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B
There are kids in this world who are different.
C
Special.
B
They go to school in a place you can't find on a map. And they're about to get a new classmate.
D
Bruce?
E
What are you doing down here?
C
I came for you, of course.
E
You and Badgert. You tried before, but something kept you away.
C
Yeah, I guess whatever it was, it's got now. We should go inside the school.
E
No, wait. I need you.
C
And I'm here. I saved you from those nasty gator mods.
E
No, I mean it's Cyrus and the Anderses. See, It's a long story, but they were on that cliff up there.
C
I don't see a cliff.
E
That's because someone dropped it and them into the water.
C
Who would do something like that?
E
His name is Jude and he's the headmaster of this crazy school.
C
Headmaster? What does he want?
E
I'm not sure, but we don't have time. They're in the water somewhere and they need our help.
C
Yeah, I'm sure they're fine.
F
What?
E
They're not fine. Did you hear what I said?
C
They were dropped off a cliff. I heard you. But you know Cyrus and Monica and James. I mean, they have more lives than a cat. They'll survive. They always do.
E
Doesn't mean we shouldn't help them. What if they're out there struggling? You have a hoverboard?
B
I said no warning, warning. Brinley. I suspect that.
C
Huh?
E
Cybot.
G
Bruce.
E
Why did you. You're not Bruce. You're back to being Adam.
C
How's it going, Brin?
F
Brin.
D
No.
F
No.
C
Yes. Yes. I wasn't lying, though. I did here for you.
E
Let go of my hand.
C
I'm not trying to hurt you. In fact, it's just the opposite. I need to keep you safe.
E
Why? What do you want?
C
Oh, I want a lot of things. Power, redemption. Oh, a new pair of Jordans. But none of that has to do with you. See, I'm here because I got a very interesting phone call from a very interesting person.
E
What are you talking about?
C
Well, I was at Whittier Corp. Tower, trying to rid myself of Bruce once and for all, when out of the.
B
Blue, a ring, ring.
C
And on the other line is a guy with a rather posh British accent. Jude and only. And he says he's the one who brought me back from the mindless abyss that was life as Bruce Pastenak.
E
No, Bruce was happy.
C
Bruce was brainwashed. But Bruce. He's gone. Bye, bye now.
E
So you're just working for Jude?
C
I don't work for anybody. We're gonna be partners. And the first step in our partnership is me delivering you to his doorstep. So let's go, sis. Don't want to keep the headmaster waiting.
E
Let go of me.
H
Katie, I understand what you're going through, but you don't want to do this. I have no idea how my abilities work, and it could be really dangerous.
I
Yeah, like destroy everything and everyone dangerous.
D
Thanks for the warning, but I've got nothing left to lose now. How do you turn this thing on?
I
She's not listening to us.
H
She rarely does.
I
Reminds me of someone else I know.
D
If you say Brynlee, I swear.
I
What's your deal with Brynlee, anyway?
D
I don't want to talk about it. Maybe there's something in that booth up there that can get this show on the road.
H
Casey, you're making a mistake.
D
Wouldn't be the first.
F
Hey, kitty.
D
Mila? What are you doing down here? Where are you?
F
Oh, sorry. Yo.
I
Hey, Cam, is that you?
F
Different Camila. Wicked Casey, Right? With the electro powers.
A
Ah.
I
Just when I thought this couldn't get more complicated, the invisible girl shows up.
D
Out of my way, Mila.
F
I can't let you go in there.
D
Please. I know that you were brought here by Jude. To spy on me. But you said our friendship was real.
F
It was.
D
Well, if I really did mean something to you, I need you to help me to get back home.
F
You don't even know where your home is.
D
It's not here. That's all that matters.
F
Are you sure this is what you want?
D
I'm sure. Do you understand what it's like to feel like you don't belong? Like your whole life has been controlled by someone or something else?
F
You know I do. I was living my life with my family, minding my own business, when the headmaster took over my programming and made me come here to do his bidding.
I
Oh, news flash. We all know what it's like to have someone else pulling the strings.
D
Truth, Mila.
F
Okay, I'll help you. I think I know how to make it work.
D
Okay, go to the booth.
A
Casey.
H
Please don't. The door. It opens. It closes.
D
Pen, what's happening? Power the door, Mila.
F
Power.
D
Why is this happening to them?
F
Receiving.
I
Receiving. Receiving.
D
Mila.
F
I'll keep her away, Headmaster. As you wish. Oh, no.
D
Not you two. What's happening?
G
Hello, Katie.
F
Jude.
D
Or should I call you Headmaster Jude?
G
Fine. I know you were hoping to get into this booth to start the procedure. Sorry I beat you to it.
D
I just want to go back to wherever I came from. Wherever you took me from.
E
Send me back, Jude.
A
Now.
B
Mom, dad?
D
I'm here, Cyrus.
B
Me too.
H
But where is here?
B
Looks like a cave.
D
How did we get here?
E
Oh, you know, when you fall into the ocean, it helps to know a mermaid.
F
Hey, dad.
A
Mom. Sigh.
E
You saved us.
B
I mean, not by yourself. Mr. Board and I helped with the airlift part. Hey, everybody.
E
It's so good to see you guys.
B
How did you know to find us? Unfortunately, we followed Adam here.
A
You mean Bruce.
D
No, we mean Adam.
C
Oh, no.
I
Oh, yes.
B
Well, at least we're finally together again. Yeah. But I have a feeling this means whatever Jude's plan has been all along, we're in the end game now.
D
Now.
G
Katie, you being here wasn't part of anyone's plan.
E
Great.
D
So my whole life is one big mistake.
G
Started that way. But you've proven yourself very valuable.
A
How?
D
Why did I end up here?
G
Well, it's a long story, and I'm not ready to share it all, but let's just say you. Well, the older version of you came down to elixir key on a mission many years ago. And when your mission got in the way of ours, there were issues. Issues that were unfortunately exacerbated when the adult Cadence Cavendish went through that portal and the six year old you emerged.
D
Then let's make it right.
E
Switch us back, Jude.
D
Open the portal.
E
Fix the mistake.
G
I'm afraid that only one of those things is going to happen today.
D
What are you gonna do?
G
Excuse me. Katie, time to step out of the booth. It appears our guest of honor has arrived.
E
Let me go, you stupid bucket of balls.
G
Adam, it's lovely to meet you in person.
C
If you say so.
G
Hello, Brinley. I'm so pleased you're here.
D
You.
E
You killed Cyrus. And Monica and James.
G
I gave them fair warning, and they didn't listen. But none of that matters now that we're together. And always will be.
A
Hey, now that you've listened to this week's episodes, head on over to the GZM rewind feed to hear me and the creators talk about the latest episodes with special guests including cast members and superfans.
F
Shh.
E
It's starting.
H
GZM shows imagination amplified.
Date: December 21, 2023
Podcast: Six Minutes (GZM Shows)
Episode: S3 E68
This high-stakes episode marks the start of the endgame for the series' heroes. The main storyline revolves around Holiday and her friends as their ongoing conflict with the enigmatic headmaster, Jude, and his powerful new ally, Adam, comes to a boiling point. Characters are pushed to their limits, loyalties are tested, and the mystery of Katie’s origins deepens, setting up an epic confrontation and some emotional reckonings.
(01:53-05:05)
(05:18-07:37)
(07:37-09:08)
(08:16-09:08)
(09:24-10:21)
(10:21-11:10)
The episode maintains the show’s trademark blend of suspense, rapid-fire dialogue, and a touch of humor amidst darkness. Character relationships are at the forefront, with moments of loyalty, betrayal, and reluctant alliance underscoring the gravity of the endgame.
Perfect for fans eager to unravel the mysterious past of Holiday and Katie, “Time for the Beginning of the End Game” sets the stage for intense revelations and showdowns. The stakes have never been higher.