The Man From Alabama with Johnny Mack Brown | All Star Western Theatre (10-20-46)

Summary

Old Time Radio Westerns Podcast Episode Summary: "The Man From Alabama" with Johnny Mack Brown | All Star Western Theatre (10-20-46)

Host: Andrew Rhines
Release Date: August 11, 2025

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Introduction

In this captivating episode of the Old Time Radio Westerns podcast, host Andrew Rhynes transports listeners back to the golden age of radio with the classic Western drama, "The Man From Alabama," originally aired on October 20, 1946. Featuring the esteemed Western star Johnny Mack Brown, this episode is a testament to the enduring allure of frontier tales and heroic narratives that defined early American entertainment.

Andrew Rhynes [01:07]: "Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines, and let's get into this episode."

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All Star Western Theatre Segment

The episode opens with an introduction to the All Star Western Theatre, highlighting its homage to legendary shows like Gunsmoke and The Lone Ranger. Johnny Mack Brown not only stars but also performs musical pieces that enrich the storytelling, showcasing the multifaceted talents of radio actors of the era.

Johnny Mack Brown [03:13]: "I love to wake and yawn and face the crimson dawn that means that night is gone..."

The narrator complements Brown's performance by setting the scene of the Wild West, emphasizing the rugged landscapes and the challenges faced by cowboys and lawmen alike.

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Plot Overview: "The Man From Alabama"

Setting the Scene: The story unfolds in the tumultuous town of Hard Rock, a once-booming ghost town now grappling with lawlessness and crime. Caleb Turner, president of the Hard Rock State Bank, confronts Sheriff Dave Belfman about the escalating robberies plaguing the town.

Caleb Turner [10:06]: "We're determined to make this town a fit place to live in."

Introduction of the Protagonist: Faced with mounting pressures, Sheriff Belfman contemplates bringing in an expert gunfighter, Cherokee Red Simmons, to restore order. However, Simmons remains elusive, prompting the citizens to take matters into their own hands.

Sheriff Belfman [10:43]: "I know an hombre that's so fast with his six guns he can snuff..."

Arrival of the School Teacher: The narrative introduces Linda Gerald, an eastern schoolteacher arriving from Wisconsin, symbolizing the intrusion of "civilized" influences into the lawless West. Her naivety is juxtaposed against the harsh realities of the frontier.

Linda Gerald [12:10]: "How far is it to Hard Rock, mister?"

Conflict and Confrontation: As tensions rise, a stagecoach is held up by masked men demanding money and valuables. Linda Gerald's valuable watch becomes a focal point of the robbery, highlighting themes of trust and bravery.

Masked Bandit [14:51]: "I want that sack of double eagles you're carrying in the box, old-timer."

Johnny Mack Brown's Heroic Intervention: Amidst the chaos, Brown's character, Rusty, emerges as the unexpected hero. Confronting the bandits with courage and quick reflexes, he disarms the situation, earning Linda's admiration and trust.

Rusty [16:00]: "You're looking for the bug under the wrong chip. When a hombre takes pics on seven gents, that's a toting guns."

Revelation and Justice: The plot thickens as Sheriff Belfman investigates the true culprit behind the robberies, uncovering a web of deceit involving Paul Beaver, a crooked saloon owner. Brown's astute detective work leads to the resolution, restoring peace to Hard Rock.

Sheriff Belfman [26:02]: "I'll get you for this, buddy."

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Musical Interludes

Interspersed throughout the episode are musical performances by Johnny Mack Brown and the Purple Sage. These songs not only enhance the emotional depth of the narrative but also reflect the cultural backdrop of the Western frontier.

Johnny Mack Brown [06:06]: "Makes no difference if we two are far apart..."

Oregon Trail Song [30:13]: "Oregon, Oregon I'm on my way I'm heading west..."

These musical segments serve as both entertainment and narrative devices, encapsulating the spirit of exploration, loneliness, and the unyielding pursuit of justice that characterize Western lore.

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Character Dynamics and Themes

Rusty and Linda Gerald's Relationship: The evolving relationship between Rusty and Linda Gerald underscores themes of trust, courage, and redemption. Linda's initial skepticism transforms into respect and gratitude as Rusty proves his valor.

Linda Gerald [16:34]: "Rusty, I'm so sorry. I... I don't know how I'll ever thank you."

Law and Order vs. Lawlessness: The central conflict pits the quest for law and order against the backdrop of rampant crime. Sheriff Belfman embodies the struggle to maintain peace in a society teetering on the edge of chaos, while Caleb Turner represents the complacent citizenry yearning for stability.

Caleb Turner [17:34]: "I warn you, Sheriff, you don't accomplish something soon, our committee will be forced."

Heroism and Sacrifice: Rusty's journey is a classic Western tale of a lone hero stepping in to right wrongs, often at great personal risk. His actions reflect the ideals of bravery and selflessness that resonate deeply within the genre.

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Conclusion and Legacy

The episode concludes with a heartfelt interaction between Rusty and Linda Gerald, hinting at future adventures and the promise of continued peace in Hard Rock. Andrew Rhynes wraps up the episode by highlighting the contributions of the cast and the timeless appeal of Western storytelling.

Andrew Rhynes [34:19]: "Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook..."

Johnny Mack Brown's portrayal of Rusty exemplifies the quintessential Western hero—resilient, honorable, and deeply connected to the land and its people. This episode not only entertains but also preserves the rich tradition of Western radio dramas, offering modern listeners a window into the narratives that shaped early American pop culture.

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Notable Quotes with Timestamps

• Andrew Rhynes [01:07]: "Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines, and let's get into this episode."

• Johnny Mack Brown [03:13]: "I love to wake and yawn and face the crimson dawn that means that night is gone..."

• Caleb Turner [10:06]: "We're determined to make this town a fit place to live in."

• Rusty [16:00]: "You're looking for the bug under the wrong chip. When a hombre takes pics on seven gents, that's a toting guns."

• Linda Gerald [16:34]: "Rusty, I'm so sorry. I... I don't know how I'll ever thank you."

• Oregon Trail Song [30:13]: "Oregon, Oregon I'm on my way I'm heading west..."

• Andrew Rhynes [34:19]: "Please take some time to like and rate our shows in your favorite podcast application."

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Final Thoughts

"The Man From Alabama" stands as a sterling example of mid-20th-century Western radio dramas, seamlessly blending action, drama, and music to create an immersive listening experience. Through meticulous digital restoration, the Old Time Radio Westerns podcast ensures that these timeless stories continue to captivate and inspire new generations of Western enthusiasts.

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Thank you for exploring this episode summary. To experience the full richness of "The Man From Alabama," tune into the Old Time Radio Westerns podcast and immerse yourself in the legendary tales of the Wild West.

Transcript

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[Narrator]

Foreign.

[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines, and let's get into this episode. This episode is going to be All Star Western Theater. Original air date is October 20, 1946 and the title is the Man From Alabama and this one's got Johnny McBrown as the lead guest in this. I hope you enjoy and again, thanks for listening.

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[Narrator]

The makers of Weber's Bread present your.

[Johnny Mack Brown]

All Star Western Theater drifting along singing a song under the West.

[Narrator]

From Hollywood comes your All Star Western Theater, starring America's great Western singers, Boy Welling and the riders of the Purple Sage. Our guest star for today is the Western screen's great action star, Johnny Mack Brown. Now here are the writers of the Purple Sage.

[Johnny Mack Brown]

I love to wake and yawn and face the crimson dawn that means that night is gone A long wagon trail that big old blazing sun is coming on the run that's worked at mud must be done along the wagon trail Yippee y lazy cowboys at the saddle Yippie Y lazy cowboys got to herd them longhorn cattle soon the moon will palin down the canyon Then you'll hear the coyote wail along the wagon trail I wouldn't trade this life of mine for the life of a millionaire Though it's rough and it's tough But I love it just the same the Indian gill and the chap and the birds up in the air Are a part of the heart of the life of a wagon I love to wake and yawn and face a crimson dawn that means that night is gone along the wagon trail that big old blazing sun is coming on the run that work that must be done along the wagon trail Yippee yeah lay the cowboy in the saddle Yippee yeah lay the cowboy got to herd them longhorn cattle soon we're paling down the canyon Bail we'll hear the coyote wail along the wagon trail.

[Narrator]

When there was trouble out in the open range in the days of the great cattle kingdoms, the cow punchers strapped down their six guns and traveled in pairs when they rode fence or hunted for the lost strays. The cowboys had a fierce loyalty toward the brand that employed them. And a rancher who was on the square with his men could expect them to back his play every time. Today, famous Weber's bread is popular because the bakers of Weber's bread are on the square with the public they serve. Weber's makes certain that the quality of its bread is always consistent. When you buy a loaf of Weber's bread you can be sure that you can always depend on it. Depend on Weber's bread being well mixed and well baked. That it's firm, even texture and distinctive flavor will always add extra enjoyment to every meal. Buy a loaf of Weber's bread next time you go shopping. You'll like it.

[Johnny Mack Brown]

Boy willing.

[Narrator]

And the boys turn to an of those grand hart ballads for the western listening pleasure. They sing another of the songs they helped make so famous throughout the country. The writers of the Purple Sage and Theme to a memory.

[Johnny Mack Brown]

Makes no difference if we two are far apart Here.

[Narrator]

I could never ever love somebody new.

[Johnny Mack Brown]

Cause there is an enemy inside my heart Dear While I'm chained to a memory of you I could never tell another I belong to them all. All the whispered words of love would not be true I could never tell another that I long for them Cause I'm chained to a memory of you maybe time will wave the links away and and dear they will break and.

[Narrator]

Set me free to loving You.

[Johnny Mack Brown]

But I'll never care for someone else again dear While I'm chained to a memory.

[Narrator]

Of you.

[Johnny Mack Brown]

If the world should end tomorrow I'd be satisfied but you're gone and there is nothing I can do all my dreams and precious hopes of yesterday have died Yet I'm chained to a memory of you.

[Narrator]

Our guest today is one of the most famous western stars the screen has ever known. He's made millions of friends and fans and has achieved the reputation of being one of Hollywood's most successful stars. Ladies and gentlemen, your all star western theater is happy to bring you America's hard riding straight shooting star of the western screen, Johnny Mack Brown. Our guest star is heard in the story of the west written especially for him and entitled the man from Alabama. Hard Rock is a ghost town today. Yet 50 years ago it was the wildest, wickedest boom town. From the Mississippi river to the shores of San Francisco Bay. Let's go back to the decade just before the turn of the century. Conditions have become so intolerable that the respectable citizens of the town have decided to take action. Caleb Turner, president of the Hard Rock State bank, has been appointed a committee of one to deliver an ultimatum to Sheriff Dave Belfman. Now, we going to be unreasonable or unfair, Sheriff, but something's got to be done. We got a new school teacher coming out in a few days. An eastern girl from back in Wisconsin. How long do you think we can keep her here if she's going to be in solid every time she walks down the street? Well, the boys do talk a little.

[Johnny Mack Brown]

Rough sometimes, Mr. Turner.

[Narrator]

A little rough did you say? What have you done about those robbers that have held up the stage four times in the last two months? Well, I'll tell you what, you've done absolutely nothing. Now it's gotta stop. Sheriff, twice my bank has lost shipments of money from Denver. And twice the gold bars from the smelter have been taken. Well, I've done my best, Mr. Turner, but I just can't have and get someone who can. That's what I was pitching to bring up. I know an hombre that's so fast with his six guns he can snuff.

[Johnny Mack Brown]

A candle and draw and empty them.

[Narrator]

Both before the lights go out. You know him?

[Johnny Mack Brown]

Eight.

[Narrator]

Who is he? I can't say that I actually know.

[Johnny Mack Brown]

Him, but I know all about him.

[Narrator]

Young fella by the name of Cherokee Red Simmons. Yeah, came from somewhere down around Alabama. Where is he now?

[Johnny Mack Brown]

Last I heard he was down in Tombstone, Arizona.

[Narrator]

Seems like he just drifts around Wherever.

[Johnny Mack Brown]

There'S liable to be a ruckus.

[Narrator]

And get in touch with him at once. Enough room, whatever it'll take to bring him here. The citizens committee has authorized me to spare no expense. We're determined to make this town a fit place to live in. I'll send him a telegram tonight. Mr. Turner, if we can get him, I'll guarantee you he'll turn Hard Rock.

[Johnny Mack Brown]

Every way but lose. Well, it looks like you two is the only passenger further stage for Hard Rock. Hey, you must be the new school marm. I'm Flea Bit.

[Linda Gerald]

Oh, I'm sorry.

[Johnny Mack Brown]

Oh. Oh, it ain't a condition, ma'. Am. It's my name. What's yours?

[Linda Gerald]

Why, Linda Gerald.

[Johnny Mack Brown]

And what mount your hand will be, stranger.

[Narrator]

Rusty.

[Johnny Mack Brown]

Rusty, hey. Well, all right, Rusty. Suppose you pump Miss Gerald's paw and tell her you're proud to meet up with her. Then you can both climb aboard and we'll shake, rattle and roll out of here.

[Narrator]

How do you do, little Gerald?

[Linda Gerald]

How do you do? How far is it to hard rock, mister? Easy?

[Johnny Mack Brown]

Well, about 22 miles, ma', am, with.

[Narrator]

Most of them standing on aid.

[Johnny Mack Brown]

But don't you fret yourself none now. Bar and flood, fire, tornadoes, earthquakes or road agents. We'll get thar. Yes, ma', am, we'll get thar. If nothing don't slip in there, come unravel. Get up. Halfway point, folks. Eleven miles behind us and 11 more miles to go. Get out of there.

[Linda Gerald]

I beg your pardon, but I can't help but ask you something. How do you suppose our driver ever was given such a strange nickname as Fleet Bit?

[Narrator]

I reckon it's on account of his whiskers, ma'. Am.

[Linda Gerald]

You mean, please get into his whiskers?

[Narrator]

No, ma'. Am. What we call a plea. Bitten gray as a horse that's grave with sorrow spots. Did you notice the driver's whiskey?

[Linda Gerald]

I see. This is your home out here. I mean, your original home.

[Narrator]

No, ma'. Am.

[Linda Gerald]

My home's in Wisconsin. Have you ever been in Wisconsin?

[Narrator]

No, ma'.

[Linda Gerald]

Am. This is the first time I've ever really been out west. I'm terribly excited, but they don't have hold up and things like that anymore the way that, you know, they do they.

[Narrator]

I'm afraid they do, ma', am, sometimes.

[Linda Gerald]

Oh, what would you do if we were suddenly held up by a whole band of masked men who demanded your money or your life just as they do in those dreadful time novels little boys read?

[Narrator]

That is a pen, ma'. Am.

[Linda Gerald]

And what?

[Narrator]

Well, on a heap of things get.

[Johnny Mack Brown]

Your hands high and cheek my old timer. There's a holder.

[Linda Gerald]

But those men. What should we do?

[Narrator]

Do just like they tell you to. There are seven of them and they've got the drop on them. You inside there. Come out with your hands hi like he says. Keep them too covered. Jim. Yeah? I want that sack of double eagles you're carrying in the box, oldtimer. And don't reach for that carbine if you want to stay healthy.

[Johnny Mack Brown]

No, I ain't carrying. No. Shut up and get it out.

[Narrator]

You got $30,000 there, Jim. Come here. Come you go lift it down and drill that old pilgrim if he tries anything funny. Now let's see what we got here.

[Linda Gerald]

Oh, I have the $40 in my purse.

[Narrator]

Hand it over in the first two. Plus that envious.

[Linda Gerald]

But it is more than.

[Johnny Mack Brown]

Unpent it, please.

[Linda Gerald]

It's a cheaps. Please don't take it.

[Narrator]

Air it loose, Jim. What do you got? $146 in my left hip pocket. I'll take it, Jim. Sure, boss, I've got it. Okay. Now get back in that stage and stay there for 15 minutes. Anybody that tries to follow us will get hurt bad. All right boys, let's travel.

[Johnny Mack Brown]

Get up there.

[Linda Gerald]

You call yourself a man? You just stood there and let those men take my watch. The watch my mother left them.

[Narrator]

Sorry, ma'. Am. What would you have me do?

[Linda Gerald]

I don't know. But anything except just stand there. I thought when I came out west I'd find some real men. But if you're a sample, you're a coward. You're nothing but a coward. How do you think you even know how to use those pistols?

[Johnny Mack Brown]

You're well now hold on dar little lady. You're looking for the bug under the wrong chip. When a hombre takes pics on seven gents, that's a toting guns. He ain't brave. He's just a plain teeth. Total garden variety dern. Is you.

[Linda Gerald]

Then you're just as bad. Unless they please give $30,000 without making the slightest effort to stop them.

[Johnny Mack Brown]

You durn. Bet ye I did. My pappy didn't fetch up no foolish young un's.

[Narrator]

Ms. Gerald, you asked me a little bit ago how long I planning to stay in Hard Rock, didn't you?

[Linda Gerald]

What if I did?

[Narrator]

I just thought I'd tell you. I'm staying. But I can hand you your watch back.

[Linda Gerald]

It's not an actual value, Sheriff. It's belonged to my market.

[Narrator]

I'll do my best, Ms. Gerald. I got a man will be Here any day now. That'll get it. If anybody can, I'll put him right on it as soon as he shows up.

[Linda Gerald]

Thank you, Sheriff. I'll appreciate it very much. Good night.

[Narrator]

Good night, Miss Gerald. What'd you lose, Rusty? $126 and a deep of self respect. How about turning me loose from those road agent, Sheriff? We were set on getting a watch back. Sorry, Rusty, I got a ring. Pale snorter coming in for that job, is it? Brute, Sheriff, the safe was held up again. I'm afraid so, Mr. Turner. Well, the bank had $30,000 coming in on him. This is the last clause, Sheriff. Have you had any word from your man yet, that Cherokee, Red Simmons? Not a word. Then try and get in touch with him again. You can't find him one place, try another. I warn you, Sheriff, you don't accomplish something soon after, he'll be forced to. I warn you, Sheriff, you don't accomplish something soon, our committee will be forced.

[Linda Gerald]

To take drastic action.

[Narrator]

If it's a fair question, Sheriff, who might that old turkey gobbler be? Oh, that's old Caleb Turner, president of the Hard Rock State Bank. Just the man I want to meet. Like to rent one of his safe deposit boxes, if he's got any.

[Johnny Mack Brown]

Well, I'll be proud to make you.

[Narrator]

Known to him in the morning. But say, I know what you're thinking, Jerry. No, they didn't get all I was told. $2,000 in a money belt to you. Never noticed. Nice little bank Turner's got you. Yeah, we're right proud of it, Rusty. He's even got a private office. That's it, right ahead of us. Wait a minute, Sheriff. Five thousand is the exact sum, Mr. Diva. Well, I'll maybe be needing some more in a couple of weeks or six minutes. Anytime at all, Mr. Diva. Glad to have your business at any time. Come on, Garrett. I just happen to think of something I gotta do first. Sounded like Sarah was busy. We can come back later. Well, he'll be finished in just a minute or two. I'm not in any rush. Who was that fella Turner was talking with? Paul Beaver.

[Johnny Mack Brown]

Why?

[Narrator]

Oh, I thought for a second his voice was familiar. I reckon I was wrong, though. What's this Diva do? Owns a big saloon and gambling house over near the Diggins at hangtown. Hangtown? Yeah. 50 miles west of here, but still in the county. Sound like the place for Sunday schools to hold a picnic. You can bet it ain't. And Deaver's bad medicine. Meaner and a sidewinder. And Twice as poisonous. Was a crooked layout, huh? Crooked in a dog's hind leg. I got no doubt he's guilty of every crime and misdemeanor in the book, including murder.

[Johnny Mack Brown]

Keeps a half a dozen to a.

[Narrator]

Dozen gun slits around him all the time. Why, there ain't a man in the whole county that ain't afraid of him. Including you, Sheriff. Well, I ain't ashamed to admit that I'll leave him alone. Besides, I got my hands full right here in Hard Rock.

[Johnny Mack Brown]

Oh, Rusty. Yonder comes this school marm I'm a getting before she takes me apart again to see what makes me tick.

[Narrator]

Hello, Ms. Gerald. Ms. Gerald. I'd admire for you to listen for just a minute to what I have to say.

[Linda Gerald]

I'm afraid nothing you could say would be of interest to me.

[Narrator]

Maybe so, ma'. Am. I never was much a hand to doubt a lady's word. What I wanted to tell you was I'm satisfied I know where your watch is.

[Linda Gerald]

Where is it?

[Narrator]

I can't say right now.

[Linda Gerald]

I thought of that. Good morning, Mr. Russ.

[Narrator]

Listen to me, please. I'm going after it right now. What I wanted you to know was if I don't bring it back, it won't be for the lack of trying.

[Linda Gerald]

I'm afraid you've been reading those dime novels I spoke about. What do you intend to do? Walk boom into the bandit's lair and say, I want that watch you stole from my fair companion?

[Narrator]

Yes, ma', am, something like that, Ms. Gerald. I was talking respect, ladies. But you called me a coward and now you're laughing at me. Get this. I don't give two hoops and a rain barrel for you and the same two hoops for your watch. But you're going to get them back just the same. Look, pal, there's that tenderfoot that was on the stage the other day, suffering snakes. Either he's plumb ignorant or else he's got more nerve than good sense. I'll take care of him. Howdy, stranger. Something I can do for you? Your name? Paul Beaver. If it ain't, folks have been calling me by the wrong handle for a right smart spell. What business you got with me? I got a bill here I'm aiming to collect. Read it tall Diva. Hang town stolen from me. $126. Stolen from Ms. Linda Gerald. $40 total $166. Also stolen from Mid Gerald. One ladies gold watch. What kind of a bluff are you trying to run on me, stranger? No bluff, Diva. You're going loco. Not that I Know about why? Cause no man talks to Tall Diva like you're talking without reaching for his guns. That's what I've been hearing. Then you're asking for it when I kill you. That's right. When does the killing start? When I'm ready. Being as your restraint here, I'll give you a break. I'm counting to five for a draw on you. Stand back boys. Start saying your prayer, pretty boy. There ain't nobody out there at all. Shut up, Jim. 1. 2. 3. You better start reaching. I'm waiting on you, dealer. Keep counting. Four. Go on. Well by grave stranger, I like your nerve. How about coming to work for me? Keep counting, Diva. You've just got one more number to go. You lost your brains, man. I'm giving you a break. I'm not looking for. I heard cheat before I put in with you. Are you going to reach for your guns or are you just going to stand me talking to the rest of you? Find your funny notion Now. Where's that watch, Deaver? I ain't got it. That one just cropped your ear, Deaver. But so help me, if you don't tell me where that watch is, neck will be aimed someplace else.

[Johnny Mack Brown]

I ain't got it. Don't shoot. I'll tell you who has got it.

[Narrator]

Get on your horse Pete and ride the hard rock as fast as you can make it. Tell the big boss pile is spilling everything he knows. You know I couldn't sleep with Wink last night, Sheriff. I was laying in bed thinking over the whole situation and all of a sudden it came to me. Doesn't it seem strange to you this Rusty fellow made no effort to protect a charming lady like Ms. Gerald the other day? Well, no, I can't say that it does, Mr. Turner. After all, he was looking into the business end of a half a dozen wench at me. No, but what do you know about him? Isn't it possible he's been around here for a long time? Hidden of course. And been behind all those hold ups of the stage? Well.

[Johnny Mack Brown]

Oh, he don't seem.

[Narrator]

Never mind what he seems to be, Sheriff. A gold watch was stolen from Ms. Gerald. A watch which he can easily identify. Now Rusty has a safety deposit box at my bank. If that watch were to be found in his box. You got any real reason? Sheriff, I demand you take this Rusty into custody and bring him down to the bank. When we find the watch in his safety deposit box. Well, I warrant you have a difficult time trying to prove he's not guilty. Morning, Ms. Gerald. Looks like you've got just about everybody here, Sheriff.

[Johnny Mack Brown]

Rusty, I want you to open up.

[Narrator]

That safety deposit box of yours. And show us what's inside. Sure, Sheriff. Why? What?

[Johnny Mack Brown]

Well, I'm empty. What?

[Narrator]

Why? Last night at Sheriff, then that money that was taken from me and that stage coach. Hold up. There was A$20 gold. Nonsense. Double eagles all. But not like this. It's a trick point I've had a lot of fun with. A goldsmith in Santa Fe picked it up for me. It's different from other double eagles because both sides are heads. Now, if we can find that, I'll let you search my safety deposit box. Isn't it only fair that Mr. Turner should do the same?

[Johnny Mack Brown]

What?

[Narrator]

I'll permit nothing of the sort. This is an outrage, Mr. Turner. I'll have to ask you to open it.

[Johnny Mack Brown]

Yeah.

[Narrator]

Get your hands up, all of you. I'll stoop. He's all yours, Sheriff. I'll get you for this, buddy.

[Johnny Mack Brown]

I'll get you, Rusty. How'd you know it was him?

[Narrator]

I recognized Paul Deaver as the leader to hold up men by his voice. And I persuaded him to tell me. Then I had a notion Kerner tried to frame me. So I slipped into the bank last night. By the way, Mr. Kerner, your back door could be unlocked with a hairpin with my parts. And in it I found this.

[Linda Gerald]

I want.

[Narrator]

Probably have to be used as evidence, Ms. Gerald. But you'll get it back.

[Linda Gerald]

Rusty, I'm so sorry. I. I don't know how I'll ever thank you.

[Narrator]

Forget it, Miss. You know as fell back, Rusty, you asked me for a job and. Well, I told you I had another fella for it. Derek E. Red Simmons. He never showed up. The job's yours if you want it. Thanks, Sheriff, but I guess I'll be drifting along. Winter's coming on and it'll be nice and warm down there in El Paso.

[Linda Gerald]

Would you let me. I mean, would you mind if I wrote you?

[Narrator]

I'd be mighty proud to hear from you, ma'. Am. General delivery, El Paso.

[Linda Gerald]

But how shall I address the letter? Yes, Rusty.

[Narrator]

No, ma'. Am. I'm sure I'll get it if you address it through Cherokee. Red Simmons. Thank you. Johnny Mack Brown. It was a real privilege having you as our guest today. Our guest star will return in a few moments. Ladies and gentlemen. Appearing with Johnny Mac Brown today were Joe Forte, Eddie Fields, Helen Gerald, Al Slowy, Jimmy Dean and Boy Williams. Friendship meant a great deal in the early Western days. Just as it does now before the law came to the western frontier. Wrestlers and other desperados played in the vast cattle herd. Because, raised in the open range land, a man had to depend on his six gun and his true friends in order to survive. Nowadays, friendship means the same thing as it did in those far off rugged times. It means someone who will help. Someone on whom you can always depend. The bakers of Weber's Bread are friends of the housewife, for they bake famous Weber's Bread. The bread that helped because it forms a substantial part of the daily food menu. The bread in which you can depend because its fine quality is consistent. Next time you go shopping, buy a loaf of Weber's Bread and try it. Your entire family will enjoy its firm, even texture, golden brown crust and its distinctive flavor. Remember, it's Weber's Bread in the blue gingham wrapper. Now here's Foy Willing returning with today's special guest of your all star Western theater, Johnny Mack Brown. Johnny, we just want to tell you that we've been looking forward to your first appearance on our theater for a long, long time. That goes for me too, Foy. The folks out at Monogram have been carrying me at a mighty fast clip for the past few months. Well, Monogram Pictures ain't no foolish studio. They gotta supply your film to one of America's great western picture audiences, the fans of Johnny Mac Brown. That's mighty nice of you to say that. And I just hope those fans think as much of me as I do of them. Well, we know they do, Johnny. And again, thanks for coming to see us. And we'll look forward to another visit real soon. That, me, boy. And so long, folks. Now, from their latest All Color Republic picture along the Oregon Trail, the writers of the Purple Sage sing for you another of those fine foiling western arrangements. Oregon men.

[Johnny Mack Brown]

Oregon. Oregon I'm on my way I'm heading west I'll never stop to rest I'll make Oregon my home Oregon where the timber hits the sky all regions there'll be room for you and I Where the mountain streams keep a tumblin but on the morning dew I'm on my way I'm heading west I'll never stop to raft Hill and Oregon you the rolling hills of Oregon the fields of golden f the plains I love to dwell upon the sunshine and the rain Oregon Once I'm there I'll never own I'm on my way I'm heading west I'll never stop to rest I'll make horses Oregon, my home the rolling hills of Oregon the fields of gold and gray the plains I love to dwell upon the sunshine and the rain or once and there I'll never more I'm on my way I'm heading west I'll never stop to rest I'll make Oregon under a.

[Narrator]

From Hollywood, you have heard your allstar Western Theater, a VM Bear production starring America's great Western singers. So speaking next week, another great star in A Story of the West. This program came to you from the studios of KNX Columbia Square.

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[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call and leave us a voicemail 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.

[Johnny Mack Brown]

Ra.