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Narrator
It's June 10, 1924. We're in the center of Rome at 4:40pm the day is still hot. Stifling along the embankment of the Tiber river walks a slim, elegant man. He's dressed in a suit and bow tie. His name is Giacomo Matteotti and he's a deputy, a member of the Italian Parliament. A lawyer by training, Matteotti is the leading voice on the Italian left. An impressive speaker, a thoughtful writer, a man of conscience. He objected to Italy's involvement in the Great War. He was imprisoned for his pains. Aged 39, Matteotti has a wife and three young children. And for the sake of them, and for all that he holds dear, he can no longer stand by. He cannot be an onlooker while democracy in Italy is being trashed, pulled to pieces by Mussolini's Fascist regime. Eleven days ago, at great personal risk, he stood in the chamber and made an impassioned speech. He denounced the recent national elections. They had been manipulated to ensure a Fascist majority. He protested with violence and intimidation at the polling stations. No way could the vote be described as free and fair. The result should be annulled. As he strolls, preoccupied, Matteo doesn't notice the Lancia Kappa that has been crawling along the curb behind him, nor the five men inside. With a sudden burst, the car screeches forward. The doors are flung open. Matteotti is stunned with a punch to the face and bundled into the back. He puts up a fight. He even kicks out a window. One of the assailants is still clambering back in as the car slaloms up the street. But the victim is soon overwhelmed, held down. A hand is slapped over his mouth. There is the glint of a blade, a short, sharp carpenter's knife. It plunges again and again and again. Two months later, after an extensive police manhunt, Matteoti's decomposing corpse will be discovered in woods 15 miles north of the city. A cautionary tale to anyone who dares oppose the regime. FROM the Noiser NETWORK this is part three. Of the Mussolini story. And this is real dictators. When we left off in the last episode, Benito Mussolini had just been appointed Prime Minister of Italy. On October 30, 1922, the king invited him to form a cabinet with legions of black shirts converging on Rome. Victor Emmanuel III has taken the path of least resistance. He has acceded to Mussolini's demand to have the country placed in his hands regardless of the circumstances. This means Mussolini can always claim one thing as a sitting deputy responding to a royal summons. The transition is entirely constitutional. The parliamentary greybeards tap their noses conspiratorially. At least there is a saving grace. Italian politics is a revolving door of cobbled together coalitions and hapless administrations. Il Duce will surely be out on his ear within six months. Right off the bat, Mussolini gets celebrity endorsement. The great opera composer Puccini is among the household names who believe Il Duce is the perfect new broom, the very thing to sweep Italy clean. Big business meanwhile, queues up to shake the new PM's strike breaking commie bashing hand. Mussolini's brother Arnaldo is now filling Benito's boots. As the new editor of Il Popolo newspaper, he will ratchet up the propaganda. Professor Giulia Albanese.
Professor Giulia Albanese
During the 1920s and 30s, before the Second World War, in that moment there was an image of Mussolini as an acceptable leader and not too violent one. Somebody who was able to bring Italy to modernity somehow. A good natured man.
Narrator
At 39, he's the world's youngest national leader. Vigorous, dynamic. Thomas Edison calls him the greatest figure of the 20th century. J.P. morgan, George Bernard Shaw, Mahatma Gandhi are all early members of the international fan club. Professor Helen Rush, Churchill in the early.
Professor Helen Rush
20S actually says, oh, Mussolini is the greatest living legislator. Which is kind of a crazy thing to think of Churchill saying. And you get a lot of these sort of salon fascists. Lady Houston is one example. She had this little lap dog that she called Bonito because she loved the way that Mussolini dosed the socialists and communists with castor oil. She wrote in this letter saying, oh, I hope you come over and treat the English Reds in the same fashion. And even, you know, the Times was raising Mussolini's achievements. So there is a lot of goodwill towards fascism and I think that's partly due to this propaganda machine that was beginning to become established.
Narrator
In Britain. None other than the Manchester Guardian, forerunner of today's Guardian newspaper, thinks that this Mussolini fellow is a good egg. I mean, what's not to like? Italy was a basket case at Last, there is stability. He's an exceptional type. A born leader, froths the New York Tribune granted an audience with Il Duce on the day of his appointment. He has, quote, brown skin and a jaw that asserts dogged determination. Built like an ox, he could go several rounds with Jack Dempsey. Yes, he's a shoot first, ask questions later kind of guy, but otherwise, this soldier cum philosopher seems charm itself. If you doubt his popularity, well, take a listen to those ecstatic crowds outside the window. And violence. Well, hasn't Europe just been slaughtering itself by the millions? Within just seven hours of his appointment, Mussolini names his first cabinet amid sighs of relief. It's not a full on fascist one. Instead, it's a mishmash of liberals, nationalists and conservatives. He even has a socialist on board, though it is of course just window dressing. In this emergency period, pending new elections, Mussolini is not just Prime Minister, he appoints himself both Foreign Minister and Minister of the Interior as well. And this parliament he's indulging in private, he refers to it as a gathering of old fossils. Out there on the streets, it's business as usual. The beatings continue. Then, in summer 1923, there is a scandal. A French newspaper publishes a copy of a telegram sent from Mussolini to the Prefect of Turin. In it, orders are given for life to be made impossible for the anti fascist activist there, a man named Pietro Gobbi. Gobbi is beaten up badly, sustaining broken ribs and a punctured lung. According to other sources, Fascist headquarters in Florence, Pisa, Milan and Monza are also given direct instructions from the boss to implement violence against Catholic associations. The squadristi now have got pain down to a fine art, and they operate with impunity outside the jurisdiction of the state, pulling union officials from their homes and dragging them by their feet behind trucks. The squadristi are now adopting the skull and crossbones as their emblem. This period in Italy will be known as the Black Terror. Mussolini gets away with it because he can cow any dissenter. For fascism to survive, he whispers, its enemies must be made to live in fear.
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Narrator
But Il Duce is still not in absolute control. It's a peculiar anomaly for a dictator. But Mussolini will never, throughout his rule, be head of state. That will always be the King.
Professor Joshua Arthur
Professor Joshua Arthur the King's role fundamentally within the regime is to provide a reassurance to conservatives, to the establishment, to the bourgeoisie, that for all of their radical posturing, the Fascists were still patriots, that they were part of the continuity of Italian nationalism, that they were not dangerous revolutionaries like the Left. So it's very reassuring to have the King giving his blessing to Mussolini's efforts.
Narrator
Mussolini's strategy is never to attack democracy head on. It is to eat it away from the inside. Professor John Foote Liberal democracy is seen.
Professor John Foote
As corrupt, old, decadent. But Mussolini is winning. And this is a very clever part of also what Hitler does. Use democracy to destroy it, Occupy democracy. Use the institutions of liberal democracy to kill it from within, like a virus, like a parasite. You know, we'll take Parliament over, we'll get elected a few of us and then more of us, and we'll destroy it.
Narrator
After just eight weeks, Mussolini establishes a new body, the Fascist Grand Council, an unelected committee stuffed with hand picked appointees. Officially it's a conduit between the Fascist party and the Chamber of Deputies, but it will soon assume supremacy. Right away, the Council has its sights set on the restructuring of the democratic process. It will begin with the introduction of something called the Acerbo Law, named after its proposer, Baron Giacomo Acerbo. It is fundamentally a gerrymandering of the voting system, a unique twist on the concept of proportional representation. Dr. Lisa Pyne so a key moment.
Dr. Lisa Pyne
In the consolidation of fascist power was the acerbo law of November 1923. And this stated that the party that had the largest share of the votes, provided that that was at least 25%, gained 2/3 of the seats in Parliament. So of course, the purpose of this was to give Mussolini's party, the Fascist Party, a majority of parliamentary deputies.
Narrator
On April 6, 1924, the country will go to the polls for the one and only time under Oshebo's remit when.
Dr. Lisa Pyne
These elections in April 1924 came. The fascists used this law, which was already a corruption of democracy, together with violence and intimidation, essentially to gain control of Parliament.
Professor John Foote
I mean, the 21 election is already very marked by violence, and you could say it was illegitimate, although the socialists still do quite well there. But people are actually killed on their way to polling stations. Candidates are killed, stuff like that. Deputies are killed by the fascists by 24, which is a proper fascist election. And why do fascists have elections? It's always an interesting one because it gives them legitimacy, doesn't it? You know, why do dictators hold elections? They can say, you know, we are the people.
Narrator
As it happens, the new mechanism makes little difference to the end result. Standing as part of a right wing coalition called the National List, the fascists storm to a landslide victory, aided of course, by the usual dark arts. The fascist led bloc will be awarded 374 of the 574 parliamentary seats, a representation of 65%. Despite the dice being loaded against them, leftist parties still win a quarter of the popular vote. But riven by infighting, they're tearing themselves apart. Giacomo Matteotti, frustrated, has formed his own breakaway group, the Unitary Socialist Party. He is still the most prominent voice in opposition, writing articles damning Mussolini, even penning a critical book. And he's been investigating shady links to an American conglomerate, Sinclair Oil, which has allegedly been lining Il Duce's pockets. On May 30, Matteotti takes to his feet in the chamber and catalogues the Fascist infractions, the dodging new electoral system, the corruption, the thuggery. Amid howls of abuse and threats to have him slung out, he stands his ground. The presiding Mussolini sits there, stony faced, glowering at him throughout. Resuming his place on the bench, Matteotti quips to a colleague, and now you'd better prepare my funeral oration. Eleven days later, as we know from the opening to this episode, he will wind up dead. It leaves Italy rocked, shocked. In the first public challenge to Mussolini's rule, his principal opponent has been seemingly eliminated, rubbed out. To cap it all, there's a smoking gun. Mussolini had issued a warning right there in the pages of Il Popolo. If Matteotti gets his head broken, he will have himself and his obstinacy to thank. Shock soon turns to outrage. There are calls for the King to intervene. Every day outside Parliament, crowds gather to give Mussolini the silent treatment. In further protests, 123 opposition deputies remove themselves from the chamber. Their action, known as the Aventine Secession, is intended to force a royal judgment. But King Victor Emmanuel as is becoming a habit, will remain silent.
Dr. Lisa Pyne
Influential politicians, including Orlando Salandra, advised the King to keep Mussolini as prime minister. And they continued to attend parliament. And that kind of scuppered any attempt that the secession had tried to achieve in terms of protest.
Narrator
Mussolini, meanwhile, shedding crocodile tears by the bucket load, has been swift to distance himself from the abduction. He fires General Debono, his loyal chief of police. He even goes to console Matteotti's distraught wife. On August 16, Matteotti's body is discovered in the Quartarello forest, a half hour drive north of Rome. It had been stripped and buried in a hurry. The murderers used a tire lever or something similar to scrape a shallow grave. One of them even stole the victim's wedding ring. Professor Nicholas O'Shaughnessy.
Professor Nicholas O'Shaughnessy
Matiotti's murder is terribly important and quite a few of the early fascists resigned. They saw the light. Mussolini denied the murder of Matteo. Everyone knew he'd done it. Once you accept that, you know that your government is mafioci. It really is the ethos of the Mafia, murder, opposition. Exactly the same with Germany, with the Night of the Long Knives, which happens slightly later. A lot of Italians swallow the fact that Matteotti has just been murdered. So really they have blood on their hands almost from the beginning. Everyone kind of knows this and they.
Narrator
Just look the other way to spare Mussolini. The murder is blamed by the Fascist hierarchy on a rogue hit squad operating outside official jurisdiction. The five men are duly arrested, along with 20 alleged associates. The abductors have little defense for their actions. There were multiple witnesses to the kidnapping, which occurred in broad daylight, just minutes from Matteotti's home. There had been ample time to note the car's number plate. It was so brazen that one onlooker assumed the scuffle must be a stunt staged for a movie. The ringleader, Amerigo Dumigni, not the brightest of individuals, had even returned the blood soaked vehicle and parked it outside the Interior Ministry. The trial through the spring of 1926 is a farce, effectively a fascist tribunal. It lets most of the accused walk free. Dumini laughably claims Matteotti died of tuberculosis. Dubbed the Sicario del Duce, the Duce's assassin, he will be sentenced to five years in prison, as will two accomplices, Albino Volpi and Amletto Poveromo. But the three will be released within weeks, beneficiaries of a royal pardon. Back in the Chamber of Deputies, the socialist boycott backfires. The secessionists will be expelled from Parliament for non attendance. Socialism as A doctrine is already dead, says Mussolini. It exists only as a grudge. As we know, he's never one to miss an opportunity. On 8 July 1924, while the search for Matteotti's body was still ongoing, he had issued a decree condemning the unpatriotic antics of all those who've challenged his rule. All newspapers deemed anti Fascist were to be suspended, including Corriere de la Serra and la Stampa. On January 3, 1925, he follows it up with a landmark speech to the Chamber. It's presented as a mea culpa in which he shakes his head with disappointment over the violence that has been sullying Fascism's good name. Crucially, however, he makes no specific reference to Matteo's murder. I declare before all Italy that I assume full responsibility for what has happened. Italy wants peace and quiet and to get on with its work. I shall give it all these, if possible, in love, but if necessary, by force. In the 48 hours after my speech, the whole situation will be changed. From now on, all opposition is dissolved. Free elections are to come to an end. It is effectively the founding date of the totalitarian state.
Dr. Lisa Pyne
So what we get by the beginning of 1925 is Mussolini saying he's had enough with kind of making do with the liberal state system or kind of making compromises with democracy. He doesn't have truck with any of that anymore, and he implements his system of total rule.
Narrator
There will be no free elections in Italy until 1946. He does offer an olive branch. The era of the squadristi is over, he claims. But the squads won't formally be abolished until 1927. They are simply folded into the official armed forces. It's another clever move, for there are those within the Fascist movement who think that Mussolini is neither going fast enough nor is sufficiently revolutionary.
Professor Joshua Arthur
Well, when it comes to the Fascist movement itself, as the kids say today, they're frenemies. They're allies and rivals at the same time. People like Farinacci and Dino Grandi and other party bosses who have squads, their own legions and don't really want to see their power encroached upon in the name of some kind of national movement. And many of these local bosses resented that centralized control.
Narrator
Matteotti's demise will reverberate through the next century of Italian political life. But to Mussolini, on the path to dictatorship, it was just a bump in the road.
Professor Giulia Albanese
The Matteo murder showed that the opposition were very feeble in their capacity of reacting to Mussolini and fascism, and they were feeble because of the Violence used against them, but also because two major force of the country, the monarchy, but also the church, had already decided where they standed. And they standed for Mussolini.
Narrator
Out front. Mussolini seems more popular than ever. He comes across as the man of action with the common touch, thanks in no small part to his manipulation of the media. Even his opponents agree that as a speaker he's mesmerizing. He orates from balconies, projecting to the back row with wild gestures and exaggerated facial expressions. Refusing to wear his glasses, he will scrunch his face in concentration, then give demonic wide eyed stares.
Professor John Foote
He's often presented as a kind of buffoonish joke. And I think part of that comes from the Chaplin film Great Dictator. But it also becomes sort of stereotypes about Italians using their hands and things. He was a very good speaker, very charismatic speaker.
Narrator
Harnessing the power of technology, he will bellow into banks of microphones that will echo around the vast piazzas of his adoring thousands. His addresses will be broadcast live via the radio, a growing addition to every household.
Professor Joshua Arthur
We have to understand what politics looked like at that time. That speaking from a balcony was how you addressed the masses. And that Mussolini really was a novel figure, was really the first mass leader of the 20th century. And the gestures and the glare and the theater were a new brand of politics at that time. And he was one of the first to take advantage of new media. He was one of the first politicians to be filmed and photographed on a regular basis, to be on the radio. And so he might look ridiculous to us from a 21st century vantage point. But at the time, this was at the cutting edge of modern politics.
Narrator
Gone are the civilian suits he wore when he was playing at being Mr. Reasonable. He's now costumed in black shirt attire replete with signature hat, a tasseled crepe fez emblazoned with a Roman eagle. And then there is that hair. Mussolini has been balding for some years. On a whim, he decides to shave his head. It only goes to enhance his image of masculine virility. As he will boast, the multitude, like a woman, is made to be violated. Mussolini has professed to be an atheist. For a lot of Italians, it's always been a black mark against him. This is still a deeply catholic country. In his childhood, the junior Benito resented being dragged to mass and disciplined by monks. It's said the mere whiff of incense can turn his stomach on his rise to power. On stage, Mussolini would even taunt God to strike him dead. But for all that in private he is deeply superstitious. It's November 26, 1922. We're in Egypt, the Valley of the Kings. And were in the company of an archaeologist named Howard Carter. Carter's team is excavating an ancient site under the patronage of their benefactor, Lord Carnarvon. And they've made what looks to be an intriguing find. An ancient stone door embedded down a shaft deep within the rocks. By candlelight, Carter slots his testing rod into the intact seal. He is about to make the greatest archaeological find of the age. For there within is the undisturbed burial chamber of the boy king Tutankhamun, who ruled Egypt over 3,000 years ago. A treasure trove of riches, complete with a solid gold sarcophagus. It will become a global sensation. But the discovery comes at a tremendous cost, or so it seems. Soon after, Carnarvon and others in Carter's party die suddenly. This fuels rumors that the disturbance of the crypt has unleashed a curse in a glass case. Within the Palazzo Chigi, where Mussolini doubles as foreign minister, sits an Egyptian mummy. It had been presented to the Italian government as a gift some years before. Mussolini is so freaked out by the thought of an ancient hex, he calls up museum authorities in the middle of the night. They are to go to the Palazzo this instant and have the mummy removed. Mussolini, according to his official biography, also has a fear of moonlight falling on his face. As a boy, he confesses, he fell under the influence of a strange old countrywoman who dabbled in the occult. She placed great store in dreams and omens. He remains a man of primal instinct. I must listen to my blood. I am like the animals. I feel when things are going to happen, some instinct warns me and I am obliged to follow. When it comes to the Catholic Church, Mussolini's issue has always been with the institution getting in his way rather than anything theological. On becoming a deputy in 1921, he'd softened his anti religious stance. In 1924, he goes further when he makes a public show of his three youngest children receiving communion. The following year, he has a priest perform a ceremony to sanctify his 10 year old's civil marriage. With in 1929 will come the most significant move of all. On February 11, he will sign an agreement with the Pope Pius XI, the latter on accords. Mussolini will recognize Catholicism as Italy's state religion. In return compensated for lands lost. The Papacy formally recognizes the Italian state with Rome as its capital. And the Vatican pledges neutrality in international affairs.
Dr. Lisa Pyne
And this was important because this reconciliation was the first one that had been achieved since Italian unification at the end of the 19th century. So for the first time, the Pope is recognizing the Italian state and vice versa.
Professor Helen Rush
A lot of Catholics and the Vatican itself had this hope. They saw him as, you know, bringing the divine and the national together. He was the great son of Italy. And then you had priests who would then be able to collaborate with Fascism, preach Fascist sermons from the pulpit. And of course that relationship was very uneasy. But it was enough of a sop, if you like, for people to take it as a good thing.
Narrator
In private, Mussolini will go back to bashing Catholicism as much as he ever did. The papacy is a malignant tumor in the body of Italy and must be rooted out once and for all. He says to cut the Vatican out of Italian affairs. The Holy See will be sanctified with independence, statehood. Popayas is in raptures. Italy has been given back to God, he pronounces, and God to Italy. The truth is the Pope is now out of Mussolini's hair, proverbially speaking.
Professor Joshua Arthur
And ultimately the Church is going to become very critical of what it sees as Fascist. So paganism, stateolatry, as they call it, this fetishizing the state and power at the expense of religious faith.
Narrator
Whatever his prior indiscretions by many, Mussolini seems largely forgiven. Italy's economic fortunes are enjoying a huge upturn, or so the figures are presented. This shall be the century of Italian might, the century in which Italy will be, for the third time, the beacon of mankind. Il Duce proclaims he introduced a lot.
Dr. Lisa Pyne
Of new economic policies, including corporativism, but also including autarky, which means economic self sufficiency. So the idea that Italy would be self sufficient and not reliant on any imports at all. And the product for which this was most well known was wheat, so that Italy should be self sufficient in grain. And he kind of again had this big propaganda campaign, the battle for wheat. Italy was going to be able to sustain herself.
Narrator
It will kick off with the creation of 5,000 new farms. He will refer to farmers as if they were soldiers fighting on the front line. A famous newsreel of the day captures Il Duce out there, whipping his shirt off to help scythe armfuls of corn. Mussolini's program increases grain production by 50%. Heroic farmers are awarded medals. In addition, there are huge public works programs. Mussolini literally drains a swamp, reclaiming Rome's Pontine marshes. There will be a new road built to the Tyrrhenian Sea. Here and across Italy, workers are encouraged to enjoy the beaches and countryside they may be forbidden from striking. Unions have now been abolished, but they can get 70% discount on public transport.
Dr. Lisa Pyne
Mussolini was determined to make his regime as popular as possible. He introduced the onb, and this was the youth group, similar to the Hitler Youth. This idea that Italian youths should all belong to the parties movement, and that they should train young Italian boys eventually to become soldiers. But of course, the youth are very excited. They want to put on a uniform. They want to take part, especially at the beginning, because it's about going camping and marching and hiking and all of those things. So that was the onb. The other one was the ond. Now this was the after work organization. And this was important because it was a leisure organization for adults. So it had clubs with bars and billiard tables, libraries, different activities. It put on plays and concerts, and it subsidized holidays and days away at the seaside, which began to bring mass leisure to the people in a way that hadn't been the case before.
Professor Giulia Albanese
So Mussolini keep this attitude and control over his relationship to the Italian people all over the 20 years of his rule. It does so through rigid control of the press and of the ways in which his image is represented. He always check on the photographs that are issued, the ways in which he looks like. And he tried to build an image of a young man, of a man capable of physical acts to not only govern from the palace, but also doing things, cultivating the grain or whatever. A light is always open in Palazzo Venezia during the night, so that the Italian can believe when they pass through Piazza Venezia, that Mussolini is there and is working.
Narrator
I strive all day long, from dawn until dusk, working without counting my hours, to give as much work as possible to all Italian workers, he says pointedly. Mussolini doesn't take his government salary. He lives instead off his income from Il Popolo, plus privately assorted anonymous donors. As part of the national sacrifice, he introduces something called Gold for the Fatherland, in which Italians are invited to donate jewelry to bolster the Italian economy. His wife, Rakele, even gives up her wedding ring. It is a program entirely for show and with little material worth, but it helps foster a communal spirit nonetheless. Within two years of coming to power, Italy's economic fortunes have been turned around. The Wall street crash of 1929 will put a dent in the economic revival. But generally speaking, Italy is faring reasonably well. And the happier the people are, knows Mussolini, the easier it is to take advantage of them. On assuming power, Mussolini has been obliged to relocate from Milan to Rome. He governs now from the Palazzo Venezia, a large Renaissance building just north of the Capitoline hill. On the first floor, he makes the grand Sala de Mappamondo, the world map Room, his personal office. The cavernous marble chamber is furnished with a huge oak desk, a leather armchair and a massive globe. Nothing else. Officially, it projects both power and a Spartan aesthetic, though some say il Duce likes the space because his years in prison have made him claustrophobic. From it, he can step right out onto what will become the favorite of all his speaking balconies. The Mussolinis themselves now reside in a sprawling neoclassical house, the Villa Tologna. Set amid sumptuous gardens, it's owned by Prince Giovanni of the Tolonia banking dynasty. For the token rent of 1 lira per year, it's been gifted to il Duce indefinitely. Rakele doesn't like it. She doesn't feel comfortable here, just like she hated the move to Milan from Predappio. She's a country girl at heart. She will continue to do the family laundry herself, washing il Duce smalls in the ornamental fountain in the courtyard, something which will surprise visiting dignitaries. As for il Duce, every morning it is said he will get up to perform vigorous exercises. Due to a stomach ulcer, he's given up drinking and smoking. Instead, it's a life of sparse meals, spaghetti, bread and vegetables and fruit. He's rarely without a glass of milk to hand. The all new abstemious Mussolini takes up fencing. He has boxing lessons, he swims, he plays tennis, he likes riding horses.
Professor Helen Rush
He would sometimes have himself photographed walking into cages of lions. And this circus director actually gave him this lion cub, which he called Italia. And he kept the lion cub at home for a while. So almost more Joe exotic than dictator. And then he gave her to a zoo. But he would come back and visit her. And there was one photo. He decided to have a photo taken of him on skis, but with a bare chest. And the hilarious thing about that was that he couldn't actually ski, but he just thought this would be a good image to put out there. And if he was feeling ill, there's an anecdote that he was worried again that journalists would write about him not being well, and that would be taken as a sign of weakness and infirmity. So he brought a load of journalists to the courtyard of the house and started doing equestrian exercises in front of them, and then said, right, go and write that I'm ill. Now he zips.
Narrator
Around town in a red Alfa Romeo. At night, he likes to kick back with A Laurel and Hardy movie. And he obtains his pilot's license, indulging in the new luxury pastime of the rich and powerful flying. The abstemiousness, unfortunately, does not extend to matters carnal. Above his office in the Palazzo Venezia is a boudoir reserved for his daily liaison with whichever lucky lady his lackeys have procured for him. Female journalists, wives of colleagues, maids, actresses, fans selected at rallies.
Professor Helen Rush
Don Nara Kele was a constant in his life, but then he would have at least one or two long term mistresses. Margherita Sarfati is one of the most famous and with her biography of him, really sort of publicized him to the world. But then he would have, you know, at least 10 other women potentially on the go. And then when he got into power, he would have some of his henchmen seeking out women, whether at rallies or people who'd written to him, getting them to be brought to his offices. And even though he had this reputation for working nonstop, he was also probably taking two, three hours a day, just ministering to his sex life, having that virility, that power, just being able to use women and abuse them in terrible ways. And often the people that he brought to have sex with, they would then be monitored very carefully by the secret police if they had children, or they would often pay for abortions, or pay to shut them up, essentially. But one estimate is that he probably had, you know, maybe ranging into three figures of illegitimate children based on just the number of affairs that he had. It's really insane.
Narrator
The dalliances are very quick. Apparently Mussolini can't be bothered to remove his trousers, even his shoes. Though this may be a practical matter. The All Conquering Duce was never very handy when it came to tying a bow. He will eventually shift to elasticated laces. Mussolini likes women to smell of their own scent, not some fancy perfume. And he doesn't care much for washing himself, content merely to dab himself with a bit of cologne after his morning workout. To counter the macho image, there is the sensitive soul. Mussolini likes to retreat into the bushes to play the violin both at home and abroad. This human marvel continues to be very well received, aided no end by the international bestseller written by his mistress Sarfati, the Life of Benito Mussolini. Across Europe and South America, copycat movements are forming. In Germany, the new National Socialist Party and its brown shirted squads have even attempted a recreation of the March on Rome, the failed beer hall putsch. Its leader, an irritable Austrian named Adolf Hitler. A one man Mussolini Tribute act has ended up in jail. It's April 7th, 1926. We're in Rome. In the Piazza del Campedoglio, Mussolini is doing one of his walkabouts. The fascist crowd is giving him the usual crazed reception. Surging forward, saluting like mad things. Among the throng is a middle aged woman, Dublin born of Anglo Irish stock, she's the daughter of Lord Ashbourne. In her younger days she was presented as a debutante to Queen Victoria. Her name is Violet Gibson and wrapped in the folds of her shawl is a revolver. As Illuce passes, Gibson steps forward and fires a shot at Mussolini's head from point blank range. It takes a second for her to register that somehow she's missed. She tries again. The gun jams. The Black shirts are upon her. Before she can try a third time, Mussolini is hustled away by his security detail. Due to his turning his head as she pulled the trigger, he has been spared death by a fraction of an inch, the bullet grazing the bridge of his nose. Mussolini will make great play about his survival. It was a mere trifle, he will joke. He will appear soon after on his balcony with an exaggerated white bandage strapped across his nose. Gibson meanwhile is lucky to avoid being strung up from the nearest lamppost. She will only talk about her attempt on Mussolini as being a means to glorify God. How an angel had been sent to keep her arm steady. Deemed insane. As a British passport holder, she is repatriated to the uk.
Professor John Foote
I mean she missed him by literally centimeters millimeters. She was arrested, beaten up and it was a diplomatic incident because it was embarrassing that Mussolini had been shot by an Irish woman. You know, in some ways good propaganda because he survived and therefore he's immortal. But it wasn't good for the Italian state or for the police and so on. So the solution that was struck upon that was she would be locked in an asylum for the rest of her life. And it's a terribly sad story.
Narrator
The asylum is in Northampton, England. She will be confined there for the rest of her days. Violet Gibson's attempted assassination is not in isolation. A former socialist deputy tries to take Mussolini out with a sniper rifle. An anarchist hurls a bomb at the leader's limousine. As it passes, it explodes ineffectually. And then on October 31, 1926 in Bologna, a shot is loosed off at Il Duce's open car. The alleged perpetrator is a 15 year old boy and Teo Zamboni. Patience is wearing thin. The teenager is lynched on the spot by black shirts, even though the testimony of key bystanders, even of Mussolini himself, would suggest a case of mistaken identity. These attempts on his life will bolster Mussolini's popularity and give him the excuse to clamp down on freedoms even further. On November 25, 1926, he will introduce the Law for the Defence of the State. It enables him to dissolve all political parties and organizations that are deemed to be anti fascist, anti antifascism, whatever that is exactly, is now a crime punishable by imprisonment. You can be arrested on suspicion alone. To oversee the policy will be a new body, ovra. The meaning of the initials is unclear. Generally taken to stand for the Organization for Vigilance and Repression of Anti Fascism. It is essentially Mussolini's secret police.
Professor John Foote
One of the things about Italian fascism which kind of bucks many stereotypes. It had a very efficient secret police machine which had its eyes everywhere. You know, people can get put in jail for saying damn with Mussolini or insulting his wife in a pub five years, or get beaten up or have your job taken away. It's a very powerful repressive system that's put in place over four years and prefigures Nazism, prefigures Spain, prefigures Portugal. It's copied by them.
Professor Joshua Arthur
You had networks of informants, both paid ones, and just civilians spying on their neighbors and the cultivation of an atmosphere of paranoia. The secret police acronym, ovra, no one knew what it actually stood for. And this was part of the mystery. This all powerful, all seeing organization. We don't even know what its name really is.
Narrator
In May 1928, Mussolini will centralize things further. He simply abolishes parliamentary elections altogether. Instead, the fascist Grand Council will select a single list of candidates to be approved by a national plebiscite. If the voters reject anyone, a new list will be provided and they will keep on voting until they deliver the correct result. In the so called general election of March 1929, the fascist list is approved by 98.43% of voters. Having turned Italy into a single constituency, it is now a one party state.
Professor John Foote
It takes really four years for the full dictatorship to be in place, for democracy to be completely destroyed. The opposition basically has already been defeated in 22, largely. And what remains are either murdered, forced into exile or put in prison. And so the emptiness is still what Mussolini himself. So by 26 you've got a dictatorship and you start to get the very strong cult of personality around Mussolini. A fascist state, which has never happened before, being experimented with.
Narrator
The threats to Mussolini's life, meanwhile prompt sackfuls of sympathetic mail. After the near miss by Violet Gibson, he receives a letter from a 14 year old fan, outraged that anyone could have tried such a dastardly thing. Her name is Clara Petacci. Six years later, a 20 year old Petacci will be standing at the roadside when Mussolini's Alfa Romeo goes cruising past. He will be captivated enough to ask his driver to screech into a U turn and pull over. Petacci, pretty with dark curly hair, is with her mother. She is also said to be married. But no matter what Il Duce wants, Il Duce gets. The young, trembling Clara, smitten with her glorious leader, will become ultimately the woman to die at his side. For the moment, she will remain a plaything. Of the women in Mussolini's life, the one who's getting the most attention these days is his daughter, Edda. Mussolini likes to promote his sons, Bruno and Vittorio. But it's Edda who makes the headlines. A dazzling young woman, she's known for her short skirts and her crazy driving. She's into champagne, jazz, inappropriate dancing and unsuitable men. She is a girl, as they say, who likes to party. In 1929, aged 19, Edda is at a Rome soiree when she's introduced to a dashing young man in a tuxedo. He is Count Galeazzo Ciano. The son of an admiral, age 27, he's had some life experience, as one might put it, as a diplomat. The Fascist regime's man in Rio, he comes with a reputation as an international playboy. Oblivious to the warnings, Edda falls head over heels. Unusually for Ciano, he reciprocates. Mussolini does not approve of the match. Not at first, though. When Ciano asks Il Duce's permission for his daughter's hand in marriage, Mussolini consents. What Italy needs, Mussolini figures, is a big flash wedding, a hello moment. On April 24, 1930, the whirlwind romance will culminate in Rome's gaudiest ceremony since the days of Nero, complete with thousands of adorable Fascist saluting children marching past the happy couple. While the reception is in full swing, two men approach Mussolini with a briefcase. They are from the Foreign Office. They have important information in a back office. Mussolini shuts the door. The men produce an envelope. It contains a stack of photographs of events unfolding in Italian North Africa. Libya. The Prime Minister likes what he sees. Hundreds of Bedouin tribesmen being publicly hung, dangling from scaffolds in villages from Tripoli to Benghazi. There is a dirty war going on there that few yet know about it is for Il Duce the icing on the cause. The big wedding puts Italy in a celebratory mood. But it will bring no solace to poor Velia Matiotti, Giacomo's broken hearted widow. Cruelly, ever since her husband's murder, she's been kept under house arrest. She will be confined for a full eight years. An unusual punishment for an innocent person. A deterioration in her health will eventually see her release. She will die in 1938. There are some who still deny Mussolini's part in the killing.
Professor Giulia Albanese
I would say that this is a non real debate. All the proof go against Mussolini. And in any case, the climate he created and the very presence of the squadristi and the way in which he worked with them demonstrate that it was perfectly in favor of killing. Matteotti was the most powerful opposition leader that he could have, so he couldn't silence Matteotti. He had attempted to menace and corrupt him in many ways. But Matteotti was not the kind of man who would stop. And this is why he needed to be killed.
Narrator
Among those rounded up by the police was Mussolini's press officer, Cesare Rossi. Under interrogation, he had sung like a canary, pinning the whole thing on his boss. Telling the truth or saving his own skin. It's never determined. To avoid prosecution, Rossi flees to France. There is a monument today on the site where Matteotti was murdered. An abstract statue cast in bronze. The inscription reads, although you can kill me, the idea within me can never be killed. The site is covered in graffiti and occasionally vandalized. Attempts to mount a commemorative plaque on Matteotti's old apartment block have been rejected by the residents. In the next episode, Fascist Italy is shaped in Mussolini's image. But a restless Duce grows bored of the domestic scene. Alongside German Chancellor Adolf Hitler, he intends to shake up the international order. By crushing Libya and invading Ethiopia, he will build a new Roman Empire. That's next time.
Real Dictators: Benito Mussolini Part 3 – "Murder in Broad Daylight"
Introduction
In the gripping third installment of "Real Dictators," hosted by Paul McGann and produced by the Noiser Network, the spotlight intensively focuses on Benito Mussolini during a pivotal moment in his rise to absolute power—the brutal murder of Giacomo Matteotti. This episode delves deep into the machinations of Mussolini's Fascist regime, the strategic dismantling of Italian democracy, and the personal and political turmoil that cemented Mussolini as Italy’s infamous dictator.
Setting the Scene: The Tragic Fate of Giacomo Matteotti
The episode opens on a sweltering June afternoon in Rome, June 10, 1924. At 4:40 PM, Giacomo Matteotti, a respected deputy and vocal critic of Mussolini's Fascist regime, is brutally abducted and murdered in broad daylight. Matteotti, a lawyer and leading voice of the Italian left, had recently delivered a damning speech denouncing the manipulated national elections orchestrated by Mussolini to secure a Fascist majority. As he walks along the embankment of the Tiber River, Matteotti is ambushed by fascist assailants, leading to his violent death in the nearby woods. This assassination serves as a stark warning to all who dared to oppose Mussolini's growing power.
“No way could the vote be described as free and fair. The result should be annulled.” (00:35)
Mussolini’s Ascendancy: From Prime Minister to Power Broker
The narrative recounts Mussolini's appointment as Italy's Prime Minister on October 30, 1922, following the March on Rome. Despite his initial promise to respect constitutional processes, Mussolini rapidly consolidates power, leveraging support from influential figures and instituting propaganda to bolster his image. Early endorsements from esteemed individuals like composer Puccini and support from big business signaled Mussolini's initial acceptance within Italy's elite circles.
“During the 1920s and 30s, before the Second World War, ... Mussolini appeared as an acceptable leader, not too violent.” —Professor Giulia Albanese (05:46)
The Acerbo Law and the 1924 Elections: Manipulating Democracy
Central to Mussolini's strategy was the Acerbo Law, introduced in November 1923, which effectively gerrymandered the Italian electoral system to ensure a Fascist majority. This law stated that any party securing at least 25% of the vote would automatically gain two-thirds of parliamentary seats. When elections were held on April 6, 1924, the Fascists capitalized on this system, coupled with violence and intimidation, to secure a landslide victory. Despite winning 65% of the seats, leftist parties still garnered a significant portion of the popular vote, highlighting both the effectiveness and the corruption inherent in Mussolini's tactics.
“...the Acerbo Law of November 1923 ... gave Mussolini's Fascist Party a majority of parliamentary deputies.” —Dr. Lisa Pyne (13:52)
Giacomo Matteotti: The Courageous Opponent
Matteotti, refusing to remain silent against the Fascist onslaught, formed the Unitary Socialist Party and persistently criticized Mussolini's regime through articles and investigations into alleged corrupt ties with American conglomerates like Sinclair Oil. On May 30, 1924, Matteotti made a bold move in the Chamber of Deputies, cataloging Fascist infractions and corruption. His impassioned stand elicited immediate threats and abuse, yet he steadfastly defended his position. Tragically, eleven days later, Matteotti was murdered, a casualty that sent shockwaves through Italy.
“I declare before all Italy that I assume full responsibility for what has happened.” (15:53)
Aftermath: Public Outrage and the Aventine Secession
Matteotti's assassination ignited widespread outrage and demands for King Victor Emmanuel III to intervene against Mussolini's tyranny. In response, 123 opposition deputies initiated the Aventine Secession, withdrawing from Parliament in an attempt to force royal adjudication. However, the King's reluctance to act, influenced by conservative politicians and pro-Fascist sentiments, effectively quelled these protests, allowing Mussolini to further entrench his power unchallenged.
“Influential politicians ... advised the King to keep Mussolini as prime minister.” —Dr. Lisa Pyne (18:11)
Consolidation of Power: From Chaos to Totalitarianism
In the wake of Matteotti's death, Mussolini swiftly moved to eliminate opposition. The Fascist Grand Council, established within weeks, introduced the Law for the Defence of the State on November 25, 1926. This law empowered Mussolini to dissolve any political parties deemed anti-Fascist, punish dissent with imprisonment, and establish OVRA—the secret police tasked with maintaining Fascist orthodoxy. By 1928, Mussolini abolished parliamentary elections entirely, transforming Italy into a one-party state with a pervasive cult of personality built around his authoritarian rule.
“...in three years ... [total dictatorship was established].” —Professor John Foote (50:26)
Mussolini’s Cult of Personality and Personal Life
Beyond political maneuvers, the episode intricately explores Mussolini's crafted public image and his personal life. Emphasizing physical prowess and virility, Mussolini engaged in public displays of strength, rigorous exercise routines, and utilized emerging media technologies like radio to disseminate his propaganda. His personal life, marked by numerous affairs and a tightly controlled public persona, painted him as both a commanding leader and a complex individual with vulnerabilities and superstitions.
“He was one of the first politicians to be filmed and photographed on a regular basis, to be on the radio.” —Professor Joshua Arthur (26:11)
Assassination Attempts: Symbolism and Paranoia
The episode recounts several assassination attempts, including Violet Gibson’s audacious attempt on Mussolini’s life in April 1926, which only resulted in a graze to his nose. These attempts, often mythologized, were used by Mussolini to justify further crackdowns on freedoms and bolster his image as an invincible leader. The response to these threats was marked by increased repression, the establishment of OVRA, and the cultivation of an environment where fear and surveillance became integral to maintaining Fascist control.
“She was locked in an asylum ... a terribly sad story.” —Professor John Foote (47:43)
Economic and Social Policies: Propaganda and Public Works
Mussolini's regime embarked on ambitious economic and social projects aimed at showcasing the success and modernization of Fascist Italy. Policies like corporatism and autarky were promoted, with programs such as the "Battle for Wheat" aiming for agricultural self-sufficiency. Public works projects, including draining the Pontine Marshes and constructing new infrastructure, were glorified through propaganda as symbols of national rejuvenation. Additionally, organizations like the ONB (youth group) and OND (leisure organization) were established to indoctrinate youth and provide controlled leisure activities for adults, further embedding Fascist ideology into everyday life.
“Mussolini was determined to make his regime as popular as possible.” —Dr. Lisa Pyne (35:20)
Personal Anecdotes: The Human Side of Il Duce
Interwoven with political analysis, the episode offers intimate glimpses into Mussolini’s personal life—his relationships, hobbies, and idiosyncrasies. From his vigorous exercise routines and interest in fencing to his numerous romantic liaisons and the delicate balancing act with his wife Rakele, Mussolini's personal narrative is portrayed as both charismatic and deeply flawed. These personal elements humanize a figure often vilified, illustrating the complexities behind his public persona.
“He would sometimes have himself photographed walking into cages of lions.” —Professor Helen Rush (40:45)
Conclusion: The Path to a Totalitarian State
By early 1925, Mussolini had effectively dismantled Italy’s democratic institutions, paving the way for a totalitarian regime. The consolidation of power, the elimination of opposition, and the establishment of a pervasive secret police network laid the foundations for Fascist Italy's oppressive control. The episode concludes by highlighting the monument erected in Matteotti’s memory, symbolizing the enduring struggle against tyranny, and previews the next episode's exploration of Mussolini’s ambitious plans to reshape the international order alongside Adolf Hitler.
“The atrocity of Matteotti's murder has left an indelible mark on Italian political life, but to Mussolini, it was merely a stepping stone towards unassailable dictatorship.” —Professor Giulia Albanese (56:35)
Notable Quotes and Insights
Final Thoughts
"Murder in Broad Daylight" provides a comprehensive and nuanced examination of Mussolini's ruthless ascent to power, the systematic eradication of opposition, and the establishment of a totalitarian state in Italy. Through expert analysis, vivid storytelling, and the inclusion of personal anecdotes, the episode paints a detailed portrait of one of history's most notorious dictators, offering listeners an in-depth understanding of the dark underpinnings of Fascist Italy.
Stay tuned for the next episode, where Paul McGann explores how Mussolini, alongside Adolf Hitler, sought to reshape the global landscape by crushing Libya and invading Ethiopia, laying the groundwork for a new Roman Empire.