lord and he prayed the angels open up the window oh Daniel, he was a good man, Lord and he prayed.
Minnie Pearl
Because.
Roy Acuff
I do thank God I in his care.
Rod Brassfield
Song of simple praise and faith we've chosen for tonight One that our papas and mamas sung long before us Will a circle be unbroken I was standing by my window on one cold and cloudy day When I saw Saw that hers come rolling far to carry my mother away Will the circle be unbroken by and by, Lord, by and by There's a better.
Minnie Pearl
Home awaken.
Rod Brassfield
In the sky, Lord in the sky Lord I told that undertaker Undertaker, please drive slow for this lady you are holy Lord, I hate to see her go Will the circle be unbroken by and by, Lord, by and by There's a better circle.
Minnie Pearl
Home awaken.
Rod Brassfield
In the sky, Lord, in the sky okay. Is Roy Acre.
Rob Grassfield
Thank you.
Limu Emu
Thank you, friends.
Rod Brassfield
Roy, Let me see. I was going to read your line there. I know you're the kind of guy that'd rather sing than eat.
Minnie Pearl
Yep, and I'd rather sing than talk, too.
Rod Brassfield
Well, that's what we wanted to hear you say. And here's Roy Acup along with his Smoky Mountain boy singing the Waltz of the Wind.
Minnie Pearl
You were there in my arms alone in the moonlight the trees played the waltz of the wind it was there that I knew I'd love you forever we danced to the walls of the wind the stars up above you look down in your eyes and told me the night would never end Now I'm dreaming of you Till we meet tomorrow and dance to the walls of the.
Doug
Wind Sam.
Minnie Pearl
You were there in my arms alone in the moonlight the trees played the waltz of the wind it was there that I knew I'd love you forever we dance to the walls of the wind the stars up above you looked down in your eyes and told me the night would never end Now I'm dreaming of you Till we meet tomorrow and dance to the walls of the wind.
Rod Brassfield
All Roy, it's fine. Tell your boys not to stay off after the pretty gals, because you've got to give us another little later on. Besides, if they have an eye for beauty.
Rob Grassfield
Well, here she is, Cousin Minnie Pearl.
Doug
How do? I'm just proud to be here this year. Dress that I've got on is 5 year old this year. That ain't no story neither.
Rob Grassfield
That's true.
Doug
Red Foley says he thinks it looks pretty good for the shape it's on. Oh, of course, I don't worry too much. As long as I've got headsy. That there's my feller's heads in. Y' all ain't never here telling him, have you? I'll tell you about him if you ain't careful. Well, that feller of mine, Faizy, sometimes he gets so affectionate with me. Just last night he was just a pinching my cheek and a tweaking my nose. Wasn't that sweet? It hurts, though. He uses a pair of pliers. But when Hansy come over last night, and we was just sitting there on the double setsi in the front room, me by him and him by me, well, I just kind of turned the lights kind of low, and we were just sitting there, and finally, well, Hansi says, minnie Pearl, can I ask you an important question? And I said, the answer's yes. And you know what he asked me? He says, minnie Pearl, can I look behind the cushions and see if anybody's lost any loose change? Well, to brother. Brother has finally went into business for himself. And one thing about brother, he never fails at nothing. He tries. He never tries nothing. This time we think, though, he's gonna be a success. You know how long brother's hair gets? You know, way down over his eye. Well, his brother finally decided to cut his hair. He's gonna keep cutting it until he gets enough to make a mattress. I guess so. I was the biggest news in Grinder Fit this week. I had him a picture in the New York Times. I did. Oh, I surprised folks that seen it. Says I look kinda scared and flustered. I probably was when they took the picture. The camera and my garter snapped at the same time. Well, Daddy embarrassed me to tell that. I oughtn't to say it ought to ran. Well, I don't care for nothing, looks like. Well, Uncle Nabob, he was there at the Picture Turkey. And just to be friendly, he offered the photographer feller a dab of his corn squeezes. And the feller said, no, thank you. No, sir. Why, don't you know that stuff, Slow Poison? And Uncle Nabob said, well, that's all right. I ain't in no hurry. Bye, now. See you.
Rod Brassfield
Well, sir, I know you folks have never heard the steel guitar played on the harmonica. But tonight you're going to hear it. Wayne Rainey playing a mighty difficult piece to play on the harp. And that is the steel guitar rag. Wayne. Come on, boy, let's go. Well, see, they say a bird can't fly on one wing. At least that's what they tell me. So, naturally, we can't go on. Just one song for my guest and friend, Roy Ako. Roy says his second song will be his famous recorded version of thank God.
Minnie Pearl
Thank God for every flower and each tree thank God for all the mountains and the seas thank God for giving life to you and me Wherever you may be thank God There's a road that's straight and narrow that the saints have traveled on Paved with all the tribulations of the martyrs that outgone if you're grateful for their victory and for showing us the way Then give thanks for all your blessings get on your knees and pray thank God for every flower and each tree thank God for all the mountains and the seas thank God for giving life to you and me Wherever you may be thank God Be forgiving To the wayward life the master told us to when he said forgive them, Father for they know not what they do they would change their way of living if they could but understand so remember they're your brothers they need your helping hand thank God for.
Rob Grassfield
Every flower and each thank God for.
Minnie Pearl
All the mountains and the sea thank God for giving life to you and me Wherever you may be thank God.
Rod Brassfield
Well, Roy, we hope you'll make another date with us real soon. I'd like to sing one here to call. I hang my head and cry Every time I see her passing by All I do is hang my head and.
Minnie Pearl
Cry.
Rod Brassfield
And I can't forget her though I try All I do is hang my head and cry oh, I know not how to ease my mind since she left a world of love behind Every time I see her passing by All I do is hang my head.
Roy Acuff
And cry.
Rod Brassfield
Foolish pride oh, pride, what have I done? You have made me lose my only one. Now each time I see her passing by, all I do is hang my head and cry.
Rob Grassfield
That's about all for now, but we'll be back again next week with another grand old Opry.
Rod Brassfield
This is the United States Armed Forces.
Rob Grassfield
Radio Service, the voice of information and education.
Minnie Pearl
IT foreign.
Andrew Rines
This has been a presentation of OTRWesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call and leave us a voicemail. 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright for more information go to otrwesterns.com copyright have a great day and thanks for listening.
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Old Time Radio Westerns Podcast Summary
Episode Title: Red Foley and Wayne Rainey | Grand Ole Opry (12-03-49)
Host: Andrew Rhynes
Release Date: August 7, 2025
In this captivating episode of the Old Time Radio Westerns podcast, host Andrew Rhynes transports listeners back to December 3, 1949, to experience a classic performance from the Grand Ole Opry. Featuring the legendary Red Foley and the talented Wayne Rainey, this episode showcases the rich musical heritage and charming humor that defined the golden age of radio.
The episode kicks off with the vibrant introduction by Rob Brassfield and the beloved Minnie Pearl, setting a lively tone for the evening. At [02:28], Rob announces:
"Welcome to Grand Ole Opry with Rob Grassfield, Minnie Pearl starring Red Bully."
[02:28] - Rob Brassfield
Minnie Pearl adds her signature warmth:
"Everyone will have some fun at the Grand Ole Opry tonight."
[02:48] - Minnie Pearl
The heart of the episode lies in the delightful interplay between the performers and the engaging musical numbers. Rod Brassfield delivers a soulful rendition of classic tunes, demonstrating the rich musical talent present at the Opry.
At [03:08], Rod sings:
"Oh wake up in the morning with my head on the floor where I left it Saturday night..."
[03:08] - Rod Brassfield
This heartfelt performance is complemented by humorous exchanges between Rod and Minnie Pearl, showcasing their chemistry and comedic timing. For instance, around [05:35], Rod quips:
"Donkey. Shame."
[05:35] - Rod Brassfield
These light-hearted moments provide a perfect balance to the more serious musical segments, highlighting the multifaceted nature of the Grand Ole Opry.
A standout moment occurs with Roy Acuff's powerful vocals. At [11:39], Roy delivers a deeply moving rendition of "Eyes in His Care":
"Down the road the spirit spoken to me, Lord, he's got his arms all around me..."
[11:39] - Roy Acuff
His performance embodies the spiritual and emotional depth that Roy Acuff was renowned for, resonating deeply with the audience.
Continuing his musical contribution, Roy later performs "Thank God" at [23:47]:
"Thank God for every flower and each tree, thank God for all the mountains and the seas..."
[23:47] - Roy Acuff
This song serves as a poignant reminder of gratitude and faith, themes that are timeless and universally relatable.
Adding to the evening’s musical excellence, Wayne Rainey takes the stage to perform a unique piece. At [21:32], Rod Brassfield introduces Wayne’s performance:
"Tonight you're going to hear it. Wayne Rainey playing a mighty difficult piece to play on the harp. And that is the steel guitar rag."
[21:32] - Rod Brassfield
Wayne's rendition of the "Steel Guitar Rag" on the harp is a testament to his versatility and skill, providing a fresh twist to a classic tune and delighting listeners with his innovative approach.
Interspersed with the musical performances are humorous dialogues that capture the essence of radio entertainment of the era. Around [05:38], a playful exchange unfolds:
Rob Brassfield: "That this shirt. Nashville sure is getting to be a funny town, ain't it?"
[05:38]
Rod Brassfield: "Now, wait a minute. Wait a minute. What you. What do you mean, Rodney?"
[05:45]
Their banter, filled with witty repartee, not only entertains but also showcases the camaraderie among the performers, making the audience feel like part of an intimate gathering.
As the evening draws to a close, the episode wraps up with heartfelt thanks and a promise of more enchanting performances in future episodes. Rod Brassfield bids farewell:
"That's about all for now, but we'll be back again next week with another grand old Opry."
[27:34] - Rod Brassfield
Host Andrew Rines concludes the episode, inviting listeners to engage with the podcast community through various platforms.
Authentic Restoration: This episode exemplifies the podcast’s commitment to digitally restoring and enhancing classic radio dramas, offering listeners a superior audio experience compared to original vintage recordings.
Stellar Performances: Featuring iconic figures like Red Foley and Wayne Rainey, alongside Roy Acuff and Minnie Pearl, the episode delivers a rich tapestry of music and humor that defined the Grand Ole Opry’s legacy.
Engaging Storytelling: Through a blend of music, comedy, and heartfelt dialogue, the episode captures the essence of the Wild West’s storytelling tradition, making it accessible and enjoyable for modern audiences.
Notable Quotes:
Whether you're a long-time fan of classic Western radio dramas or new to the genre, this episode of Old Time Radio Westerns offers a nostalgic yet fresh auditory journey into the heart of the Grand Ole Opry. Immerse yourself in the rich sounds, engaging performances, and timeless stories that continue to captivate audiences decades later.