Red Foley Aunt Jemimas Plaster | Grand Ole Opry (1949)

Summary

Old Time Radio Westerns Podcast: Episode Summary

Title: Red Foley Aunt Jemimas Plaster | Grand Ole Opry (1949)
Host: Andrew Rhynes
Release Date: May 22, 2025

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Introduction

In this episode of the Old Time Radio Westerns podcast, host Andrew Rhynes transports listeners back to 1949 with a captivating rendition of a Grand Ole Opry performance titled "Aunt Jemima's Plaster," featuring the legendary Red Foley. This episode showcases a blend of humor, storytelling, and soulful musical performances that epitomize the golden age of radio entertainment.

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Comedy and Dialogue

The episode opens with lively interactions among the radio personalities, setting a jovial and engaging tone. Red Foley, Rob Brasfield, and Tex Williams engage in playful banter that highlights their chemistry and comedic timing.

• Rob Brasfield: "Bully." [00:56]
• Red Foley: "At the Opry tonight, Red." [04:49]
• Rob Brasfield: "Boy, it looks like another sellout crowd." [04:47]

A particularly memorable exchange occurs when Rob Brasfield recounts a humorous anecdote about his Uncle Sipe and a hydrophobia scare:

• Rob Brasfield: "He says, quick. And he jumped right up out of bed... I think I've got hydrophobia. I want to make out a list of all the people I want to bite." [05:36]

This blend of humor sets the stage for a lighthearted and entertaining episode.

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Red Foley's Bedtime Story

Red Foley captivates the audience with a charming bedtime story about Mama Skunk and her mischievous children, In and Out. Through whimsical narration, Foley weaves a tale that underscores themes of family and clever problem-solving.

• Red Foley: "One time there was an old mama skunk, and she had two little skunks, and she named them In and Out... He says, bring me some chicken and good old stew." [06:03]

This storytelling segment not only entertains but also showcases Foley's ability to engage listeners with relatable and humorous narratives.

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Musical Performances

The episode is rich with musical performances that highlight the talents of Red Foley, Tex Williams, Minnie Pearl, and the Jordanaires. Each song is presented with vibrant energy and heartfelt emotion.

1. "Talking Boogie Boy"
   Performed by: Red Foley
   Timestamp: [08:25]
   Foley delivers an upbeat and catchy tune that encourages listeners to "just get your cell phone down to Tennessee" to enjoy the lively "talking boogie."

   • Red Foley: "If you want to get your enjoy listen to me, Just get your cell phone down to Tennessee." [08:30]

2. "Go Where I Send Thee"
   Performed by: The Jordanaires and Minnie Pearl
   Timestamp: [10:49]
   This spiritual number is delivered with harmonious vocals, creating a reflective and soulful atmosphere.

   • Minnie Pearl: "Children go where I send thee." [11:01]

3. "Circle Be Unbroken"
   Performed by: Tex Williams
   Timestamp: [12:41]
   Williams dedicates this sacred song to the older audience members, infusing the performance with reverence and nostalgia.

   • Tex Williams: "I'd like to dedicate tonight's sacred number to all the older folks who I'm sure will remember it..." [12:41]

4. "Won't You Come Home, Bill Bailey"
   Performed by: Minnie Pearl
   Timestamp: [14:51]
   Minnie Pearl delivers this poignant ballad with heartfelt emotion, drawing listeners into the story of longing and love.

   • Minnie Pearl: "Won't you come home, Bill Bailey. Won't you come home she moans the whole day long." [15:04]

5. "Little Happy Feet"
   Performed by: Red Foley
   Timestamp: [19:39]
   Foley concludes the main segment with an enchanting rendition of "Little Happy Feet," blending soft melodies with evocative lyrics.

   • Red Foley: "There is no music with the beat of the tippity tippity T Happy feet." [19:45]

6. Additional Performances
   The episode continues with performances of "Careless Kisses" and "Spray Dance," showcasing a variety of musical styles and themes that cater to a diverse listening audience.

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Interactions and Humor

Throughout the episode, interactions between Tex Williams and Minnie Pearl add layers of humor and warmth. Their playful dialogue, especially during Minnie Pearl's monologue about her hair, exemplifies the camaraderie and lightheartedness that defined the Grand Ole Opry.

• Minnie Pearl: "I give a lot to have hair like yours, Mini Pearl." [17:10]

These exchanges not only entertain but also provide a glimpse into the personalities that made these radio shows beloved by listeners.

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Conclusion

This episode of Old Time Radio Westerns masterfully blends comedy, storytelling, and music to recreate the vibrant atmosphere of the 1949 Grand Ole Opry. Through the engaging performances of Red Foley, Tex Williams, Minnie Pearl, and the Jordanaires, listeners are treated to a nostalgic journey into the heart of American radio history. Whether you're a long-time fan or new to Old Time Radio, this episode offers a rich and immersive experience that celebrates the timeless allure of Western radio dramas.

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Notable Quotes

• Rob Brasfield: "I think I've got hydrophobia. I want to make out a list of all the people I want to bite." [05:36]
• Red Foley: "And it's time to get it off. Want to. Thanks a lot to you friends." [06:05]
• Minnie Pearl: "I just want to get in on it." [19:39]
• Tex Williams: "We never go in much for this for ceremonies here at Grand Ole Opry." [07:43]

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Final Thoughts

Andrew Rhynes successfully resurrects a classic piece of radio history, enhancing it with digital restoration that ensures clarity and depth surpassing the original recordings. This episode not only honors the legacy of shows like Gunsmoke and The Lone Ranger but also introduces new listeners to the rich tapestry of stories and performances that defined the Wild West on the airwaves.

Transcript

[Andrew Rines]

You can make a difference in someone's life, including your own, with a job in home care. These jobs offer flexible schedules, health care, retirement options and free training. They also provide paid time off and opportunities for overtime. Visit oregonhomecarejobs.com to learn more and apply. That's oregonhomecarejobs.com.

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[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines, and before we get into this episode, I wanted to remind you to check out our other Western podcasts released daily by going to otrwesterns.com or searching OTR Westerns in your podcast app of choice. I also wanted to invite you to check out our other podcast channel releasing non Western shows by going to otnetcast.com or or by searching otnedcast in your podcast app of choice. Now let's get into this episode. This episode is going to be the Grand Ole Opry. We don't know when the original air date is on this. It comes from sometime in 1949. This one's got Red Foley in it as the announcer and lead role. And this is entitled Aunt Jemima's Plaster. Let's get into it and I hope you enjoy.

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[Red Foley]

It'S grandelopoly time starring Red.

[Rob Brasfield]

Bully.

[Tex Williams]

Edna Mama she was old but very kind and clever. She had a notion all her own that she would marry never. She said that she would live in peace and none could be her master. She made her living day by day in selling other plaster she skinned happy beeswax, flaxseed buttermilk, sweet milk, wheat flour, dough, horse poop, fish, glute, fine tars, bark, wheat Put them in the oven in your big soft slope Fry it up, tie it up, throw it on, sew it on Cures anything from a chill to a cough It'll burn a blister on a petrified pig and you'll have trouble when you try to get it all. A neighbor had a Thomas cat that was an awful glutton he never caught a mouse or rat but stole both milk and mutton they tried so hard to keep his him home but none could feed the master Till they plugged the fence hole up with Aunt Jemima's plaster Sheepskin, papine beach wax like seed Buttermilk, sweet milk, wheat flour, dough horse blue fish, blue pine flour, smart wheat Put them in the oven and you bake it on slow Fry it up P throw it on so it all kills anything from a chill to a conch It'll burn a blister on a petrified fig and you'll have trouble when you try to get it all that's a whole mouthful Sheep can paraphine Bees like flaxseed milk, sweet milk we fly door horse we fix, hide a tight Cures anything from a chill to a cough It'll burn a list quite big and you have trouble it's time to get it off Want to. Thanks a lot to you friends. Thank you very much. And a great big hearty to all of our good friends and neighbors of Grand Old Opry.

[Rob Brasfield]

Boy, it looks like another sellout crowd.

[Red Foley]

At the Opry tonight, Red. With folks from every part of America journeying here this weekend to enjoy Rob Brassfield, Minnie Pearl, Claude Sharks, Old Hickory Singers, the Jordan A and the entire cast, plus tonight's extra special guest, Tex Williams.

[Tex Williams]

Yes, the grand. And we're all set here for a big time. So let's bring on that big time operator now. From Hohen Wall, Tennessee, Rod Brasfield.

[Rob Brasfield]

Thank, Miss.

[Red Foley]

Much obliged.

[Rob Brasfield]

How'd you, Miss Foley?

[Tex Williams]

Howdy, Rudley.

[Rob Brasfield]

Gosh, it's hot, ain't it?

[Tex Williams]

Yes, it is.

[Rob Brasfield]

Ms. Foley. Did you hear about my Uncle Sike?

[Tex Williams]

No, I didn't.

[Rob Brasfield]

Oh, yeah, Flitter. My Uncle Sike, he just took down Plum sick there in Hornwell last week and went to the hospital. And he's going to be there a long time.

[Tex Williams]

Be there a long time, huh? Yeah. Did you. Did you see his doctor?

[Rob Brasfield]

See his doctor?

[Red Foley]

Yeah.

[Rob Brasfield]

No, but I seen his nurse.

[Tex Williams]

Tell me this right. How's Aunt Sam taking it, Rob?

[Rob Brasfield]

Oh, she's taking it mighty hard, Miss Foley.

[Red Foley]

Yes, sir.

[Rob Brasfield]

Ain't SAP taking it?

[Tex Williams]

Mighty heart.

[Rob Brasfield]

I went over there to see her yesterday, and there she was standing on the front porch with her suitcase in one hand and Uncle Sipe's insurance policy in the other. Well, sir, I told you, I decided I already go over and see my Uncle Sip at the hospital. And I went over there to see him and I told him, I said, uncle Cyp, get out of that bed. You ain't sick. Ain't nothing the matter of you. He says, oh, yes, says Rod. He says, quick. And he jumped right up out of bed. He says, get me a pencil and a paper right quick. I think I've got hydrophobia. I said, well, what do you want to do, make out your will? He says, no, I think I've got hydrophobia. And I want to make out a list of all the people I want to bite. Now, Mr. Foley, I'm going to tell a little bedtime story here. Won't take but a minute. One time there was an old mama skunk, and she had two little skunks, and she named them in and Out. And she couldn't keep up with them. They was just gone all the time. She couldn't keep track of them. Cause when Ian was out, out was in. And when Ian was out, out was in, and in was out and out was in. So one day Ian was out, and Mama Skunk sent out out after Ian and told out to bring Ian in. So out went out to bring Ian in, and he wasn't gone but just a little while, and he brung Ian in, Mama. So Skunk says, now that there is wonderful. How in all that big forest did you find in in such a hurry? Al says it was easy, Mama instincts.

[Tex Williams]

Well, so we never go in much for this for ceremonies here at Grand Ole Opry. So there isn't much sense in me making fancy speeches about tonight's gift. Just say he's a regular guy and a fine folk artist and a good buddy of mine, Tex Williams. You know, we haven't laid eyes on you here for quite a spell, but we keep hearing your fine records, and sometimes we visit the town where you've been, and they all say nothing but good things about you.

[Red Foley]

Well, that's sure mighty good to hear, Ed. And I'm sure pleased that folks feel that way. So for all our friends, wherever we've been, here's a talking boogie.

[Tex Williams]

Ready, talking boogie boy.

[Red Foley]

Now, way down yonder in Tennessee, there's a little old homestead rfd mountain Folks gather for miles around Just to hear that 8ft rock the ground and such Rocking, talking, doing the tossing bogey now on an old guitar that's mellow and sweet he sits and he picks out that old eight beat there's just one thing he has to talk to play I don't know how come he just rocks that way and such Rocking, talking, doing the talking boogie now if you want to get your enjoys listen to me Just get your cell phone down to Tennessee Hear that guitar picking rock and talking boogie Y Now the man just has to play the boogie and talk Cause if he don't talk his fingers balk he says bring me some chicken and good old stew Some possum potatoes and hambone too and such Eating, talking, doing the talking boogie now when the moon comes up he just won't go to bed Grabs his guitar beats time with his head his feet keep paddling fingers keep him new it's 8ft sleep and you know he's grooving and start sleeping, snoring, dreaming, talking boogie now if you want to get your enjoy listen to me Just get your cell phone down to Tennessee Hear the guitar picking, rocking, talking Pookies ready? He's got a little gal about 5 foot 3 she ticket daddy play the boogie for me when the stars come out and that moon begins to shine she says play that boogie till I lose my mind and start loving, puddling, loving, talking boogie now if you want to get your enjoys listen to me Just get yourself on down to Tennessee Hear that guitar picking, rocking talking boogie.

[Tex Williams]

Folks here are the Jordanares. They got another one of their fine spirituals called Go where I Send thee.

[Red Foley]

Well children go where I send thee.

[Minnie Pearl]

A well known how will you send me Lord?

[Red Foley]

I'm going to send you one by1.

[Minnie Pearl]

That one was a little baby baby wrapped in swaddling clothing Laid in the hearts of a Manchi was born Morning.

[Rob Brasfield]

Deadly well children go where I see.

[Minnie Pearl]

Thee how will you send me Lord? I'm gonna send you to bed Two and two was a pole and Silas the one was a little bit.

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[Minnie Pearl]

The hearts of a man who was born, born, born in Bedley the children.

[Rob Brasfield]

Go where I should be well how.

[Minnie Pearl]

Will you send me love? I'm gonna send three by three Three was a he crew Two in two was a pole and Silas One was a little kitty baby wrapped in swaddling clothing Lad in the white silver ranger was born, born, born in Bentley 12.

[Rob Brasfield]

Children go where I said the well.

[Minnie Pearl]

How will you Send me long I'm going to send you it at the gate of seven was seven that went up in heaven Six was six seven eight the love Six and five was the gospel preacher Four was the four that stood at the door and three was a Hebrew children Two for the fallen silence One was a little pretty baby Breakfast wild and cold and laid in the hot summer Manger was born gone falling bedly.

[Tex Williams]

Well, looking out there tonight, I see many old timers in our audience. I'd like to sort of dedicate tonight sacred number to all the older folks who I'm sure will remember it or will the circle be unbroken? I was standing by my my window on one cold and cloudy day When I saw that hers come rolling but it carry my mother with will a.

[Minnie Pearl]

Circle be unbroken by and by, Lord, by and by There's a better home awaiting in the sky, Lord in the sky in the sky.

[Tex Williams]

Lord, I told them Undertaker, undertaker please drive slow for this lady you are hauling Lord, I hate to see her go well, the.

[Minnie Pearl]

Circle be unbroken Mind there's a bed overweight in the sky, Lord in the sky in the sky.

[Tex Williams]

Little hickory singers here have been practicing on a harmony song that they'd like to do for you folks now called Won't yout come Home, Bill Bailey, Won't you come home?

[Minnie Pearl]

On one summer's day the sun was shining bright the lady love of old Bill Bailey Was hanging toes on the line in her backyard and weeping hard she married no break from that soft and thrown her down herring like a prunka camper Big gang hanging round into the crowd she ought to love Won't you come home, Bill Bailey Won't you come home she moans the whole day long I knew the cooking dollar not pay the rent I know that's done you wrong Remember that rain that I drove you out with Nothing but a pine toothpole I know I still blame where it bellie Won't you please come home? Won't you come home the daily Won't you come home she moans the whole day long I do the cooking darling I'll pay the rent My nose has done you wrong Remember that day that I drove you out Is nothing but a fine tooth com I know why to fame when it can achieve you mean Won't you please come home?

[Tex Williams]

Hey, Tex Williams, come out here, will you, Buddy? I forgot to tell you something important while ago that I was.

[Red Foley]

How in the world could that be, Red?

[Tex Williams]

Well, there was a gal here asking for you. Said she'd come all the way from Crime To Switch, just to see you.

[Red Foley]

Oh, shucks, I know who that is, Red, and I'm anxious to see her, too.

[Tex Williams]

There she is, Cousin Minnie Pearl.

[Jordanaires]

I'm just proud to be here. Well, sir, I got my hair fixed different tonight. I'm awful proud of my hair. Susie Smirch says to me the other day, she said, I give a lot to have hair like yours, Mini Pearl. And I said, you would. And she said, I sure would. How much did you give for it? I like fellers too. That. Well, I like fellers, but I like fellas that got nice hair, too. Like Tex Williams. Say, Tex, do you like to have girls run their fingers through your hair?

[Red Foley]

Shucks, Vinnie, I don't care if the gals run through it barefooted.

[Jordanaires]

My, ain't he a caution. I wish he wouldn't be so cautious around me. Well, says. Oh, now for the news. Grinder Switch. They had a big blow up at the Boy Scout meeting the other night. They had a bubble gum contest and Uncle Nabob's the scoutmaster, and he was showing the boys how to blow bubble gum. And he blowed a bubble so big that the gum got caught in his toupee. He sure blowed his top. And some of the fellows around, Grinder Switch, it's a getting drafted and old lay setters. He said that he never would forget in 1942 they drafted him so quick they grabbed him right out of a telephone booth while he was proposing to his girl. He said he wouldn't have minded, but they grabbed the girl out of the booth too. Well, said home. I got to go. I got to finish a conversation I was having with Red Foley. Oh, and any conversation, conversation I have with Red I have to get back to right away. After me and Red was talking to one another. Just me to him, and him to me, and us to one another. And I says, red, I was worried because I. It couldn't seem find me no feller I could marry up with. And Red says, now, Minnie Pearl, that says, my name's Minnie Pearl. That is why Red called me that. And he says, now, don't you worry, Minnie Pearl. He says, everybody, somewhere in the world, there's a woman for every man and a man for every woman. Now, you can't improve on that, can you? And I said, I don't want to improve on it. I just want to get in on it.

[Tex Williams]

Well, it's time now for an encore. Bob Guest takes with you. Okay. Boy, do you stuff all right.

[Red Foley]

Little happy feet, Little happy feet.

[Minnie Pearl]

The.

[Red Foley]

Sound of raining on your window pane makes a mighty sweet and soft refrain. But there is no music with the beat of the tippity tippity T Happy feet. That moing bird he never says a word but his purdy music must be heard. But there is no music half as sweet as the tippity tippity tables Happy honey, when we're dancing it's so divine. Counterwe much closer, closer than a quarter to nine. I love that band down in Dixieland they got a rhythm makes you clap your hands. But there is no rhythm, I repeat like the divity divity T Happy feed Grady bar. Honey, when we're dancing it's so divine kind of we're much closer. We're closer than a quarter to nine. I love that band down in Dixieland they got a rhythm makes you clap your hands. But there is no rhythm, I repeat like the tippity tippity table Happy feet.

[Tex Williams]

Well, this thing being a survivor thing by the. Neither one of them waited to be introduced yet because they want to tell you folks all about Triple Creek.

[Rob Brasfield]

Come on, Astro.

[Red Foley]

Well, I don't have a legume and need.

[Rob Brasfield]

Well, perfect when I please.

[Minnie Pearl]

Grown up can pick on it, right? Grow up to be happy.

[Red Foley]

Where going she be where going, child?

[Minnie Pearl]

Grow up to pick sand hill high.

[Tex Williams]

Grown up to pick on it, run.

[Minnie Pearl]

And burn up to pick up the song.

[Red Foley]

Lord, I feel so unnecessary. The deedest money ever I made made.

[Minnie Pearl]

A perfect lane and shade.

[Tex Williams]

Well, here's a good slow ballad now for variety's sake called Careless Kisses. Boys, your careless kisses. Your careless kisses are causing me too careless for you. Your careless kiss kisses. Your careless kisses. Makes me wonder if your heart is careless too. You tell me it's nothing. You only kiss my friends hello. Please tell me, darling, how many people can I know who share your kisses? Your careless kisses that's causing me to care less for you. You tell me it's nothing. You only kiss my friends hello. Please tell me, darling, how many people can I know who share your kisses? Your careless kiss is that's causing me to care less for you. Well, here is Milton essence now calling everybody to the people of Spray Dance. Let's dance. Milk. What you say?

[Rob Brasfield]

All hands up and dance to the middle. Everybody keep time with a fiddle. First couple out now you're on. Swing the girl with her dress on. Here comes PA on the buttboard wagon. The axle broke, the other one dragging. First couple out now you're gone. Swing the girl with a red dress on. 2 by 2 and 4 by 4 and couple up in the middle of the floor, 4 by 4 and 8 by 8. And hurry up boys, don't be late. Promenade.

[Tex Williams]

This is the United States Armed Forces.

[Red Foley]

Radio Service, the voice of information and education.

[Rob Brasfield]

It.

[Minnie Pearl]

Sam.

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[Andrew Rines]

This has been a presentation of OTRWesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call and leave us a voicemail 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright. For more information go to otrwesterns.com.

[Red Foley]

Have.

[Andrew Rines]

A great day and thanks for listening.

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This episode was brought to you by Allianz Travel Insurance. If you're starting the year in Honolulu, ending it in Austin, and taking a sojourn to Sweden somewhere in between, it's important to protect yourself and your packed agenda. The more adventures you have on your plate, the more chances there are for travel mishaps to leave a sour taste in your mouth. An alltrip's annual travel insurance plan can help protect you and your peace of mind on every trip you take this year. Learn [e-mail].