
Original Air Date: April 08, 1956Host: Andrew RhynesShow: GunsmokePhone: (707) 98 OTRDW (6-8739) Stars:• William Conrad (Matt Dillion)• Parley Baer (Chester)• Georgia Ellis (Kitty)• Howard McNear (Doc) Writer:• John Meston Producer:• Norman Macdonnell ...
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Andrew Rines
Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines. And before we get into this episode, I wanted to remind you to check out our other western podcasts released daily by going to otrwesterns.com or searching OTR Westerns in your podcast app of choice. I also wanted to invite you to check out our other podcast channel releasing non western shows by going to otnetcast.com or or by searching otnedcast in your podcast app of choice. Now let's get into this episode. This episode is going to be Gunsmoke. Original Air date is April 8, 1956 and the title is Widow's Mite. Hope you enjoy and again, thanks for listening.
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Gunsmoke brought to you by Chesterfield. Chesterfield packs more pleasure because it's more perfectly packed. Thanks to Accuray. They satisfy the most around Dodge City and in the territory on West. There's just one way to handle the killers and the spoilers, and that's with a U.S. marshal and the smell of gun smoke. Gunsmoke, starring William Conrad. The transcribed story of the violence that moved west with young America and the story of a man who moved with it.
Matt Dillon
I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job, and it makes a man watchful and a little lone. You stay with the horses, will you, Chester?
Chester
Yes, sir.
Matt Dillon
I won't be long.
Chester
I sure don't envy you having to talk to her, Mr. Jones.
Matt Dillon
Well, somebody has to do it.
Chester
I don't understand that, Zack Morton. It's good land out here. There's a nice little house, water, everything. Why do you have to go trying to get rich the hard way?
Matt Dillon
I guess it never looks hard though, to try it.
Chester
Mr. Dillon. Ada's seen as she's come out on the porch.
Matt Dillon
Oh, yeah? Hello, Ada.
Ada Morton
Marshall Dillon.
Matt Dillon
Ada. I sent a man out here a few days ago to tell you what happened to Zach.
Ada Morton
You told me.
Matt Dillon
Well, I kind of thought you'd come in to Dodge.
Ada Morton
No, I.
Matt Dillon
They had to bury him either. I'd have brought him out here, but I was off chasing his partner.
Ada Morton
Did you catch him?
Matt Dillon
He was killed swimming in Cimarron.
Ada Morton
He killed Zach right on Front Street.
Matt Dillon
I had no choice, Ada.
Ada Morton
I told him not to go back to town. I told him you'd probably have found out who robbed that express office. I said you'd be looking for it.
Matt Dillon
I'm sorry it happened, Ada, for your sake.
Ada Morton
Zach turned bandit marshal. I lost pride in him for a long time.
Matt Dillon
Now, Ada, there's been some talk going on in Dodge.
Ada Morton
What are they saying?
Matt Dillon
Well, everybody thinks that Zach brought the money out here and hid it. I think you know where it is.
Ada Morton
Is that what you think, Marshall?
Matt Dillon
Well, they could have been headed south with it, riding bold and innocent like, right through Dodge. The money could be at the bottom of the Cimarron with Zack's partner.
Ada Morton
Zach went bad, Marshall. I hated him for it. That's why I didn't come to town when he got killed.
Matt Dillon
Well, I. I won't bother you anymore, Ada. Goodbye.
Ada Morton
Goodbye, Marshall.
Chester
What'd she say, Mr. Gillner?
Matt Dillon
I don't think Ada knows anything, Justin.
Chester
Well, he buried that money out here somewhere. No man would be fool enough to ride back into Dodge with it. I think that woman's fooling you, Mr. Dillon. I think she knows where the money's at.
Matt Dillon
Chester, let's ride back as far as the creek and build a safe fire, huh? I'm hungry. Here's another strip of meat. That's about Don Chester.
Chester
Well, that's yours, Mr. D. I ate the last one.
Ada Morton
Hey, look.
Matt Dillon
Huh?
Chester
We got company. It's that Leech Fields fella.
Matt Dillon
Leech Fields? Well, who's he?
Chester
Well, he got off Santa Fe one day while he was down on Cimarron, but I don't know for sure where he comes from or wonder what he's doing out this way now.
Matt Dillon
Is he a gambler?
Chester
Oh, I ain't never saw him gambling. But he sure dresses like one, don't he?
Matt Dillon
Looks pretty fancy.
Chester
Oh, he's a gentleman, Mr. John, a real gentleman. We don't get many like him. How do, Mr. Fields?
Leech Fields
Hello, Chester.
Chester
Mr. Fields, this here is Marshall Dillon.
Leech Fields
Well, it's a pleasure to meet you, Marshall. I've been looking forward to it.
Matt Dillon
That makes you different from most men who come to Dutch.
Leech Fields
Yes, I've been observing those men, Marshall.
Matt Dillon
They're bad.
Leech Fields
They're evil.
Matt Dillon
Yeah, some of them sure are, Mr. Fields.
Leech Fields
You do right to kill them. Marshall.
Matt Dillon
When I kill somebody, it's because I have to, not because it's either right or wrong.
Leech Fields
Well, it was certainly right to kill Zack Morton.
Matt Dillon
Was it?
Leech Fields
Of course it was. I'm on my way now to console his widow with that same thought.
Chester
Marshall.
Leech Fields
Ah, we're old friends, even though I haven't seen Ada in years.
Matt Dillon
Where did you know her?
Leech Fields
Fields, back in St. Joe.
Chester
That's right, she is from St. Joe. I've heard her talk about it.
Leech Fields
I'll buy you a drink when I return to Dodge, Marshal.
Chester
Goodbye.
Leech Fields
Goodbye, Chester.
Chester
Bye, Mr. Fields. See what I mean about him being a gentleman, Mr. Doane?
Matt Dillon
Your meat's burning, Chester.
Chester
You mean you don't think he's a nice fellow?
Matt Dillon
I said your meat's burning.
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Ada Morton
Chesterfield packs more pleasure because Chesterfield's more.
Advertiser
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Chester
Front street sure is deserted today, ain't it?
Matt Dillon
It's fine with me, Joseph.
Chester
I hear there's some cattle coming up the trail in a couple days though.
Matt Dillon
Well, that's a couple of days off. We'll enjoy ourselves while we can.
Chester
Yeah, sure. Well, forevermore. What do you know.
Matt Dillon
Oh, what is it?
Chester
Look, it's Leech Fields and Ada Morton.
Matt Dillon
Oh yeah. Hello Ada Fields. Hello, Marshall.
Leech Fields
Chester. Well, I've got good news, Marshall.
Matt Dillon
How's that sound?
Chester
Haven't I, Ada?
Ada Morton
Let me tell him. We're going to get married, Marshall.
Leech Fields
But married tomorrow right here in Dodge. I brought Ada in today so she could buy some clothes and things.
Matt Dillon
I see.
Ada Morton
I know what you're thinking, Marshall. You're thinking it's awful fast with Zach gone only a couple of weeks.
Matt Dillon
Oh, it's no business of mine, Ada.
Ada Morton
Well, it's not so fast considering how we knew each other back in St. Joe and all.
Leech Fields
Ada, you'd better run along now and do your shopping. I'll meet you at the Dodge house.
Advertiser
In about an hour.
Ada Morton
All right.
Matt Dillon
Ada, I just want to wish you happiness.
Ada Morton
Thank you. Bleach is a good man, Marshall. He's a good God fearing man.
Matt Dillon
Well, that's quite a compliment. Feels from a woman like her.
Leech Fields
She's endured A lot of evil in her life, Marshall.
Advertiser
I want to help her to forget it.
Matt Dillon
Look, feels the evil that you mentioned had never brought her a thing. Not a thing.
Chester
Of course not.
Matt Dillon
What I mean is it didn't bring her any money.
Leech Fields
Money from Zach. That'd be tainted money, Marshall. I wouldn't touch it and I wouldn't allow her to. Now what about that drink I promised you?
Matt Dillon
No, not today Fields. I'm pretty busy. But I'll be waiting for you next time you come to town.
Ada Morton
Well, I'm glad that meal's over.
Matt Dillon
They got a new cook here, Kitty. Didn't I tell you?
Ada Morton
You didn't have to, Matt.
Matt Dillon
Oh no, it wasn't that bad, was it?
Ada Morton
Where'd he learn to be cook?
Chester
Out. Poisoning wool.
Matt Dillon
Good cook's hard to find, I'm sure of it. Yeah, long hours, not much pay.
Chester
If he doesn't like the job, why doesn't he go back to oil and leather or whatever he was doing?
Matt Dillon
Well, if he could hear you I expect.
Chester
Well hello Matt. Kitty.
Ada Morton
Hello Doc. Sit down.
Matt Dillon
Hello Doc.
Chester
Oh, thank you, thank you, thank you.
Ada Morton
Where you been the last couple of days?
Chester
Oh, out the country, Kitty, waiting for a baby to make up its mind. Oh, say, I passed by Ada Morton's place on my way back.
Matt Dillon
Man, it's been Ada Fields for the last month, Doc.
Chester
I know, I know.
Ada Morton
Well how are they getting along, Doc?
Chester
I didn't see Ada but Leech Fields was there so you know how nice he usually is, Matt. He's so gentleman like and everything but he wasn't this type. Oh no, he acted like he didn't want me around.
Advertiser
He wouldn't even invite me into the house.
Matt Dillon
Maybe he was busy.
Chester
Oh yeah, he was.
Matt Dillon
But he was sitting there on the porch doing nothing.
Chester
Matt, I don't like it. I've got a feeling something's wrong out there.
Advertiser
You better go and have a look.
Chester
He's sitting right there on porch, Mr. Dylan, just like Doc said. Yeah, of course I always did think Doc's just an old warrior.
Matt Dillon
Hello Fields.
Leech Fields
Good afternoon, Marshall Chester.
Chester
Hello Fields.
Leech Fields
What are you doing way out here?
Matt Dillon
We were riding by, we thought we'd say hello.
Leech Fields
Well I'm glad you did. I'm sorry you missed Ada though, Marshall. She's going to be mighty disappointed.
Matt Dillon
Where is she, Fields?
Leech Fields
I don't know. She got on a horse this morning and said she was off to visit some neighbors. Didn't she say who she wants to go visiting? I don't ask her where my trust, Aiden. Yeah, yeah, sure, I'D I'd ask you in, Marshall, but one thing she did tell me was if anybody rode by not to let them see the house. She didn't take time to clean it up.
Advertiser
And you know how women are.
Matt Dillon
Well, we gotta go back to Dodge anyway. Fields, you tell her hello for us.
Leech Fields
I'll do that, Marshall. Goodbye.
Matt Dillon
Goodbye.
Chester
Goodbye, Mr. Fields.
Leech Fields
Goodbye, Chester.
Chester
Well, now, he wasn't acting mean, Mr. Dillon.
Matt Dillon
Chester, do you ever hear of a country woman riding off and not telling her husband where she's going? Well.
Chester
No, sir. Come think of it, I never did.
Matt Dillon
You bet you didn't. Over here, Chester.
Chester
I couldn't see you behind this bush, Mr. Dillon.
Matt Dillon
Did you find a place to tie the horses?
Chester
Yes, sir. There was an old log down in that gully. Have you saw anything?
Matt Dillon
Well, as soon as we were out of sight, Fields left the porch and went into the house. And nobody's come out yet.
Chester
I still think you're wrong about him, Mr. Dunk.
Matt Dillon
Maybe I am. Maybe I just don't like men who go around preaching how bad other men are.
Chester
You're awful suspicious of everybody, Mr. Jones.
Matt Dillon
Well, Chester, nothing pleases me more than when I'm wrong.
Chester
I know. How long are we gonna have to lay out here in this doggone dirt, Mr. John?
Matt Dillon
A little dark. If nothing happens before then, what? We're going up to that house Indian style.
Chester
It ain't hardly noon. We got an awful long wait. Say, now, maybe I'll just.
Matt Dillon
Wait a minute.
Chester
Look, it's him. He had a horse around back. Yeah, he's riding north. We gonna follow him?
Matt Dillon
Maybe after we take a look in the house. Let's get our horses.
Advertiser
That whistling man, Bobby Haggart, really started something. Tonight. We'd like to introduce a player piano that could have come right out of the Long Branch in Dodge City.
Ada Morton
Packs more pleasure, Packs more pleasure. Chesterfield packs more pleasure because Chesterfield's more perfectly packed.
Advertiser
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Ada Morton
Chesterfield packs more pleasure Because Chesterfield's more perfectly packed.
Advertiser
The touch to the taste. Chesterfield packs more pleasure because it's more perfectly packed by Chesterfield. Mild, yet they satisfy the most.
Chester
You're gonna have to bust that door open if you want in, Mr. Jones.
Matt Dillon
And I'll bust it open. Come on.
Chester
I feel like a crook entering a man's house this way.
Matt Dillon
Don't let it bother you, Chester. Let's take a look in the bedroom.
Chester
Ah, you gonna bust it open, too? Yes, you are. Look on the bed, Mr. Dillon. He's got her all tied up.
Matt Dillon
Yeah. You untie her feet, Chester.
Chester
Yes, sir, dear. See, she looks sick.
Ada Morton
Oh, Marshall.
Matt Dillon
You all right, Ada? Have you been hurt?
Ada Morton
No, Marshall, starved.
Matt Dillon
Starved?
Ada Morton
Nothing to eat? Not for days. Wait.
Chester
Oh, my goodness.
Matt Dillon
Take a look in the kitchen, Chester. See if you can find something for us.
Chester
Yes, I sure will.
Matt Dillon
Where did Leech Fields go, Ada? We saw him right off the.
Ada Morton
He wanted the money, Marshall. He starved me so. God, tell him.
Matt Dillon
And you finally gave in. You told him.
Ada Morton
He's gone to dig for it inside that old sod hut up near Willow Spring.
Matt Dillon
Oh, yeah, I know where it is.
Ada Morton
If he don't find the money, he's coming back to kill me. Marshall.
Matt Dillon
Look, Ada, we're gonna leave a rifle with you. You think you're strong enough to use it?
Ada Morton
I'll get strong enough. I'll use it.
Matt Dillon
Ada, you never knew Leech Fields before, did you?
Ada Morton
No, I only said it so. Look, better marrying him so quick.
Matt Dillon
Yeah, I thought so. I'll go help Chester now. And as soon as we can feed you something, we'll go after him.
Ada Morton
He seems so good, Marshall. He seemed so good for a day or two.
Matt Dillon
All right. This is far enough, Chester.
Chester
It's so dark, I can't hardly see nothing.
Matt Dillon
Now he's in there. You can hear him digging. Listen.
Chester
I hear him. We gonna rush him?
Matt Dillon
I'd like to take him alive if possible.
Chester
We'll wait for him to come out.
Matt Dillon
No, let's jump him. Maybe it'll scare him so bad he won't put up a fight.
Chester
All right.
Matt Dillon
Now you walk about 10ft to the left of me, Chester. I'll go inside alone. If he takes me. Will you get him?
Chester
Huh? Yes, sir.
Matt Dillon
Okay, Chester.
Advertiser
I got the drop on you.
Matt Dillon
Fields. Don't move.
Leech Fields
What are you doing here, Marshall?
Matt Dillon
Get your hands in the air.
Chester
Well, sure, sure, but I don't understand.
Advertiser
I'll be a fool.
Matt Dillon
All right, Chester.
Chester
You get him.
Advertiser
Mr. Dillon, it's too dark in here.
Matt Dillon
I tried for his shoulder the first shot, but I missed it.
Chester
You sure he's dead?
Matt Dillon
I couldn't afford to miss the next two, Chester.
Chester
No, sir. Oh, Mr. Dillon, I sure was wrong about him. Yeah, I guess he didn't find the money, though, did he?
Matt Dillon
He would have if there'd been any.
Chester
But this is where Ada said it was.
Matt Dillon
You want to start digging for it, Chester?
Chester
Well, no, sir.
Matt Dillon
That money's at the bottom of the Cimarron with Zach's partner.
Chester
Well, then why'd she say it was out here?
Matt Dillon
Well, I guess she thought if she could get rid of Leach Fields, even for a little while, she might have a chance.
Chester
She was right, wasn't she?
Matt Dillon
Yeah. And you and everybody else had better start believing an Ada. She's been through enough over something that she never even knew anything about.
Chester
Man sure can be wrong sometimes, can he, Mr. Dill?
Matt Dillon
Now, you tell everybody that back in Dodge, Chester, and maybe AA can have a little peace. She's earned it.
Advertiser
In a moment, our star, William Conrad.
Ada Morton
Chesterfield packs more pleasure because Chesterfield's more.
Advertiser
Perfectly packed Chesterfield, made by exclusive Accuray packs more pleasure because it's more perfectly packed Unlocks all the pleasure of fine.
Ada Morton
Tobacco Chesterfield packs more pleasure because Chesterfield's.
Advertiser
More perfectly packed Attack firm and pleasing to the lips Chesterfield mild yet they satisfy the most.
Matt Dillon
To kill a man in a fair fight or in self defense wasn't too unusual on the frontier. But next week, a man kills to avenge the death of his brother without firing a shot. But that was the West. Good night.
Advertiser
Gunsmoke, produced and Directed by Norman MacDonald. Stars William Conrad as Matt Dillon, U.S. marshal. Our story was specially written for Gunsmoke by John Mastin with music composed and conducted by Rex Corey. Our thanks to TV Radio Mirror, and to you, our listening audience, for again selecting Gunsmoke, the favorite western program of the year. The results of this annual poll appear in the current issue of TV Radio Mirror. Talk about good taste, friends. There's plenty of talk about good taste among the people who have changed to L and M cigarettes. That's because L M is so good to your taste and L and M is so quick on the draw. Just take an easy puff and the flavor of superior tobaccos comes rich, comes clean, comes easy. And the secret of your pleasure. It's the Ellen M. Pure white miracle tip. So make today your big red letter day change to Ellen M. Join us again next week for another specially transcribed story on Gunsmoke.
Chester
SA.
Andrew Rines
This has been a presentation of OTRWesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com, you can call and leave us a voicemail. 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright for more information go to otrwesterns.com copyright have a great day and thanks for listening.
Ada Morton
Satisfaction.
Host: Andrew Rines
Original Air Date: April 8, 1956
Release Date: July 29, 2025
Podcast Description: Digitally restored classic Western radio dramas, enhanced for superior audio clarity, featuring timeless tales from the Wild West with legendary performances.
In this episode of "Gunsmoke" titled "Widow’s Mite," listeners are transported to the rugged landscape of Dodge City, where United States Marshal Matt Dillon (voiced by William Conrad) navigates the complexities of justice and personal turmoil. The story delves into themes of trust, betrayal, and the quest for redemption, all set against the backdrop of the untamed frontier.
1. Setting the Stage (00:02 - 05:00) The episode opens with Matt Dillon discussing his role as a marshal, emphasizing the solitary and precarious nature of his job:
Chester, Matt’s trusted companion, introduces a personal conflict involving Ada Morton, the widow of Zach Morton, a former lawman turned bandit:
Matt expresses sympathy towards Ada’s plight while hinting at underlying tensions in Dodge City regarding hidden money from a robbery:
2. The Arrival of Leech Fields (05:07 - 10:34) Leech Fields, a seemingly respectable gentleman with a hidden agenda, arrives in town. His demeanor contrasts sharply with the usual outlaws Matt encounters:
Fields claims to have known Ada from St. Joe, raising Matt’s suspicions about his true intentions:
3. Rising Tensions and Suspicion (10:34 - 17:34) As Ada prepares to remarry quickly after her husband's death, Matt remains wary of Fields' rapid involvement:
Chester observes Fields’ interactions, noting inconsistencies in his behavior, which further heightens Matt’s distrust:
4. The Confrontation (17:34 - 21:44) Matt and Chester investigate a secluded house near Willow Spring, discovering Ada bound and starving, a dire consequence of Fields’ pursuit of the hidden money:
Upon confronting Fields, Matt attempts to apprehend him without violence:
5. Resolution and Reflection (21:44 - 22:13) After Fields’ death, Matt pieces together the truth behind the hidden money, realizing Ada’s desperation stemmed from misinformation and coercion:
Matt urges Chester to inform the townsfolk of Ada’s innocence, highlighting her suffering caused by events beyond her control:
"Widow’s Mite" masterfully weaves a tale of intrigue and moral ambiguity, characteristic of "Gunsmoke." Through compelling dialogue and dynamic character interactions, the episode highlights the relentless pursuit of justice amidst personal and communal turmoil. Andrew Rines' expert restoration brings this classic Western to life, allowing modern audiences to appreciate the depth and complexity of vintage radio dramas.
Listeners are left reflecting on the fine line between right and wrong in the pursuit of truth, and the enduring impact of personal choices on the broader community.
Credits:
Starring: William Conrad as Matt Dillon
Written by: John Mastin
Music by: Rex Corey
Produced and Directed by: Norman MacDonald
Join the Journey:
For more captivating Western tales, visit OTRWesterns.com and follow the podcast on your preferred platform. Engage with the community on Facebook and YouTube, and share your thoughts to keep the spirit of the Wild West alive.
This summary is crafted to provide an in-depth overview of the "Widow’s Mite" episode for those unfamiliar with the original broadcast, capturing the essence and pivotal moments of the story.