
Today's Mystery: A middle-aged man reports that a beautiful young woman was murdered, though there is no body. Original Radio Broadcast Date: July 24, 1950 Originating from Hollywood Starring: Larry Thor as Lieutenant Danny Clover; Charles Calvert...
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Danny Clover
Sam.
Adam Graham
Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This is your host, Adam Graham. In a moment, we're going to get into this week's episode of Broadway's My Beat. But first I do want to encourage you if you're enjoying the podcast, to please follow us using your favorite podcast software. And today's program is brought to you in part by the financial support of our listeners. You can send a donation using the Zell app to box Thirteenreatdetectives.net and I want to thank Robert for supporting the podcast that way. Thank you so much for your support, Robert. You can also become one of our ongoing Patreon supporters for as little as $2 per month by going to patreon.greatdetectives.net but now, from July 24, 1950, you Here is the Celia Jordan murder case.
Narrator
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Danny Clover
Broadway's My Beat From Times Square to Columbus Circle, the gaudiest, the most violent, the lonesomest mile in the world.
Narrator
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Danny Clover
In the summer's heat, Broadway is a wasteland, sullen, a place of regret. It's a time when the breeze puffs in from the river, dies suddenly before it touches your dampened cheek. The time when you wake up already exhausted, then pause before your office door and consider arson. Broadway fans itself with a newspaper and finds fascination watching a fat fly crawl against a sweating window. The thing to do is give up. Except you've got a job. Except you've got to pay the rent. Pick up the check, buy the beer, leave the tip, meet the installment. July or not, you've got to make a living, kid. For my part, I would rather have been at Jones beach. But I wasn't. The apartment was expensive, but something had gone wrong. The upended furniture, the torn drapes, the slick paintings abstracted into crazy angles against the wall, the empty liquor bottles. The place was a mess, which included the man who Nagged at me.
Mr. Chelsea
You've been doing nothing but walk around. Say something to me so I'll know you're working.
Danny Clover
I'm working, Mr. Chelsea. I walk around and observe and jot little things down in this little book, and that's what I get paid for. You.
Mr. Chelsea
You don't care, do you? What do you care if someone's been killed? Slashed to death?
Danny Clover
Show me a body and I'll help you weep.
Mr. Chelsea
If you'd only listen to me. Stop walking around and hear what I've got to say.
Danny Clover
All right. Go ahead, Mr. Chelsea.
Mr. Chelsea
Something's happened to Celia.
Danny Clover
Celia Jordan. That's the name, isn't it? So I'll know.
Mr. Chelsea
Why don't you pay attention? Look at those spots over there. Blood. I'd say they were blood.
Danny Clover
Drunks have a habit of getting themselves nicked. I can show you statistics.
Mr. Chelsea
Something's happened to Celia.
Danny Clover
Mr. Chelsea. Why are you here? What are you doing in this apartment? I asked you that 10 minutes ago, and you told me something's happened to Celia. What are you doing here?
Mr. Chelsea
I had a date with her tonight. I have one with her almost every night.
Danny Clover
I see. Is this Ms. Jordan's photograph? She's young. About 22, I'd say. But then I'm not very good on guessing ages. For instance, I'd say you were about 53, 51. You see what I mean? I'm not very good about ages.
Mr. Chelsea
Something's happened.
Danny Clover
Don't do that again, Mr. Chelsea.
Mr. Chelsea
Well, something has, and I know why, too.
Danny Clover
Now I'll listen to you.
Mr. Chelsea
I've known Celia for three years. Met her at a banquet for my corporation stockholders. She was there because. Well, if you must know. Well, she was in a cake.
Danny Clover
You met her in a cake, Mr. Chelsea?
Mr. Chelsea
Well. Well, I pulled the ribbon that was attached to this big cake on the table, and Celia popped out.
Danny Clover
That sometimes happens.
Mr. Chelsea
And it was just about this time that Cliff went away.
Danny Clover
Cliff?
Mr. Chelsea
Cliff Moore. A boy that Celia used to know. He was in the army. Went overseas with the occupation forces three years ago.
Danny Clover
I see. And you took over.
Mr. Chelsea
Cliff is back now. Celia told me. She said she saw Cliff on the street and he recognized her. But she didn't recognize him.
Danny Clover
Oh. Why?
Mr. Chelsea
She found out Cliff was discharged for mental reasons. Something about he was hurt on maneuvers. Oh, I don't know.
Danny Clover
You're trying to say that this Cliff.
Mr. Chelsea
That this Cliff has done harm to Celia. That's what I'm trying to say.
Narrator
What about those blood stains?
Detective Mugavan
What do you think I'm saying?
Danny Clover
It could have Been nothing. Or it could have been what the man said. A violence unknown, unshaped, born and nurtured in the December love of the man for a woman. And finally, the violence, assuming its pattern and its texture. The room torn in anger, the room empty of the woman, the room stained with blood. The policeman has to make sure he calls the men from technical. And they come with their scales and their rules and the sharp little knives they scrape and measure and weigh. The blood is human blood. Does it equal death? That's an equation a policeman has to solve. At the hotel where Cliff Moore lived, they told me he'd checked out. No, he hadn't left a forwarding address. And that meant an all points bulletin on Cliff Moore and Celia Jordan. And in a few hours, a call from Detective Mugavan. A bartender on 3rd Avenue had recognized a picture of Celia Jordan. Would I care to come down and check? I cared.
Detective Mugavan
Hi, Danny.
Danny Clover
Oh, Mugavan. Which one recognized the picture?
Detective Mugavan
Charlie, over there. Hey, Charlie.
Bartender Charlie
Another suds coming up, Detective Mug.
Detective Mugavan
No, no Charlie, just you. No more beer.
Bartender Charlie
What'll it be, Detective Mug?
Detective Mugavan
This is Danny Clover, Charlie. The detective handling the case I was.
Danny Clover
Telling you about, Charlie.
Bartender Charlie
Well, I'm glad to know you, Danny.
Danny Clover
Mug tells me you recognize Celia Jordan's picture. Was she in here?
Bartender Charlie
Well, no, she was that and not alone with a man. And, well, she might be. She's that pretty.
Danny Clover
When was that?
Bartender Charlie
Oh, yesterday. Toward the cool of evening, in the twilight cocktail hour, they sat at that marble top table with the romantic crack in its surface.
Danny Clover
What time did they leave?
Bartender Charlie
Oh, around 8, I'd say. They were hungry, went off to eat.
Danny Clover
How do you know the girl was so pretty?
Bartender Charlie
I kept hovering around the table that way, willy nilly. I was forced eavesdropping.
Danny Clover
Were you forced to hear where they went?
Bartender Charlie
I was indeed. To Matthew's. The steakhouse on Second Avenue.
Waiter
It was.
Danny Clover
You waited on this girl? Hmm?
Waiter
I'm certain of it. Of course, yes.
Danny Clover
Was she with anyone?
Waiter
She was a young man, a nervous temperamental type. I'd classify him the way he handled his eating tools, the way he addressed himself to his food. All symptoms of.
Danny Clover
How long were they here?
Waiter
A modest time. They ate neither too quickly or too slowly. Rather rare in these times.
Danny Clover
How long?
Waiter
An hour and a half. An hour and 40 minutes. What does it matter one way or another?
Danny Clover
They left here around 10 o' clock. Mmm.
Waiter
Around 10 o' clock.
Danny Clover
Did you?
Waiter
Permit me to anticipate your question, friend. They left by cad. Yellow cad?
Bartender Charlie
Yeah, I picked him up at a stake joint on second. What's the matter? They committed something.
Danny Clover
Where'd you take them?
Bartender Charlie
To the girl's apartment on 63rd. Man tells me to wait. I wait an hour, an hour and.
Danny Clover
A half, two hours.
Bartender Charlie
My meter is a bloom with money. Donnie comes and spoils it.
Danny Clover
All alone.
Gino Tartaglia
All alone.
Bartender Charlie
I gather that they. What does it matter what I got anyway? I take the guy to the address he gives me.
Danny Clover
Where?
Bartender Charlie
The Suffolk Hotel on 70 Feast. He committed something.
Danny Clover
Yeah. Come on in.
Waiter
Well, don't stand there.
Danny Clover
Come on in. You're Cliff Moore.
Waiter
I'll close the door and sit down, will you?
Danny Clover
We've been looking for you, Cliff.
Waiter
Now, that's mighty nice.
Danny Clover
The police.
Waiter
Oh, I know. What? The census taker missed me.
Danny Clover
You know why we've been looking for you?
Waiter
Gosh.
Danny Clover
Huh?
Waiter
I don't know you well enough, so I said, gosh, that's because my cigarette just rolled off the table. Step on it, huh? Thanks. You were looking for me? Why?
Danny Clover
Because of Celia Jordan.
Waiter
She's coming back to me on bended knee and she's rousted the whole police department to find me. Good sweet four square. Celia?
Danny Clover
She's missing, Cliff. We found blood stains in her apartment.
Waiter
That guy, that Paul. Chelsea beat her up. Oh, I bet she had fun.
Danny Clover
Cliff, we know you were with Celia last night. We know you took her home, spent some time in her apartment.
Waiter
Swell, Swell.
Danny Clover
What happened between you and her yesterday?
Waiter
Walked and talked and sipped a few and had a steak. You know, boy and girl, hand in hand. The things magazine ads are made of.
Danny Clover
What happened in her apartment?
Waiter
Oh, sad times. She had a smile all rehearsed to drag out for the occasion. You're a nice boy, Cliff, and we did have fun. But you're broke. The best you can expect is 50 a week if you're your type of successful. Anyway, Cliff, there's the thing. She didn't know how to say it, so she called it the thing. She said it in capital letters.
Danny Clover
About what?
Waiter
I got a medical discharge from the army because? Or because I'm a nervous boy. Post war Germany made me nervous. Also a live landmine during maneuvers.
Danny Clover
What else?
Waiter
I don't know. So you can't find Celia, huh?
Danny Clover
No, we can't.
Waiter
When you find her, let me know if she needs any help.
Danny Clover
Sure. Don't run away, Cliff.
Waiter
You kidding? I sit here and run away all the time because I'm a nervous boy.
Gino Tartaglia
Look what I got on the tray, Danny. Nice surprise, huh?
Danny Clover
Huh?
Gino Tartaglia
Come on, sit down. Danny and I will cater to you. Iced tea. Danny, look. Boiled Hot water. Courtesy the lab boys with their Bunsen burners. Jewels of ice. Courtesy the deft hand of Gino Tartaglia. Per learning from a water cooler. Teabags. Courtesy Mrs. Tartaglia, who is friendly with the friendly jewel. Tea man. Glasses.
Danny Clover
Gino. Gino, what have I ever done?
Gino Tartaglia
Well, you have been considerate and kind to me, Danny. So this is just a small token of the. Well, how do you want it? With or without lemon? With the best way to fight the heat.
Mr. Chelsea
Hey.
Gino Tartaglia
Coming up. Danny.
Danny Clover
Gino.
Gino Tartaglia
Yeah, yeah, I know, I know. You want to know. Is there any progress in the search for once Celia Jordan vanished. Possibly mayhem committed upon, possibly deceased. Stop me if I'm wrong.
Danny Clover
No, no, go ahead.
Gino Tartaglia
There is no progress. Anything else, Danny?
Danny Clover
No, no, I guess there's nothing else. You know. Excuse me.
Gino Tartaglia
Certainly.
Danny Clover
Thank you. Danny Clover speaking.
Celia Jordan
I understand you've been looking for me, Mr. Clover.
Danny Clover
Who is this?
Celia Jordan
Celia Jordan.
Danny Clover
Are you all right?
Celia Jordan
Not a mark on you, Mr. Clover. Anywhere. Come see for yourself. You really should. It leaves your mind.
Danny Clover
But we thought. Where are you, Ms. Jordan?
Celia Jordan
At the Amsterdam Hotel on 34th street, room 2412. I'll be ready for you. You see? You see, Mr. Clover, I'm perfectly all right. The arms, legs, throat. I wore this sun suit especially for you. So you could see I was all right all over.
Danny Clover
I'm all right, Ms. Jordan.
Celia Jordan
Except inside, since I called you. It's funny. Inside it doesn't feel so good. Inside, it hurts.
Danny Clover
Here, let me help you. Lie down here on this couch.
Celia Jordan
Thanks. You know, something is.
Danny Clover
Don't talk. I'll go get a doctor.
Celia Jordan
No, don't go. It really hurts.
Mrs. Chelsea
It hurts.
Celia Jordan
Ben, don't go.
Adam Graham
Help me.
Danny Clover
Even after death touched her, whispered to her eyes, pleaded with me. The attitude of her body was a beggar's, contorted in pain, twisted and long, grotesque with despair. And suddenly she could no longer reject it. And her body eased with the acceptance was still because the poison inside her was stilled, its shadow on her lips, in her eyes, the violence that had been marked for Celia Jordan was finally hers. Celia Jordan was de.
Narrator
Remember, friends, to make every day more enjoyable. Treat yourself often to refreshing, delicious Wrigley Spearmint chewing gum. There's lots of cooling, real mint flavor in every stick. And chewing Wrigley Spearmint helps keep you feeling fresh and alert. You feel better, work better. Get more fun out of doing things. So indoors, outdoors, wherever you go, keep some healthful, refreshing Wrigley Spearmint Chewing Gum handy to make every day more enjoyable. Treat yourself Often to delicious Wrigley Spearmint chewing gum. We now continue with Broadway's My Beat, written by Morton Fine and David Friedkin and starring Larry Thor as Detective Danny Clover.
Danny Clover
Summer begins its long dying, and Broadway reacts to the process about the same as anywhere else, with regret for the smile and closed eyes. Except on Broadway, there'll be more things to remember, huh, kid? The evenings, just as twilight washed over you and the lights on the translocks flicker like fireflies and dance out the dance of how it is to be at war in the summertime. And the cool evening breeze from the air cooled, movie refreshing till the newsreel sends out a cold wind. You shiver and move to another place. Because in summer, a man needs something he can hold onto. Something to latch onto. Like the murder of that girl there in that hotel in a sun suit. Poisoned. Murdered. Saying the last word she ever said into the ears of a policeman. And the next morning at headquarters, the policeman sits in his office remembering her words but finding in them no trace of a murderer's name. Then a door opens and a voice that's welcome calls you Danny. And it's Dr. Sinski.
Detective Mugavan
Danny, this heat, this inferno, can take the heart out of a man.
Danny Clover
Well, sit over there by the window, Doctor. Pretty girl might walk by and set a cool breeze in motion.
Detective Mugavan
Dreamer.
Danny Clover
It's no good, huh, Doctor? You can't put it off.
Detective Mugavan
No, Danny. That's why I'm here. Yeah, I wish it could be just a chat, but man wishes and death. Ah. The report on Celia Jordan.
Danny Clover
Poisoned.
Detective Mugavan
You were right, Danny. The girl was poisoned. What kind? Doesn't matter much. What matters is that there was enough to kill her.
Mr. Chelsea
What?
Detective Mugavan
Pain must have been hers.
Danny Clover
How long?
Detective Mugavan
Poison that takes maybe three hours to act with five minutes of terrible pain at the end.
Danny Clover
Anything else, Doctor?
Detective Mugavan
You asked me to examine her for a cut or a wound. Well, there was nothing, Danny. Her skin was not even scratched, not even the shadow of a bruise. This is important.
Danny Clover
Yeah, because it might give me your murderer. Excuse me, Dr.
Detective Mugavan
Mugavin here.
Danny Clover
Danny, I want you to take a plant. Mugavan.
Detective Mugavan
Okay, Danny, where?
Danny Clover
Who sunk? Hotel on 71st. Cliff Moore first. Cliff Moore. Got it. Danny.
Detective Mugavan
This Cliff Moore, he murdered the girl?
Danny Clover
Maybe. But I don't think so.
Detective Mugavan
Oh, this is a day for riddles, huh, Danny?
Danny Clover
No, Doctor, this is the day where I get a choice. I get two suspects for the price of one.
Mrs. Chelsea
Yes?
Danny Clover
My name's Danny Clover. I'm from the police.
Mrs. Chelsea
Are you Mrs. Chelsea? You have the correct house?
Danny Clover
Yes.
Mrs. Chelsea
Well, then, please Come in.
Danny Clover
Thank you. Mrs. Chelsea, I.
Mrs. Chelsea
Sit down, please.
Danny Clover
All right.
Mrs. Chelsea
Yes?
Danny Clover
I wanted to talk to your husband.
Mrs. Chelsea
Oh, I'm afraid not. He's not home.
Danny Clover
You know, I stopped at his office. He wasn't there either.
Mrs. Chelsea
No, of course not.
Danny Clover
Then where is he?
Mrs. Chelsea
Oh, I'm afraid I couldn't tell you that. I really don't know where he is. The bother of.
Danny Clover
Don't you care where he is?
Mrs. Chelsea
Paul, My husband.
Danny Clover
Oh, no, Mrs. Chelsea.
Mrs. Chelsea
Is Paul in trouble?
Danny Clover
Yes, he is.
Mrs. Chelsea
I'll fix your drink if you'd like.
Danny Clover
No, don't bother. It's in connection with a murder.
Mrs. Chelsea
The one in this morning's paper. Celia Jordan's.
Danny Clover
You know about her?
Mrs. Chelsea
Paul doesn't think I do, but I know all about her. Unfortunate. Some women never know why suddenly they come to hate the men they used to love. They blame it on routine getting old. Habit. So silly.
Danny Clover
You hate your husband because of Celia Jordan.
Mrs. Chelsea
Has he murdered her?
Danny Clover
Maybe. Maybe someone else. We'll find out.
Mrs. Chelsea
I wouldn't suspect anyone else if I were you. That'd be stupid. Paul killed that girl.
Danny Clover
He told you he did.
Mrs. Chelsea
Much as did that. I confess it. I listen in on his telephone conversations. He thinks I chocolates when I lie in bed. Oh, I knew. But I listened to his conversations on the extensions. Not much fun. But then it's not much effort either.
Danny Clover
What are you trying to tell me, Mrs. Chelsea?
Mrs. Chelsea
That girl was blackmailing Paul.
Danny Clover
Oh.
Mrs. Chelsea
$50,000.
Danny Clover
Was your husband going to pay it?
Mrs. Chelsea
He said he'd meet her at the Amsterdam Hotel. But I know it wasn't to pay the money. Oh, my, of course not. $50,000, Paul.
Danny Clover
And I guess he did commit murder. If what you say is true.
Mrs. Chelsea
Please understand me. I'm plump, I'm a Hennard, I eat chocolate and I sleep most of the the day. I'm a woman in her late 40s, so I would lie. But not to help Paul. Not Paul.
Danny Clover
Then you're glad your husband might be held for murder?
Mrs. Chelsea
Well, I'll miss him. He's not coming home when he usually does. Might throw my days off. It'll be an effort to get used to it. But on the whole, Mr. Clover. Yes, on the whole I'm glad about it. Delighted, as a matter of fact. Nothing nice has happened to me in a long time. I'd like that drink, Mr. Clover, wouldn't you?
Danny Clover
I said no, thanks. Which gave Mrs. Chelsea reason to pop a fruit filled nugget in her mouth. She didn't offer me one of those, so I knew my time was Up I left. I checked Mugavan. Cliff Moore hadn't stirred. Mugaman told me then to find Mr. Chelsea. Back to his office. Not in. Try his club. I tried his club. Not in Try the bar around the corner. Not there. So I went to a place without being told. The apartment where I'd first met Mr. Chelsea. Why, I reasoned, shouldn't Mr. Chelsea be there again? For the sake of sweet old nostalgia. The door was open. I walked in. Place looked better. Neat. Everything in its place. The pictures, furniture, Mr. Chelsea. I knew it was him because once I'd noticed he was getting bald. The pattern of it was the same. But Mr. Chelsea had been battered, beaten with a fury that demanded a lot of pain. Get there before death did. The pain had made it. So had death. Now it gave me a new place to go.
Detective Mugavan
Here, Danny. Here I am. Shade of this doorway.
Danny Clover
Cliff Moore.
Detective Mugavan
He's in his room in the hotel. Hasn't stood from it. What's the matter, Danny? You don't look good. Looks like more than the heat.
Danny Clover
I just cut myself a murderer. Oh, yeah. Paul Chelsea.
Detective Mugavan
Well, that should make you look good anyway.
Danny Clover
Better. Those blood stains he showed me in Celia Jordan's room, they were his. From a cut under his arm. I saw it. I took the bandage off.
Detective Mugavan
So why so gloomy? You got him.
Danny Clover
He staged the whole thing. The room in a shambles, the blood stains on the floor. He figured killing was easier than paying blackmail. But he made a mistake.
Detective Mugavan
What's the matter with you, Danny? Of course he did. So why?
Danny Clover
Not that kind of mistake. He got himself beaten up. Beaten to death, but for sure. With an andiron.
Detective Mugavan
Cliff Moore?
Danny Clover
I think so. Go back to headquarters, Mugaban. I won't need you anymore.
Waiter
Come in. Oh, it's you. It came back to me. I'm that interested.
Danny Clover
You are, Cliff.
Waiter
Doctors find me so sometimes. Kids and women. This I understand. But you, now that throws me.
Danny Clover
You interest me. Because you're a murderer.
Waiter
Point of information. Who did I murder?
Danny Clover
Paul Chelsea.
Waiter
Oh, him. So why did I murder him?
Danny Clover
A simple motive. An old one. You loved Celia. You beat Chelsea to death with andiron because he killed your Celia.
Waiter
Every minute I learn new things. This Chelsea, Celia's good companion. He killed her, huh?
Danny Clover
I think so.
Waiter
A puzzle. Why did this old Mr. Chelsea murder something young and precious and vibrant, like they say, Like Celia?
Danny Clover
You can answer that all by yourself, can't you, Cliff?
Waiter
Yes, I can. You killed her because she was gonna blackmail him. Did you know this whole blackmail thing was all my idea? Because I'M cynical and sick. The proud possessor of a medical discharge.
Danny Clover
Let's go, Cliff. Stop it, Cliff. I said let's go.
Waiter
Let go on and hit me. There's nothing I could do to you, so hit me.
Danny Clover
What?
Waiter
Look at my hands, my arms. I can't lift them. No more than that. That live mine I told you about. I fixed them like that. I can lift them. Maybe four inches. That's what makes me so interesting.
Danny Clover
That's how I can take an andiron.
Waiter
And beat a man to death when I can't even open a door or lift a cigarette off the floor without.
Gino Tartaglia
Crawling like an Alamo.
Waiter
You call me a murderer. Oh, thanks, Mr. Clover.
Mrs. Chelsea
Oh, my. And I was just dozing off too. What now?
Danny Clover
May I Come in, Mrs. Chelsea?
Mrs. Chelsea
Oh, and I was just dozing off too.
Danny Clover
I have to talk to you.
Mrs. Chelsea
Oh, please come in. Oh, I hope this won't take too long. Sit down.
Danny Clover
No, I don't think so.
Mrs. Chelsea
What now, Mr. Clover?
Danny Clover
But Paul. Oh, Paul. He's dead.
Mrs. Chelsea
Oh, you're silly.
Danny Clover
He's dead, Mrs. Chelsea.
Mrs. Chelsea
He is Paul. What? Why, you're not kidding me. He really is, isn't he?
Danny Clover
Huh?
Mrs. Chelsea
You better leave me alone, Mr. Clover. The things I said about him. You won't believe me if I cry.
Danny Clover
No, I won't.
Mrs. Chelsea
I don't blame you. Please, Please go away. Who killed him?
Danny Clover
You don't know who killed Paul. It was this way. Your husband murdered Celia Jordan.
Mrs. Chelsea
I told you that.
Danny Clover
Because she demanded blackmail. Because she threatened to tell you about what Paul had been doing.
Mrs. Chelsea
And I knew about it all the time. Errors. A comedy of errors. Tragedy.
Danny Clover
Blackmail was a scheme whipped up between Celia and her boyfriend, Cliff Moore.
Mrs. Chelsea
And this boy, this Cliff, he killed my husband.
Danny Clover
Why should Cliff do that?
Mrs. Chelsea
Why? Oh, my. You ask me that a police?
Danny Clover
Yeah, that's what I asked you.
Mrs. Chelsea
Well, I think it's obvious, don't you? Paul kills his girl. Cliff shoots my husband.
Danny Clover
I didn't say your husband was shot. Oh, your husband was beaten to death.
Mrs. Chelsea
Oh, Cliff beat him to death.
Danny Clover
You know, I've come to know your husband. Working on this case, peeking into small corners of his life. He was a man I can understand. I feel sorry for him.
Mrs. Chelsea
Tell me how so I can feel sorry for him too. I suppose I owe that to Paul.
Danny Clover
Man is 50. He knows it. Realizes that the rest of his life has to be lived. Something he wanted all his life and missed. Something like that passes close to him. He clutches onto it.
Mrs. Chelsea
I don't understand you at all.
Danny Clover
Something like a beautiful Girl. Sympathetic girl.
Mrs. Chelsea
Celia.
Danny Clover
You can't really blame him now, can you, Mrs. Chelsea?
Mrs. Chelsea
After all, he had his own home. He had me. What's wrong with me? Go ahead, tell me. I can take it. What's wrong?
Danny Clover
You couldn't hold your husband.
Mrs. Chelsea
Why? Why couldn't I hold him? Tell me why.
Danny Clover
Celia Jordan. Young, beautiful, warm. Her mind was lithe. Young.
Mrs. Chelsea
You filth.
Danny Clover
You like Paul was kind to Paul. Something he wanted all his life.
Mr. Chelsea
Filth.
Danny Clover
Something he didn't have with you. That's why you killed him. Beat him and beat him and beat him until he was dead.
Mrs. Chelsea
He died too quickly. He wouldn't even give me that satisfaction valve.
Danny Clover
Let's go, Mrs. Chelsea. When dawn touches Broadway the shadows linger for one final caress Then leave and take away the night A cloud drifts and far away a bird dips and touches it with a wing the time has come for the day the people will. The fury gathers the crowd funnels into the streets. Walk easy, kid. The shock is on. It's Broadway. The gaudiest, the most violent, the lonesomest mile in the world. Broadway, My beat.
Narrator
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Adam Graham
Welcome back. I don't know if Danny had much choice but to bait Mrs. Chelsea. I don't know if he is able to find evidence to convict her otherwise. I appreciate the way they Mixed up the typical formula of the series with the first murder not occurring until right before the commercial break and the identities of the killer or killers was a bit of a surprise. It's worth noting that Earl Ross played Mr. Chelsea. And it was an interesting experience listening because the voice I didn't trouble placing, but I recognized some of the cadences. And then I realized who it was. The character Ross is most famous for playing is Judge Hooker over on the Great Gildersleeve. And I'd heard him in some other things. There was the Hardy Family radio series with Mickey Rooney, and he was even in an episode of Let George do it we played a couple of years back. In all of those appearances, he used pretty much the same voice as he did for Judge Hooker. Here we got a more natural voice tone. And this is something Elliot Lewis seemed to like to do, as he had done it a few months previously with Jody Gilbert, who was best known for her comedic work on Life with Luigi, and used this very exaggerated voice. And so he liked to take these actors known for comedy and give them more grounded, dramatic roles to perform. It is also something he would do at an even higher level when he took over as showrunner of Suspense, where he would have people like Red Skelton, Jack Benny and Bob Hope playing dramatic roles in the suspense episodes they guest starred in. Well, we turn to listener comments and feedback and we start off with an email from Barry, who writes in regarding the Frank Biscoe murder case. I don't really get your criticism of Danny's second visit to it to Sylvia Briscoe or some of the writing, for that matter. He had a direct link with her through an unbiased witness to Della Sloan, the second murder victim. He would have postured himself with confidence to try to get her rattled. Her story was plausible, of course, but it certainly didn't explain why the number was written in his apartment and why she was calling a man, hitting on Sylvia. That's a fair point, I suppose. I guess my thing with that particular episode is he came up to the apartment essentially making noises like she was gonna go down, down. She had some really serious questions she had to answer. And then she gives the answer that some man came up and hit on her. And Danny's like, oh, well, there goes my whole case. And by narration indicates that essentially everything has been undone because she made that statement. And then he had to get a clue in order to figure out how it actually happened. And I do think that this is maybe one of the more challenging parts of Broadway's My Beat is typically it'll look like Danny has got the solution in the last, you know, seven, eight minutes of the episode. But then something comes up and it turns out he's on completely the wrong track. But he gets some clue that puts him on the right track, and that part where he's shot down can be somewhat awkward, you know, And I think to an extent, that was true today because Danny accusing the wrong man kind of depended on him not being observant about his hands and not checking in further to his medical records. And so sometimes these surprise twists are a result of the fact that if you think about it, Danny didn't quite research or ask the right questions or come fully prepared in some basic, obvious way. And then we have a comment from Sham. Every time I hear Broadway's My Beat, I feel uneasy, like I'm listening to the Twilight Zone or something. The characters are all over dramatic, some on the verge of hysteria. Tartaglia is the only one who keeps me grounded. You and Danny Clover both. Thanks so much for the comment. Well, now it's time to thank our Patreon supporter of the day, and I want to go ahead and thank Emmett. Emmett's been one of our Patreon supporters since March 2018, currently supporting the podcast at the Master detective level of $15 or more per month. Thanks so much for your support, Emmett, and that will do it for today. If you're enjoying the podcast, please follow us using your favorite podcast software and be sure to rate and review the podcast wherever you download it from. We'll be back next Wednesday with another episode of Broadway's My Beat. But join us back here tomorrow for the conclusion of the Moonstone, where you.
Danny Clover
Ask a great deal, Mr. Blake. Among my beautiful roses I find peace and serenity, whereas before I only knew lies, deception and skulduggery.
Narrator
Then I cannot induce you to re enter the case.
Waiter
Sergeant Cuff.
Danny Clover
What's that you said, Mr. Blake? Sergeant Cuff, will you help me apprehend.
Waiter
The criminal who stole the moonstone?
Danny Clover
Yes, Mr. Blake, I will. Oh, thank you, Sergeant. It's just occurred to me that I'll enjoy my roses ever so much more. When I finally laid the ghost of the moonstone to rest, I. I think I'll begin with our money lending friend, Mr. Septimus Luca.
Adam Graham
I hope you'll be with us then. In the meantime, send your comments to Box 13@GreatDetectives.net follow us on Twitter at radiodetectives and check us out on Instagram. Instagram.com Great detectives from Boise Idaho. This is your host, Adam Graham, signing off.
Episode Release Date: June 25, 2025
Series: The Great Detectives of Old Time Radio | Daily Mystery Dramas
Host: Adam Graham
The episode kicks off with Detective Danny Clover navigating the sweltering summer heat of Broadway, presenting a vivid backdrop for the unfolding mystery. Clover's weary narration sets the tone:
"In the summer's heat, Broadway is a wasteland, sullen, a place of regret... But I would rather have been at Jones Beach. But I wasn't." ([03:00])
As Clover contemplates the chaos of his current environment, he receives a disturbance from his superior, Mr. Chelsea, indicating that something ominous has occurred involving Celia Jordan.
Clover meets with Mr. Chelsea, who reveals the grim news:
"Something's happened to Celia." ([04:22])
Celia Jordan, a 22-year-old woman, has been found murdered, and evidence points towards possible foul play. Chelsea introduces the possibility that Cliff Moore, Celia's acquaintance and a returned soldier with mental wounds from the war, might be involved.
Clover proceeds to gather more information, leading him to Detective Mugavan and Bartender Charlie, who provides an eyewitness account:
"They sat at that marble top table with the romantic crack in its surface." ([07:55])
This narration and witness testimony narrow down the timeline and suspect list, with Cliff Moore becoming a primary suspect.
At the Suffolk Hotel, Detective Clover confronts Cliff Moore, portrayed by Jack Edwards, who is surprisingly dismissive:
"I know. What? The census taker missed me." ([10:07])
Clover presses further, uncovering that Celia had called Cliff to her apartment, hinting at possible tension between them. Cliff claims innocence but hints at his own struggles:
"I'm a nervous boy." ([10:55])
As the investigation deepens, Clover collaborates with Detective Mugavan, who reveals critical forensic information:
"She was poisoned." ([17:26])
This discovery shifts the investigation from physical assault to a covert method of murder, complicating the case.
Clover's pursuit leads him to Mrs. Chelsea, Paul's wife, who becomes a pivotal character in unraveling the mystery. Through a tense interrogation, Mrs. Chelsea divulges unsettling truths:
"That girl was blackmailing Paul." ([20:20])
She reveals that Paul Chelsea was being extorted by Celia Jordan for $50,000, implying a motive for murder. The dialogue crescendos as Mrs. Chelsea becomes increasingly agitated:
"Man is 50. He knows it. Realizes that the rest of his life has to be lived... Something like that passes close to him." ([27:41])
Her emotional turmoil and confessions bring clarity to the case, suggesting a deeper personal conflict driving the murders.
The investigation culminates back at Mr. Chelsea's apartment, where Detective Mugavan and Clover confront the truth:
"He staged the whole thing. The room in a shambles, the blood stains on the floor. He figured killing was easier than paying blackmail." ([23:00])
However, a twist emerges as Cliff Moore admits to killing Paul Chelsea out of love and desperation:
"I got a medical discharge from the army because... I can't lift them... I beat a man to death when I can't even open a door." ([24:08])
In the final showdown, Clover identifies the true murderer, bringing closure to Celia Jordan's tragic case.
After the dramatized conclusion, Host Adam Graham provides insightful commentary on the episode's intricacies and performances:
"I appreciate the way they mixed up the typical formula of the series with the first murder not occurring until right before the commercial break and the identities of the killer or killers was a bit of a surprise." ([31:16])
Graham highlights Earl Ross's performance as Mr. Chelsea, noting his transformation from comedic roles to a more grounded, dramatic portrayal. He also discusses the storytelling techniques employed by director Elliot Lewis, praising the nuanced character developments and unexpected plot twists that elevate the narrative.
The episode concludes with listener interactions, where Graham addresses feedback regarding previous episodes, particularly focusing on character motivations and plot developments. He acknowledges the complexities and occasional shortcomings in the storytelling, fostering a sense of community and continuous improvement.
Danny Clover:
"Show me a body and I'll help you weep." ([04:13])
Mr. Chelsea:
"Something's happened. And I know why, too." ([05:12])
Mrs. Chelsea:
"Some women never know why suddenly they come to hate the men they used to love." ([19:15])
Detective Mugavan:
"Pain must have been hers." ([17:26])
Waiter (Cliff Moore):
"I can't lift them. No more than that." ([24:04])
"The Seliah Jordan Murder Case" is a compelling installment of Broadway's My Beat, weaving a complex narrative of love, betrayal, and desperation against the backdrop of Broadway's vibrant yet perilous streets. Through intricate character interactions and unexpected plot twists, the episode masterfully engages listeners, inviting them to unravel the mystery alongside Detective Danny Clover.
For those who haven't listened yet, this episode offers a captivating glimpse into the Golden Age of Radio detective dramas, enriched by stellar performances and Adam Graham's insightful commentary. Whether you're a mystery aficionado or a nostalgia seeker, "Broadway's My Beat" promises an enthralling auditory experience.