After the Jacobson siblings win a life-changing fortune in the lottery, they assume their messy lives will transform into sleek, storybook perfection–but they couldn’t be more wrong.

The Jacobson children reunite when their newly widowed father puts their Jersey Shore beach house on the market. Packing up childhood memories isn’t easy, especially when each sibling is facing drama in their own life.

When Noah sees an ad for a Powerball drawing, he and his sisters, Laura and Sophie, go in on tickets while their brother Matthew passes. All hell breaks loose when one of the tickets is a winner and three of the four Jacobsons become overnight millionaires. It’s not long before the Jacobsons start to realize that they’ll never feel rich unless they can pull their family back together. (Penguin Random House)

Jackpot Summer was a USA Today bestseller, a Skimm Reads Pick and one of She Reads Most Anticipated Contemporary Fiction 2024.

Elyssa Friedland is the acclaimed author of Last Summer at the Golden Hotel, The Floating Feldmans, The Intermission and Love and Miss Communication. Elyssa is a graduate of Yale University and Columbia Law School and currently teaches novel writing at Yale. She lives with her husband and three children in New York City.

Elyssa reflects on how exotic American-born parents felt to her as a kid, and how 10/7 led to some last minute changes to Jackpot Summer.

Elyssa Friedland’s Five Books:

Find us on Instagram @fivebookspod

The Five Books has the advisory and promotional support of the Jewish Book Council. Jewish Book Council is a nonprofit dedicated to amplifying and celebrating Jewish literature and supporting authors and readers. Stay up to date on the latest in Jewish literature! https://www.jewishbookcouncil.org/events/celebrate

The Five Books is fiscally sponsored by FJC, a 501c3 public charity.

Hosted by Tali Rosenblatt Cohen

Produced by Odelia Rubin

Artwork by Dena Friedman

Music by Dov Rosenblatt and Blue Dot Sessions.

Elyssa Friedland on Being a First Generation American and Why Representation in Books Matters