Charlie Chan: The Heir and More Accusations (EP4720)

Summary

Podcast Summary: The Great Detectives of Old Time Radio | Daily Mystery Dramas
Episode: Charlie Chan: The Heir and More Accusations (EP4720)
Release Date: June 3, 2025
Host: Adam Graham

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Introduction

In this episode of The Great Detectives of Old Time Radio, host Adam Graham delves into the intricate mystery of "Charlie Chan: The Heir and More Accusations." Set against the backdrop of Pine View, the story unfolds with Charlie Chan navigating through deceit, hidden motives, and unresolved murders. This summary captures the essence of the episode, highlighting key plot points, character dynamics, insightful commentary, and notable moments that make this installment a compelling listen.

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Plot Overview

[02:59] The episode opens with Charlie Chan arriving in Pine View to investigate the disappearance of Dudley Ward's son, believed to be fathered by the opera singer Landini. However, the plot thickens as Landini is found murdered, followed by the death of Dr. Swan, a suspect in her murder. Determined to solve the case, Chan remains in Pine View to unearth the truth behind these killings.

Key Events:

• Charlie Chan’s Investigation: Chan interviews Ms. Meecher, Landini's secretary, uncovering that Ward and Landini had a son who died three years prior.
• Clues Unveiled: Chan notes clues such as mixed cigarette box lids, a pink scarf, and evidence of poor eyesight, guiding his deductions.
• Confrontation with Inspector Leslie: The dialogue between Chan and Inspector Leslie reveals tension and conflicting theories about the murders.

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Character Dynamics and Insights

Charlie Chan: Portrayed by Walter Connelly, Chan is methodical, observant, and maintains composure under pressure. His interactions reflect his intelligence and cultural wisdom, navigating through the biases and assumptions of his counterparts.

Inspector Leslie (Ms. Beaton): A complex character, Ms. Beaton exhibits a blend of authority and vulnerability. Her nuanced approach in questioning and subtle hints of hidden motives add depth to the narrative.

Ms. Beaton’s Hidden Depths:
[06:12] Ms. Beaton: "Or making definite points of seeing that you knew."
This line underscores her keen perception and ability to read between the lines, challenging Chan's assumptions and guiding the investigation toward deeper layers.

Conflicts and Alliances: The tension between Chan and Ms. Beaton surfaces through their exchanges, revealing underlying themes of trust, deception, and cultural misunderstandings.

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Key Discussions and Plot Twists

Motive and Opportunity:

• Charlie's Theory:
  [14:30] Charlie Chan: "Ireland merely avenged Landini by killing her murderer."
  Chan theorizes a chain of revenge, linking the murders in a plausible sequence.

• Ms. Beaton’s Counterpoints:
  [15:56] Ms. Beaton: "You must include a reasonable surmise as to how Ireland possessed himself of Swann's gun."
  She challenges Charlie's assumptions, urging for a more concrete connection between Ireland and the evidence.

Evidence and Misleads:

• Destroyed Letter: The mention of a destroyed letter addressed to John Ryder hints at crucial information regarding Landini's son, adding layers to the mystery.
• Fingerprint Absence:
  [19:42] Ms. Beaton: "He used this, he is the person who killed Landini... there are no fingerprints. He has been wiped clean."
  The lack of fingerprints serves as a significant plot device, complicating the investigation and adding suspense.

Final Confrontation:

• The episode culminates in a face-off with Mr. Ryder, where accusations and hidden truths come to light, setting the stage for future revelations and unravelling of the mystery.

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Notable Quotes with Timestamps

• Charlie Chan on Deduction:
  [10:03] Ms. Beaton: "Another clue goes up in smoke, eh, Inspector?"
  This metaphor highlights the elusive nature of truth within the investigation.

• Ms. Beaton on Integrity:
  [25:49] Ms. Beaton: "Family reputation for integrity, which is a benevolent shadow under which descendants live, is most precious."
  A profound reflection on the value of honesty and reputation, resonating with the episode's themes.

• Host’s Insight on Singing Break:
  [27:07] Adam Graham discusses the inclusion of singing in the drama, noting its rarity in mystery programs and its contribution to the era's cinematic feel.

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Host Commentary and Analysis

[26:31] Adam Graham provides a thoughtful analysis of the episode’s elements, particularly the inclusion of a singing break:

"Some interesting interactions here and a nice little bit of singing, which is something typical you'd see in movies of the era... 'Drink to Me Only With Thine Eyes' was actually one of those just great standards. It's a classy, beautiful song with lyrics written by Ben Johnson in the 17th century and the arrangement here is from the early 19th century."

Graham appreciates the historical accuracy and aesthetic choice, linking it to the era's artistic norms and the constraints of radio as a medium.

Character Assessment:

• Louis Romano:
  Graham expresses skepticism about Romano’s motives, questioning whether his eagerness to exploit Chan’s voice is genuine or a facade for malicious intent.

• Inspector Leslie’s Integrity:
  The host contemplates whether Ms. Beaton’s professionalism masks hidden agendas, highlighting the complexity of character motivations within the narrative.

Cultural Context: Graham touches upon the racial dynamics portrayed in the episode, noting the rarity of direct confrontation over slurs in the era’s media:

"Chan calling Ryder out on the racial slur is an interesting moment. It's not something that you see or hear happening too often during this era..."

This observation underscores the progressive nature of the character interactions and their relevance to contemporary discussions on race and representation.

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Conclusions and Future Directions

The episode "Charlie Chan: The Heir and More Accusations" masterfully weaves a tale of mystery, cultural tension, and intricate character relationships. Despite encountering dead ends and unreliable testimonies, Charlie Chan's unwavering dedication to uncovering the truth stands at the forefront.

Adam Graham's insightful commentary enriches the listening experience, offering context and critical analysis that deepens the audience's understanding of the narrative and its historical significance.

As the investigation progresses, listeners are left anticipating the next installment, eager to discover how Chan will untangle the web of deceit surrounding the murders and the hidden inheritance.

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Listener Engagement

Post-episode, Adam Graham encourages listeners to engage through comments and feedback, highlighting positive responses and acknowledging loyal supporters:

• Listener Feedback: Amanda expresses her enjoyment of the series, while another listener appreciates the new actor’s portrayal of Charlie Chan, indicating a seamless transition and fresh interpretation.

• Patreon Support: Gratitude is extended to long-term Patreon supporters, emphasizing the community's role in sustaining the podcast's production.

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Closing Remarks

This episode exemplifies the rich storytelling and meticulous character development that The Great Detectives of Old Time Radio is renowned for. Whether you're a seasoned fan or new to old-time radio mysteries, "Charlie Chan: The Heir and More Accusations" offers a captivating blend of suspense, drama, and thoughtful analysis that is sure to keep you hooked.

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Subscribe and Stay Tuned:
To continue following Charlie Chan's adventures and explore other classic detective series, subscribe to The Great Detectives of Old Time Radio on your favorite podcast platform or visit greatdetectives.net.

Transcript

[Charlie Chan]

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[Charlie Chan]

Foreign.

[Adam Graham]

Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This is your host, Adam Graham. In a moment, we're going to bring you this week's episode of Charlie Chan. But first, I do want to encourage you if you're enjoying the podcast, to follow us using your favorite podcast podcast software. And I also want to let you know about our other podcasts. And this week we are highlighting Public Domain Video Theater. This summer we are taking a break from our TV shows to bring you longer public domain movies, and this month we will actually be bringing you a Charlie Chan film. You can check out Public Domain video [e-mail] our YouTube channel, or also on Spotify where we post episodes from our back catalog to get those all over to Spotify for your viewing pleasure. Now it's time for episodes 20 and 21 the air and More Accusations.

[Charlie Chan]

The most delightfully fascinating character in the realms of mystery, Charlie Chan. Charlie Chan had originally come to Pine View to face Dudley Ward's missing son, whom Ward had believed had been born to Landini, the noted opera singer. After her separation from him. Landini is murdered, as is Dr. Swan, a suspect in her murder. Charlie Chan has journeyed to reno to interview Ms. Meecher, Landini's secretary. There he learns that Ward and Landini had a son, but that he had been killed three years previously. The mission for which he had come had been fulfilled, but he remains at Pineview to bring to justice the murderer. The mixed cigarette box lids, the pink scarf in the dead woman's hand, evidences of poor eyesight stay uppermost in his mind as clues as he walks into the study dimly lighted by the fast dying twilight. Well, Inspector Chan, back earlier than I.

[Inspector Leslie]

Thought you'd be welcome Back to fine viewing, sir.

[Ms. Beaton]

Ah, Ms. Beatson. Did not see you in the twilight.

[Inspector Leslie]

And it is a gorgeous room, John. We were sitting watching it.

[Ms. Beaton]

We?

[Charlie Chan]

Well, we haven't spoken for half an hour, I believe.

[Ms. Beaton]

Fortunate are they whose understanding of each other requires not a spoken word to convey their thoughts.

[Charlie Chan]

Well, did you learn anything, Inspector? I spoke to dad over the phone, but he wouldn't give out much.

[Ms. Beaton]

That's why they do dear me, indeed. No, Ms. Beaton. Please sit where you are before I report on my progress. Sheriff, did you learn anything in my absence?

[Charlie Chan]

I did, Inspector. I kind of hate to tell you, but I learned that R. Sing wears glasses.

[Ms. Beaton]

Indeed? That is strange. I became acquainted with the same fact while in Reno. Accidentally, Mr. Ward left Ah Singh's glasses as opticians to be picked. I picked up same and have them here for AH Singh. Tell me, Sheriff, how did you learn?

[Charlie Chan]

Ryder mentioned it casually.

[Ms. Beaton]

Or making definite points of seeing that you knew.

[Charlie Chan]

Well, that's hard to say. I haven't that gift for telling from people's features just what their thoughts are. In fact, I'm not much help. I'm like an ant. Beside you.

[Ms. Beaton]

Do not disparage yourself. So you are, as my cousin Willie Chan, baseball player, would say, on home ground, I am only stranger passing through. And it has been well said that the traveling dragon cannot crush the local snake. Do not believe, however, that I consider myself dragon. I lack. I feel the figure.

[Charlie Chan]

And you don't breathe much fire, Inspector.

[Ms. Beaton]

You're much too kindly to be a dragon. Last fear I have for a reputation for policeman. But to continue about osting's glasses.

[Charlie Chan]

Well, Ms. Leslie was with me when Ryder asked if Mr. Ward had remembered to take our thing's glasses to be fixed.

[Ms. Beaton]

Then it could be construed as a definite attempt to indicate to us that is on part of Mr. Ryder. That AR thing has poor eyesight.

[Charlie Chan]

Yes, I guess it could. Come in.

[Ms. Beaton]

You speak of me, Mr. Chand. Do you like to speak of me in study? Yes. I see. I brought your glasses back with me from Reno.

[Inspector Leslie]

Oh.

[Ms. Beaton]

Oh, I sing. Thank you very much.

[Charlie Chan]

There.

[Ms. Beaton]

Without glasses?

[Inspector Leslie]

No.

[Ms. Beaton]

Can I lead anything else? Can do all right. But to lead all the same. English paper and an English book. Suppose the nautical glasses.

[Inspector Leslie]

No can do.

[Ms. Beaton]

So I sing. You read English.

[Inspector Leslie]

Oh, so so me read English.

[Ms. Beaton]

Mr. Leiter when he little boy go.

[Inspector Leslie]

School, teach it to me. Lead English.

[Charlie Chan]

Another clue goes up in smoke, eh, Inspector?

[Ms. Beaton]

So it would seem, Sheriff. But who can tell? Smoke can indicate where fire is, even if the observer is far off and Dead ashes tell where the fire has been. Class is the number one to fix them.

[Inspector Leslie]

Oh, thank you, Mr. Chen.

[Ms. Beaton]

You like asking any more questions? I think not. I think. Good night. I go make her some chocolate. Some night cap. You come downstairs, huh? Very good. I sing.

[Charlie Chan]

Somebody singing?

[Inspector Leslie]

My brother, he come.

[Ms. Beaton]

We shall go downstairs quietly. So I have not to disturb.

[Inspector Leslie]

Sheriff.

[Ms. Beaton]

We shall combine business with pleasure.

[Inspector Leslie]

Thou hast not drink divine.

[Charlie Chan]

But might I of Jove's neck.

[Inspector Leslie]

I.

[Charlie Chan]

Would not change forever.

[Inspector Leslie]

Excellent. Bravo. Bravo. You have truly excellent voice.

[Charlie Chan]

Do you think so?

[Inspector Leslie]

Ah, you lack. What is it called? The confidence. You lack of courage. What you need is what you call the push. The proper management. Then.

[Charlie Chan]

Then our judgment was not influenced by my family prime?

[Inspector Leslie]

Oh, no, but no, no indeed. Who have arranged your concert? The Adolphe Musical Bureau. Monster Adolphe. What does he know? A businessman with the soul of a herring. I, Louis Romano, I could manage you. I could make of you a huge success. Do I know what you call the game, senor? I invent it from one end of the country to the other. I will make you famous in Europe too. For salary, of course.

[Charlie Chan]

But I have no money.

[Inspector Leslie]

Ah, but you forget. You inherit Landini's money. And there is a plenty. I know plenty. Though it is a tie opener in real estate. A house in a Washington Square, an apartment. A building on a Park Avenue, A villa at the Magnolia.

[Charlie Chan]

I don't want it.

[Inspector Leslie]

Oh, but you should have leaped better the chance. I tell you, you lack confidence. A voice like yours, I would exploit it. For salary, I would assist gladly.

[Charlie Chan]

I gave a concert in New York. Reviews weren't very good.

[Inspector Leslie]

Reviews?

[Ms. Beaton]

Bah.

[Inspector Leslie]

Critics, they are sheep. They never lead, they follow. New York. What is New York? London, Paris, Milan. But you must place yourself in my hands. You must believe in yourself. I tell you, you cannot sing. What are you thinking, Mr. Chad?

[Ms. Beaton]

To me it sounded most beautiful.

[Inspector Leslie]

Ah, you see? What have I said? A layman, an outsider. One who knows a little about music. Even he says so. There you will believe me. Louis Romano, conductor, opera empresario. Born with music in the sol, I tell you, with Landini's money.

[Charlie Chan]

But I won't take Landini's money.

[Ms. Beaton]

Not worry, Mr. Beaton. You will not be called upon to take it. It was not left to you. Oh, Anna.

[Charlie Chan]

It's worried me ever since then.

[Inspector Leslie]

London is a will. It was never signed. It was not sign.

[Ms. Beaton]

It was not sign.

[Inspector Leslie]

I AM so sorry, Mr. Beastman. I will not be able to accept the position you have so kindly offered me. I will be otherwise engaged. Oh, but I repeat it. You have a wonderful voice. You need the confidence, Mr. Chen. If Landini died what you call interstate, her property is left to.

[Ms. Beaton]

To her son, perhaps.

[Inspector Leslie]

You. You mean she had a son?

[Ms. Beaton]

You yourself said so.

[Inspector Leslie]

No, I. Oh, no. I had no real knowledge on the point.

[Ms. Beaton]

I was lying.

[Inspector Leslie]

I was desperate. I explained that any chance that offered. Have you ever suffered? Have you ever been hungry?

[Ms. Beaton]

Mr. Chen, you are telling the truth, Romana? Unconsciously, Landini had a son, but he died three years ago.

[Inspector Leslie]

Ah, poor Landini. That was a ghost before a marriage. I would not know.

[Ms. Beaton]

So I am of opinion that her property is yours. Romana again.

[Charlie Chan]

Thank heaven for that. I'm going upstairs.

[Ms. Beaton]

Good night.

[Charlie Chan]

Good night.

[Ms. Beaton]

Good night.

[Inspector Leslie]

She would never listen to me. Time after time, I tell her, you must cease to procrastinate. You must not forever put things off. I tell her, you say you do this, you say you do that, but you never do. Always put off. Where will it finish? It have a finish. A fortune for me. It would not listen to me. And so it comes, a fortune for me.

[Ms. Beaton]

Yes, Romano. Landini's murder meant a fortune to you.

[Inspector Leslie]

Oh, no, no, no, no. You think I kill her. Santa Madonna, do not think that. I love her. She was dear to me. Oh, I adore that glorious voice. Oh, you do not think with a die? Ay, Louis Romano would a silence of that?

[Ms. Beaton]

For the present, I do not think at all. I say for the present. Good night.

[Charlie Chan]

Did you ever think, Inspector, that Swann might have killed Landini? Then Swan, in turn might have been killed by Ireland?

[Ms. Beaton]

Ah, that is indeed untraveled avenue of your reason, Sheriff.

[Charlie Chan]

Not mine alone, Inspector Leslie.

[Ms. Beaton]

So be it. No man ever yet lost anything by redistribution of credits awarded him.

[Charlie Chan]

Well, it was no secret that Ireland hated Swann. Now Swann was blackmailing Landini because he had found out about Landini and Ward's son. Isn't it possible that Landini had tired of paying Swann and in order to remove his power over she decided to tell Ward?

[Ms. Beaton]

So far your reasoning is perfectly sound. But what prevented Landini from telling Ward her death?

[Charlie Chan]

Swann was mad at her when he found out that she was going to tell Ward. So Swann killed her.

[Ms. Beaton]

That would end his blackmailing scheme.

[Charlie Chan]

But not if he told Ward that he knew about the sun and would only tell Ward of the boy's whereabouts for a price.

[Ms. Beaton]

Then where does Mr. Ireland fit into the mosaic?

[Charlie Chan]

Ireland merely avenged Landini by killing her murderer.

[Ms. Beaton]

You have very cleverly constructed a feasible and reasonable chain of events but, my dear Sheriff, you are overlooking certain undeniable facts. The fact, Sheriff, that the same gun was used to commit both murders. You must in your calculations include a reasonable surmise as to how Ireland possessed himself of Swann's gun. Or whatever gun Swan used to kill Madame Lantini.

[Charlie Chan]

Well, Ireland could have taken it from Swan's room.

[Ms. Beaton]

No, no, Sheriff, now you are guessing. You are not reasoning.

[Charlie Chan]

Yeah, I know.

[Ms. Beaton]

You see, Sheriff, when one raises that point about the gun, one raises many more points. Let us assume for a moment that Ireland did possess himself of Swann's gun. Next move on Ireland's part would be to get Swann to meet him at unoccupied house. Would Swann go without gun if he possessed one? I think not. Most certainly not to meet Mr. Ireland, who had exposed him as blackmailer.

[Charlie Chan]

Yeah, you're right, Inspector. Yes, I'm not so hot at figuring these things out.

[Ms. Beaton]

One moment, please. Before this verbal self reproof reaches to voluminous precautions. I think that your theory is, shall we say, about 75% correct.

[Adam Graham]

What?

[Charlie Chan]

You really mean that, Inspector?

[Ms. Beaton]

Yes, my young friend, I am not given to saying such things merely for pleasure of distributing useless praise.

[Charlie Chan]

Then what part is right and what is wrong?

[Ms. Beaton]

Alas, Sheriff, that I cannot answer. But I will say this to you. Your theory as to why murder was committed is most probably correct. And that is longest stride yet made in this series of deductions. But, Sheriff, I think in your deliberation you place mantle of deception upon wrong person.

[Charlie Chan]

Go on, go on. I'm listening.

[Ms. Beaton]

Swann was killed, as we originally thought, by person who committed murder upon Madame Landini. Because Swann had seen that murder committed. Now we come to motives which we have sought with so little success.

[Charlie Chan]

Yeah.

[Ms. Beaton]

Murderer killed Madame Landini because. Because, Sheriff, Madame Landini had disclosed facts that he had had sons.

[Charlie Chan]

But how and who to?

[Ms. Beaton]

You and I, Sheriff, did much questioning about destroyed letter found in fireplace.

[Charlie Chan]

The letter addressed to John Ryder?

[Ms. Beaton]

The same. That letter undoubtedly, at least I hope undoubtedly contained information about the son. But.

[Charlie Chan]

But you mean we don't know that it said the boy. The son was Ward's son?

[Ms. Beaton]

That is possibility with which we must reckon. But youthful friend and associate, we have advanced. We have advanced far. Well, has it been said when mud in disturbed waters settles at bottom of pool, clear water will result. And objects of search will be discernible to sesters.

[Charlie Chan]

Come in.

[Ms. Beaton]

Look at here, Mr. Chan. Here, here.

[Inspector Leslie]

He.

[Ms. Beaton]

He come back. He to unoccupied house. Where we found Dr. Swan. Oh, no. Sure, sure. And this is all a semi key. Me go. This is. Now look. See Key for cellar. And this one before north.

[Inspector Leslie]

This top.

[Ms. Beaton]

Now he honestly must stay. Stop.

[Charlie Chan]

Well, can you beat that?

[Ms. Beaton]

I note that you carry key by piece of string. Is that on purpose? Ah sing. Oh, sure, sure. Me all the same. And number one. A very smart of policeman. You lazy plenty noise about. Me touch a cigarette boxy this time. Me no touchy key. Then. Then I sing. There may be fingerprints. Quickly, please, Sheriff. Lamp flat. Campbell's hair brushed. Same old lying on writing desk.

[Charlie Chan]

I'm getting them now. Here they are.

[Ms. Beaton]

Thank you. Thank you so much.

[Charlie Chan]

Yes, it's lovely. Oh, come in, come in.

[Adam Graham]

What have you found?

[Charlie Chan]

Why, the very air is electric with anticipation.

[Ms. Beaton]

Suspense. Suspense can now be broken.

[Inspector Leslie]

Yes.

[Ms. Beaton]

We receive confirmation that person who used this, he is person who killed Landini. But that is all. There are no fingerprints. He has been wiped clean. Oh, no fingerprints. Oh, too bad. And I suppose more better me go back to kitchen. Yes, Singh perhaps. And Ah. Singh, what you like. You may take this key back. It is of no use to us now.

[Charlie Chan]

Dog gone. What a jolt that was. I thought we had the solution.

[Ms. Beaton]

Most humbly admit to feeling of extreme disappointment myself foolish after these many years, to let one more disappointment weigh heavily upon the shoulders. But sit down, please. Business of pursuit of criminal is like game of chess. Opponent does not outwit and defeat. Defeat comes through own stupidity.

[Charlie Chan]

What are you staring at, Mr. Chen?

[Ms. Beaton]

At closed doors through which AR Singh has only this moment past made such dramatic exits. Was he laughing at Charlie Chan? Did he know only too well that fingerprints had been removed from key? Does AH Singh, despite his years in this country, still retain that inscrutability which is born of the centuries, while I. I cannot throw off the garb of modern civilization which now hampers and enfolds me, when now most earnestly, I would be myself. But enough. This is not work. We shall question Mr. Ryder. I am not satisfied. That destroyed letter addressed to John Ryder. It is with me always. I cannot forget it.

[Charlie Chan]

Do you wish me to go?

[Ms. Beaton]

Perhaps, yes. I think it better that you both go. This meeting will embarrass Mr. Ryder. It concerns his honeymoon. It would not be fair, I think, to question him before you.

[Charlie Chan]

Come on, then, Leslie. We'll take a walk. All right. I want to do a little investigating around the garage.

[Ms. Beaton]

Ah, Mr. Ryder's in his room. Mr. Ryder, can I prevail upon you to come to study for one moment, please? Yes.

[Charlie Chan]

Is this an official investigation? Chan. I see the Sheriff has just accompanied Ms. Beaton.

[Ms. Beaton]

It is official, Mr. Ryder. Alas, he who acts for the emperor is the emperor, and he who acts for sheriff is the sheriff. Even if he's a chinaman, Mr. Rider, hot anger burns within me. Many persons, because of ignorance, would call one of my countrymen Chinaman in ignorance. That is not to insult. But you, Mr. Ryder, resident many years in San Francisco, know and have not excuse of ignorance. You spoke, but you hurt, I expect from man of your standing in community assistance in tracking down brutal murderers. If I cannot have same willingly, then I shall be regrettably compelled to call upon full weight of legal authority.

[Charlie Chan]

What do you want to know about?

[Ms. Beaton]

On honeymoon with Ellen Landitty, you went to mountain cabin.

[Charlie Chan]

Have you been prying into my personal affairs? E Gods, what a profession yours is.

[Ms. Beaton]

Of my profession I am proud, Mr. Ryder. I have not been, as you say, trying. The question I ask is precipitated by this newspaper clipping from Madame Landini's scrapbook.

[Charlie Chan]

Oh, yes, she would keep something like that. Just another scalp to her. That was all.

[Ms. Beaton]

During those many weeks, no mention was made of son born to landini, of which Mr. Ward first husband would be father.

[Charlie Chan]

I told you before, Chan, I knew nothing about any son.

[Ms. Beaton]

But you see, Mr. Ryder, you have lied before. Why should I believe you now?

[Charlie Chan]

Now, listen, Chan, I'll stand for a lot, but I'm not.

[Ms. Beaton]

Please, please, Mr. Ryder, do not forget that when proper time arrives and case comes to trial, that which I have called lying becomes perjury. Very serious offense.

[Charlie Chan]

Seeing that you know so much, then.

[Ms. Beaton]

About which particular thing Am I lying, Mr. Ryder? I have reason to believe that. Yes, that you think you know who is murderer of Madame Landini.

[Charlie Chan]

Will Charlie Chan's blunt accusation force the taciturn rider to admit something he has withheld? And what of AH Singh? Did he know more of that key than he disclosed? After you've heard from your sponsor, Inspector Chan will be with us again.

[Inspector Leslie]

Sa.

[Charlie Chan]

Well, Inspector Chan, what little philosophical thought can you leave with us tonight?

[Ms. Beaton]

Persons are eternally asking what is most precious thing in the world. Many years ago, famous Mandarin was asked same. He replied, family reputation for integrity, which is benevolent shadow under which descendants live, is most precious. Family possession for same requires loyalty, truthfulness and strict adherence to the highest ideals.

[Charlie Chan]

Thank you, Mr. Chan.

[Ms. Beaton]

Thank you, Mr. Wilson. It is gratifying privilege.

[Adam Graham]

Sam.

[Lowe's Advertiser]

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[Inspector Leslie]

Retirement options and free training.

[Lowe's Advertiser]

They also provide paid time off and opportunities for overtime.

[Inspector Leslie]

Visit oregonhomecarejobs.com to learn more and apply.

[Ms. Beaton]

That's oregonhomecarejobs.com.

[Adam Graham]

Welcome back. Some interesting interactions here and a nice little bit of singing, which is something typical you'd see in movies of the era. Whether it was a comedy or a mystery or western, it was not at all rare for the film to take a couple breaks from the action in the story to have one of the characters sing. Occasionally it would be someone who was in the film to sing but couldn't act, but not really a problem here. We don't really get these in mystery programs, but it's kind of appropriate we got it here because as I said, this feels like a long form 1930s movie. And drink to Me Only With Thine Eyes was actually one of those just great standards. It's a classy, beautiful song with lyrics written by Ben Johnson in the 17th century and the arrangement here is from the early 19th century. This also makes it a great song to feature both in film and on radio as you don't have to pay for any musical rights, which might explain its popularity during this era. I will be annoyed if YouTube dings this episode for the song. Anyway, now as to the three suspects we interacted with here, Romano I just don't know. Yeah, he could be acting and it's hard to buy his but I really loved her when he seems a bit giddy about getting her money or I guess real estate he can convert into money. But it does come down to a question of whether he really knew the will hadn't been signed. As for all saying, I always feel like when it comes to pointing out potential evidence against him, it's just the thinnest of thin gruel. Did he wipe the key before bringing it to Chan to protect himself? Or if he didn't kill Landini, the actual murderer maybe. But again, we get back to the lack of motive and it seems the only way you get to him as a plausible suspect is by just drawing the most sinister inference from everything he does with Ryder. I'm beginning to think he looks so suspicious because he's just one of those really unpleasant and difficult people who makes everything just unpleasant and that he actually did anything. And I suspect this is what Chan thinks, or at least he wants Ryder to think. Chan calling Ryder out on the racial slur is an interesting moment. It's not something that you see or hear happening too often during this era, but it is something that did come from the book. Although in the book Chan doesn't actually call Rider out. He just quietly thinks about it, and then his attitude becomes less amiable. But there's just not an effective way to show that somebody was offended over audio. You can kind of hint at it when you're in a visual medium by the way the character acts or by music or lighting or something like that. But I think the only way you get it in an audio drama is just to flat out say it. So that's what they went with. The question is if, if Ryder is shielding the murderer, why? He doesn't seem like the type of person who would really go out of his way to help anybody. Maybe we'll find out more about that next week. Now we turn to listener comments and feedback regarding Charlie Chan. Amanda says, I'm very much enjoying this series. Thank you. And then another listener writes, well, now I've gotten used to whoever this actor is as Charlie Chan. I don't miss Warner Oland as much. Well, thanks so much. Walter Connelly certainly doing a good job putting his own spin on the character. Well, now it is time to thank our Patreon supporter of the day. And I want to go ahead and thank John patreon, supporter since September 2016, currently supporting the podcast at the shamus level of $4 or more per month. Thanks so much for your support, John. And that will do it for today. We will be back next Tuesday with the next installment of Charlie Chan. And of course, on Thursday, we will be kicking off our presentation of the Moonstone. But join us back here tomorrow for Broadway's My Beat, where Chairman Henry Sherwood.

[Charlie Chan]

Hey, is your name Sherwood? Who are you? Police. You Henry Sherwood?

[Lowe's Advertiser]

Police?

[Charlie Chan]

Say, what is this? You're registered at the Olympian Hotel, room 312. Yes, I am. Who's Eddie Donald? Eddie Donald? What's he got to do with the police? We're looking for him. What's he got to do with you? Why? Why? I lent him my suite while I was in Cleveland. I called him and told him he could live like a king in my suite for the week I was away. He acquiesced. All right, where does Eddie Donald usually live? In a hotel. Hotel on West 59th. Let me think up. Just you do that, Mr. Sherwood, on the way down to headquarters.

[Adam Graham]

I hope you'll be with us then. In the meantime, send your comments to box13. Great detectives.net follow us on Twitter at radiodetectives and check us out on Instagram. Instagram.com Great detectives from Boise, Idaho, this is your host, Adam Graham, signing off.

[Lowe's Advertiser]

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