
Hosted by WNYC Studios · EN

Meteorologists are as common as the clouds these days. Rolling onto the airwaves at morning, noon and night they tell us what to wear and where to plan our picnics. They’re local celebrities with an outsized influence. But in the 1940s, there was really only one of them: Irving P. Krick. He was suave and dapper, with the charm of a sunbeam and the boldness of a thunderclap. He was a salesman who turned the weather into a product. Today, listen to the story of Krick and his descendants, a crew of profit prophets who have found fame and fortune staring at the sky and seeing the future. We follow them from the bloody beaches of World War II to the climate changed coasts of today, exploring their impact and predicting what they’ll mean in our wackier weather world. Special Thanks:Special thanks to Xandra Clark, Homa Sarabi, Santi Dharmawan, Francisco Alvarez, Maureen O’Leary and everyone at NOAA, Shimon Elkabetz, Jack Neff, Joe Pennington, Brad Colman, Morgan Yarker, Megan Walker, Eric Bramford, Jay Cohen and Irving Krick Jr for supplying us with tons of great archival footage and audio. Episode Credits: Reported by Simon Adler and Annie McEwenProduced by Annie McEwen and Simon AdlerSound & Music by Simon Adler and Annie McEwen and Jeremy BloomMixing help from Arianne WackFact-checking by Diane KellyEdited by Soren Wheeler Citations: Books: If you’re curious to know more about the history of weather forecasting, go check out Kris Harper’s book Weather by the Numbers. Video: We also asked Illustrator and Animator Sophia Twigt to make a little video explaining how the U.S. government agency NOAA collects and treats weather data to make weather forecasts. Here it is, narrated by Simon Adler. We hope you enjoy it: Our newsletter comes out every Wednesday. It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)! Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today. Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org. Leadership support for Radiolab’s science programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox, a Simons Foundation Initiative, and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation.

In this episode, first aired in 2014, we examine three very different kinds of black boxes — spaces where we know what’s going in, we know what’s coming out, but can’t see what happens in that in-between space. From the darkest parts of metamorphosis to a sixty-year-old secret among magicians, and the nature of consciousness itself, we shine some light on three questions. But for each, we contend with an answerless space, leaving just enough room for the mystery and magic… always wondering what’s inside the Black Box. Episode credits:Reported by Tim Howard and Molly WebsterProduced by Tim Howard and Molly WebsterCitations:Radio Show: ABC's Keep Them Guessing (https://tinyurl.com/9r9zmftr) Our newsletter comes out every Wednesday. It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)! Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today. Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org. Leadership support for Radiolab’s science programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox, a Simons Foundation Initiative, and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

When the Dobbs decision went down, ER doctor Avir Mitra started to prepare for the worst — botched, at-home abortions that would land pregnant people in the emergency room. To prepare himself and his colleagues for the patients they might see, and to think through how best to treat them, Avir asked Laura MacIsaac, one of New York City’s leading gynecologists and abortion experts, to come talk to his ER department. But what Dr. MacIsaac had to say in her lecture wasn’t what Avir expected: she didn’t talk about how we’re going back in time and the horrors of self-harm as a means to an abortion. Instead, she painted a picture of progress — how in the last 40 years, through private practice and clinical trials all around the world, the process and science of providing and having an abortion has changed dramatically, mostly because of two types of pills: misoprostol and mifepristone. On this episode, Avir and Senior Correspondent Molly Webster visit Dr. MacIsaac to hear more, and also learn about a new study that indicates the process of abortion is on the precipice of even further change. Special thanks to Mariana Prandini Assis and Pam Belluck. Episode Credits:Reported by Avir Mitra and Molly WebsterProduced by Sarah QariMixing help from Arianne WackFact-checking by Diane KellyEdited by Becca Bressler Our newsletter comes out every Wednesday. It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)! Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today. Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org. Leadership support for Radiolab’s science programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox, a Simons Foundation Initiative, and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation.

When people are dying and you can only save some, how do you choose? Maybe you save the youngest. Or the sickest. Maybe you even just put all the names in a hat and pick at random. Would your answer change if a sick person was right in front of you? In this episode, first aired back in 2016, we follow New York Times reporter Sheri Fink as she searches for the answer. In a warzone, a hurricane, a church basement, and an earthquake, the question remains the same. What happens, what should happen, when humans are forced to play God? Very special thanks to Lilly Sullivan. Special thanks also to: Pat Walters and Jim McCutcheon and Todd Menesses from WWL in New Orleans, the researchers for the allocation of scarce resources project in Maryland - Dr. Lee Daugherty Biddison from Johns Hopkins University School of Medicine, Howie Gwon from the Johns Hopkins Medicine Office of Emergency Management, Alan Regenberg of the Berman Institute of Bioethics and Dr. Eric Toner of the UPMC Center for Health Security. Episode Credits: Reported by - Reported by Sheri Fink.Produced by - Produced by Simon Adler and Annie McEwen. Citations: Articles:You can find more about the work going on in Maryland at: www.nytimes.com/triageBooks: The book that inspired this episode about what transpired at Memorial Hospital during Hurricane Katrina, Sheri Fink’s exhaustively reported Five Days at Memorial, now a series on Apple TV+. Our newsletter comes out every Wednesday. It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)! Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today. Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org. Leadership support for Radiolab’s science programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox, a Simons Foundation Initiative, and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation.

Two scientists realize that the very same AI technology they have developed to discover medicines for rare diseases can also discover the most potent chemical weapons known to humankind. Inadvertently opening the Pandora’s Box of WMDs. What should they do now? Special thanks to, Xander Davies, Timnit Gebru, Jessica Fjeld, Bert Gambini and Charlotte HsuEpisode Credits: Reported by Latif NasserProduced by Matt KieltyOriginal music and sound design contributed by Matt KieltyMixing help from Arianne WackFact-checking by Emily KriegerCITATIONS:Articles:Read the Sean and Fabio’s paper here. Get Yan Liu’s book Healing with Poisons: Potent Medicines in Medieval China here. Yan is now Assistant Professor of History at the University at Buffalo.Our newsletter comes out every Wednesday. It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)!Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today.Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org. Leadership support for Radiolab’s science programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox, a Simons Foundation Initiative, and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation.

This episode originally aired in 2012. An all-star lineup of producers — Pat Walters, Lynn Levy, and Sean Cole — bring you stories about traps, getaways, perpetual cycles, and staggering breakthroughs. We kick things off with a true escape artist — a man who’s broken out of jail more times than anyone alive. Why does he keep running... and will he ever stop? Next, the ingeniously simple question that led Isaac Newton to an enormous intellectual breakthrough: why doesn’t the moon fall out of the sky? In the wake of Newton's new idea, we find ourselves in a strange space at the edge of the solar system, about to cross a boundary beyond which we know nothing. Finally, we hear the story of a blind kid who freed himself from an unhappy childhood by climbing into the telephone system, and bending it to his will. Now sit back, relax and enjoy what we hope will prove to be a welcomed Escape.Episode Credits:Reported and produced by Pat Walters, Lynn Levy, and Sean Cole Leadership support for Radiolab’s science programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox, a Simons Foundation Initiative, and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation. Hi Radiolab listeners, we want to hear from you! Take this podcast survey and let us know how you feel about the show. It only takes about 20 minutes and your feedback will help us make our podcast better! There are no wrong answers, we want your honest takes. You can help out by taking the survey here (www.radiolab.org/survey).

Back in 2002, Jad Abumrad started Radiolab as a live radio show. He DJ’d out into the ether and 20 years later we do the same. To commemorate the 20-year anniversary of the show, the Radiolab team went old school and took over WNYC Radio, live on the FM band. We answered the phones, played some wonderfully weird audio, including one piece where Kurt Vonnegut—yes, that Kurt Vonnegut—interviews the dead, took part in some games and tomfoolery, and did everything we could to have and to share in our good time. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Fantasy writer Elsa Sjunneson has been haunted by Helen Keller for nearly her entire life. Like Helen, Elsa is Deafblind, and growing up she was constantly compared to her. But for a million different reasons she hated that, because she felt different from her in a million different ways. Then, a year ago, an online conspiracy theory claiming Helen was a fraud exploded on TikTok, and suddenly Elsa found herself drawing her sword and jumping to Helen’s defense, setting off a chain of events that would bring her closer to the disability icon than she ever dreamt. For over a year, Elsa, Lulu and the Radiolab team dug through primary sources, talked to experts, even visited Helen’s birthplace Ivy Green, and discovered the real story of Helen Keller is far more complicated, mysterious and confounding than the simple myth of a young Deafblind girl rescued by her teacher Annie Sullivan. It’s a story of ghosts, surprises, a few tears, a bit of romance, some hard conversations, and a possibly psychic dog.This episode was reported by Elsa Sjunneson and Lulu Miller. It was produced by Sindhu Gnanasambandan and Rachel Cusick, with help from Sarah Qari, Tanya Chawla, and Carolyn McClusker. Jeremy Bloom contributed music and sound design. Additional Mixing by Arianne Wack. Special thanks to Georgina Kleege, Julia Bascom, Desiree Kocis, Peter C. Kunze, Andrew Leland, Sara Luterman, Alexander Richey, Will Healy, Nate Jones, Nate Peereboom, and Pamela Sabaugh (who was our voice of Helen Keller).ASL TRANSCRIPTION Support Radiolab by becoming a member of The Lab today. Radiolab is on YouTube! Catch up with new episodes and hear classics from our archive. Plus, find other cool things we did in the past — like miniseries, music videos, short films and animations, behind-the-scenes features, Radiolab live shows, and more. Take a look, explore and subscribe!DOWNLOAD BRAILLE READY FILE HERE (https://zpr.io/s23JtuYxyrNA)Citations in this episodeBooks:Elsa Sjunneson, Being SeenKim Nielsen, The Radical Lives of Helen KellerGeorgina Kleege, Blind Rage: Letters to Helen KellerKatie Booth, The Invention of Miracles: language, power, and Alexander Graham Bell’s quest to end deafnessHaben Girma, Haben: The Deafblind Woman Who Conquered Harvard LawArticles:Susan Crutchfield, “Play[ing] her part correctly: Helen Keller as Vaudevillian Freak,” Disability Studies Quarterly.Desiree Kocis, “Did Helen Keller Fly A Plane?” (she did), Plane & Pilot Magazine.Peter C. Kunze, “What We Talk about When We Talk about Helen Keller,” Children’s Literature Association QuarterlyThe archives of the American Foundation for the Blind (AFB) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jad started Radiolab roughly 20 years ago. And now he is stepping aside from hosting and producing the show to replenish, to think, to rock in his chair and be with his kids and wife, and maybe make some music. The news has been all over twitter and there’s a letter from Jad and our hosts Latif and Lulu on the website. But in this episode, Jad talks through his decision to leave and the future of the show with Lulu and Latif. And then, as a parting gift, we play him the very first episode of Radiolab (“The Radio Lab” as he called it then). He tells us about biking the CDs over the Brooklyn bridge just before the show was supposed to air, reading the news and weather between segments, and then we just sit back together and listen to where it all began. Jad, for those of us who have been radically changed by the thing you put out into the world, we are both sad to lose you in our ears and endlessly grateful for what you’ve given us. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this hour of Radiolab, stories of cross-species communication. When we gaze into the eyes of a wild animal, or even a beloved pet, can we ever really know what they might be thinking? Is it naive to assume they're experiencing something close to human emotions? Or is it ridiculous to assume that they AREN'T feeling something like that? We get the story of a rescued whale that may have found a way to say thanks, ask whether dogs feel guilt, and wonder if a successful predator may have fallen in love with a photographer. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.