← Stories Podcast: A Bedtime Show for Kids of All Ages
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- [00:01]
Amanda Weldon
Hello. Welcome to Stories Podcast. I'm your host, Amanda Weldon. Today's story is a chapter from the classic novel Anne of Green Gables by Lucy Maud Montgomery. We have Stories podcast merch, available@storiespodcast.com shop. We're also on Cameo for all of your personalized video message needs. And don't forget to follow us on Instagram oriespodcast. If you send us a drawing of your favorite scene or character, we'll share it on our feed. Now, here's a word from our sponsors. Before we dive into today's tale, here's something magical for our listeners. Imagine turning the adventures you hear about from Stories into real life experiences with Groupon. Your family can discover activities that mirror the tales we share, like visiting a castle, exploring a zoo, or crafting your own masterpiece in an art class. When I checked out Groupon offerings in my area, I saw an amazing deal on a whale watch right nearby. My family and I will definitely be doing that this summer. Your next magical family day might be hiding in the Groupon app too, just waiting to be discovered. Groupon is offering our listeners a very special promotion to get your adventure started. Use code STORIES30 to get 30% off when checking out at Groupon before May 31st. That's code STORIES30. Adventure is just around the corner. Is your child way ahead of their.
- [01:28]
IXL Sponsor
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- [02:06]
Amanda Weldon
How cool.
- [02:07]
IXL Sponsor
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- [02:51]
Amanda Weldon
Thanks. Enjoy the episode. Chapter 2 Matthew Cuthbert is Surprised Matthew Cuthbert and the sorrel mare jogged comfortably over the eight miles to Bright River. It was a pretty road running along between snug farmsteads, with now and again a bit of balsamy fir wood to drive through, or a hollow where wild plums hung out their filmy bloom. The air was sweet with the breath of many apple orchards, and the meadows sloped away in the distance to horizon, mists of pearl and purple, while the little birds sang as if it were the one day of summer in all the year. Matthew Cuthbert enjoyed the ride after his own fashion, except during the moments when he met women and had to nod to them, for in Prince Edward island you are supposed to nod to all and sundry you meet on the road, whether you know them or not. Matthew dreaded all women except Marilla and Mrs. Rachel. He had an uncomfortable feeling that the mysterious creatures were secretly laughing at him. He may have been quite right in thinking so, for he was an odd looking personage with an ungainly figure and long iron gray hair that touched his stooping shoulders, and a full soft brown beard which he had worn ever since he was 20. In fact he had looked at 20 very much as he looked at 60, lacking a little of the grayness. When he reached Bright river there was no sign of any train. He thought he was too early, so he tied his horse in the yard of the small Bright River Hotel and went over to the station house. The long platform was almost deserted, the only living creature in sight being a girl who was sitting on a pile of shingles at the extreme end. Matthew, barely noting that it was a girl, sidled past her as quickly as possible without looking at her. Had he looked, he could hardly have failed to notice the tense rigidity and expectation of her attitude and expression. She was sitting there waiting for something or somebody, and since sitting and waiting was the only thing to do just then, she sat and waited with all her might. And main Matthew encountered the station master locking up the ticket office preparatory to going home for supper, and asked him if the 5:30 train would soon be along.
- [05:15]
Matthew Cuthbert
The 5:30 train has been in and.
- [05:16]
Amanda Weldon
Gone half an hour ago, answered that brisk official, but there was a passenger dropped off for you, a little girl. She's sitting out there on the shingles. I asked her to go to the ladies waiting room, but she informed me gravely that she preferred to stay outside.
- [05:30]
Matthew Cuthbert
There was more scope for imagination, she said. She's a case, I should say. I'm not expecting a girl, said Matthew blankly. It's a boy I've come for. He should be here. Mrs. Alexander Spencer was to bring him over from Nova Scotia for me.
- [05:47]
Amanda Weldon
The station master whistled. Guess there's some mistake, he said. Mrs. Spencer came off the train with that girl and gave her into my charge, said you and your sister were adopting her from an orphan asylum and that you would be along for her presently.
- [06:01]
Matthew Cuthbert
That's all I know about it, and.
- [06:03]
Amanda Weldon
I haven't got any more orphans concealed hereabouts.
- [06:06]
Matthew Cuthbert
I don't understand, said Matthew, helplessly, wishing.
- [06:10]
Amanda Weldon
That Marilla was at hand to cope with the situation. Well, you'd better question the girl, said the station master carelessly. I dare say she'll be able to explain. She's got a tongue of her own. That's certainly maybe they were out of boys of the brand you wanted. He walked jauntily away, being hungry, and the unfortunate Matthew was left to do that which was harder for him than bearding a lion in its den. Walk up to a girl, a strange girl, an orphan girl, and demand of her why, she wasn't a boy. Matthew groaned in spirit as he turned about and shuffled gently down the platform towards her. She had been watching him ever since he had passed her, and she had her eyes on him now. Matthew was not looking at her and would not have seen what she was really like if he had been. But an ordinary observer would have seen this, a child of about 11, garbed in a very short, very tight, very ugly dress of yellowish gray. Wincey, she wore a faded brown sailor hat, and beneath that hat, extending down her back, were two braids of very thick, decidedly red hair. Her face was small, white and thin, also much freckled. Her mouth was large and so were her eyes that looked green in some lights and moods and gray in others. So far the ordinary observer, an extraordinary observer, might have seen that the chin was very pointed and pronounced, that the big eyes were full of spirit and vivacity, that the mouth was sweet lipped and expressive, that the forehead was broad and full. In short, our discerning, extraordinary observer might have concluded that no commonplace soul inhabited the body of this stray woman, child of whom shy Matthew Cuthbert was so ludicrously afraid. Matthew, however, was spared the ordeal of speaking first, for as soon as she concluded that he was coming to her, she stood up, grasping with one thin brown hand the handle of a shabby old fashioned carpet bag. The other she held out to him. I suppose you are Mr. Matthew Cuthbert of Green Gables, she said in a peculiarly clear, sweet voice. I'm very glad to see you. I was beginning to be afraid you weren't coming for me, and I was imagining all the things that might have happened to prevent you. I had made up my mind that if you didn't come for me tonight, I'd go down the track to that big wild cherry tree at the bend and climb up into it to stay all night. I wouldn't be a bit afraid. And it would be lovely to sleep in a wild cherry tree all white with bloom in the moonshine, don't you think? You could imagine you were dwelling in marble halls, couldn't you? And I was quite sure you would come for me in the morning if you didn't tonight. Matthew had taken the scrawny little hand awkwardly in his. Then and there he decided what to do. He could not tell this child with the glowing eyes that there had been a mistake. He would take her home and let Marilla do that. She couldn't be left at Bright river anyhow, no matter what mistake had been made. So all questions and explanations might as well be deferred until he was safely back at Green Gables.
- [09:16]
Matthew Cuthbert
I'm sorry I was late, he said shyly. Come along.
- [09:21]
Amanda Weldon
The horse is over in the yard. Give me your bag. Oh, I can carry it, the child responded cheerfully. It isn't heavy. I've got all my worldly goods in it, but it isn't heavy, and if it isn't carried in just a certain way, the handle pulls out. So I'd better keep it, because I know the exact knack of it. It's an extremely old carpet bag. Oh, I'm very glad you've come, even if it would have been nice to sleep in a wild cherry tree. We've got to drive a long piece, haven't we? Mrs. Spencer said it was eight miles. I'm glad because I love driving. Oh, it seems so wonderful that I'm going to live with you and belong to you. I've never belonged to anybody, not really, but the asylum was the worst. I've only been in four months, but that was enough. I don't suppose you were ever an orphan in an asylum, so you can't possibly understand what it's like. It's worse than anything you could imagine. Mrs. Spencer said it was wicked of me to talk like that, but I didn't mean to be wicked. It's so easy to be wicked without knowing it, isn't it? They were good, you know the asylum people. But there is so little scope for the imagination in an asylum, only just in the other orphans. It was pretty interesting to imagine things about them, to imagine that perhaps the girl who sat next to you was really the daughter of a belted earl who had been stolen away from her parents in her infancy by a cruel nurse who died before she could confess. I used to lie awake at nights and imagine things like that because I didn't have time in the day. I guess that's why I'm so thin. I am dreadful thin, ain't I? There isn't a pick on my bones. I do love to imagine I'm nice and plump with dimples in my elbows. With this, Matthew's companion stopped talking, partly because she was out of breath and partly because they had reached the buggy. Not another word did she say until they had left the village and were driving down a steep little hill, the road part of which had been cut so deeply into the soft soil that the banks, fringed with blooming wild cherry trees and slim white birches, were several feet above their heads. The child put out her hand and broke off a branch of wild plum that brushed against the side of the buggy. Isn't that beautiful? What did that tree leaning out from the bank, all white and lacy, make you think of? She asked.
- [11:36]
Matthew Cuthbert
Well, now, I don't know, said Matthew.
- [11:39]
Amanda Weldon
Why, a bride, of course. A bride all in white with a lovely misty veil. I've never seen one, but I can imagine what she would look like. I don't ever expect to be a bride myself. I'm so homely nobody will ever want to marry me, unless it might be a foreign missionary. I suppose a foreign missionary mightn't be very particular, but I do hope that someday I shall have a white dress. That is my highest ideal of earthly bliss. I just love pretty clothes, and I've never had a pretty dress in my life that I can remember. But of course it's all the more to look forward to, isn't it? And then I can imagine that I'm dressed gorgeously. This morning when I left the asylum, I felt so ashamed because I had to wear this horrid old Wincy dress. All the orphans had to wear them. You know. A merchant in Hopeton last winter donated 300 yards of wincy to the asylum. Some people said it was because he couldn't sell it, but I'd rather believe that it was out of the kindness of his heart, wouldn't you? When we got on the train, I felt as if Everybody must be looking at me and pitying me. But I just went to work and imagined that I had on the most beautiful pale blue silk dress, because when you are imagining, you might as well imagine something worthwhile. And a big hat, all flowers and nodding plumes, and a gold watch and kid gloves and boots. I felt cheered up right away, and I enjoyed my trip to the island with all my might. I wasn't a bit sick coming over in the boat. Neither was Mrs. Spencer, although she generally is. She said she hadn't had time to get sick watching to see that I didn't fall overboard. She said she never saw the beat of me for prowling about, but if it kept her from being seasick, it's a mercy I did prowl, isn't it? And I wanted to see everything that was to be seen on that boat because I didn't know whether I'd ever have another opportunity. Oh, there are a lot more cherry trees all in bloom. This island is the bloomiest place. I. I just love it already. And I'm so glad I'm going to live here. I've always heard that Prince Edward island was the prettiest place in the world. And I used to imagine I was living here, but I never really expected I would. It's delightful when your imaginations come true, isn't it? But those red roads are so funny. When we got into the train at Charlottetown and the red roads began to flash past, I asked Mrs. Spencer what made them red, and she said she didn't know, and for pity's sake not to ask her any more questions. She said I must have asked her a thousand already. I suppose I had, too. But how are you going to find out things if you don't ask questions? And what does make the roads red?
- [14:11]
Matthew Cuthbert
Well, now I don't know, said Matthew.
- [14:15]
Amanda Weldon
Well, that is one of the things to find out sometime. Isn't it splendid to think of all the things there are to find out about? It just makes me feel glad to be alive. It's such an interesting world. It wouldn't be half so interesting if we knew all about everything, would it? There'd be no scope for imagination then, would there? But am I talking too much? People are always telling me I do. Would you rather I didn't talk? If you say so, I'll stop. I can stop when I make up my mind to it, although it is difficult. Matthew, much to his own surprise, was enjoying himself. Like most quiet folks, he liked talkative people when they were willing to do the talking. Themselves and not expect him to keep up his end of it. But he had never expected to enjoy the society of a little girl. Women were bad enough in all conscience, but Matthew thought that little girls were worse. He detested the way they had of sidling past him timidly with sideways glances, as if they expected him to gobble them up at a mouthful if they ventured to say a word. This was the Avonlea type of well bred little girl, but this freckled witch was very different, and although he found it rather difficult for his slower intelligence to keep up with her brisk mental processes, he thought that he kind of liked her chatter. So he said as shyly as usual.
- [15:29]
Matthew Cuthbert
Oh, you can talk as much as you like. I don't mind.
- [15:32]
Amanda Weldon
Oh, I'm so glad. I know you and I are going to get along together fine. It's such a relief to talk when one wants to and not be told that children should be seen and not heard. I've had that said to me a million times, if I have once, and people laugh at me because I use big words. But if you have big ideas, you have to use big words to express them, haven't you?
- [15:52]
Matthew Cuthbert
Well, now, that seems reasonable, said Matthew.
- [15:55]
Amanda Weldon
Mrs. Spencer said that my tongue must be hung in the middle, but it isn't. It's firmly fastened at one end. Mrs. Spencer said your place was named Green Gables. I asked her all about it and she said there were trees all around it. I was gladder than ever. I just love trees. And there weren't any at all about the asylum. Only a few poor weeny teeny things out in front with little whitewashed cagey things about them. They just looked like orphans themselves, those trees did. It used to make me want to cry to look at them. I used to say to them, oh, you poor little things. If you were out in a great big woods with other trees all around you, and little mosses and June bells growing over your roots, and a brook not far away, and birds singing in your branches, you could grow, couldn't you? But you can't where you are. I know just exactly how you feel. Little trees. I felt sorry to leave them behind this morning. You do get so attached to things like that, don't you? Is there a brook somewhere near Green Gables? I forgot to ask Mrs. Spencer that.
- [16:55]
Matthew Cuthbert
Well, now, yes. There's one right below the house.
- [16:59]
Amanda Weldon
Fancy. It's always been one of my dreams to live near a brook. I never expected I would, though. Dreams don't often come true, do they? Wouldn't it be nice if they did. But just now I feel pretty nearly perfectly happy. I can't feel exactly perfectly happy because, well, what color would you call this? She twitched one of her long glossy braids over her thin shoulder and held it up before Matthew's eyes. Matthew was not used to deciding on the tints of ladies tresses, but in this case there couldn't be much doubt.
- [17:30]
Matthew Cuthbert
It's red, ain't it?
- [17:31]
Amanda Weldon
He said. The little girl let the braid drop back with a sigh that seemed to come from her very toes and to exhale forth all the sorrows of the ages. Yes, it's red, she said resignedly. Now you see why I can't be perfectly happy. Nobody could who had red hair. I don't mind the other things so much, the freckles and the green eyes and my skinniness. I can imagine them away. I can imagine that I have a beautiful rose leaf complexion and lovely starry violet eyes, but I cannot imagine that red hair away. I do my best, I think to myself. Now my hair is a glorious black, black as the raven's wing, but all the time I know it is just plain red, and it breaks my heart. It will be my lifelong sorrow. I read of a girl once in a novel who had a lifelong sorrow, but it wasn't red hair. Her hair was pure gold, rippling back from her alabaster brow. What is an alabaster brow? I never could find out. Can you tell me?
- [18:33]
Matthew Cuthbert
Well, now I'm afraid I can't, said.
- [18:36]
Amanda Weldon
Matthew, who was getting a little dizzy. He felt as he had once felt in his rash youth when another boy had enticed him on the merry go round at a picnic. Well, whatever it was must have been something nice, because she was divinely beautiful. Have you ever imagined what it must feel like to be divinely beautiful?
- [18:53]
Matthew Cuthbert
Well, now.
- [18:54]
Amanda Weldon
No, I haven't, confessed Matthew ingenuously. I have often. Which would you rather be, if you had the choice? Divinely beautiful or dazzlingly clever or angelically good?
- [19:08]
Matthew Cuthbert
Well, now, I. I don't know exactly.
- [19:12]
Amanda Weldon
Neither do I. I can never decide. But it doesn't make much real difference, for it isn't likely I'll ever be either. It's certain I'll never be angelically good. Mrs. Spencer says. Oh, Mr. Cuthbert. Mr. Cuthbert. Oh, Mr. Cuthert. That was not what Mrs. Spencer had said. Neither had the child tumbled out of the buggy, nor had Matthew done anything astonishing. They had simply rounded a curve in the road and found themselves in the avenue. The avenue, so called by the Newbridge people, was a stretch of road 4 or 500 yards long, completely arched over with hued wide spreading apple trees planted years ago by an eccentric old farmer. Overhead was one long canopy of snowy, fragrant bloom. Below the boughs the air was full of a purple twilight, and far ahead a glimpse of painted sunset sky shone like a great rose window at the end of a cathedral aisle. Its beauty seemed to strike the child dumb. She leaned back in the buggy, her thin hands clasped before her, her face lifted rapturously to the white splendor above. Even when they had passed through and were driving down the long slope to Newbridge, she never moved or spoke. Still with rapt face, she gazed afar into the sunset west with eyes that saw visions trooping splendidly across that glowing background. Through Newbridge, a bustling little village where dogs barked at them and small boys hooted and curious faces peered from the windows. They drove still in silence. When three more miles had dropped away behind them, the child had not spoken. She could keep silence, it was evident as energetically as she could talk.
- [20:56]
Matthew Cuthbert
I guess you're feeling pretty tired and.
- [20:58]
Amanda Weldon
Hungry, Matthew ventured at last, accounting for her long visitation of dumbness with the only reason he could think of.
- [21:05]
Matthew Cuthbert
But we haven't very far to go now. Only another mile.
- [21:08]
Amanda Weldon
She came out of her reverie with a deep sigh and looked at him with the dreamy gaze of a soul that had been wandering afar. Star led. Oh, Mr. Cuthbert, she whispered. That place we came through, that white place. What was it?
- [21:24]
Matthew Cuthbert
Well, now, you must mean the avenue.
- [21:26]
Amanda Weldon
Said Matthew after a few moments, profound reflection.
- [21:30]
Matthew Cuthbert
It is a kind of pretty place.
- [21:32]
Amanda Weldon
Pretty? Oh, pretty doesn't seem the right word to use. Nor beautiful, either. They don't go far enough. Oh, it was wonderful, wonderful. It's the first thing I ever saw that couldn't be improved upon by imagination. It just satisfied me. Here she put one hand on her heart. It made a queer, funny ache, and yet it was a pleasant ache. Did you ever have an ache like that, Mr. Cuthbert?
- [21:59]
Matthew Cuthbert
Well, no. I just can't recollect that I ever had.
- [22:02]
Amanda Weldon
I have it lots of times whenever I see anything royally beautiful. But they shouldn't call that lovely place the Avenue. There is no meaning in a name like that. They should call it, let me see, the White Way of Delight. Isn't that a nice, imaginative name? When I don't like the name of a place or a person, I always imagine a new one, and I always think of them so. There was a girl at the asylum whose name was Hepzibah Jenkins. But I always imagined her as Rosalia de Vere. Other people may call that place the Avenue, but I shall always call it the White Way of Delight. Have we really only another mile to go before we get home? I'm glad and I'm sorry. I'm sorry because this drive has been so pleasant, and I'm always sorry when pleasant things end. Something still pleasanter may come after, but you can never be sure, and it's so often the case that it isn't pleasanter. That has been my experience, anyhow. But I'm glad to think of getting home. You see, I've never had a real home since I can remember. It gives me that pleasant ache again just to think of coming to a really, truly home. Oh, isn't that pretty? They had driven over the crest of a hill. Below them was a pond, looking almost like a river, so long and winding was it. A bridge spanned it midway, and from there to its lower end where an amber hued belt of sandhills shut it in from the dark blue gulf. Beyond the water was a glory of many shifting hues, the most spiritual shadings of crocus and rose and ethereal green with other elusive tintings for which no name has ever been found. Above the bridge the pond ran up into fringing groves of fir and maple and lay all darkly translucent in their wavering shadows. Here and there a wild plum leaned out from the bank like a white clad girl tiptoeing to her own reflection. From the marsh at the head of the pond came the clear, mournfully sweet chorus of the frogs. There was a little gray house peering around a white apple orchard on a slope beyond, and although it was not yet quite dark, a light was shining from one of its windows.
- [24:11]
Matthew Cuthbert
That's Berry's Pond, said Matthew.
- [24:14]
Amanda Weldon
Oh, I don't like that name either. I shall call it, Let Me See, the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill when I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill? Matthew ruminated.
- [24:33]
Matthew Cuthbert
Well now, yes, it always kinda gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them.
- [24:42]
Amanda Weldon
Oh, I don't think that can be exactly the same kind of thrill. Do you think it can? There doesn't seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry's Pond?
- [24:54]
Matthew Cuthbert
I reckon because Mr. Barry lives up there in that house. Orchard Slope is the name of this place. If it wasn't for that big bush behind it, you could see Green Gables from there. But we have to go over the bridge and round by the pond, so it's near half a mile further.
- [25:09]
Amanda Weldon
Has Mr. Barry any little girls? Well, not so very little either. About my size.
- [25:14]
Matthew Cuthbert
He's got one abode 11. Her name is Diana.
- [25:19]
Amanda Weldon
Oh, what a perfectly lovely name.
- [25:23]
Matthew Cuthbert
Well now, I dunno. There's something dreadful heathenish bout. It seems to me I'd rather June or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana.
- [25:38]
Amanda Weldon
I wish there had been a schoolmaster like that around when I was born then. Oh, here we are at the bridge. I'm going to shut my eyes tight. I'm always afraid going over bridges. I can't help imagining that perhaps just as we get to the middle, they'll crumple up like a jackknife and nip us. So I shut my eyes, but I always have to open them for all when I think we're getting near the middle. Because, you see, if the bridge did crumple up, I'd want to see it crumple. What a jolly rumble it makes. I always like the rumble part of it. Isn't it splendid? There are so many things to like in this world. There. We're over. Now I'll look back. Good night, dear Lake of shining Waters. I always say good night to the things I love, just as I would to people. I think they like it. That water looks as if it was smiling at me. When they had driven up the further hill and around a corner, Matthew said.
- [26:26]
Matthew Cuthbert
We'Re pretty near home now. That screen gable's over.
- [26:29]
Amanda Weldon
Oh, don't tell me, she interrupted breathlessly, catching at his partially raised arm and shutting her eyes, that she might not see his gesture. Let me guess. I'm sure I'll guess right. She opened her eyes and looked about her. They were on the crest of a hill. The sun had set some time since, but the landscape was still clear in the mellow afterlight. To the west, a dark church spire rose up against a marigold sky. Below was a little valley and beyond a long, gently rising slope with snug farmsteads scattered along it. From one to another, the child's eyes darted eager and wistful. At last they lingered on one away to the left, far back from the road, dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal white star was shining like a lamp of guidance and promise. That's it, isn't it? She said, pointing. Matthew slapped the reins on the sorrel's back delightedly.
- [27:30]
Matthew Cuthbert
Well, now you've guessed it.
- [27:32]
Amanda Weldon
But I reckon Mrs. Spencer described it.
- [27:33]
Matthew Cuthbert
So'S you could tell.
- [27:35]
Amanda Weldon
No, she didn't really she didn't. All she said might just as well have been about most of those other places. I hadn't any real idea what it looked like, but just as soon as I saw it I felt it was home. Oh, it seems as if I must be in a dream. Do you know my arm must be black and blue from the elbow up, for I've pinched myself so many times today. Every little while a horrible, sickening feeling would come over me and I'd be so afraid it was all a dream. Then I'd pinch myself to see if it was real, until suddenly I remembered that even supposing it was only a dream, I'd better go on dreaming as long as I could. So I stopped pinching. But it is real and we're nearly home. With a sigh of rapture she relapsed into silence. Matthew stirred uneasily. He felt glad that it would be Marilla and not he who would have to tell this waif of the world that the home she longed was not to be hers after all. They drove over Lynde's Hollow, where it was already quite dark, but not so dark that Mrs. Rachel could not see them from her window vantage, and up the hill and into the long lane of Green Gables. By the time they arrived at the house, Matthew was shrinking from the approaching revelation with an energy he did not understand. It was not of Marilla or himself, he was thinking, or of the trouble this mistake was probably going to make for them, but of the child's disappointment when he thought of that wrapped light being quenched in her eyes. He had an uncomfortable feeling that he was going to assist at murdering something, much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it, and the poplar leaves were rustling silkily all round it. Listen to the trees talking in their sleep, she whispered as he lifted her to the ground. What nice dreams they must have. Then, holding tightly to the carpet bag which contained all her worldly goods, she followed him into the house. Tune in for another chapter next week. Today's story was a chapter of Anne of Green Gables, written for your by Lucy Maud Montgomery, edited and produced for you by Andrew Martin, and performed for you by me, Amanda Weldon. Thanks for listening.