S4 E10: Out of Time, Live! - Six Minutes

Summary6 min read

Six Minutes - Season 4, Episode 10: "Out of Time, Live!"

Podcast Information:

Title: Six Minutes
Host/Author: GZM Shows
Episode: S4 E10: Out of Time, Live!
Release Date: November 26, 2024
Description: In this thrilling episode, the story of eleven-year-old Holiday continues as she navigates her mysterious past and burgeoning abilities, uncovering deeper conspiracies that threaten her newfound reality.

Episode Overview

In "Out of Time, Live!", the tenth episode of Season 4 of Six Minutes, listeners are taken on a high-stakes adventure that blends suspense, supernatural elements, and heartfelt character development. This episode marks a pivotal moment in the series, revealing critical information about Holiday’s origins and the enigmatic organization, Whittier Corp., that seeks to exploit her abilities. Additionally, the episode features a metanarrative segment where the creators discuss the creation of a pivotal song, adding a layer of depth to the storytelling.

Plot Summary

1. The Helicopter Chase [00:XX]

The episode opens with Holiday and her ally, Cyrus, in a tense confrontation. Holiday reveals fragments of her memory, stating, "Cyrus, bring me. I got my memory back. Me too." (00:XX). It becomes clear that both are trapped in 1989, an era fraught with danger as agents from Whittier Corp. attempt to capture them.

As the tension escalates, Holiday and Cyrus decide to confront their pursuers head-on. Holiday exclaims, "This is crazy. So crazy you jumped out of a helicopter and landed on me." (00:XX), highlighting the desperate measures they've taken to evade capture. The duo faces off against the child-catching agents, with Cyrus noting, "How did I know you're here? You're not even born yet." (00:XX), emphasizing the temporal anomalies at play.

2. On Stage with Simon Andre [00:XX]

To divert their pursuers, Holiday and Cyrus hatch a plan to perform live on stage. Cyrus suggests, "I guess we give them a show." (00:XX), indicating their strategy to use a media appearance as a cover. They enlist Simon Andre, a local pop star, to help them execute this plan.

During the performance, the tension reaches its peak as Whittier Corp. agents attempt to seize Cyrus and Brinley, another key character. Katie, caught up in the chaos, tries to sabotage their efforts, resulting in a dramatic showdown. "Katie, what are you doing on stage? Singing backup, just like you." (00:XX) Holiday confronts her, leading to revelations about Katie's true allegiance and her involvement with Whittier Corp.

3. Confrontations and Revelations [00:XX]

The climax of the episode sees Holiday and Cyrus uncovering more about their past and the intentions of Whittier Corp. Holiday accuses Katie, "I need to know, were you working for Whittier Corp, helping them kidnap Cyrus?" (00:XX), to which Katie denies involvement, sparking doubts about her true motives.

As the narrative unfolds, Holiday confronts her fragmented memories, stating, "I remember chasing a feeling... I’m out of time." (00:XX), symbolizing her internal struggle and the external pressures closing in on her.

Character Development

Holiday: This episode delves deep into Holiday's psyche, exploring her fragmented memories and the emergence of her supernatural abilities. Her determination is evident as she navigates the complexities of her past and present, showcasing growth from a confused child to a resolute leader.

Cyrus: Cyrus's character is further fleshed out as his connection to Holiday and his own mysterious origins come to light. His strategic thinking in devising plans to evade capture underscores his importance to the narrative.

Katie: Katie's ambiguous allegiance adds tension to the storyline. Her actions on stage blur the lines between friend and foe, leaving listeners questioning her true intentions.

Simon Andre: As a pop star caught in the crossfire, Simon Andre's character provides both comic relief and critical assistance to Holiday and Cyrus. His collaboration in the live performance exemplifies the unexpected alliances formed in high-stakes situations.

Key Discussions and Insights

1. Temporal Anomalies: The episode intricately weaves the concept of time travel, with characters caught between different eras. This not only serves as a plot device but also explores the philosophical implications of time manipulation and its effects on personal identity.

2. Whittier Corp.'s Agenda: Whittier Corp. emerges as a formidable antagonist, with their motives gradually unveiled. Their obsession with capturing Holiday suggests a deeper, possibly nefarious plan that threatens the balance of power concerning supernatural abilities.

3. The Power of Memory: Holiday's journey is significantly influenced by her quest to reclaim her memories. The episode emphasizes how memory shapes one's identity and the lengths one might go to preserve or recover it.

4. Music as a Narrative Tool: The inclusion of Simon Andre's live performance and the behind-the-scenes discussion about the creation of the song "Out of Time" highlight the role of music in storytelling. It serves as both a narrative device and a meta-commentary on the show's production process.

Notable Quotes

Holiday: "How did I know you're here? You're not even born yet." (00:XX)
Holiday: "I need to know, were you working for Whittier Corp., helping them kidnap Cyrus?" (00:XX)
Creator David Kreizman: "With stuff like this, where it's supposed to be of a time and a little bit kind of tongue in cheek, you have to be careful not to get too deeply stuck into it." (XX:XX)
Creator Chris Terry: "When I start out, I start out with the drum groove that's on maybe one of the best 80s pop tunes ever." (XX:XX)

Behind the Scenes: Creation of "Out of Time"

At the conclusion of the episode, listeners are treated to an exclusive segment where Jess, Chris Terry, and David Kreizman discuss the creative process behind Simon Andre's hit single, "Out of Time."

1. Inspiration and Conceptualization: David Kreizman shares, "I thought I had that idea of what if during the time that Cyrus was gone, he was a pop star and a one-hit wonder in Germany." (XX:XX). This sparks a collaborative effort to blend 80s pop aesthetics with the show's narrative.

2. Musical Composition: Chris Terry elaborates on the technical aspects, noting, "I started out with the drum groove that's on maybe one of the best 80s pop tunes ever," referencing the importance of rhythm in capturing the era's essence. The team meticulously aligned the song's tempo to 120 beats per minute, a staple in 80s dance music, ensuring authenticity.

3. Lyric Development: Ben, another creator, contributed to the lyrics, transforming initial rhythmic ideas into coherent storytelling that aligns with the episode's themes of memory, time, and destiny.

4. Collaborative Effort: The segment highlights the seamless collaboration among the creators, emphasizing the spontaneity and creativity that drive the show's innovative soundtracks. "It was so fast. I sent it to Dave. I'm like, what do you think of this?" (David Kreizman, XX:XX).

5. Final Production: The completed song not only enhances the episode's emotional depth but also serves as a bridge between the show's fictional universe and its real-world production, fostering a deeper connection with the audience.

Conclusions and Future Directions

"Out of Time, Live!" serves as a cornerstone in Season 4 of Six Minutes, expertly blending high-octane action with profound character development and innovative storytelling techniques. The episode sets the stage for future confrontations with Whittier Corp., promising further revelations about Holiday's past and the true extent of her abilities.

The behind-the-scenes insights into the creation of "Out of Time" enrich the viewing experience, offering fans a glimpse into the creative minds behind the show. This meta-narrative not only celebrates the collaborative spirit of Six Minutes but also underscores the importance of music in enhancing the narrative tapestry.

As Season 4 progresses, listeners can anticipate more intricate plot twists, deeper explorations of temporal dynamics, and the continued evolution of beloved characters. "Out of Time, Live!" not only captivates with its immediate thrills but also lays a robust foundation for the unfolding saga of Holiday and her quest for identity and freedom.

Stay Connected: For more behind-the-scenes content, exclusive interviews, and early access to episodes, visit GZM Shows and subscribe to Six Minutes on your favorite podcast platform.

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[00:02]
Ryan Reynolds
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Atlassian makes the team collaboration software that powers enterPR, including over 80% of the Fortune 500. With Atlassian's AI powered software like Jira, Confluence and Loom, you'll have more time to do the work that matters. In fact, Atlassian customers experience a 25% reduction in project duration per year. Unleash the potential of your team@atlassian.com Atlassian need a last minute gift for the holidays? Then check out all the new stuff at our GCM shop. We released tons of real Simon Andre merch to go along with the real Simon Andre song we released called out of. That's the song you're hearing right now. You can stream it wherever you get music. We've got official band merch for Simon Andre including a totally retro looking poster of his 1989 concert in Berlin. It looks literally amazing. You should go to gzmshows.com shop just to check out this poster. It is that cool looking. Go to gzmshows.com shopnow and get a gift that any superfan would love. That's gzmshows.comshop. hey it's Jess. We have something a little special for you at the end of this episode. Stay tuned to the end to hear me, Chris Terry and David Kreizman talk about the song out of Time and hear the whole song out of Time. Enjoy. There are kids in this world who are different special. They fell through a portal and got lost in the 80s and now their time is running out. Cyrus bring me. I got my memory back. Me too. Oh oh oh. It's you and me, Sile. And we're in 1989. I know. This is crazy. So crazy you jumped out of a helicopter and landed on me. I had to. The pilot, he was a child catcher. What? Whittier Corp. Is here. They were trying to kidnap me, I think. How did I know you're here? You're not even born yet. I don't know. It doesn't make any sense. But we have to find a way out of here. Simon, come on. Let's go. Gunnar, play. What do we do now? I guess we give them a show. Is it time to reimagine your future? The right business skills may make a difference in your career. At Capella University, we offer a relevant education that's designed to focus on what you need to know in the business world. We'll teach professional skills to help you pursue your goals, like business management, strategic planning, and effective communication. And you can apply these skills right away. A different future is closer than you think with Capella University. Learn more at Capella. Edu. Here's your microphone headset. Simon, here's your keytar. A keytar? What's a keytar? It's a keyboard you wear around your neck. Just press the buttons. Will you be my backup singer? I'd love to. You got this. Okay. Always wanted to be a rock star. Since when? Oh, you're right. I definitely didn't. Hello, Berlin. It's been a long time. Um, tonight we celebrate peace, love and freedom. Neon lightning I see fragmented there's no tomorrow? Door snaps shut? Trapped in a memory? Clock is ticking? Its sound rhythm? He's pretty good. It's a little dated, but I like it. Something about his voice really touches me. Same. Hey, you want to see if we can sneak backstage and meet Simon? Andre. After you. Excuse me. Excuse me. Sorry. Let me slip away? You will find me? Dancing with destiny behind you? Monsters of yesterday? What are you doing? Katie? Oh, hello. Don't hello me. You were supposed to stop Cyrus from getting out of the helicopter. You failed. Brinley got in the way of the pyro. Well, we've got a plan B. The helicopter is going to land on the stage when the song is over. Get out there and make sure Cyrus and Brinley are on board. I'll do my best. Get him on the helicopter. Get him on the helicopter. Katie, what are you doing on stage? Singing backup, just like you. Cyrus doesn't need you to back him up. And neither do I. Too bad. I remember, by the way. Remember what? Everything. Everything? Everything, Everything. Oh, I Need to know, were you working for Whittier Corp, helping them kidnap Cyrus? I don't know what you're talking about. Cyrus the Hel. And now I am out of time. Hi, I'm Jess. If you don't know me, I work for GZM shows and I'm here with Chris Terry and David Kreisman, the creators of Six Minutes. Hello. Hello. Hello. I don't know if you also have our own podcast. Yes, exactly. Yeah, we have our own podcast called GZM Rewind. We wanted to hop on here to talk about the creation of that fantastic song you just heard. What do we do on GZM Rewind, first of all, and talk about what we do on GZM Rewind, which is recap episodes of 6 minutes and your other favorite GZM show break down behind the scenes stuff. Hot takes on the behind the scenes of your favorite show. Exactly. Hot takes. Hot takes. It's full of hot takes. I'd say. Like this one. Like this one. If you really enjoyed this episode, you could go over to the GZM Rewind right now. Listen to our commentary on it featuring Zeph Buffay, AKA Simon Andre himself. Simon. AKA Simon Andre. Exactly. AKA Saibot. But for now, we're just gonna chat a little bit about that song. So, guys, what was it like to make that song? What was the beginning process? Whose idea was it? It was my idea. Yeah. When we started the season. I mean, look, we're not gonna beat around the bush here. I think it kind of came from, though, Dave inspired the end of season three, Right. When we were doing the. When you. I think that's right. We decided we were going to play. Yeah. And then I thought I had that. The idea of what if during the time that Cyrus was gone, he was a pop star and a one hit wonder in Germany. And so I wrote to Chris and I was like, had this idea. You think you could come up with a. With an 80s Germany pop song for Cyrus? Chris. I was examples of like, what that could be and stuff. I talked about Phineas and Ferb. Did an episode where the dad is. Yeah, that was. That was a big touch point. That's perfect. Moto, I think is. Yeah. So I was thinking about that and then. Yeah, then Chris ran with it. Yeah. You know, with stuff like this, where it's supposed to be of a time and a little bit kind of tongue in cheek, you have to be careful not to get too deeply stuck into it. And so you just need to, like, put it out. You just need to get it done. And I think I did it in probably half an hour. It was so fast. I sent it to Dave. I'm like, what do you think of this? Yeah, I think I did in half an hour. So what I sometimes do with this is I start with a song that represents to me everything that the 80s is. And I think there's one song in particular that is. Well, there's a couple tunes that I thought about when doing this. But when I first started out, I started out with the drum groove that's on maybe one of the best 80s pop tunes ever. This is the groove for the show. Right, Right. Oh, I thought it. I thought it might be that. Right. It's the same tempo because all the. All the tunes were the same tempo. Everything was 120 beats per minute in those days. Yeah. There was, like, a very specific, very small window that you could have the tempos of tunes, because that's like the dance. That's like the dance tempo. If it's 125, it's too fast. You had to be able to do this, too. Yeah. If it's 118, it's too slow. So 120. Dave just did a funny dance for those who are listening. Yeah. 120 beats per minute was like Courtney Cox and Dancing in the dark. Yeah. 120 beats per minute was like what everything was. And that's why when you open up Pro Tools, it's automatically set to 120. No way. That's the music history right there. So just did that and then just started. I think I came up with whatever the synth part is, and it's. Just threw it all together. And then like Dave Waker said before that the coolest part of my job is that I just get to go, hey, what if Cyrus had a pop song from. And then they just do it. And then like, an hour later, there it is. That is. That is like we were talking about in the show in our rewriting episode. Yeah. Basically, when I sent it to Dave, I just had rhythmic lyrics, you know, me just singing it. And then. And then I had the bridge, I think, lyrics and stuff. But then I sent it to Ben because Ben has experience writing lyrics for a lot of. Ben is another GZM show's creator. Yeah. And so he did the lyrics, and then we just sort of threw it together. And that's what you hear. Yeah. And we had a great time just chatting with Zeff right before this. And it was fun to say, like, how did you feel about singing? And he does not have a music background and absolutely killed this. But he did mention that, of course, we have two other actors in this show who have been on Broadway, so. Ava, he was singing with them. All three of them were there together. Yeah, yeah, yeah, yeah, yeah. The other touchpoint for this song was rock me Amadeus. Oh, the Amadeus. Yeah. That was like. That was. That was a big touch point. So something. So, you know, a lot of times it's like you just gotta get the feel and the vibe of what it is and put the right instruments together and then. Yeah. Well, it's great. Shall we listen to it? Let's listen to it. Let's check it out. And if you enjoyed this, head on over to gzm. Rewind and subscribe so you don't miss another episode. And if you really like the song, go stream it on whatever music platform you like. Streaming on neon lightning? I see a shadow fragmenting? There's no tomorrow door slam shut? Trapped in a memory Clock is ticking Its sound of rhythm Stars dimming? More than a feeling I reach out but you go dancing on? And now I'm out of time? I remember chasing a feeling I sparkled Searching for answers hope reading? Don't let me slip away? You will find me dancing with destiny behind you Monsters of yesterday won't Travis in their eternity? Cause we'll be out of time? Time? I'm going going out of my mind? You left me out of time? Cause I'm out of my mind? You left me out of time? Blinds.com's Cyber Monday last chance is happening now. Don't miss out on up to 45% off sitewide. A blinds.com design expert can help you make the perfect selection on your schedule. We can handle everything from measure to your whole home installed for one low cost. With over 25 million windows covered, blinds.com is the number one online retailer of custom window coverings. Save up to 45% sitewide plus a free professional measure right now at blinds.com rules and restrictions may apply. You're tuned in to WGZM. And up next is the new hit single from Simon Andre. Simon Andre's new hit single out of Time. Hot off his surprise comeback in Germany, Simon Andre sings the song of the summer in out of Time. It's available now wherever you get your music. Look on Spotify, Apple, and TikTok. I want to tell you more but I'm out of time.