Podcast
POST MORTEM
Hosted by Creative Forensics for the Long-Form Writer · EN
POST MORTEM is a conversation series with writers who live in the long arc of creation — the years it takes to dream, research, write, and rewrite a book, a script, a poem. With host KP Kaszubowski (poet, novelist, filmmaker, astrologer), we trace their process in exquisite detail, from the first flicker of an idea to the day the work finally leaves their hands. These are intimate dissections of the writing life — its false starts, obsessions, dead ends, breakthroughs, and the quiet work that never makes it into the acknowledgments.
kpkaszubowski.substack.com
kpkaszubowski.substack.com
2episodes
Episodes
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EPISODE ONE: "Riding Like the Wind: The Life of Sanora Babb" (2024) + author Iris Jamahl Dunkle
Aug 1401:18:05Tap to summarizeIn this conversation, Iris Jamahl Dunkle shares her journey of writing a biography about Sanora Babb, exploring the challenges and triumphs of the writing process. She discusses the inspiration behind her work, the importance of research, and the unique strategies she employed to bring Babb's story to life. Dunkle emphasizes the significance of empowerment in writing, particularly through creative processes like erasure, and the role of feedback from friends and family in shaping her narrative. The conversation also touches on the discipline required in writing and the parallels between athleticism and the writing process. In this conversation, Iris Jamahl Dunkle discusses the significance of recovery biographies, the challenges of archival research, and the intensity of the writing process. She emphasizes the importance of giving voice to marginalized stories and the ethical considerations involved in recreating narratives. Dunkle also shares her experiences with feminizing the index in her work, highlighting the need for inclusivity in literary research. Our conversation touches on the emotional aspects of writing, the search for one's voice, and the collaborative nature of the editing process.loosely 🧃 gooselike. is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Iris Jamahl Dunkle 's poetry and nonfiction critically engage with the Western myth of progress by exploring the profound impact of agriculture and overpopulation on the North American West, both historically and in contemporary times. Embracing an ecofeminist perspective, her writing challenges the predominantly male-centric narrative of the American West's recorded history, delving into the often-overlooked lives of women.Dunkle earned her MFA in poetry from New York University and her PhD in American Literature from Case Western Reserve University. She is the author of two biographies, Charmian Kittredge London: Trailblazer, Author, Adventurer (University of Oklahoma Press, 2020) and Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), and four collections of poetry, including West : Fire : Archive, published by The Center for Literary Publishing, Interrupted Geographies and Gold Passage by Trio House Press and There’s a Ghost in This Machine of Air by Word Tech.Dunkle curates Finding Lost Voices, a weekly blog dedicated to resurrecting the voices of women who have been marginalized or forgotten. She has garnered recognition through awards and fellowships from esteemed institutions such as Biographers International, Millay Arts, and Vermont Studio Center, and her writing has appeared in publications like Orion, Electric Lit, Liber, Pleiades, Tin House, Calyx, Fence, The Los Angeles Review, and Split Rock Review. Notably, her work was featured on The Academy of American Poets’ Poem-a-Day series and showcased on one hundred buses during the Muni Art 2020 campaign.Find out more about her work at irisjamahldunkle.com.Below are selected quotes from Iris Jamahl Dunkle in our conversation:On discovering Sanora Babb“I have this moment of encounter with them where I know I need to tell their story. And usually, given that I’m a feminist, it’s something that is amending the loss of their voice.”“In her stories, women have agency and they’re often the protagonist… that really lit up in my brain that she was a voice we really needed.”On entering the project“For me, I enter a story through an image… once I could physically be in that space in my brain, then I could engage with the conflict of the story.”On writing biography“I believe that writing scene-based biography is the most effective way to bring people into the story. Because I’m bringing people back to life. I don’t want to keep people away from the scene. I want them in it.”“You are not writing somebody’s life, you’re writing a version of their life.”On ethics and focus“It wasn’t about just Sanora Babb being, as they said in the first draft of the title, ‘done dirty.’ It was her empowering and amazing story of her life… it became a hook in marketing, but the book is not just about that.”On process and structure“It’s kind of like you’re building a wire figure first and then putting on the muscles… it comes from this core wire image or idea, and then you build on top of it as you go.”On research realities“Being in an archive… is like fumbling around in a dark room not being able to see. You have to be always open and adaptable as you’re discovering what paths it will lead to.”“If the funding was there for women to do the research on female authors in the same way, we would have so much more material.”On devotion to the work“It’s like you’re a monk… eight hours of research, then gym, then food, then hotel, ready for the next day.”“I find a lot of parallels between being an athlete and being a writer because it’s a disciplined art where you can’t really see how to get to where you’re going, but you just keep going in blind faith until you get there.”On recovery biography“As long as you’re giving their voice voice and you’re using facts to support everything you’re doing, you’re doing a justice to that person—especially if you’re doing a recovery biography, which I feel like is the most important work we could do right now.”Thanks for reading loosely 🧃 gooselike.! This post is public so feel free to share it.00:00 The Genesis of a Biography02:26 Researching Sonora Babb05:16 Navigating Life and Writing08:07 The Impact of the Pandemic10:56 Crafting the Narrative13:51 Fact-Checking and Scene Building16:24 Empowerment Through Erasure18:51 Connecting with the Subject21:40 Challenges of Biographical Writing24:25 Strategies for Overcoming Obstacles27:52 The Writing Process: Collaboration and Challenges30:06 Research Trips: Planning and Adaptability33:04 The Struggles of Funding and Access in Biography35:38 The Discipline of Writing: Balancing Research and Fitness39:06 Navigating the Facts: The Art of Biography40:51 Recovery Biographies: Telling Untold Stories42:50 Ethics in Biography: Recreating Voices45:54 The Gender Dynamics in Literary Creation50:01 The Intensity of Writing Process52:48 Navigating Emotional Landscapes in Biography55:36 Finding the Writing Voice59:23 The Impact of Place on Writing01:04:06 Feminizing the Index01:07:40 The Revision Process and Editor Dynamics01:15:00 Encouragement for Aspiring BiographersThe following are texts mentioned throughout our conversation:* Charmian Kittredge London: Trailblazer, Author, Adventurer — Iris Jamahl Dunkle* East of Eden — John Steinbeck* The Grapes of Wrath — John Steinbeck* Red Comet — Heather Clark* Loving Sylvia Plath — Emily Van Duyne* Ghost in the Throat — Doireann Ní Ghríofa* Riding Like the Wind: the Life of Sanora Babb — Iris Jamahl DunkleAuthors mentioned:* Sanora Babb* John Steinbeck* Heather Clark* Emily Van Duyne* Doireann Ní Ghríofa* Francesca Wade (Gertrude Stein biography)* Gertrude Stein* Alice B. Toklas (referenced in Gertrude Stein’s “afterlife”)A poet, filmmaker, playwright, and writing instructor, KP Kaszubowski’s debut poetry collection somnieeee was published in 2019 by Vegetarian Alcoholic Press, and her debut feature film Ringolevio premiered in 2020 at Dances With Films in Los Angeles. Her work has appeared (or will appear) in American Poetry Review, TriQuarterly, Juked, pity bath and elsewhere. She lives close enough to Lake Michigan to pretend she can hear it.Find out more at <a target="_blank" href="http://ww...
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EPISODE ZERO: Creative Forensics of Long-Form Writing
Aug 1300:01:49Tap to summarizePOST MORTEM: Creative Forensics for the Long-Form Writer is a podcast for those deep in the slow, hard, and winding parts of making something big. Host KP Kaszubowski talks with biographers, novelists, screenwriters, and poets, and not for quick hacks or top-five lists, but for the intimate, idiosyncratic histories of their projects. Here is Episode Zero, the introduction! I hope these conversations will keep you company in the middle of the process, when the map is unclear and the finish line feels far away.* (00:00) KP’s introduction to POST MORTEM and its purpose* (00:18) Long-form work in writing, filmmaking, and astrology* (00:28) Why looking far out matters to creative life* (00:31) The podcast’s aim: a gift for long-form writers* (00:40) What the show is not: no shortcuts, no formulas* (00:55) Embracing the slow, hard, and long parts of the processA poet, filmmaker, playwright, and writing instructor, KP’s debut poetry collection somnieeee was published in 2019 by Vegetarian Alcoholic Press, and her debut feature film Ringolevio premiered in 2020 at Dances With Films in Los Angeles. Her work has appeared (or will appear) in American Poetry Review, TriQuarterly, Juked, pity bath and elsewhere. She lives close enough to Lake Michigan to pretend she can hear it.Find out more at www.kpkaszu.com. Get full access to Astrology for Makers at kpkaszubowski.substack.com/subscribe
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