
Original Air Date: July 31, 1960Host: Andrew RhynesShow: GunsmokePhone: (707) 98 OTRDW (6-8739) Stars:• William Conrad (Matt Dillion)• Parley Baer (Chester)• Georgia Ellis (Kitty)• Howard McNear (Doc) Special Guests:• Vic Perrin• Barney Phillips• James...
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Andrew Rines
Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines and I'm excited to bring you another episode absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now let's get into this episode.
William Conrad
Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal and the smell of gun smoke. Gun Spoke starring William Conrad. Story of the violence that moved west with young America and the story of a man who moved with it.
Matt Dillon
I'm that man. Matt Dillon, United States Marshal, the first man they look for and the last they want to meet. It's a chance, a job, and it makes a man watchful and a little lone.
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Chester
I never thought a dodge is a thing of beauty, Mr. Doan, but it's looking kindly pretty to me today.
Matt Dillon
Yeah, it's Been a hot trip.
Chester
Sure. I'm glad to be back.
William Conrad
You'd have done as good to stay right here.
Chester
We picked you up, didn't we?
William Conrad
We ain't gonna do you no good.
Chester
What do you mean by that?
Matt Dillon
Forget it. Jesse, take the horses around the stable, will you, Chester? Ask Monster. Rub them down.
Chester
Well, yes, sir, but don't you want me to help you lock this fell up?
Matt Dillon
I think I can handle it.
William Conrad
It ain't gonna be for long. You see.
Chester
Now it's done. There he goes talking.
Matt Dillon
Never mind, Chester. Just go along, huh? Yeah, all right. Query. Come on.
William Conrad
I just soon tell you, Marshall, huh?
Matt Dillon
Tell me what?
William Conrad
That you ain't gonna keep me locked up. My brother north, he ain't gonna stand for it.
Matt Dillon
I get in there.
William Conrad
My brother Norton, you'll come after me for sure. You better listen to me, Marshall. I'm telling you true. He'll get me out.
Matt Dillon
You know, I wish I had a dollar for every man I've locked up. Who said that? And who stayed right here until I let him out?
William Conrad
Well, no, it's different.
Matt Dillon
Maybe so, but I wouldn't hold my breath until he got you out, I tell you. Now, why don't you settle down and shut up?
William Conrad
You see?
Matt Dillon
Yeah, I'll see.
William Conrad
Another beer, Marshall?
Matt Dillon
No, thanks, Sam. On a day like this, I'm afraid it put me to sleep.
Kitty
Yeah, all right.
William Conrad
I'd like to buy you beer, Marshall.
Matt Dillon
Oh, I don't know you, do I?
William Conrad
Well, no, Marshall, not yet. I was figuring on changing that.
Matt Dillon
What's your name? North.
William Conrad
Small. Oh, you know my brother Cleary, Marshall?
Matt Dillon
Yeah, he's in my jail.
William Conrad
I was aiming to talk a little about that backing up on him.
Matt Dillon
Oh, go on, talk, Marshall.
William Conrad
I just figured we could make a deal. A regular business deal, you might say.
Matt Dillon
I wouldn't offer a bribe if I were you.
William Conrad
I ain't even thinking that way, Marshall.
Matt Dillon
Well, I'm glad to hear that. No, sir.
William Conrad
No, I'm a gambler, Marshall. Dylan, I'll gamble for anything. Money, horses, a woman or your brother. Well, just let's look at it like this, Marshall. We sit down to a few hands of poker. You could win a lot of money that way.
Matt Dillon
And you'd win, Cleary, huh?
William Conrad
An accident could happen, couldn't it? He could get out.
Matt Dillon
An accident could happen to anybody. Swole.
William Conrad
Well, now, listen.
Matt Dillon
You listen to me. You say you're a gambler. Well, if I were you, I'd bet on a poker game or a woman. But I sure wouldn't bet on getting Cleary out of jail.
William Conrad
Every man has his price, Marshall.
Matt Dillon
Yeah, folks say that.
William Conrad
And don't be too high and mighty with me. You got your price too, and I'll find out what it is.
Matt Dillon
Get out.
William Conrad
You mark my word.
Matt Dillon
I said get out.
William Conrad
Sure, Marshall. Next time maybe it'll be my play.
Matt Dillon
Don't count on it. Oh, Sam, I guess I'll have that beer after all. All right, Marshall.
Kitty
I'll get it for you, Matt.
Matt Dillon
Oh, thanks, Kitty.
Kitty
Yeah, yeah.
Matt Dillon
Giving me pretty quick service.
Kitty
That's cause I won't be seeing you for a while.
Matt Dillon
Are you that anxious to get away?
Kitty
I can't deny a few days away from Dodge won't break my heart.
Matt Dillon
Yeah. You want me to pick up your stage ticket for you?
Kitty
Oh, I got that yesterday, Matt. I wasn't taking any chances on missing it.
Matt Dillon
You sure weren't. Well, I'll come by and carry your bag down for you.
Kitty
Thanks, man.
William Conrad
Don't be late.
Matt Dillon
Don't worry, I won't. I don't want you to blame me if you miss the stage.
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William Conrad
And now here are Edgar Bergen and Charlie McCarthy. Durgy, I think someone's looking for you.
Kitty
Oh, Mr. Bean.
William Conrad
Well, hello, empty clinker. What's wrong?
Kitty
My car battery is run down. I think it's an acid condition.
William Conrad
Oh, I see. Well, have you seen a serviceman?
Kitty
Well, I had a blind date with a sailor last night, but he got away.
William Conrad
No, I mean a mechanic. Seeing you own a General Motors car, you should see your GM dealer for service. His mechanics are GM trained. They have specialized tools and factory approved parts to provide your fine GM car with the GM care it deserves. So if you own a Chevrolet car or truck, a Pontiac, an Oldsmobile, Buick, Cadillac or a GMC truck, you should make a date with a General Motors service man.
Kitty
Oh, that sounds exciting. When he have blue eyes.
William Conrad
That road don't seem to get no smoother. I'll say that for it certainly doesn't. I heard a doctor once, he said.
Chester
It was good for your innards getting.
William Conrad
Thrown around like this.
Kitty
That may be, but it's harder than the rest of you.
Matt Dillon
That Sure, a fact.
Kitty
Well, we'll be in Dodge for long.
Matt Dillon
I won't be sorry about that.
Kitty
I don't think I will either. This time. Climb up here. Find road. It help.
William Conrad
You ain't walking very steady, ma' am. You all right?
Kitty
Stage. Oh, Bank.
William Conrad
Why, it's the marshal.
Kitty
Stage. Somebody help here.
William Conrad
Now you sit right down there and I'll see to things. I'll take care of you, ma' am. Yes, ma' am. I'll take care of you real good. Marshall, I ain't had no food since this morning.
Matt Dillon
The way you're gone, you're not likely to hurry it up any.
William Conrad
Now you listen here, Marshall. A man has a right to his dinner.
Matt Dillon
You haven't starved yet.
William Conrad
Well, it ain't your fault. The stuff that Chester feeds me, you.
Matt Dillon
Eat it or you don't. It doesn't make much difference to me one way or the other.
William Conrad
I got a lot to get even with you when I get out.
Matt Dillon
Yeah, when you get out, you better be ready. Marsha.
Chester
Mr. Dillon.
Matt Dillon
Mr. Dillon. Yeah, back here, Chester. Pastor.
Chester
Mr. Dylan, it's just awful.
Matt Dillon
Oh, what's awful?
Chester
Ain't nobody left alive. Bodies and dead horses, that's all they could find.
Matt Dillon
What are you talking about, Mr. Dun?
Chester
There's been a wreck. A terrible bad stage. Wreck.
Matt Dillon
Huh? Where?
Chester
A few miles north. Stage pitched down off the bank there and turned over.
Matt Dillon
Coming from the north?
Chester
Yes, sir, Mr. Dillon.
Matt Dillon
Have you told Doc?
Chester
No, sir, not yet.
Matt Dillon
All right, go get him.
Chester
Yes, sir, Mr. Dillon.
Matt Dillon
Go on, Chester. I'll meet you at delivery stable.
Chester
But, Mr. Dillon.
Matt Dillon
What is it now?
Chester
Ain't that the stage Miss Kitty was coming back on?
Matt Dillon
Yeah, Chester, it is. All right, go on now, get Doc and let's get going.
Chester
Yes, sir. Right away. There it is, Mr. Dillon. Right down there.
Matt Dillon
Yeah.
Chester
That driver must have really been whipping them horses around that curve.
Matt Dillon
Or else they were spooked.
William Conrad
Hello, Marshall.
Matt Dillon
Hello, Joe.
William Conrad
This is the worst mess I ever seen. Yeah, Milton knew we laid him out over here. Done the best we could.
Matt Dillon
A doc's on his way.
William Conrad
I don't think there's nothing for him to do, Marshall. You can see for yourself. We didn't see no signs of life.
Matt Dillon
Uhuh.
Chester
D she ain't there.
William Conrad
Miss Kitty ain't there, Joe. Yeah, Marshall.
Matt Dillon
That's all you found? There isn't nobody was thrown out anyplace else, huh?
William Conrad
Not that we could see when we come on. A marshal and me and Milt looked around pretty good. We wanted to be sure.
Matt Dillon
Yeah. Thanks, Joe. You did a good job.
William Conrad
Sure, Marcy.
Matt Dillon
Come on, Chester, let's look around.
Chester
Yes, sir. I sure am glad about Miss Kitty.
Matt Dillon
Joe. Did you shoot these horses?
William Conrad
No, Marshall. They were shot when we found them.
Matt Dillon
Thanks.
Chester
Somebody must have been here before, Ms. Dylan.
Matt Dillon
Yeah, somebody sure shot the horses.
Chester
It's a good thing they was put out of their misery.
Matt Dillon
Whoever did it, his trail has been trampled down by everybody who's been here since.
Chester
Well, he done a nice thing, whoever it was. I wonder what made Miss Kitty change her mind about coming home on this stage, I mean.
Matt Dillon
I'm wondering about that, too, Chester.
Chester
Well, there's probably a message at the telegraph office.
Kitty
Yeah, maybe there is, Sam.
Chester
I sure am surprised, Mr. Dunn. I was sure there'd be a message. It just ain't like Miss Kitty not letting us know.
Matt Dillon
No.
Chester
Yeah, of course, it could be that she maybe wanted to surprise us. That could be. I say, that could be, couldn't it, Mr. John?
Matt Dillon
What? What's that?
Chester
Well, I was just saying it could be that Miss Kitty maybe was wanting to surprise.
Matt Dillon
Oh, yeah, yeah, maybe so.
Kitty
Marshall. Marshall.
Andrew Rines
Dylan.
Matt Dillon
Yeah, boy?
Kitty
I'm supposed to give you this.
Chester
Well, Mr. Dillon.
Matt Dillon
Where'd you get this?
Kitty
I was fishing on Cripple Creek.
Matt Dillon
Where?
Kitty
Near the big bend.
Matt Dillon
Yeah. Go on.
Kitty
A man could buy and give me some money to bring this to you.
Matt Dillon
What? Did you know him?
Kitty
Never seen him before.
Matt Dillon
You sure?
Kitty
Honest, Marshall, I ain't done nothing.
Matt Dillon
All right, all right, you can go along, son.
Kitty
I was supposed to tell you there's a note in it.
Matt Dillon
Yeah. Thanks.
Chester
Mr. Dylan, ain't that Ms. Kitty's purse?
Matt Dillon
Yeah.
Chester
She all right?
Matt Dillon
I don't know. Chester. The note says to bring Duck. All right, go on, get the horses.
William Conrad
Oh, brother.
Chester
Hello, Matt. Chester. Well, I came as soon as I got the message. What are you doing out here? Nobody's lived on this place since old man Craig left five years ago.
Matt Dillon
I'm not sure, Doc, but I'm hoping we'll find Kitty.
William Conrad
Kitty?
Matt Dillon
Here, read this note. It was brought to me in Kitty's purse.
Chester
Yeah? Let me see. Come to old Craig place, bring Doc. Well, what does it mean?
Matt Dillon
I don't know, Doc. Somebody must have Kitty, that's all I know.
Chester
Well, did you look around here?
Matt Dillon
Of course I looked around.
Chester
I was just wondering. Dylan look younger.
Matt Dillon
Now, that's nort small.
William Conrad
Hello there, Marshall. I see you got my message.
Matt Dillon
Where did you take Kitty? North. Why?
William Conrad
I rescued her from an awful wreck. Marshall.
Matt Dillon
Dylan, where is she?
William Conrad
Now, take it easy.
Matt Dillon
She better be all right.
William Conrad
Well, now, I'm going to a Lot of trouble about that, Marshall. I told you to bring Doc, didn't I?
Matt Dillon
He can't do anything unless he sees her.
William Conrad
Oh, I aim for him to see her. That's why I rode all this way.
Matt Dillon
All right, let's go, then.
William Conrad
Oh, not you, Marshall. Just the doc. And on one condition.
Matt Dillon
What's that?
William Conrad
That you stay here nice and quiet until Doc comes back. Agreed? Well, now, the little lady's life depends on it.
Matt Dillon
All right. Go on, Doc.
Chester
Yeah, yeah, sure, man.
William Conrad
That's being smart, Marshall. Dylan. Real smart. You better stay that way.
Chester
They've been gone awful long time, Mr. Donald.
Matt Dillon
Yeah.
Chester
Couldn't we. Mr. Don't. Couldn't we have followed them?
Matt Dillon
Yeah, we could have followed them.
Chester
Sure do.
William Conrad
With hate.
Chester
Just sitting around here while Ms. K's laying there hurt.
Matt Dillon
That's why we're sitting here.
Chester
How's that?
Matt Dillon
To keep her from getting hurt worse.
William Conrad
Well.
Chester
I guess you're right.
Matt Dillon
I better be right. Here they come.
Chester
Over there.
William Conrad
Where is she?
Matt Dillon
To see her doctor.
Chester
I saw her, Matt. She's badly hurt. She didn't know me.
William Conrad
Yeah, the doc says she's in a bad way, Needs a lot of taking care of.
Chester
I want to take her back to town, Matt. She needs nursing.
Matt Dillon
Why didn't you bring her with you? Why?
William Conrad
You know why, Marshall.
Matt Dillon
You tell me.
William Conrad
It's simple. I figure the doc can go right back to her.
Matt Dillon
Back where?
William Conrad
You're a smart man, but you ain't that smart. You ain't gonna find out where you.
Matt Dillon
All right, Doc goes back. It's all right with me.
William Conrad
All right with me, too, Marshall. Just as soon as you get back here from Dodge.
Matt Dillon
Ah, I see.
William Conrad
Sure you see, you bring Clary here and Doc brings Kitty. It's a simple exchange, Marshall.
Chester
You better do it, Matthew.
Matt Dillon
Yeah, I'll do it.
William Conrad
Sure you will, Marshall. I told you, you have your price just like anybody else.
Matt Dillon
Yeah, Just be sure it isn't too high. All right. Come on, Chester. We're riding back to town. Get the really light refreshable. This is where I talk.
William Conrad
Hey, get the really light refreshment.
Matt Dillon
That's Pepsi Cola. Of course.
William Conrad
I just wanted to say be sociable, Charlie.
Matt Dillon
Of course, Kay, be sociable.
William Conrad
Have a Pepsi. On the road or at home, it always refreshes without filling. Charlie, pick up extra cartons. Now, Pepsi is so delicious, it goes fast. That's why you should keep plenty of Pepsi on hand.
Chester
Maybe I'd better sing.
Matt Dillon
Be sure to say, keep Pepsi handy.
Kitty
Yes, Charlie, but the song says it sociably. Be sociable. Look Smart. Keep up to date with Pepsi. Drink light, refreshing prep food, stay young and sand in my mare. Be sociable. Have a Pepsi.
Matt Dillon
What Kay means is, get plenty of Pepsi next time you shop.
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William Conrad
What's the matter, Marshall? Might as well sit down, take it easy. First, I guess you can't blame him none for being nervous. Clearly, them big men all get nervous when they ain't got their guns.
Chester
Sure is a lot of smart talk going on around here, ain't there, Mr. John?
Matt Dillon
Don't worry about it, Chester.
Chester
No, I ain't worried.
William Conrad
He ain't worried.
Matt Dillon
He's.
William Conrad
Well, he ought to be worried. Ain't that so, North? Well, now, Cleary, I don't know about that. If he behaves himself until the dog gets back with a woman, he might come off all right. Well, what are we waiting for? Why don't we just go now? No, we can't. We sort of made a bargain about it, Cleary. I figure we ought to show the Marshall. When the small boys make a deal, they keep their word.
Chester
Well, that surprises me some.
William Conrad
I got a notion to fix you. No, Chester, there's too old for you to pick up.
Chester
I ain't neither. Too old, by Jim, I'll show you. Right this way. Well, he's just plain asking for it. Mr. Dylan, I don't rightly feel like.
Matt Dillon
I said.
William Conrad
Sit down. All right. And Marshall sure is a big man ordering folks around, ain't he, Cleary? I'd like to order him around.
Matt Dillon
Yeah.
William Conrad
Yeah, I bet you would. All right, then, Clary, you take a crack at it. Order him around a little bit. Why, sure I will.
Matt Dillon
Not sure I will. Let's see now, Chester, before we get out of here, I want you to fill our canteen.
Chester
That's it.
William Conrad
That's it. Marshall, you fill our canteen.
Chester
I'll go do it, mister.
Matt Dillon
Oh, never mind, Chester. I'll do it.
William Conrad
Bet your life he'll do it with my gun on him. Bring him here, Marshall. Now empty him. All right, now go fill them nice and cold. Now.
Chester
Some folks explain. Gotta be a smart aleck.
William Conrad
You shut up there or I'll crack your head with this gun. I'll leave em be, Clary. We ain't never had to pick on puny fellows like him. Sure not just a big one.
Chester
Well, I'm plenty big for the likes of you.
William Conrad
I ain't gonna hear much more talk.
Chester
Ain't gonna be no more talk, Mr. Dillon.
Matt Dillon
I said never mind.
William Conrad
That's right smart of you, Marshall. Now, go put them canteens back on our saddles.
Chester
Ms. Dun. Here they come.
Matt Dillon
Yeah, I see him.
William Conrad
You see, Marshall, when I make a deal, I stick to it.
Matt Dillon
How is she, Doc?
Chester
She's better, Matt. She'll make it.
Kitty
Matt.
Matt Dillon
Yeah? Kidding.
Kitty
My purse. Doc says you have my purse.
Matt Dillon
Yeah, it's back at the office.
William Conrad
Don't.
Kitty
Don't lose anything out of it.
Chester
You see, man, when a woman starts worrying about things like that, she.
William Conrad
She's gonna be all right.
Matt Dillon
Good. That's fine, Doc. All right, take her on in, huh?
Chester
All right.
William Conrad
I guess we'll be on our way too, Marshall. We got a long ride.
Matt Dillon
That'll seem long.
William Conrad
Maybe you'll remember, Marshall, about a man and his price.
Matt Dillon
Yeah, I think maybe we'll both remember, Mr. John, huh?
Chester
I swear, you just stick in my craw.
Matt Dillon
Ah, how's that?
Chester
Well, you having to be meek and nice and let them two fellas off scot free.
Matt Dillon
Don't worry about it.
Chester
I ain't exactly worrying about it. I'd do anything to make sure Ms. K was all right. But seeing them ride off bold as brass, and seeing you even have to fill their canteens for them, well, they just don't set right, Mr. Gentleman.
Matt Dillon
It's not going to set right with them either, Chester.
Chester
How's that?
Matt Dillon
You know why old man Craig left this place?
Chester
I'm sure I don't.
Matt Dillon
Because that pond is full of bad water. His stock kept dying off on him.
Chester
Mr. John, you mean.
Matt Dillon
That's a hot day, Chester, swelling that water all day. They'll either be dead or sick enough to come along peaceable. We'll wait a day and then ride out and pick them up. Okay?
Chester
Okay, Mr. Dylan.
William Conrad
Gunsmoke, produced and directed in Hollywood by Norman Macdonald. Stars William Conrad as Matt Dillon, U.S. marshall. The story was specially written for Gunsmoke by Marion Clark with editorial supervision by John Meston. Featured in the cast were Vic Perrin, Barney Phillips, James Nuthur and Richard Beale. Harley Baer is Chester, Howard McNear is Doc, and Georgia Ellis as Kitty. This is George Walsh inviting you to join us again next week when CBS Radio presents another story on Gun Smoke.
Matt Dillon
SA.
Andrew Rines
This has been a presentation of OTRWesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com YouTube become one of our ranch hands and unlock some exclusive content. We want to thank our most recent ranch hands, Steve and Technogod who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail. 707-986-8739 this episode is copyrighted under the Attribution Non Commercial Share Like Copyright for more information go to otrwesterns.com copyright right. Have a great day and thanks for listening.
Old Time Radio Westerns Podcast: Detailed Summary of "Stage Smash | Gunsmoke (07-31-60)"
Podcast Information
In this episode of the Old Time Radio Westerns podcast, host Andrew Rhynes presents a digitally restored rendition of the classic Gunsmoke episode titled "Stage Smash." Originally aired on July 31, 1960, this episode transports listeners to the rugged landscapes of Dodge City, where U.S. Marshal Matt Dillon navigates the perils of the Wild West. The restoration enhances the original audio, bringing clarity and depth to the timeless storytelling of Gunsmoke.
The episode opens with Matt Dillon (played by William Conrad) overlooking Dodge City, emphasizing his role as the sole authority against outlaws and chaos in the territory. His dedicated yet solitary nature is established early on:
Matt Dillon (02:29): "I'm that man. Matt Dillon, United States Marshal, the first man they look for and the last they want to meet."
A disturbance arises when Chester, Matt's reliable assistant, informs him of a tragic stagecoach wreck north of Dodge City. The wreck involves Miss Kitty, a central female character, whose stagecoach has overturned, resulting in the loss of lives and horses.
Chester (13:01): "Ain't nobody left alive. Bodies and dead horses, that's all they could find."
Matt and Chester promptly respond to the emergency, arriving at the scene to assess the damage and the mysterious circumstances surrounding the accident. During their investigation, they discover that Miss Kitty's stagecoach was sabotaged, leading them to suspect foul play.
Amidst their inquiry, a stranger named North Small (portrayed by William Conrad) emerges, presenting himself as a gambler with ulterior motives. His interactions with Matt are tense, hinting at an underlying conflict:
North Small (06:01): "I'd like to buy you beer, Marshall."
Matt Dillon (06:12): "Oh, I don't know you, do I?"
North Small attempts to negotiate, suggesting a poker game that could influence the outcome of the investigation. Matt remains steadfast, refusing to be swayed by his offers.
As the plot thickens, Chester discovers a crucial clue—a note found in Miss Kitty's purse directing Matt to an abandoned location, which further implicates North Small in the sabotage. The marshal and his team follow the lead, leading to a confrontation that tests Matt's resolve and dedication to justice.
The climax of the episode involves a tense standoff where Matt Dillon must apprehend North Small without compromising the safety of Miss Kitty and maintaining order in Dodge City.
Matt Dillon (William Conrad): The embodiment of law and order in Dodge City, Matt's unwavering commitment to justice is evident throughout the episode. His measured responses and strategic thinking highlight his role as a respected marshal.
Matt Dillon (05:34): "Maybe so, but I wouldn't hold my breath until he got you out, I tell you."
Chester (Harley Baer): Chester serves as Matt's trustworthy assistant, providing both support and a contrasting perspective. His loyalty and concern for Miss Kitty add depth to his character.
Chester (13:23): "All right, go on, Doc."
Miss Kitty (Georgia Ellis): As the central female character, Miss Kitty's disappearance and the circumstances of her stagecoach wreck drive the episode's plot. Her character represents vulnerability and the stakes Matt faces in maintaining safety.
Miss Kitty (17:17): "Marshall. I'm supposed to give you this."
North Small (William Conrad): Introduced as a gambler, North Small's ambiguous motives and interactions with Matt create suspense. His eventual confrontation with Matt underscores the themes of trust and deception.
North Small (24:09): "Yes, Marshall. You got your price too, and I'll find out what it is."
Matt Dillon on Responsibility:
Matt Dillon (02:29): "I'm that man. Matt Dillon, United States Marshal, the first man they look for and the last they want to meet."
Chester on the Wreck:
Chester (13:01): "Ain't nobody left alive. Bodies and dead horses, that's all they could find."
North Small's Proposition:
North Small (07:06): "I was figuring on changing that."
Matt Dillon on Integrity:
Matt Dillon (07:24): "I wouldn't hold my breath until he got you out, I tell you."
Chester's Loyalty:
Chester (20:35): "I want to take her back to town, Matt. She needs nursing."
North Small's Threat:
North Small (21:14): "You better do it, Matthew."
Matt on Strategy:
Matt Dillon (27:23): "You know why old man Craig left this place?"
The episode delves into themes of justice, trust, and the complexities of human interactions in the frontier. Matt Dillon's unwavering pursuit of justice, contrasted with North Small's manipulative tendencies, highlights the moral dilemmas faced by lawmen in the Wild West. The dynamic between Matt and Chester underscores the importance of loyalty and teamwork in overcoming challenges.
Additionally, the restoration quality brings new life to the classic dialogue, allowing listeners to fully appreciate the nuanced performances and the atmospheric soundscapes that paint a vivid picture of Dodge City.
"Stage Smash | Gunsmoke (07-31-60)" offers a compelling narrative that captures the essence of the Gunsmoke series. Through meticulous digital restoration, the Old Time Radio Westerns podcast delivers an immersive experience, allowing both long-time fans and new listeners to enjoy the timeless adventures of Matt Dillon. The episode masterfully balances suspense, character development, and classic Western motifs, reaffirming Gunsmoke's enduring legacy in radio drama.
For those who haven't listened to the episode, this summary provides a comprehensive overview of the story, characters, and key moments that make "Stage Smash" a standout installment in the Gunsmoke series. Whether you're a seasoned fan or new to old-time radio westerns, this episode promises an engaging journey into the heart of the Wild West.