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A
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B
There are kids in this world who are different.
C
Special.
B
They fell through a portal and got lost in the 80s, and now their time is running.
D
This blindfold is really so pointless. Guys, I know Holiday Corp like the back of my hand.
E
What's Holiday Corp?
D
Fine, Whittier Corp. Whatever. I know where I am. We're in the hallway headed to the East Bay elevators. We just passed the second elevator, left of the men's room. I'm telling you, you're not gonna surprise me.
E
Okay, smarty pants, where are we now?
D
The infamous interrogation room. We go way back.
E
Leave me alone with the prisoner.
F
Not happening. We under strict orders to stay with him at all times.
E
What you meant to say is you'd be happy to give us our privacy.
F
Of course we would. Not sure why I said we wouldn't. Let's go. Man.
D
That was easy.
E
Here, let's take off that blindfold. Have a seat, Cyrus. Get comfortable. You like Pepsi Free?
D
I'll let you know after I try it. I see they never changed. The decor in here looked exactly the same in 2019. You should see how much cheerier everything gets once my family revamps this place.
E
Is this all some big joke to you?
D
No. Not at all. Just reminiscing about the past. Future. You really look at things differently when you know how they turn out. Like you, for example. Wonder what turns you into a normie.
E
A what?
D
Well, future Angelica Graves is a menace. But thankfully, she doesn't have your powers.
E
My name is Angel. And whatever she is, I'm not.
D
Uh. Why are you touching me?
E
Better use my powers while I still have them.
D
You think putting your hands on my head is going to magically make me forget what I know about your future?
E
No. But it's going to tell me what you're doing here in 1989. How you got here, what you're after. Now. Focus, Cyrus.
D
Oops. Ah.
E
You have the rock, don't you? The one from Florida. That's why I can't get inside your head.
D
Pretty sure it's not a rock. It's a chunk off a building in a place called Elixir Academy. The walls were designed to protect certain staff members from the powers of certain special kids. Like you.
E
Give it to me. Before I have those dear sweet guys you call child catchers come back in here and take it from you.
D
I'd be happy to. But see, the rock is pretty much gone.
E
What?
D
During our flight from Germany, I broke it into a bunch of little pieces and smoothed them out real nice. See why? Seemed like a good way to pass the time. And also to make them go down easier.
E
No.
A
Yup.
D
Now let's try that Pepsi Free.
E
Stop.
D
Pretty tasty soda. Too bad it doesn't survive. But it sure helped those pebbles go down smooth.
B
You never stopped writing to me. Yes, Brinley.
C
Check it out.
E
We're saved.
A
Huh?
C
Two count em, two passports. Cadences. I just need to fudge the year she was born and put a new photo in. And look, a second fake passport with a different name. Get ready to return to Alaska. Gretchen Gunderschmidt.
B
You actually look more like a Gretchen than a Brinley.
C
And you could still add with a gift when you introduce yourself. Hey, are you crying?
B
All these shoeboxes. They're filled with letters from my mom to me. She must have written one every week all those years. She talks about how much she misses me and wishes she could get back home. But how doing that would put me in danger. It sounds like the only way she could keep me safe was to Day in 1989.
C
Great. So now you know.
B
We should get to the airport. You don't get it, Katie. For years, I thought my mom abandoned me. That she didn't miss me or love Me, I was so sure that's how she felt. That I just closed my heart off to her. And I mean, let's be real. I'm rarely, if ever wrong. I guess if I had to be wrong about something, something. I'm glad it was this. Listen, I need you to know I'm so.
C
Time to go.
B
Sorry.
C
I'm going down to hail a taxi.
B
Stop, please. Can we please talk about this?
C
We have nothing to discuss beyond getting back to the States. For the millionth time, I'm not your mom.
B
But you are. And I feel so guilty that I.
C
I said I'm leaving. If you aren't there when I get in that cab, you can find your own way to the airport.
B
Katie, wait. Alright, I'm coming. Let me just grab the time phone and a couple photos. One of the shoe boxes. Maybe two. I'm so glad I found you here, Mom. Now I'm going to find you for real. You and Cyrus.
E
How could you swallow that rock? You have no idea what it'll do to you.
D
You're right, I don't. But I'm willing to risk it if it'll stop you from trying to control me.
G
Excuse me, Miss Angel?
E
Yes, Ivan.
D
Ivan, my man, you sound so. Is young the right word?
G
You have been requested to leave Mr. Anders alone for the moment.
E
But we're just getting started.
G
Shall I let Beta know you refuse?
E
Yes.
D
No.
E
Wait. Fine. I'm leaving. But I'll be back.
D
You just saw the Terminator, didn't you?
A
Ah.
E
I so hate you.
D
Ivan, you still here? No. Guess it's just me. Me and my stomach full of rock. Hey, angel, can I get another Gypsy free?
H
Ivan, can you oblige our guest, please?
G
Yes, sir.
H
Hello, Silas. It's an honor to finally meet you. Allow me to introduce myself.
D
My name is Dr. J.P. whittier.
A
Hey. Now that you've listened to this week's episodes, head on over to the GZM rewind feed to hear me and the creators talk with special guests, including cast members and super fans.
G
Shh.
B
It's starting.
F
GZM shows imagination amplified.
Release Date: Dec 31, 2024
Podcast: Six Minutes
Host/Production: GZM Shows
In this suspenseful episode, Out of WhittierCorp’s History Books, the story weaves between interrogations, emotional reunions, and mysterious powers as the young protagonists continue to untangle the secrets of WhittierCorp’s past—this time, with a detour to 1989. Cyrus finds himself captured, facing off with Angel (a young Angelica Graves), while Brinley uncovers the truth about her mother’s love and sacrifice. The episode deepens the show's signature mix of sci-fi intrigue and heartfelt family drama.
Location & Setup: Cyrus is led, blindfolded, through the familiar halls of WhittierCorp, recognizing his surroundings despite attempts to disorient him.
Angel vs. Cyrus: Angel (young Angelica Graves) tries to interrogate Cyrus, wishing to discover how he arrived in 1989 and the nature of the mysterious “rock” he carries.
Notable Quote – Cyrus’s Sarcasm:
Tense Stand-off:
Finds Mother’s Letters:
Forging Identities & Reunion Plans:
Angel’s Waning Powers:
Ivan’s Intervention:
Enter Dr. J.P. Whittier:
The episode maintains the series’ balance of suspense and emotional intensity, mixing humor (“Pretty tasty soda. Too bad it doesn't survive.”), brave defiance (Cyrus’s banter under threat), and moments of vulnerability (Brinley’s discoveries). The dialogue is fast-paced but deeply expressive, giving a strong sense of both the stakes and the personalities involved.
Out of WhittierCorp’s History Books is a pivotal episode that layers tension, character revelations, and the evolving timeline. With Cyrus risking his safety to shield himself from Angel, Brinley gaining closure about her past, and the imposing Dr. Whittier finally stepping into the light, listeners are left on the edge, eager for what comes next.