The Railroad (Rehearsal and Remastered) | Gunsmoke (09-26-52)

Summary

Podcast Summary: Old Time Radio Westerns – "The Railroad" (Rehearsal & Remastered) | Gunsmoke (09-26-52)

Host: Andrew Rhynes
Release Date: April 9, 2026
Episode Theme: A digitally remastered presentation of the rare rehearsal episode of "The Railroad" from the classic radio drama Gunsmoke. The story deals with the price of progress on the frontier, centering on a widow's steadfast resistance to being evicted from her land for the coming of the transcontinental railroad.

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Main Theme and Purpose

Andrew Rhynes transports listeners to the American frontier with a remastered broadcast of "The Railroad." This rare rehearsal episode of Gunsmoke (originally aired 09/26/1952) spotlights themes of progress, individual rights, government power, and the cost of change, as embodied by the fierce character Libby Sager who defends her land against the encroaching railroad.

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Key Discussion Points and Plot Breakdown

Introduction of the Conflict

• Libby Sager stands her ground when confronted by Mr. Williams, a railroad representative, who tries to persuade her to relinquish her homesteaded land to make way for the transcontinental railroad ([03:53-07:28]).
  • Libby is resolute, holding a rifle and refusing to be moved by force or by offers of "three times the worth" of her land.
  • Her conviction is rooted in a promise to her late husband, who homesteaded and built their land with his own hands ([04:34], [13:20]).

Quotes:

• Libby Sager: "Nobody shoves me off of my land, Mr. Williams. Nobody. This land is mine. It's free and clear, every inch of it." ([04:14])
• Mr. Williams: "It's progress, Mrs. Sager. You can't hold back the time." ([05:41])

Introduction of Marshal Matt Dillon

• Mr. Williams seeks help from Marshal Matt Dillon, who is sympathetic but under orders to enforce the government’s eviction ([07:28-09:14]).
• Conversations highlight Libby's reputation as fiercely independent—a living symbol of the unconquered West ([07:39-08:12]).

Quote:

• Matt Dillon: "No, Libby is... well, she's kind of like the West. By that, she's got her ways, and her ways are free and she's hard to tame." ([07:59])

The Confrontational Visit

• Matt Dillon tries to reason with Libby, removing his badge to speak to her as a friend rather than as a lawman ([12:01-13:09]).
• Libby recounts her harrowing past defending the homestead with her late husband against all odds, underscoring her deep attachment to the land ([13:20-14:26]).

Quote:

• Libby Sager: "Howard took me out here to this piece of land... He built this place, Matt. Every board he split with his own hands, every board of it, every nail in it." ([13:20])

Weighing Progress versus the Individual

• Back in town, Matt struggles with the morality of forcibly removing Libby, acknowledging that while the railroad represents "progress," it is coming at a deeply personal cost ([17:41-19:06]).
  • The dilemma is not lost on Chester (Matt’s assistant), who shares Matt's unease.
  • They recognize Libby will be compensated but note that she will lose the only place she truly wants to live.

Quote:

• Matt Dillon: "Now we gotta run her off her land... She'll have enough money, she can live anywhere. Yeah, sure, anywhere. Except where she really wants to live." ([18:42-19:06])

The Standoff and Tragic Outcome

• As the noon deadline nears, Libby stands armed, ready to resist. She fires warning shots at Matt and Chester, who attempt to approach ([20:07-21:46]).
• A failed attempt to disarm Libby escalates, and Sam (a surveyor, drunk and agitated) shoots in the chaos, resulting in Libby being mortally wounded ([29:11-30:20]).
  • Libby, dying, remains unbroken, her spirit undimmed even in her final moments.

Quotes:

• Libby Sager: "It's better this way, Matt. Much better this way. Bet you people don't forget me so easy." ([30:25-31:06])
• Matt Dillon: "Yeah, every time that train whistle blows." ([31:35])

Reflection and Aftermath

• Matt reflects on the harshness of "progress" and the emotional toll on all involved ([31:43-32:12]).
  • The episode closes with regret and questions about the cost of what is lost in the path of so-called progress.

Quote:

• Matt Dillon: "You know, Chester, sometimes progress is hard to come by." ([31:45])

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Notable Quotes & Memorable Moments

• Libby Sager’s Oath: "A solemn and holy oath, Mr. Williams, to a dying man." ([04:35])
• Matt on Libby versus the Railroad: "In the railroad business, when we come to a mountain, if we can't go around it, we blast right through it." ([08:12])
• Chester’s Loyalty: "Mr. Dillon, isn't there some way the railroad can go around that property? I purely hate to see that woman..." ([10:03])
• Libby's Farewell: "It's better this way, Matt. Much better... Bet you people don't forget me so easy." ([30:25-31:06])

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Timestamps for Important Segments

• [03:53] – Libby’s initial confrontation with Mr. Williams
• [07:28] – Mr. Williams seeks Matt Dillon's help
• [08:56] – Dilemma: reroute the railroad around Libby?
• [12:01] – Matt attempts reasoning with Libby (removing his star)
• [13:20] – Libby’s backstory and her husband’s death
• [18:42] – Ethical struggle: The burden on Matt Dillon
• [20:07] – The final standoff begins
• [29:11] – The fatal shootout and Libby's last moments
• [31:35] – Matt’s reflection on Libby’s enduring spirit and the cost of progress

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Tone and Language

The episode maintains the signature somber, gritty, and contemplative tone of classic Gunsmoke—mixing Western stoicism, emotional gravitas, and dignified language. The dialogue is authentic to the era, with characters speaking plainly and passionately, adding realism to their heartbreak and conflict.

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Conclusion

This episode of Old Time Radio Westerns, with its remastered clarity, delivers a powerful tale about the collision between progress and personal sacrifice. Libby Sager’s stand is immortalized as both a cautionary and inspiring reminder of the resilience of the human spirit—and the painful choices that marked the expansion of the American West. This rare rehearsal, raw in emotion and performance, remains as relevant and arresting today as it was in 1952.

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Transcript

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[Andrew Hines]

Welcome to the Old Time Radio Westerns. I'm your host, Andrew Hines, and let's get into this episode. This episode is going to be Gunsmoke. Original Air date is September 26, 1952 and the title is the Railroad. Now, a special note on this episode is it is a rehearsal and is remastered. Remastering was not done 100% by me. Tried to fix what some people tried to do. They didn't seem to know what they were doing because they were abrupt audio changes, but I did my best and hopefully cleaned up a lot of the weird stuff. Now remember, it is a rehearsal episode. This is this one never aired, so it just does not have the polish on it. Hope you enjoy. And let's get into it.

[Mr. Williams]

Around Dodge City and at the territory on West. There's just one way to handle the killers and the spoilers, and that's with the U.S. marshal and the spell of Gun Smoke. Gun Smoke, Starring William Conrad. The transcribed story of the violence that moved west with young America. The story of a man who moved with it. Matt Dillon, United States Marshal.

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[Libby Sager]

That's far enough, Mr. Williams.

[Mr. Williams]

Ms. Sager.

[Libby Sager]

Mrs. Sager.

[Mr. Williams]

Mrs. SAGER, would you please put that rifle down? I came here without any guns, without any means of force whatsoever.

[Libby Sager]

You come here with force now.

[Mr. Williams]

Mrs. Sager come here to force me

[Libby Sager]

out my house, off my land.

[Mr. Williams]

Mrs. Sager, please.

[Libby Sager]

Nobody shoves me off of my land, Mr. Williams. Nobody. This land is mine. It's free and clear, every inch of it.

[Mr. Williams]

I have no doubt.

[Libby Sager]

My husband staked this land 25 years ago. He homesteaded it and raised cattle on it every year till he died. Every year till he died, he raised cattle on this land.

[Mr. Williams]

I have every respect for you.

[Libby Sager]

And nobody takes me off this land, Mr. Williams. You or your filthy railroad or anybody else. My husband left me this land. And he said, libby, this is your land and you keep it. I said, howard, I swear by everything decent, nobody'll ever take this land away from me. A solemn and holy oath, Mr. Williams, to a dying man.

[Mr. Williams]

Mrs. Sager. Now listen to me for just a minute.

[Libby Sager]

Well, I know what you're going to say.

[Mr. Williams]

Just a minute. One minute, Mrs. Said it a hundred

[Libby Sager]

times if you said it once.

[Mr. Williams]

Please, Mrs. Sager, just one minute.

[Libby Sager]

Well, go on. Go on, talk then. Talk and get it over with. One minute.

[Mr. Williams]

One minute.

[Libby Sager]

That's right.

[Mr. Williams]

I represent the rail.

[Libby Sager]

I know that.

[Mr. Williams]

And we have reserved from the United States government a right of way of land across the United States for our railroad. Transcontinental railroad, Mr. Sager. Transcontinental. The United States government.

[Libby Sager]

United States government. I heard you. What? What do you want to do, scare me or something?

[Mr. Williams]

Transcontinental. It's progress, Mrs. Sager. You can't hold back the time.

[Libby Sager]

That's what you always say. You can't hold back your land.

[Mr. Williams]

Your land, Mrs. Sager, is directly in the right of way. Now, we're willing, more than willing. We're happy to pay you three times the worth of this land.

[Libby Sager]

I said I wouldn't sell, Mr. Williams. How many times I got a repeat?

[Mr. Williams]

It's not a matter of. Mrs. Sager, please. I wish you'd lower that carbine. It's making me nervous.

[Libby Sager]

I noticed you shaking. The minute's almost up.

[Mr. Williams]

The point is, you've got to sell your own public land to be reconverted. Now, we sent you a check and a notice to get off the land. No, not us. The United States Government that makes it mandatory. Compulsory. Free country progress, Mrs. Sager, for the common good.

[Libby Sager]

It's a free country. I can live where I want and this is where I'm living. And let me tell you something, Mr. Williams, I'm staying right here. You could have orders from the President. I'm just as good a citizen as he is. Now, you just scoot off on this property.

[Mr. Williams]

I'd hate to have to call the United states marshal. Now, Mrs. Sager, I don't like to use force when reason will do.

[Libby Sager]

Get. Get off this property, Mr. Williams, or I'm going to remember the United States government has a law about trespassing. Did you hear me? Scoot.

[Mr. Williams]

You can't hold back the times. That's what I told her, Marshal. She held that rifle on me every second. It seems funny to you, I suppose?

[Matt Dillon]

No, I didn't mean to laugh at you, Mr. Williams. Well, Libby Sager's quite a woman. I've known her a long time. And you her husband.

[Mr. Williams]

Anybody could be married.

[Matt Dillon]

Now, what you've got to understand about Libby is, Mr. Williams, that Libby isn't an ordinary woman.

[Mr. Williams]

That's sure.

[Matt Dillon]

No, Libby is. Well, she's kind of like the West, I mean, by that she's got her ways, and her ways are free and she's hard to tame.

[Mr. Williams]

Well, I'll tell you this, Marshall. In the railroad business, when we come to a mountain, if we can't go around it, we blast right through it.

[Matt Dillon]

Yeah, well, I'm not so sure I'd try that with Libby, Marshall.

[Mr. Williams]

I've tried talking to her. I've sent her letters. I've tried everything. There's no movie.

[Matt Dillon]

Yeah, I know, I know. But you've got to keep in mind that Libby's lived there for almost a quarter of a century.

[Mr. Williams]

I've got a job to do.

[Matt Dillon]

Look, can't you go around her land?

[Mr. Williams]

Oh, fine, fine. A straight line track for a few hundred miles. Then all of a sudden it juts out for a few little acres and then back to another straight line for another hundred miles.

[Matt Dillon]

I would break it up a little, wouldn't it?

[Mr. Williams]

Marshall, I want you to get out there with this order. It's an order to vacate. Every time we send her a check, she sends it right back. So here's a check to go with the order.

[Matt Dillon]

Look, Mr. Williams, she's not going to move. I know that woman and she's not going to move.

[Mr. Williams]

That's a United States government order, and you're the United states.

[Matt Dillon]

Oh, please, Mr. Williams, don't remind me of my duties. There's some things I don't like about this job. Eviction and seizure, Chester.

[Mr. Williams]

Yes, sir, Mr. Dillon.

[Matt Dillon]

Eviction.

[Mr. Williams]

Federal order. Libby Sager. Yes, sir.

[Matt Dillon]

You weren't listening at the door, were you, Chester?

[Mr. Williams]

Oh, no, sir, my. Absolutely not, Mr. Dillon. It's just I am cursed with wonderful ears. Comes from so many nights out hunting, what, my whole family.

[Matt Dillon]

All right, all right, Chester.

[Mr. Williams]

Mr. Dillon, isn't there some way the railroad can go around that property? I purely hate to see that woman. He's maybe a villain when I'm just doing my job.

[Matt Dillon]

Yeah, yeah, all right, Mr. Williams. I guess we all feel a little like that right now. Come on, Chester,

[Libby Sager]

Listen this.

[Matt Dillon]

Now, now, hold it, Libby.

[Libby Sager]

Saw you through the curtains.

[Matt Dillon]

Well, I saw you peeking.

[Libby Sager]

Coward. Little railroad has to bring the marshal, Mr. Williams.

[Mr. Williams]

I have to, Mrs. Sager. I told you before that bellied little

[Libby Sager]

railroad had to get the marsh.

[Matt Dillon]

Now, Libby, Libby, I want you to put that carbine down and I want you to act like a human being.

[Libby Sager]

Don't you start anything with me that kind of talk. Now, Matt Dillon. I knew you too long for that kind of talk, Libby.

[Matt Dillon]

What would Howard have said if he could see you standing there holding a carbine on me?

[Libby Sager]

You can say what you got to say right here and right now. Just leave my poor dead husband out of this.

[Matt Dillon]

You think he'd stand in the way of progress the way you are?

[Libby Sager]

Progress? That big, loud, steaming, dirty thing. A howling by black smoke bringing in the trash from back east. You call that progress?

[Matt Dillon]

I'll make a deal with you, Libby. You put down your gun and I'll send Mr. Williams and Chester back to town.

[Libby Sager]

I got nothing to say to you, Marshall.

[Matt Dillon]

Chester.

[Mr. Williams]

Yes, sir, Mr. Dillon.

[Matt Dillon]

Here, take my gun, Chester, and list.

[Mr. Williams]

What? What are you doing, Mr. Dillon? You took off your star.

[Matt Dillon]

Take it back to the office with you. And take Mr. Williams with you, too. Libby and I are going to talk. Yes.

[Mr. Williams]

Come on, Mr. Williams. You can't hold back the times. Mr. Sagers.

[Libby Sager]

Get him off here.

[Matt Dillon]

You better go, Mr. Williams.

[Mr. Williams]

I'll see you back in town, Marshall.

[Matt Dillon]

Well, Libby, aren't you going to ask me in? I told you, Marshall, the name's still Matt Libby. No star.

[Mr. Williams]

See? Now, can I come in real life?

[Libby Sager]

I suppose.

[Mr. Williams]

Thank you.

[Matt Dillon]

There. Looks just about the same.

[Libby Sager]

Yeah, it's gonna stay that way. Nothing's gonna come a steaming through this sitting room. Sit down, man.

[Matt Dillon]

Libby, I'd give anything not to have to give you this order, but here

[Libby Sager]

Howard took me out here to this piece of land. He staked it out here because it had to. Cricket the cattle and some old grassland. We just got married. Took me out here and stood me right about where you're standing now. And he said, libby, this is ours. Yours and mine.

[Mr. Williams]

Uh huh.

[Libby Sager]

He built this place, mate. Every board he split with his own hands. Every board of it, Every nail in it.

[Matt Dillon]

Yeah, I know.

[Libby Sager]

You don't know. Three days and three nights, just the two of us behind that upsot wagon. Caught out there in your tech. Well, they'd have burned the house down, but we held them off. All of them Injuns. A whooping and hollering wasn't till the second day they got him.

[Matt Dillon]

Yeah.

[Libby Sager]

Oh, that arrow must have been terrible inside him. It was like something in my own chest. Man, I swear. It couldn't have hurt no more. I held him in my arms. I was crying. I couldn't help it. And he looked like a little boy. I swore. He seemed like he wasn't a man anymore. He's just a little boy in my arms there. He said, libby, you gotta hang on to the land, Libby. It's all Larry's. I said. I know it, Howard, he said, don't let nobody drive you off here. I said, howard, I won't. And I didn't. I stayed there. No food, no water. Two days more waiting. But they'd gone. And the place was still mine.

[Matt Dillon]

Libby.

[Libby Sager]

Now, you think I'm going to get off of this land now just because of a little piece of paper? Matt, you go on back. Tell that railroad I'm here for good, dead or alive. Next time you better keep your gun.

[Mr. Williams]

Marshall. What'd she say?

[Matt Dillon]

Marshall?

[Mr. Williams]

Talk. Didn't do any good, did it? I KNEW it wouldn't.

[Matt Dillon]

Mr. Williams, you did your job. Now, why don't you go back to the hotel and we'll get in touch with you, huh?

[Mr. Williams]

Sure. Marshall.

[Matt Dillon]

Yeah?

[Mr. Williams]

You sure you don't need me for anything?

[Matt Dillon]

I'm sure.

[Mr. Williams]

Okay. Well, hello, Mr. Williams. Hello, Chester. Where's he going, Mr. Dillon?

[Matt Dillon]

I sent him back to the hotel. Chester, hand me that chamois there, will you?

[Mr. Williams]

Yes, sir. Here.

[Matt Dillon]

Oh, thank you.

[Mr. Williams]

Mr. Dillon.

[Matt Dillon]

What

[Mr. Williams]

if she don't leave peaceable? You gonna carry her out?

[Matt Dillon]

Well, we'll see what happens, Chester.

[Mr. Williams]

I mean, if she don't come out peaceable.

[Matt Dillon]

Look, Chester, that railroad's gonna be here for a long time. A long time. Now there's gonna be a lot of people depending on it for beef and for. Well, for everything else. And Libby's just One person. Just one person.

[Mr. Williams]

One person. Yes, sir.

[Matt Dillon]

That's right.

[Mr. Williams]

That's right, Dylan. Mr. Dillon, I've never seen you like this before. Chester,

[Matt Dillon]

I can't do it.

[Mr. Williams]

You gave her 10 days to give you an answer, Mr. Dillon. And the order come down almost a month ago. You did everything you could. If you asked me, you oughtn't to feel bad. You just got to do it, that's all.

[Matt Dillon]

Never hurt anybody. Paid all her bills. Now we gotta run her off our land.

[Mr. Williams]

Well, it wasn't nobody's fault that Howard Sager homesteaded on what was gonna be a railroad track. Wasn't his fault, nor her fault, nor your fault. Wasn't even the railroad's fault.

[Matt Dillon]

I know. You're right, Chester. You're right. And.

[Mr. Williams]

And Mr. Dillon, she'll have enough money. She can live anywhere.

[Matt Dillon]

Yeah, yeah, sure, sure. Anywhere. Except where she really wants to live. Well, I. Yeah, I. I know just. Well, it's almost 10:30. We gave her till noon today. I guess we better get packing.

[Mr. Williams]

Guess we better.

[Matt Dillon]

Oh, well, I'm.

[Libby Sager]

Oh,

[Mr. Williams]

well, sir, here's the gate.

[Matt Dillon]

Go ahead, chester.

[Mr. Williams]

After you, Mr. Dillon.

[Libby Sager]

Matt Dillon.

[Mr. Williams]

Love her. There she is, Mr. Dillon, on the porch. She's got her carbine.

[Matt Dillon]

Yeah, I see her.

[Libby Sager]

Get off my property, Libby.

[Matt Dillon]

Now, we gave you plenty of notice.

[Libby Sager]

Get off my property, Marshal, or I'll shoot. Now, you know me, Matt. I don't just talk.

[Matt Dillon]

Libby, you got your check. Now, why don't you.

[Libby Sager]

I'm counting three. You're not starting off of this land. By the count of three, I'm gonna shoot. I swear it, Matt. You're a perfect target.

[Matt Dillon]

Now, I'm a warning you, Libby.

[Libby Sager]

One, two. Three.

[Mr. Williams]

Come on, Mr. Dylan. That big rock. Way over our heads.

[Matt Dillon]

Yeah, she meant it that way.

[Mr. Williams]

Makes me feel a little silly running cover from a woman.

[Matt Dillon]

I got a decent respect for Libby's eye, Chester.

[Mr. Williams]

What do we do, Mr. Dillon? Well, we can't just stay here forever.

[Matt Dillon]

Look, maybe we can sneak up from the other side. You think you could work your way around?

[Mr. Williams]

I imagine so.

[Matt Dillon]

All right. And, Chester.

[Mr. Williams]

Now, don't worry, Mr. Dylan, I. I'm not going to use no gun.

[Matt Dillon]

All right. If you can get in the house and get that rifle away from her. I'll just stay out here and try to keep her attention.

[Mr. Williams]

Yes, sir.

[Matt Dillon]

Okay. Good luck, Liddy.

[Libby Sager]

I'm gonna shoot to kill, Matt. Next man tries to get me out of here, shoot.

[Mr. Williams]

We will return for the second act of Gunsmoke in just a moment.

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[Mr. Williams]

Adventure on your mind. Then keep tuned. The Gene Autry show is straight ahead. And most of these same CBS radio stations bringing you the Melody Ranch gang and Gene Autry songs. Tarzan straight ahead, too. Tonight, involved with some fanatic headhunters in darkest Africa. There's another true police case on gangbusters this evening. And Broadway Is My Beat offers mystery fiction that's packed with excitement. They're all ahead tonight on CBS Radio. Now the second act of Gun smoke.

[Libby Sager]

Sam.

[Matt Dillon]

Hot.

[Mr. Williams]

That's right, sam. Here's to you, williams. Sure, I must be getting drunk. Even this stuff tastes good. Sam, I can't help but admire that woman. But then I'm always the one to boost the underdog. We gotta start construction on the 18th to keep the schedule. You haven't even had a chance to start surveying. One woman standing alone against a whole mess of US Spikes, crew, rail. It's inspiring. Ties all creosoted. I'll get bounced, sure. Let me tell you, Williams, she's one out of a million. Quite a woman. Quite a woman. Yeah. I said then and I say right now. Nobody takes that woman off her land alive. Nobody. She's got more real stuff in her than you and me put together. You're drunk. Hanging on to the last breath. Why, it's wonderful. Woman like that can't hold back the progress of a whole nation. Absolutely not. Nobody can hold back the time. Time and tide wait for no man. If everybody felt like her, there wouldn't be any railroads. There wouldn't be any progress. Whatso. You need a drink. Maybe I do. Sam, I don't think that marshal's doing a thing out there. Minion of the law strikes me as sentimental. That Marshall. Oh, I don't know. Oh, it is. There's a job to do. I think we ought to go out there and prod him. You said he told you to stay in the hotel room. I know. No, that's. That's what you said. Well, if you want to go down there, it's fine with me. But that's what you told me he said. Well, how does it look? The railroad representative taking the afternoon off at a time like this, huh? Handma holster, huh? What do you want guns for? I'll tell you what I think. I think the woman's a little demented. Holding herself up that way. Husband's death, years alone in that house. She's crazy. Fanatic. Yeah. Yeah. Here. Thanks. Fully loaded. She's a wonderful woman, though. Dead shot with that rifle of hers. I'm not going out there unprotected. I don't blame you a bit. I think I'll take my holster, too.

[Matt Dillon]

Hey,

[Mr. Williams]

one for the road, huh? No more. One for Libby. Oh, what'd you say? All right. One for Libby. To Libby Sager. The spirit of the old west. Right? You know, they'll write a song about her. How the track was built over her soul. And they'll write a song about us, too. Oh, stop it. You're drunk. How's it going, Marshall?

[Matt Dillon]

Didn't I tell you to stay back at the hotel?

[Mr. Williams]

I brought Sam with me. Thought maybe he could use some help. Sam. Hello, Marshall. You don't mind if we just stick around, do you?

[Matt Dillon]

Well, stay back and keep quiet.

[Mr. Williams]

Where's your friend?

[Matt Dillon]

Trying to sneak in the back. All the trouble is right here, Libby.

[Libby Sager]

I got my eye on that sidekick of yours. You either call him back, or I'm gonna have to shoot him.

[Mr. Williams]

Chester

[Matt Dillon]

Evan.

[Mr. Williams]

Mr. Dylan. I'm sorry, Mr. Dillon.

[Matt Dillon]

No, it's all right, Chester. Just didn't work, that's all.

[Mr. Williams]

I declare, I can't figure how she spotted me. You don't know how.

[Libby Sager]

Careful.

[Matt Dillon]

Yeah, I know, I know, I know. There's only one thing to do. Go in after her.

[Mr. Williams]

Now you're talking.

[Matt Dillon]

Fine. Now you two just stay right where you are. And no guns, you understand? Sure. Libby.

[Mr. Williams]

Libby, we're coming in

[Matt Dillon]

now. Put your carbine up. Libby.

[Libby Sager]

Come on, Marshall. Just come on. I'm ready.

[Matt Dillon]

Let's go, Chester. And stay close to the ground.

[Mr. Williams]

We can weave over to that rock over there. Then behind the barn, maybe.

[Matt Dillon]

Yeah, it's a good idea.

[Mr. Williams]

Close, mister.

[Matt Dillon]

Yeah. All right.

[Mr. Williams]

Run.

[Matt Dillon]

You all right, Chester?

[Mr. Williams]

Just.

[Matt Dillon]

Just scared, that's all. That crazy fool.

[Mr. Williams]

What's the matter, Mr. Dillon?

[Matt Dillon]

Surveyor. Sam, leave that rifle alone.

[Mr. Williams]

I'm just covering for you. Marshall. She hit him, Mr. Dun.

[Matt Dillon]

Oh, he's gonna shoot back, Sam.

[Mr. Williams]

Mr. Dylan. He got her, Mr. Dylan.

[Matt Dillon]

Come on, Chester. Libby,

[Mr. Williams]

It wasn't him. Ms. Sager.

[Matt Dillon]

Lift up her head, Chester.

[Libby Sager]

It's better this way, Matt. Much better this way.

[Mr. Williams]

Marshall. Oh, I didn't mean to.

[Matt Dillon]

Marshall, I told you to put up that gun.

[Mr. Williams]

I was trying to cover for you. When she got me in my shoulder. I didn't think. I just might.

[Matt Dillon]

You just lay quiet, Libby. We'll send for the doc.

[Libby Sager]

Now, you let me be say, Matt.

[Mr. Williams]

Yeah, let me Matt up.

[Libby Sager]

Bet you people don't forget me so easy.

[Matt Dillon]

They won't, Libby.

[Libby Sager]

You know, Mad. I'll bet they'll remember me every time.

[Matt Dillon]

Yeah, every time that train whistle blows.

[Mr. Williams]

My gracious.

[Matt Dillon]

You know, Chester, sometimes progress is hard to come by.

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[Mr. Williams]

Gun Smoke transcribed under the direction of Norman Macdonald stars William Conrad as Matt Dillon, US Marshalled with music composed and conducted by Rex Corey. Join us again next week as Matt Dillon, U.S. marshal, fights to bring law and order out of the wild violence of the West. In Gun Smoke. Both back this Sunday night, Edgar Bergen Co. And Eve Arden is our Ms. Brooks. Yes, it's the Bergen McCarthy show with Mortimer Snerd, Podine, Puffington, Effie Clinker, Ray Noble's orchestra and guest stars. Back Sunday nights at the Stars Address starting this weekend. Returning the same night is our Miss Brooks, starring Eve Arden as an English teacher ever seeking her special degree in romance for comedy galore. Enjoy Bergen and McCarthy and our Ms. Brooks on most of these same stations back this Sunday night presented by CBS Radio. This is Amos, but my real name is Freeman Gon. I urge you to vote and as Amos would say, follow the election returns on the CBS Radio Network. Foreign.

[Andrew Hines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com and send us an email podcast trwesterns.com you can call and leave us a voicemail 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright for more information go to otrwesterns.com copyright have a great day and thanks for listening.

[Grainger Announcer]

If you work in University maintenance, Grainger considers you an MVP because your playbook ensures your arena is always ready for tip off. And Grainger is your trusted partner, offering the products you need all in one place, from H Vac and plumbing supplies to lighting and more. And all delivered with plenty of time left on the clock so your team always gets the win. Call 1-800-GRAINGER visit grainger.com or just stop by Grainger for the ones who get it done.

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[Grainger Announcer]

you work in University maintenance, Grainger considers you an MVP because your playbook ensures your arena is always ready for tip off. And Grainger is your trusted partner, offering the products you need all in one place. From H Vac and plumbing, suppl to lighting and more, and all delivered with plenty of time left on the clock so your team always gets the win. Call 1-800-GRAINGER visit grainger.com or just stop by Grainger for the ones who get it done.