Second Son | Gunsmoke (01-12-58)

Summary

Old Time Radio Westerns – "Second Son" | Gunsmoke (01-12-58)

Hosted by Andrew Rhynes — August 8, 2026

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Episode Overview

This episode, digitally enhanced and presented by Andrew Rhynes, offers a restored broadcast of Gunsmoke’s “Second Son” from January 12, 1958. The story revolves around themes of honor, loss, class, and violence on the American frontier, as an English second son, Sedgeley Carstairs, finds himself embroiled in a dangerous pursuit to win back his horse—lost in a poker game—amid the skepticism and greed of Dodge City’s residents.

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Key Discussion Points & Plot Breakdown

1. Arrival of Sedgeley Carstairs — An Outsider in Dodge (04:57–08:11)

• Opening Scene: Marshal Matt Dillon and Chester encounter Sedgeley Carstairs, an Englishman walking with his saddle after losing his horse in a poker game to Pete Knudsen.
  • Quote (Sedgeley Carstairs, 06:35): “Yeah, I lost him in a card game. Poker. Not very good at poker.”
• Dillon and Chester give Sedgeley a lift into town, with Chester immediately distrustful.

2. Pie, Coffee, and Prejudices — Who is a Second Son? (11:04–13:18)

• Discussion among Chester and Doc reveals American suspicion toward Carstairs' background and speech.
  • Chester: “What kind of a man would have a name like Sedgeley Carstairs anyway? I don’t trust him at all.” (11:23)
• Doc explains British aristocratic customs—second sons often inherit nothing and are encouraged to seek fortunes abroad.
  • Doc: “Sometimes those second sons turn out to be kind of an ornery. Once they find out that they’re not going to get their share of the family loot.” (13:11)

3. Carstairs' Gambles and Reputation — A Rich Man’s Trouble (13:35–16:50)

• In Dodge, rumor spreads that Carstairs is flush with money, regularly cashing remittance checks from London.
• Matt and Kitty voice concern about Carstairs’ reckless gambling—he’s seen as a “willingest poker player” and “a loser… who keeps on playing.” (14:16)
• Carstairs explains the remittance: “They send me a remittance check twice a year, Marshal, to keep me safely on this side of the ocean. But it’ll be gone soon.” (16:30)

4. Knudsen Returns — More Than a Horse at Stake (17:00–18:21; 21:37–24:28)

• Knudsen, the antagonist, returns to town. When taunted about Carstairs’ money, he starts plotting further.
• Knudsen: “Well, maybe I will. Just mosey down there and play a little poker. After all, gotta give the man a chance to win back his horse.” (22:41)
• Carstairs improbably wins back his horse, but Chester suspects foul play: “Old Beat stood pat on a pair of sixes. Now, you know he never done a thing like that before in his life.” (24:19)

5. A Deadly Setup — Violence at the Deserted Shack (25:04–28:11)

• Matt and Chester realize Knudsen and his men have lured Carstairs out of town under false pretenses, likely to rob him.
• In a tense standoff, Matt and Chester apprehend Knudsen and his cronies, but it’s too late: Carstairs has been killed.
  • Knudsen’s final reveal: “All that money they talked about? It was all spent. He just had $3 on him. $3.” (27:30)
• Matt closes somberly: “Man’s life should be worth more than $3.” (28:03)

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Notable Quotes & Memorable Moments

• On the Loneliness of a Lawman (Matt Dillon, 04:28):
  “It's a chancy job, and it makes a man watchful and a little lonely.”
• On Luck and Honor
  Sedgeley Carstairs: “It's somewhat an affair of honor, you know...” (07:45)
  Matt Dillon: “You’d be better off just to think of it as a poker game and leave honor out of it.”
• Doc’s Wisom on the American and British Dream (13:00):
  “You know, I’ve run into a couple of these fellows before. They’re what they call second sons… Sometimes those second sons turn out to be kind of an ornery. Once they find out that they’re not going to get their share of the family loot.”
• Chester’s Sorrowful Realization (28:03):
  Matt Dillon: “Man’s life should be worth more than $3.”
  Narrator: “A lot more.”

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Key Timestamps

| Segment | Timestamp | |-------------------------------|------------| | Episode Introduction | 01:36–03:51| | Sedgeley Carstairs introduced | 04:57–08:11| | Authenticity & “Second Sons” | 11:04–13:18| | Dodge City poker & rumors | 13:35–16:50| | Knudsen returns to Dodge | 17:00–18:21| | Knudsen’s scheming | 21:37–24:28| | The deadly ambush | 25:04–28:11| | Closing reflection | 28:03–28:11|

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Episode Tone & Atmosphere

The episode expertly blends the dry wit and world-weariness of Matt Dillon with the skepticism and humor of Chester, set against the backdrop of Dodge City’s often harsh, class-conscious, and dangerous reality. There is a strong undercurrent of melancholy over honor, fortune, and violence—in a world where a man’s life can be squandered for almost nothing.

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Final Thoughts

This "Gunsmoke" episode serves as both gripping drama and social commentary, interrogating themes of class, luck, and the value of life on the frontier. With enhanced audio that highlights the timeless performances and atmospheric sound design, this restored classic remains as compelling as ever—reminding us that sometimes, the right choice is not the honorable one, but the one that keeps you breathing.

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For more restored episodes and history-spanning western adventures, visit otrwesterns.com.

Transcript

[Bluff]

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[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines and I'm excited to bring you another episode absolutely free. This episode is one of many released every month, totaling over 80 episodes so far. Each one is meticulously digitally restored and stored in the cloud for your convenience, a process that incurs costs. To help cover these expenses, you might hear some advertisements throughout the episode. While we do retain the original commercials for historical authenticity, you may also encounter modern ads which help keep the lights on. If you prefer an ad free experience, we offer a couple options. You can listen to the episodes on YouTube where they don't include the audio ads, although YouTube may provide their own ads on their platform. Alternatively, you can also support us by becoming a patron on our Patreon page. For more information, go to otrwesterns.com donate again otrwesterns.com donate I do want to emphasize that we are committed to providing this content to you for free, but also we have to be transparent about the financial realities to bringing this to you. To those of you who are already supporting us, we extend our heartfelt thanks. Your contributions make it possible for us to continue doing what we love. And as a final note, I did want to mention one last thing. If you are paying for a service, let's say, like audible, and you're listening to this show on that site, they do not provide any financial or monetary means to this podcast. We provide it to them as a way for you to be able to listen, but they don't help us in any way. So, again, thank you to everybody who's already supporting and those of you who want to support us in the future. I deeply appreciate it. Now, let's get into this episode. This episode is going to be Gunsmoke Original air date is January 12, 1958 and the title is second son. Hope you enjoy. And again, thanks for listening.

[Narrator]

Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal. And the smell of gun smoke.

[Matt Dillon]

Gun Smoke.

[Narrator]

Starring William Conrad. The story of the violence that moved west with young America and the story of a man who moved with it.

[Matt Dillon]

I'm that man, Matt Dillon, United States Marshal, the first man they look for and the last they want to meet. It's a chancy job, and it makes a man watchful and a little lonely.

[Chester Proudfoot]

I sure would like to turn off here and go down to that stream and catch me a mess of fish.

[Matt Dillon]

Mr. Dylan, even the fish have enough sense to lie low under a noon sun like this.

[Chester Proudfoot]

Chester and I just soon be lying low with them along the bank there under a tree.

[Matt Dillon]

Yeah, sure. There you'd be stretched out under a tree. Yeah, Then the ants had come, and the chiggers, and maybe a rattlesnake or two.

[Chester Proudfoot]

Just a minute here.

[Matt Dillon]

Just as soon as you got rid of them, they'd probably blow up a storm. I think you're better off riding right back into town with me.

[Chester Proudfoot]

No, maybe you're right at that. I don't guess I really feel like eating fish today anyway. Say, look yonder there. Ain't that somebody walking up ahead of us?

[Matt Dillon]

That looks like it.

[Chester Proudfoot]

Well, why on earth would a body be walking on a day like this?

[Matt Dillon]

Probably has no choice.

[Chester Proudfoot]

Well, everybody around here rides a whole earth.

[Matt Dillon]

Mr. Jones looks like he has been riding one.

[Chester Proudfoot]

How's that?

[Matt Dillon]

Oh, he's carrying a saddle, Chester.

[Chester Proudfoot]

Well, my man, I can see that, but what do you suppose he's doing?

[Matt Dillon]

We'll be up with him in a minute. Why don't you ask him?

[Chester Proudfoot]

Oh, well, I wouldn't want to come

[Doc]

right out and ask him.

[Sedgeley Carstairs]

Greetings, gentlemen.

[Narrator]

Hello.

[Chester Proudfoot]

Hello.

[Sedgeley Carstairs]

Carstairs.

[Matt Dillon]

Centrally Carstairs, Matt Dillon, this Chester Proudfoot.

[Chester Proudfoot]

Pleased to meet you.

[Sedgeley Carstairs]

Is that a star you're wearing?

[Matt Dillon]

Yeah. U.S. marshal out of that city.

[Sedgeley Carstairs]

Well, Marshal, I feel a bit awkward to ride my horse. Rather warm for walking.

[Chester Proudfoot]

Yeah, we were just wondering about that.

[Sedgeley Carstairs]

Lost him, you know.

[Chester Proudfoot]

Lost him in this open country.

[Matt Dillon]

Chester, let the man talk.

[Chester Proudfoot]

Well, yes, you're better.

[Sedgeley Carstairs]

Yeah, I lost him in a card game. Poker. Not very good at poker.

[Matt Dillon]

You bet your horse?

[Sedgeley Carstairs]

All I had at the moment. Temporarily embarrassed, you might say, Mr. Young.

[Chester Proudfoot]

What's he talking about?

[Matt Dillon]

He means he's out of money.

[Sedgeley Carstairs]

I'm afraid that's correct.

[Matt Dillon]

But you didn't lose your saddle, huh?

[Sedgeley Carstairs]

Well, I didn't wager my saddle, sir. No. That's the only one I found to give me any comfort in your American style of riding. I feel I must keep it.

[Matt Dillon]

That's a good idea, in case you got another horse.

[Sedgeley Carstairs]

Oh, I mean to win him back. That's one reason I'm heading for Dodge City.

[Matt Dillon]

Who'd you lose your horse too?

[Sedgeley Carstairs]

Chap named Pete Knudsen. We came up together driving cattle from Texas. Well, he gradually won everything I had. And last night he won my horse. So now I'm afoot.

[Chester Proudfoot]

Beat Newton's a mean man in a poker game. He's a mean man out of one, too.

[Sedgeley Carstairs]

If he weren't so mean, I might not be so determined to win back my horse, Marshall.

[Matt Dillon]

I see. Well, at least we can give you a lift into town. You climb up behind me, you take his saddle. Chess. There you go.

[Sedgeley Carstairs]

That's very sporting of you. Perhaps I can repay you sometime.

[Matt Dillon]

Just don't try too hard to repay Beat Nudson.

[Sedgeley Carstairs]

It's somewhat an affair of honor, you

[Matt Dillon]

know, you'd be better off just to think of it as a poker game and leave honor out of it.

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[Narrator/Storyteller]

Now just listen a minute if you will. I've got a little story to tell you. Well, it's not so little. It's sort of a tall tale. I don't know if you've heard of Joe Masherak or not, if you've never worked in steel, and you probably haven't, but he was a legendary giant whose body was made of pure steel. It was Joe who invented riveting. Joe would stand there shaping rivets out of the hot steel with his thumb and fingers. And while the rivets were taking shape, he'd punch holes in the girders or plates with his little fingers. Then he'd plug the rivets into the holes and pound them over with his knuckles. Worked so good that they invented riveting machines to take his place on jobs he couldn't get to. Joe was a busy man, you bet, but. But in between jobs he couldn't just stand around doing nothing. So he'd stockpile cannonballs, making them out of white hot steel the way little children make snowballs by rolling them in their hands for entertainment. Joe used to have what he'd call a taffy pull, only he'd use steel instead of candy, and as he stretched it out, his fingers would be shaping it. When he finished each long tug, he'd break it off and lay down another length of rail to cool. Guess half the rails of the B and O were made by Joe at his taffy pulls. Yes, Joe Mazurac was the spirit of the steel industry. The spirit of those men who worked and sweat before the open hearts of the Alleghenies who laughed and bragged about the strength of their giant while they turned out the finest steel in the world. Some of that steel was Joe Mazerak himself, to hear them tell it. It seems that during the year of the big layoff when the steel mills couldn't get metal to process, why, Joe, he melted himself down in the flames of heart number seven so as America could maintain its steel supply. Yes, old Joe was quite a legend, wasn't he? Say, isn't it nice being citizens of a country where you can laugh and talk about things free as a breeze and write and read and worship to. Yes, sir. Maybe you don't think about it much, but you should.

[Doc]

Well, you want something more Chester, like maybe another piece of pie?

[Chester Proudfoot]

Oh, thanks, Doc. Here's one more coffee.

[Doc]

I'll buy.

[Chester Proudfoot]

No, no, I've had plenty. Had plenty of that Carstairs fellow too. Come think of.

[Doc]

Is that so? What's the matter with him?

[Chester Proudfoot]

Well, now, Doc, what kind of a man would have a name like Sedgley Carstairs anyway? I don't trust him at all.

[Doc]

Oh, now, a man can't help his name, Chester. Chances are in England, a name like Sedgeley Carstairs is every bit as common as Chester Proudfoot is over here. No.

[Pete Knudsen]

Proudfoot.

[Chester Proudfoot]

Maybe so, but I tell you, Doc, he talks so fancy as just plain silly.

[Doc]

Oh, he's not trying to talk fancy, Chester. That's just the way Britishers talk. He was born in England, wasn't he?

[Chester Proudfoot]

Well, what's he doing over here, then? Why didn't he take a home where folks could understand him?

[Doc]

Oh, now, I expect he's here for about the same reason the rest of us are.

[Pete Knudsen]

What reason?

[Doc]

To make a living.

[Chester Proudfoot]

Oh, now, Doc, I don't believe nobody who talks like he does knows how to make a living these ways. He sure don't know how to keep a horse, see?

[Doc]

You know, I've run into a couple of these fellows before. They're what they call second sons.

[Chester Proudfoot]

Second son? What's that?

[Doc]

Well, it's the second son born into a British family, you see. Usually a wealthy family or sometimes even a title family.

[Chester Proudfoot]

You mean lords and dukes and queens and all such as that?

[Doc]

Could be.

[Chester Proudfoot]

Well, say, then this Carstairs fella might be rich.

[Doc]

You can't be sure. In England, it's the first sons who get everything,

[Chester Proudfoot]

Doc. You mean them lords and dukes and stuff don't give their second boys nothing?

[Doc]

Sometimes? Not unless maybe they send them something a couple times a year to keep them from hanging around the estate raising a fuss.

[Chester Proudfoot]

You mean they bribe their boys to stay away?

[Doc]

It's been done. Sometimes those second sons turn out to be kind of an ornery. Once they find out that they're not going to get their share of the family loot.

[Narrator/Storyteller]

It's a dirty trick.

[Chester Proudfoot]

You can't rightly blame them for that. Say, Doc, you. You reckon this Cars fell is getting paid to stay away?

[Doc]

Can't tell, Chester. Well, something to think about, though.

[Matt Dillon]

Give me a beer, will you, Sam? I'll take it over to the table.

[Pete Knudsen]

Sure, Marshall, you go.

[Matt Dillon]

No, thanks. Oh, evening, kitty.

[Miss Kitty]

Hello, matt. Sit down.

[Matt Dillon]

Thank you.

[Miss Kitty]

Are you going to talk to me? Are you just going to look around the room?

[Pete Knudsen]

Huh?

[Matt Dillon]

Oh, I'm sorry, Kitty. I. I was just looking for somebody.

[Miss Kitty]

He's over there at the far table. You can't see him too well with all the crowd standing around.

[Matt Dillon]

Yeah. How'd you figure I'd be interested in Carstairs?

[Miss Kitty]

Everybody's interested in him.

[Matt Dillon]

I hear he's the willingest poker player to hit Dodge since the Santa Fe Railroad.

[Miss Kitty]

Gangs willingness. Loser. He doesn't seem to care who he loses it to, so he keeps on playing.

[Matt Dillon]

I wonder where he gets his money.

[Miss Kitty]

Well, they say all he has to do is walk into the bank and he comes out with all the money he wants.

[Matt Dillon]

It could be gossip, you know. He was down to bet on his horse a few days ago.

[Miss Kitty]

You worried about him, Matt?

[Matt Dillon]

No, not exactly worried. Kiddie's a likable fella. I just hate to see him losing all his money.

[Miss Kitty]

I wonder why he's doing this.

[Matt Dillon]

He wants to learn to play good enough poker so that he can sit in on another game with Beat Newton. He wants to win his horse back.

[Miss Kitty]

Well, you can't blame him for that. But if Knudsen hears about the money, there'll be a lot more involved than a horse.

[Sedgeley Carstairs]

Opens tomorrow. Then I'll be only too glad. Hi. Hello, Marshall. Miss Kitty.

[Miss Kitty]

Hello.

[Sedgeley Carstairs]

S mighty pleasant chaps in here, Marshall.

[Matt Dillon]

Why shouldn't they be pleasant? I understand here supposed to.

[Sedgeley Carstairs]

I am losing a good deal of money. That's true. But I'm learning, Marshall. I'm learning. Well, good day, Marshall.

[Matt Dillon]

You must open the bank this morning, Sedge.

[Sedgeley Carstairs]

Oh, no, Marshall. Mr. Botkin was there and the bank was open for business. But. Oh, you're joking me, huh?

[Matt Dillon]

You better get that money out of sight.

[Sedgeley Carstairs]

Seems hardly worthwhile, does it? I lose it as fast as I get it.

[Matt Dillon]

Yeah, well, Serge, I'd like to talk to you about that.

[Sedgeley Carstairs]

Oh, it's my money, Marshall. Nothing shady about it.

[Matt Dillon]

I'm not worried about that. I just think maybe you ought to be more careful, that's all.

[Sedgeley Carstairs]

Careful?

[Matt Dillon]

Yeah. There's talk all over town that you're a rich man. For somebody as free and easy with his money as you are, it could be dangerous.

[Sedgeley Carstairs]

Then you haven't a worry in the world. I'm certainly not a rich man.

[Matt Dillon]

Maybe you ought to quit acting like one.

[Sedgeley Carstairs]

Oh, it's just that my latest bank draft was waiting for me here when I got to town.

[Matt Dillon]

Bank draft?

[Sedgeley Carstairs]

Yes, from London. They send me a remittance check twice a year, Marshal, to keep me safely on this side of the ocean. But it'll be gone soon.

[Matt Dillon]

Well, it's your business. Just make sure that you don't lose more than your money.

[Sedgeley Carstairs]

Thank you for your interest, Marshall. Now, if you'll excuse me.

[Matt Dillon]

Yeah, I'll see you later, sir.

[Chester Proudfoot]

Mr. Jones?

[Matt Dillon]

None. Yeah, what is it, Chester?

[Chester Proudfoot]

Mr. Jones beat Newson and his crowd just got in from Abilene. They went right into Dodge House.

[Matt Dillon]

How many of them?

[Chester Proudfoot]

Well, there's four of them all together. It's a funny thing though.

[Matt Dillon]

Now what's that?

[Chester Proudfoot]

They tied up five horses.

[Matt Dillon]

One without a saddle.

[Doc]

Yes sir, that's the way it was.

[Matt Dillon]

Pete's really rubbing it in, isn't he?

[Chester Proudfoot]

Oh, well, shucks, Mr. Dillon. If sedge didn't have no better sense than to lose his horse in the first place.

[Matt Dillon]

I just hope he wins it back, Chester, for his sake. And I also hope he rides it right out of town.

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[Matt Dillon]

This land is your land this land is my land this land was

[Sedgeley Carstairs]

Stephen

[Narrator]

Foster came from Alabama and Al Jolson was always Alabami bound. Even though there was no particular validity to these claims, there was a definite sincerity behind them. For Bama has a sense of charm and hospitality unlike any other state. Maybe Stephen Foster didn't come from Alabama, but Helen Keller did. And so did a lone wolf train robber named Rube Burrow. And what if Jolson didn't go there? George Washington Carver did. And his experiments at Tuskegee brought international fame to him and the state. For all the deep, radical changes experienced by the cotton state, some things never seem to change. Each spring, the fields and roadsides are carpeted with primroses. Green fields turn pale pink and roll wave like in the wind. Alabama, like much of the south, seeks to combine 20th century industrial progress with the barn raisings and and candy pools of an earlier era. And what is more, Alabama succeeds.

[Pete Knudsen]

Hello, Knudson. Hello. It's about time you showed up.

[Chester Proudfoot]

I thought you'd be down to the

[Pete Knudsen]

long branch, but now, what do you mean by that? Well, the whole town's been waiting for you to come in so's you could

[Matt Dillon]

play poker with that English fella.

[Pete Knudsen]

Why should I play poker with him? I already cleaned him out. I even got his horse. Yeah, that's what he wants to win back.

[Doc]

I don't know why he put such

[Pete Knudsen]

a store by it, though. Why, he could buy a string of

[Matt Dillon]

horses if he wanted to.

[Pete Knudsen]

You been winning, Sedge?

[Chester Proudfoot]

Win money?

[Pete Knudsen]

Not hardly, but that don't matter. Why?

[Narrator/Storyteller]

Well, he's rich. Yes.

[Chester Proudfoot]

Mean, you didn't know that?

[Pete Knudsen]

Well, he didn't have no money on the way up from Texas.

[Matt Dillon]

Well, it just come.

[Pete Knudsen]

It come from London, England to the bank. He goes and gets some every day. I hear Taylor got another big wad this morning. You know what you're talking about? Well, anybody will tell you. Well, maybe I will. Just mosey down there and play a little poker. After all, gotta give the man a chance to win back his horse.

[Matt Dillon]

Sure.

[Pete Knudsen]

Hey, Knudsen well, if it ain't the marshal.

[Matt Dillon]

You heading for the Long branch?

[Pete Knudsen]

I didn't know I had to report to you.

[Matt Dillon]

You don't. But there are a lot of stories been going around town. Knudsen, I just don't want any trouble.

[Pete Knudsen]

You got a law against playing poker.

[Matt Dillon]

There ought to be, the way you play it.

[Pete Knudsen]

Well, Marshall, I just want to give the man a chance to win his horse back.

[Matt Dillon]

Allison notes. And I've you told. Told Sedge that if he's smart, he'll just try to win that horse and then quit. I'll tell him the same thing to you.

[Pete Knudsen]

Well, thank you, Marshall, but I just figure I'll have to take my chances without any help from you.

[Matt Dillon]

Just don't start anything, Lucille.

[Pete Knudsen]

No, no, no, of course not, Mar.

[Chester Proudfoot]

Mr. Dillon, there's something downright peculiar going on around here.

[Pete Knudsen]

What?

[Chester Proudfoot]

Well, that English fella, he won back his horse from Beat Newton.

[Matt Dillon]

He did?

[Chester Proudfoot]

Mm.

[Matt Dillon]

Looks like Carstair's luck has finally changed.

[Chester Proudfoot]

Oh, no, no. Old Beat stood pat on a pair of sixes. Now, you know he never done a thing like that before in his life.

[Matt Dillon]

And he let Carstairs win.

[Chester Proudfoot]

But that's not all. They all went off to the Liver Stable, Knudsen and his crowd, to get the horse. As you please. Knudsen had a jug, and they was getting Old Sedge all liquored up. Well, I. Well, it. It don't make sense, but are they still there? That's what I was getting at.

[Matt Dillon]

They.

[Chester Proudfoot]

They rolled off out of town.

[Matt Dillon]

Come on, Chester. I think maybe we better follow him.

[Chester Proudfoot]

You reckon they took the road to Hay City?

[Matt Dillon]

Now, they headed off this way towards some cover.

[Doc]

Come on.

[Matt Dillon]

I gotta play a hunch. Chester, isn't there a deserted shack just over the rise?

[Chester Proudfoot]

Yes, sure there is.

[Matt Dillon]

I figure they'd stop the first place they come to.

[Pete Knudsen]

Who?

[Chester Proudfoot]

You think they're going to gamble him for the rest of his money?

[Matt Dillon]

They won't bother to gamble.

[Narrator/Storyteller]

Chester.

[Matt Dillon]

Yeah? We'll leave the horses here. Yeah, there it is. Four horses out in front. All right, listen, Chester, you keep low and you go up to the window on the left side there, see? Now, you think you can make it?

[Chester Proudfoot]

Yes, sir, I can make it.

[Narrator/Storyteller]

All right.

[Matt Dillon]

Good. I'll go around to the front. When I get to the door, you cover me through the window.

[Narrator/Storyteller]

All right. You ready?

[Doc]

I'm ready.

[Matt Dillon]

Come on, then. All right, Chester, you're covered. Nukes. And drop your gun.

[Pete Knudsen]

Why not?

[Matt Dillon]

Either of you two want to argue? Not me, Marshall. All right, climb through the window and get their guns, Chester.

[Sedgeley Carstairs]

Yes, sir.

[Matt Dillon]

Now stand them up against the wall.

[Chester Proudfoot]

Yes, sir, I will. All right, step lively.

[Matt Dillon]

You.

[Chester Proudfoot]

Move along, both of you.

[Narrator]

Come on.

[Pete Knudsen]

You may have got me, Marshall, but you're too late for that fancy talker.

[Matt Dillon]

Where is he? Knudsen, Where's Carstairs?

[Pete Knudsen]

He's in the gully out back. Dead. Dead as I'm gonna be.

[Matt Dillon]

You're a fool, Knudsen. All you had to do was keep on playing poker with him. He'd have lost everything he had. You didn't need to kill him to get it.

[Pete Knudsen]

Marshall, you wanna laugh something funny?

[Matt Dillon]

Newsome.

[Pete Knudsen]

All that money they talked about? It was all spent. He just had $3 on him. $3. Hanging out.

[Matt Dillon]

Chester. Man's life should be worth more than $3.

[Narrator/Storyteller]

A lot more.

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[Chester Proudfoot]

Sam.

[Narrator]

Gun smoke, produced and Directed by Norman McDonald. Stars William Conrad as Matt Dillon, U. S. Marshal. Featured in the cast were parley bear as Chester, Howard McNear as Doc and Georgia Ellis as Kitty. George Walsh speaking. Join us again next week for another specially transcribed story on gun smoke. This is the United States armed forces radio and television service.

[Chester Proudfoot]

Sam. Ram.

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Ra.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call and leave us a voicemail. 707-986-8739. This episode is copyright under the Attribution non commercial Share like Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.

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