
Original Air Date: December 01, 1946Host: Andrew RhynesShow: All Star Western TheatrePhone: (707) 98 OTRDW (6-8739) Stars:• Ken Curtis Announcer:• Cottonseed Clark Music:• Foy Willing and The Riders of The Purple Sage Exit music from: Roundup on the Pr...
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Old Time Radio Western Narrator
Foreign.
Andrew Ryans
Welcome to the Old Time Radio Westerns. I'm your host Andrew Ryans and before we get into this episode, I wanted to do a little PSA and remind you that I put out multiple shows a week of Old Time Radio Westerns. You can check them out by going to otrwesterns.com or looking up OTR Westerns on your podcast application of choice. We we are releasing over 10 episodes a week so far, about a hundred a month. So definitely want you to check that out again otrwesterns.com and check it out. I also wanted to invite you to check out my sister podcast site otnetcast and that's n e t c a s t so o t n e t c a s tnetcast o tnetcast.com we're currently releasing mystery genre shows and this is shows like the Shadow and Escape Suspense and the Whistler and we have plans on bringing other shows to the network for you guys to listen to. So it's my non western old time radio channel that I can kind of do other genres that not only I like, but hopefully you would like too. You can check us out by going to otnetcast.com or searching otnet C A S T on your podcast app of choice. Now let's get into this episode. This episode is going to be All Star Western Theater Original Air Dates December 1, 1946 and this one's got King Curtis in the lead role and the title is the Vought Cowboy.
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Old Time Radio Western Narrator
The Bakers of Weber's Bread present your All Star Western Theater sitting along singing a song under a western moon. From Hollywood comes your all star Western Theater Starving America's great Western singers boy willing and the riders of the purple stage. Our guest today is Columbia Pictures cowboy singing star Kim Curtis. This is Cottonseed park and here are the riders of the purple sage, the rainbows and the far up hills and the rain falls over the rain Hear the cowboys Chippy I O while the do keep bill and low the sun is rising high in the prairie sky There's a rainbow over the rain High the cold There's a pot of gold at the end of the rainbow lane But a fount of rails is a magic veil that poured in the wind and rain. It's a grand and glorious day and the clouds have rolled away the rain Thunder stills in the far off There's a rainbow over the rain. I've been told there's a father gold at the end of the rainbow lane but upon the trail just a magic veil that pouring the wind and rain and the grand and glorious day and the clouds now rolled away the fame Thunder stills in the far off hills and a rainbow over the rain. In the dive language of today, the vault cowboy is a cowpolk who is on the beam, a puncher who is hip to what's new and solid in whatever he does. In the old days, such a cowboy was merely referred to as a top hand. It just goes to show that it doesn't make much difference what kind of language is used as long as the quality is there. A good cowboy is a good cowboy in any language today. It's the same with Weber's bread. Weber's bread is good bread no matter how you ask your grocer for it. You can tell him you want a loaf of Weber's bread, or you can ask for a loaf of the bread that comes in the famous blue gingham wrapper. He'll know what you mean. And remember, for breakfast, lunch or dinner, Weber's is the bread that adds the extra enjoyment to every meal. Buy A loaf of Weber's bread next time you go shopping. Well, you listeners at the All Star Western Theater are in for a real western treat today. For we're roped and tied one of the screen great new western singing stars to come a calling on you. And we know you'll be mighty happy to join with us. And a big welcome to Ken Curtis and and with him we welcome a return visit from America's great cowboy champion, Marty Montana. And now to our western drama for today entitled the Vouch Cowboy starring Ken Curtis with Monty Montana, Boy Willing, Al Sloy, Jimmy Dean, Johnny Paul, Joe Forte and Helen Gerald. The Bar 4 ranch owned and operated by old Tom Shellgoro. Well, it's just like any other cattle ranch. It has cattle, horses, corrals, stables and everything else that goes to make a well equipped ranch. It has cowhands too. But that's where the hitch comes in. There is such an unusual variety of hired help that it keeps the old man in one sweat after another. For example, there's 4 willing. Give him a guitar, pencil and paper and he'll write songs till the cows come home. He's always making up rhymes. Let's see now. There's Moon, June. Too soon. Nakey room. I should finish this by tomorrow noon. And then there's Marty, who spends most of his time practicing cowboy yell. Then there's Al. He's always telling funny jokes. And then he says to him, who's that lady I saw you eating with? And? And he says, that wasn't old lady I was eating with, that was my knife. And Jimmy is the one that spends every spare moment playing gin rummy with himself. Well, let's see. Lost again. That means I owe myself $112.70. Hey, that's pretty good profit for a loser. Then there's Johnny, does nothing but practice on that fool settlement. But the one that's got everybody's senses in an uproar is Ken. Ken has only been on the ranch a month or two now, but from his actions he no doubt comes from the far, far west. West Glendale. At any rate. Ken is a cowboy cat that latched on to the groovy lingo of the more mellow, roomy advocates of the reeny rooty. In other words, he might be called a vouch cowboy. At the moment, the entire gang of ranch hands has the owner, Tom Kilgore in an uproar. Now look boys, I've had all of this foolishness. I'm going to stand around this ranch. Why, it's disturbing Ah, now, boss, you're just getting yourself all worked up over nothing now. You know, you remind me of a feller who won't walked into a saloon. If you start in another one of those unfunny jokes of yours, I'll pull this chair out. Oh, this is a good no, boss. The feller walks into the saloon, he says, give me a drink. Well, the barkeep stirs him a glass of water in case of it and says, what is this stuff? Well, the barkeep says, that's water. The drunk says, something new, eh? Well, you can take my word for it, it'll never sell. It sinks. I wish you guys would be quiet. I'm trying to make up a rhyme and I can't think. Oh, so the poet can't think. What are you writing now? Your last will and testimony and rhyme? Nope. But say, that would be a clever idea. Listen to this. Paul didn't raise no corn last year. Paul raised nothing to sell. Paul didn't raise no beans at all. He was in the city raising or even having lots of pot. No one but a moron would write that. Oh, you ought to be back in the fourth grade of school. Never got that boy in school. That's easy to believe. But I was the only boy in the third grade that you boast. Will you stop playing that infernal fiddle? Oh, boss, let me play just one piece. Yeah, let's have some music, Johnny. Yeah, come on. What can you play besides nothing? Here's a brand new one, boss. It'll be a big hit. Yeah, good for you, Johnny. What's the name of it? It's called out to Got Trouble. Listen. Ah, that's what I call real music. A hillbilly starter. Hi you Gates. What's jumping in the skillet besides gre. Well, howdy K. When you walked in, I was about to enjoy some good music. If you think that square fair is music, then your clock needs wine. And what's wrong with my music? You're out of meters, Peter. Then maybe you could do better. Match Mac. I'm a fiddle and vulture. With musical culture I'm known as the Toscanini of Tennessee. Here, toss me that cigar box with the balin wire and horse hair handle and I'll give the Arkansas traveler a zooty ride on Cloud 13. Here you are, Ken. Now let's have something. One of you catch lights onto that squeeze box there and we'll take off like Sally Rann. Everybody stand back or you might get some of it on you. Sam, Ken, I want to Hand it to you. I've heard fiddle plays in my day, but that was about the best I ever heard in all my life. I usually get a load of my fiddle plane after I've had a few blocks of Sin Thin Charlie Talk sideways. I've had about all this I can stand. I'm going to bed and good night. Good night. You know, the boss must have had some. Ah, he's all right, Mr. Shade Square. He's rusty. Ken, I'm trying to write a new song. Maybe you can help me. Jackson, your eyeballs are now blinking At a songwriter that is nothing short of terrific. What did you ever write? I wrote Stardust by Hoagie Carmichael, Blue Skies by Irving Berlin, San Antonio Rini by Barb Wells. But my newest song is the successor to Cement Mixer Putty Putty by Slim Gill and what do you call it? Pinball Machine Tilty Tilty by Martha Tilty. A mellow little ditty I whipped up in one of my relaxing moments. Someone's at the door. Get it, Johnny. Say, maybe that's Monty. He's running late tonight. Hello, Monty. Come on in. I owe silverware. Come in, Monty. How are you? Hiya, Jackson. What's tripping, Paul? Well, I've been over to Lem Wiggins house learning some new cowboy yells. Look, Monty, I don't dig it. Why all the boomy routine with a cowboy yell? Oh, I don't know. I just like to yell, I guess. Now look, Jackson, that doesn't make sense. You're liable to rip your radar. Come on now, why do you do it? Well, listen, Sam, there's no particular reason. Fair deal, McNeil, but it don't gel. There's got to be a reason for it. When a grown up man is hip to yelling his cotton picking head off. Now look, Ken, some people like to ride horses and some like to play the fiddle. Then there's some like to write poetry. But me, I like to holler that Monty had better come down out of the stratosphere. He's going to drift around up there and stump his toe on an angel. That money's a great boy. Oh, he's sharp as a price set on taxes plan all right. Hey, boys, how about making with the music? That's a good idea, provided you do the singing. Then let's go. Here's a musical cousin to the pickle in the middle with the mustard on top called Rudy Toot Galoot I am Rudy Tootin High Salutin Rudy Toot Galute High Retin Rare and roaring Pair and Ride and rope and shoot the women cry when I ride by But I don't give a hoot I'm a Rudy tootin hypovolutin Rudy toot galootin I tell em I'm their own and then I leave em all alone from sunny San Antone to But hey, I'm a courtin sportin real rip sortin sorter kind of brute Just a Rudy tootin hyper blue Rudy toot galoo for western music, boys, that's as solid as a sick kitten on a warm brick. I mean to say. Hey, did I ever tell you fellers the one about the boy who took his gal out riding his car and the car went out of gas? Don't believe he dead. How's he go? He don't go. You have to push it. Hey, I wonder who that can be. Answer the door, Johnny. It ain't said nothing, boy. Boy, are you swear? Get me a cigar box and I'll cut your hair. Never mind. I'll get it. How do you do? I hope I'm not intrusion. Absolutely not. This is the right place. Come on in. What's your name? My name is Clementine Carruthers. We're your new neighbors and I thought the least I could do would be to drop over and get acquainted. Well, my darling Clementine, come right on in and meet the boys. My home flag. I haven't heard anything like that since I left Georgia. Boys, this is our new neighbor, Ms. Clementine Carruthers. Carruthers. And she wants to get acquainted. This is our Hal. Jimmy. It's Johnny and Ken. I'm right proud to know you gentlemen, but you didn't tell me your name. I'm Willie. I beg your pardon. You'll have to excuse these boys. They're not very hip with the manners for a classy lassie with a slicey sassy like you. I beg your pardon, Clementine, you're fine as wine and I opine I got the time. What do you clare? Here comes Marty. Hey, boys, what's going on here? Marty, this is our new neighbor, Ms. Clementine Carruthers. How do you do, Marty? Hidey ho. Oh, how simply slacker. I haven't had a man phone for me since I left Georgia. Yes, sir. That muddy is about shout Dr. McMutie in person. I don't quite understand, Mr. King. He's in mellow solemn bout. Or Rudy. I've heard of Mickey, meaning Dr. Digney Dinky. I was feeling well, sir. The thing's avocado, honey. I'm just a Lad with scarf learning. I'm so glad for you. Well, boys, I must be moving along. Tomorrow is Monday and I have an enormous watch to put out. Do you mean that you put out a washing on Monday? Every Monday for years. Then tell me, honey, how do you stay so round, so firm, so fully packed? Need I misbehaving, Raven? Well, good night to you all. And when Mr. Montana comes too, say good night to him for me. Whitty up. Now, now, don't rush off, Clementine. Yeah, don't do nothing hasty, Casey. Let's sing her a song, boys. Do you boys sing that? And they're rugged and terrific they're running over with rooty rhythms and they seem to be such nice boys Here's a little song special for you, Clementine. When the bloom is on the stage to most folks there's a spark that lives forever Deep down within their fondest memories Though I have been a rover I have never found any place that I had rather be When I found a. I'm in Texas and the moon went on to say Then I long to be in Texas Baccha Riding on the rain this smell of bacon frying when it's fizzling in my pan Here's a breakfast morning the early morning Drinking coffee from a can Just a riding, rocking, roping, pounding leather all day long Just a swaying, sweating, swearing Listen to a co hen song College reckons and I reckon I would work for anyway Just to be again to be free again when the bloom is on the same wonder Simply wonderful I must run a moon My husband will be worried about me. Her spouse is in the house. Your what? My husband. You must need him sometime. Dear Mr. Baby. What was that? Lightning just struck that cloud I've been riding on. Oh, I'm so terribly so. I hope it doesn't rest well. Goodbye. Boy, oh boy. You know, we get a new neighbor like her and she has to be married. Hey, boys, we better bring Marty around. Yeah. Here, I'll throw this bucket of water on him. He's coming to now. How you feeling, Marty? Everything's old voody, mystooty. Well, what do you know? He's hip, he's bout. Come on, Ken. Leave me that flick. Tick. She went home to her husband, Monty. Oh, that's a shame. And she was so c a r. Hey, Marty, look. I don't latch on. What is c a R? Cute and rugged. Boy, do you act like a square. Get a cigar box and I'll give you a haircut. A blood brother. This is sensational. Hey, hey, boys. Look what I just read in the paper here. I didn't even know you could read. Aw, get on, you din rum again there, man. Look, it says right here. It says benny Dorsey, the famous orchestra leader, is going to give $5,000 the best Western song. Let me see that. Well, what do you know about that? This is for us. Let me see that paper here. Five grand. What a mess of letter. Well, come on, boys, let's get busy. Oh, I'd rather play gin running myself. I can make more money. Oh, I'm going to send in gags to the joke editors and make my pile that way. What are you going to do, Marty? Just holler, that's all. And that leaves it to us, boy. Then let's get a good night's sleep and start writing the first thing in the morning. Solid, Sam. But for a good night, let's sing one of those mellow little lullabies like Yip Yip Dahoodie. Now, now, wait a minute, Ken. Why don't you come over onto our side of the corral and sing that grand cowboy song, Cowboy serenade. Then get ready to commence to begin. Hand me that guitar sloy here, you. While I'm rolling my last cigarette Sing that cowboy song I never will forget Yippee k. The sons are more And I'm rolling my last cigarette through the shade breath when evening is near Comes that melody a cowboy holds so dear Yippee pow. The sun's almost set and I'm rolling my last cigarette Come on, old pace. This time we're riding along Gonna meet her where the good green pastures are grow Twilight and purple hill From a campfire comes that cowboy serenade the sun's almost set and I'm rolling my last cigarette Sam. Oh, man. Fine night's sleep. Well, I'm ready. Gates, let's ride a song. I've been up riding for hours. I got it half finished now. Well, all Rudy, let me give it the old eyeball. Here you are. And if that don't win the $5,000, nothing will. Let me see. What have you got here? Way down along the Alamo Lived a boy of old San Antonin who used to ride the trail under the hill Start. Are you kidding with this stuff? Well, those are good lyrics. What are you talking about? Look, son, this song is dead. It ain't hip. You're not with it. Benny Dorsey has a swing band. He wants something goofy, loud, roomy. Then start coming up with something. Okay, McVey, now listen to this. Way down along the Alamo Lived a vow Cowboy that's the real hit, Jo. Let's see. Oh, yeah, I got it. He used to hit the trail with a beat and what he was singing to that hoof and meat was strictly a diller A hillbilly killer from old Amarillo Z By golly, Tim, that's pretty good. Pretty good. Why, that's as hip as a drip with a whip. Come down over that cloud and let's finish this episode. Now, look, from here on in foreign this is Benny Dorsey, ladies and gentlemen, speaking to you from Hollywood. Tonight we're concluding our big $5,000 Western songwriting contest, and we have the winners here to sing it for you. The song selected was written by some singing cowboys of the Bar 4 Ranch, boy willing and Ken Curtis. And they're going to join with the writers of the purple stage and the band to sing their $5,000 song, which they called the Vouch Cowboys. Sing it, boys. Way down along the Alamo Lived a vouch cowboy Just a real hip Joe he used to hit the trail with a beat and what he was singing through that hoof and knee what sickly a diller A hillbilly killer from old Amarillo Z Booty, booty, booty, booty my booty Get a long little rainy Booty, booty, booty booty ki yippee ki bow Booty, booty, booty My cutie Rosa San Antonorini Every evening I be riding it out at dawn he just rolled out his back Morning was no time to get polish, Jack why, he wouldn't wait until it was right and he knew the right time had to be at night he's strictly a diller A hillbilly killer Booty, boota tea boota see Booty he's about cowboys. Sing a song. Melloon. Ken Curtis will be back with you folks in a few moments. Well, the doings that we've just heard at the Bar 4 Ranch go to show that you can't always tell. It looked like old Tom Kilgore had a peculiar assortment of cow punchers to help him run his ranch. But when the tips were down, the boys came through. Today, Weber's bread comes through, too. Weber's bread is well mixed and well baked. It has a firm, even texture and a delicious flavor that make it an enjoyable part of every meal as toast for breakfast, sandwiches for lunchboxes. And when served with more elaborate meals, Weber's bread is always good bread. Buy Weber's Bread. You'll find it on your grocer shelves in the famous good Gingham rapper and you'll like it. And now here comes Poy Willing back to the microphone with today's guest star, Ken Curtis. Well, Ken, it's been real nice having you with us on our All Star Western Theater again today. Well, thank you for it. With all the overseas work I've done with you Riders of the Purple Sage and Cotton Feed Clark, it just naturally makes me feel at home to be here. Now tell us, what is the lady skin 36 are over at Columbia Studios. Well, my newest release Boy is singing on the Trail. I hope some of our listeners will drop by to see it sometime. I know they'll do just that. Ken, again, it's been real nice having you here. I hope you'll invite me back soon. So long everybody. So long to you Kim Cody. And our thanks also to Monty Montana for his appearance today. Marty, we're going to look for you back again real soon. Thank you partner. And I reckon I'll be mighty glad to be here. Here they are folks. Men of the west from out of the west with a real song of the west. America's great western singing stars, Boy Willing and the riders of the Purple stage singing one of your all time favorites at the Rainbow's Travel this whole world over and now I'm going down to the rainbow then from twilight till dawn Trudging on and on till I come to the rainbow then or someone has waited well alone so I will know how it feels to be pressed to an angel friend when we meet. From Hollywood you've heard your All Star Western Theater a VM Bear production starring America's great western singers, Boy Willing and the writers of the poor say. Our guest today has been Ken Curtis. My name is Chattan C. Clark. This program came to you from the studios of KNX Columbia Square. KNX Los Angeles, the voice of Hollywood. 44 seconds until 5pm The U L O V A Boulevard Watch time.
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Andrew Ryans
This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call and leave us a voicemail. 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.
Episode: The Vought Cowboy with Ken Curtis | All Star Western Theatre (12-01-46)
Host: Andrew Rhynes
Date: September 22, 2025
In this episode, the Old Time Radio Westerns podcast presents a beautifully restored broadcast of the All Star Western Theatre from December 1, 1946, titled "The Vought Cowboy." Starring singing cowboy Ken Curtis, with appearances by Marty Montana, Boy Willing, and the Riders of the Purple Sage, the episode brings to life a comedic and musical romp on the Bar 4 Ranch. The story follows a band of quirky ranch hands—each with their own oddball talents and hobbies—as they try their hand at writing the perfect Western song for a $5,000 contest. The episode is packed with lively dialogue, vintage Western banter, and classic musical performances.
Several Song Performances:
Fiddle Playing & Cowboy Yells: The crew’s musical antics regularly disrupt the ranch’s quiet, much to the boss’s comical frustration.
New Neighbor Introduction: Clementine Carruthers, a charming Southern neighbor, visits the ranch, sending the men into a tizzy.
Comic Letdown: The group is stunned (especially Marty) to learn Clementine is married.
On the “Vought Cowboy” Ethos:
“In the dive language of today, the vought cowboy is a cowpolk who is on the beam, a puncher who is hip to what’s new and solid in whatever he does. In the old days, such a cowboy was merely referred to as a ‘top hand.’”
— Narrator (04:42)
On Cowboy Life & Humor:
Old Tom Kilgore: “If you start in another one of those unfunny jokes…I’ll pull this chair out...” (05:29)
Ken’s Jazzy Style:
Ken: “I’m a fiddle and vulture. With musical culture I’m known as the Toscanini of Tennessee.” (10:25)
Romantic Letdown:
Marty (after learning Clementine is married): “Boy, oh boy. You know, we get a new neighbor like her and she has to be married.” (23:37)
Ken Curtis on Teamwork:
Ken: “…it just naturally makes me feel at home to be here.” (32:49)
True to the golden age of radio, the episode is infused with:
The interplay between cowboy tradition and swinging, modern flair makes for a distinctive, charming listen, brought alive by the outstanding cast and crystal-clear restoration.
For fans of classic Western radio, “The Vought Cowboy” is a nostalgic, toe-tapping adventure packed with memorable songs, lighthearted hijinks, and timeless cowboy appeal.