Mathew Slade, Private Investigator: Pattern for a Frame (EP4630)

Summary

The Great Detectives of Old Time Radio: "Mathew Slade, Private Investigator: Pattern for a Frame" (EP4630)

Release Date: February 18, 2025
Host: Adam Graham

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Introduction

In this gripping episode of The Great Detectives of Old Time Radio, host Adam Graham delves into the tumultuous case of Matthew Slade, a seasoned private investigator entangled in a web of deceit, betrayal, and courtroom intrigue. Titled "Pattern for a Frame," this installment showcases the classic elements of Golden Age radio drama, blending suspenseful storytelling with sharp dialogue and intricate plot twists.

Plot Overview

The episode opens with Matthew Slade, a private investigator known for his unorthodox methods and determination, facing a formidable challenge. Slade finds himself accused of the murder of Congressman Wakefield, a prominent figure embroiled in political controversies. As Slade navigates the murky waters of suspicion and accusation, he must uncover the truth behind the allegations to clear his name.

Initial Setup

At the outset, Slade is approached by Frank Denise, a respected businessman whose reputation is under threat due to Wakefield's accusations. Denise seeks Slade's help to discredit Wakefield's claims, hinting at underhanded dealings beneath his respectable facade.

Frank Denise (03:35): "My attorneys have been in contact with him, but he's a very stubborn man. I thought you might be more sensible."

Slade, skeptical of Denise's motives, suspects a deeper conspiracy at play. His instincts are confirmed when he later becomes the prime suspect in Wakefield's murder, evidenced by the gun found at the scene bearing his fingerprints.

The Frame-Up

Following the murder, Slade is arrested based on compelling, albeit circumstantial, evidence. Rita York, a key witness and supposedly Wakefield's girlfriend, testifies to seeing Slade at the crime scene, further cementing his guilt in the eyes of the law. However, Slade knows these accusations are a setup and is determined to prove his innocence.

Rita York (14:03): "He made a verbal threat. That's when Mr. Slade shot him."

Courtroom Drama

The heart of the episode lies in the courtroom battles that ensue. Slade confronts the prosecution's case, challenging the validity of the evidence and questioning York's testimony. The defense, represented by Dan Brody, employs unconventional tactics to dismantle the prosecution's narrative, including introducing new evidence regarding Slade's car mileage to suggest an alternative timeline.

Matthew Slade (15:29): "Well, it's also perfect. You're clear cut. Makes Matt look too obvious."

The tension escalates as Brody reveals inconsistencies in the prosecution's case, such as the improbable timing required to manipulate Slade's car mileage, thereby hinting at the possibility of tampering and further deepening the mystery.

Revelations and Resolution

As the trial progresses, key pieces of evidence come to light, including the testimony of Frank Denise who refutes earlier claims, indicating his own potential motives and connections to the case. The defense successfully exposes flaws in the prosecution's argument, particularly highlighting York's credibility and the improbability of Slade's involvement based on the newly presented evidence.

In a dramatic turn, Brody uncovers that Ms. Rita York had personal motives to fabricate her testimony, revealing her true allegiance and ultimately proving Slade's innocence. The episode concludes with Slade being exonerated, thanks to Brody's relentless pursuit of the truth and his willingness to challenge established norms.

Key Characters

• Matthew Slade: The protagonist, a determined private investigator wrongfully accused of murder.
• Frank Denise: A respected businessman seeking to protect his reputation from Wakefield's allegations.
• Rita York: A pivotal witness whose testimony implicates Slade.
• Dan Brody: Slade's unconventional defense attorney, whose strategies are crucial in unraveling the truth.
• Lieutenant Flag: A police officer eager to secure a conviction against Slade.

Notable Quotes

• Matthew Slade (03:04): "In my job, the hours are odd. So are the circumstances in the people I meet. Do you?"

• Frank Denise (04:11): "I've been a patient up to now. But I want you to know, if these accusations continue, I'll slap a slander suit against him and anyone else who takes his position."

• Adam Graham (23:55): "Welcome back. That was something. There was a trial scene in the 2000s movie...they got into real trouble someday."

Host Commentary and Insights

Post-episode, Adam Graham offers a candid analysis of the narrative's strengths and shortcomings. He commends the creative team's ambition in crafting a complex legal drama, yet points out several inaccuracies and implausibilities that might alienate seasoned listeners familiar with courtroom procedures.

Graham highlights the impracticalities within the episode, such as the unrealistic portrayal of legal tactics and the oversight in legal timelines, specifically noting the anachronistic portrayal of federal murder laws predating their actual enactment.

Adam Graham (05:51): "There were some basic things bobbled. For example, when Dan Brody questioned the state's witness, it was called a redirect rather than a cross-examination."

He also humorously critiques the believability of forensic elements, like the rapid drying of ink used in Slade's forced tattoo, suggesting a lack of attention to detail that disrupts the episode's realism.

Graham speculates on broader implications, pondering whether "Pattern for a Frame" serves as a potential backdoor pilot for a spin-off series centered on Dan Brody, underscoring the narrative's shift towards character development over plot cohesion.

Conclusion

"Pattern for a Frame" stands as a testament to the enduring allure of radio detective dramas, encapsulating the suspense and intellectual challenge that define the genre. While it masterfully weaves a tale of intrigue and deception, the episode's occasional lapses into implausible scenarios remind listeners of the timeless balance between storytelling and realism. Adam Graham's thoughtful commentary enriches the listening experience, providing deeper context and fostering a greater appreciation for the art of old-time radio mysteries.

As The Great Detectives of Old Time Radio approaches the end of the Matthew Slade series, listeners are teased with upcoming episodes, promising continued adventures and new mysteries to solve. With a loyal fanbase and meticulous research backing each episode, Adam Graham ensures that the legacy of radio detectives endures, captivating both nostalgic audiences and new aficionados alike.

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Listener Feedback and Community Engagement

The episode closes with Adam Graham acknowledging listener comments, highlighting the supportive community that engages deeply with the podcast's content. A notable comment from Rein Sir praises Graham's dedication to chronological storytelling and research, emphasizing the enhanced experience of following the series in order.

Rein Sir: "Each of the episodes is enjoyable in its own, but hearing them in order makes the experience more authentic for us, your listeners."

Graham expresses gratitude for such feedback, detailing his research process and the challenges of uncovering information about more obscure series. This interaction underscores the podcast's commitment to authenticity and listener satisfaction, fostering a sense of camaraderie among radio drama enthusiasts.

Final Notes

As "Pattern for a Frame" concludes, listeners are encouraged to engage with the podcast through ratings, reviews, and social media platforms. The anticipation builds for the upcoming series, Hot Copy, promising fresh narratives and continued homage to the Golden Age of Radio detective stories.

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Stay Tuned: Subscribe to The Great Detectives of Old Time Radio on your preferred podcast platform or visit greatdetectives.net to ensure you don't miss out on future mysteries and episodes.

Transcript

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[Adam Graham]

Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This is your host, Adam Graham. In a moment, we're going to bring you this week's episode of Matthew Slade. But before we get started, I want to encourage you to check out our other podcast this week. The Old Time Radio Snack Wagon and the Amazing World of Radio are both back. The Old Time Radio Snack Wagon kicked off its spring season on Monday with an episode in honor of Washington's birthday. And you can listen to [e-mail] and then over on the Amazing World of Radio, we kicked off a special spring series of three episodes of Shorty Bell starring the great Mickey Rooney. And that's available at amazing.greatdetectives.net now from October 11, 1964, here is pattern for frame.

[Narrator]

From Hollywood.

[Host]

Welcome to Starlight Mystery Theater and another.

[Matthew Slade]

Episode in the series.

[Frank Denise]

Matthew played private investigator.

[Narrator]

We invite you to take your seat.

[Matthew Slade]

As Matthew Slade unfolds patterned for a frame.

[Matt Slade]

In my job, the hours are odd. So are the circumstances in the people I meet. Do you? You could even call some of them dangerous. My calling card reads, matthew Slade, private investigator. I was in my office sipping a freshly brewed cup of coffee, thinking about my car being serviced at Max's Garage. I hoped you'd have it ready for me tonight. Yes, Jonesy, Max's garage code and said.

[Host]

Your car would be ready by five. And Matt, there's a Mr. Denise here to see.

[Matt Slade]

There are two gentlemen, Denise. He's the last person I want to see. All right, send him in.

[Narrator]

Mr. Slade?

[Matt Slade]

Yeah, come in, but tell your two associates to wait outside.

[Frank Denise]

Wait for me?

[Matt Slade]

Yeah. Now, what's on your mind?

[Frank Denise]

Congressman Wakefield and your association with him?

[Matt Slade]

I don't discuss a client's business with outsiders.

[Frank Denise]

I don't consider Myself, an outsider. I'm well aware of the congressman's crusading instincts and what he's attempting to do. He's made some strong accusations which have been quite embarrassing to me.

[Host]

After all, I do have a position.

[Frank Denise]

To maintain in this community.

[Matt Slade]

Look, let me play games, Venice. I'm well aware of your background.

[Frank Denise]

I'm a respected businessman.

[Matt Slade]

That's the image you've carefully built. But underneath that facade, there's something quite different.

[Frank Denise]

I've been a patient up to now. But I want you to know, and you can tell the congressman that if these accusations continue, I'll slap a slander suit against him and anyone else who takes his position.

[Matt Slade]

Look, why do you come to me? Why don't you tell this to Wakefield?

[Frank Denise]

My attorneys have been in contact with him, but he's a very stubborn man. As well as being foolish, I thought you might be more sensible.

[Matt Slade]

You want me to pull the congressman off your back, right?

[Frank Denise]

Exactly.

[Matt Slade]

You're wasting your time.

[Frank Denise]

Then you intend to continue your course of action?

[Matt Slade]

That's right.

[Frank Denise]

It could prove to be a very disastrous mistake.

[Matt Slade]

Another threat. Maybe something stronger than just a slander suit.

[Frank Denise]

You're no child playing adult games, Mr. Slade. I'm sure you know what's at stake.

[Matt Slade]

Yeah, enough to make me curious to know all there is to know.

[Frank Denise]

That's extremely determined.

[Host]

I was counting on a more receptive attitude.

[Matt Slade]

Sorry to disappoint you. Now, if you'll excuse me.

[Frank Denise]

I can assure you this is not the end.

[Matt Slade]

Well, as they say, see you in court.

[Frank Denise]

That could be a very prophetic statement, Mr. Suede. Remember, you've been a warned.

[Matt Slade]

Frank Denise, the man responsible for most of the gambling, narcotics and prostitution in the city. He was running scared. I left the office at 5:30, walked to Max's garage, picked up my car and drove home. I was finishing a very nice, tender barbecued steak when. Hello?

[Rita York]

I have some very interesting information for.

[Matt Slade]

You about Frank S. Who is this?

[Rita York]

The name's not important. What I have to tell you is. It may be all you need to expose me. I have to see you tonight.

[Matt Slade]

My life is in great danger and you come here.

[Rita York]

Meet me at 472 Queens street, apartment 25.

[Matt Slade]

What time?

[Rita York]

8:30. And tell no one. Or the information I have may die.

[Host]

Eyewitness.

[Matt Slade]

472 Quincy street was in a deserted section of town. The slum area where apartments were being torn down in a redevelopment program. There were no lights, no one around. I climbed the broken staircase to apartment 25. Cautiously pushed the door open with my foot. Then Entered the darkened room. Hello? Hello? Anyone? Here was no answer. Only the stillness, a stillness which was broken by what sounded like heavy breathing, was there. When I regained consciousness, I found myself bound tightly. Took nearly an hour before I managed to free myself. It was shortly after 10 when I arrived back at my apartment. I showered, changed clothes and relaxed with a good stiff drink and tried reasoning out what had gone before. Naturally, Frank Venice was my first candidate. It had to be one of his muscle men who worked me over. And he had evidently gotten to that mysterious caller before me. What I couldn't figure out was why had I been tied up? Didn't seem to serve any purpose. My contemplation was interrupted by the door button. Well, if it isn't Sergeant Donelli and the intrepid Lieutenant Flag.

[Matthew Slade]

We'd like a word with you. Flags.

[Matt Slade]

Of course. Come on in. Sit down over there.

[Host]

Thanks.

[Matt Slade]

You're looking rather glum, Sid. What's wrong?

[Matthew Slade]

You mind if we ask the questions?

[Matt Slade]

Look, what is this? You're coming here for a friendly visit and right away you have to start acting tough.

[Matthew Slade]

This isn't a friendly visit. It's business. Police business.

[Matt Slade]

You two sound serious.

[Matthew Slade]

Murder is serious.

[Matt Slade]

Murder? What murder?

[Matthew Slade]

Congressman Wakefield was found tonight with two bullets in him.

[Adam Graham]

What?

[Matt Slade]

He was shot to death just a few hours ago, Matt.

[Matthew Slade]

You've been in all night, Slade.

[Matt Slade]

No. No, I haven't. What that got to do with anything? Now play it straight, Matt. Take a friend's advice. You trying to say I know something about this?

[Matthew Slade]

You trying to say you don't?

[Matt Slade]

Yes, I am. And I get the feeling you don't believe me.

[Matthew Slade]

We'll decide that later. What time did you go out tonight?

[Matt Slade]

About quarter to eight.

[Matthew Slade]

And where did you go?

[Matt Slade]

You see, I received a phone call about 7:30. The caller asked me to meet her in an apartment on Quincy Street. When I got there, the place was deserted, or so I thought. Then someone jumped me. When I came to, I was tied up. Took me about an hour to get free and then I came back here. That was about 10:30. Take a look at this gun, Matt. Can you identify it? Yeah, the one I keep in my office. How'd you get a hold of it?

[Matthew Slade]

We found it in Wakefield's driveway. That's the gun that was used on him. We already checked it. The only prints we found on it were yours.

[Matt Slade]

So you think I killed him? It looks that way now. It's all very cleaner. The call being blackjacked and tied up. I wasn't supposed to be able to account for my Time tonight. Look, isn't it obvious to you two I'm being set up for a frame?

[Matthew Slade]

You surprised me, Slade. I figured you'd have come up with a better story than that.

[Matt Slade]

Well, it may sound contrived, but it happens to be true.

[Matthew Slade]

I'd like to believe that.

[Matt Slade]

Did you really think I killed Wakefield? Don't you? Look, I was working with him. You both know we've been after Frank Vanish. Why would I want to kill him?

[Matthew Slade]

We've got that too. Enlighten your friend, Sergeant.

[Host]

We've got an eyewitness. She swears she saw you shoot him.

[Matt Slade]

Whoever she is, she's lying. She claims to be Wakefield's girlfriend. Said you and she were together tonight. That Wakefield came in unexpectedly, there was a fight and you shot. Ah, come on, Sid.

[Matthew Slade]

There's the gun, Slade. And the fact that you can't satisfactorily account for your time between the hours of 8 and 10. That's when the coroner established time of death. You want to tell us the truth now?

[Matt Slade]

You've already heard it.

[Matthew Slade]

Okay, get your coat. We're booking you for murder.

[Matt Slade]

It was a short drive to police headquarters. They put me through the routine booking procedures. Something I'd witnessed dozens of times but never expected to be a part of. I was taken to a cell where I waited for my attorney, Dan Brody. Glad I can't believe you're not the only one. Dan, thanks for coming.

[Host]

FLAG has really gone overboard this time.

[Matt Slade]

It's not just Flag. The evidence is rather overwhelming.

[Host]

Yes, and it reached a high heaven of frame up.

[Matt Slade]

But the fact they've got the truth spells me out as the murderer.

[Host]

Then we'll have to start building the kind of case that'll blast a big hole in their facts.

[Matt Slade]

All right, where do we start?

[Host]

Your office, tomorrow morning. There might be some clue as to how they got hold of your gun. Oh, Matt, cheer up. By the time I'm finished, the DA's.

[Matt Slade]

Office will have to drop this case. Yeah.

[Host]

Morning, Ms. Jones.

[Rita York]

Mr. Brody. I've been expecting you.

[Host]

Did you find anything yet?

[Rita York]

Nothing. There doesn't seem to be any indication that the office has broken into last night.

[Host]

Are you positive?

[Rita York]

Maybe you should look too. I may have overlooked something.

[Host]

All right, let's start with this door. It's the only one leading into the hall, isn't it?

[Rita York]

Yes.

[Host]

Doesn't look as though this lock has been tampered with. Where did Matt keep his gun?

[Rita York]

In his desk door.

[Host]

A lock?

[Rita York]

No. But his office door is always kept locked as they leave.

[Host]

I see. Were you able to talk to the night janitor?

[Narrator]

Yes.

[Rita York]

Lucas said he let a strange man out of the building just before 7. His description matched one of the men who was here with Frank Venice. That should be a big help.

[Host]

Maybe. But the fact that he was seen in the building isn't enough. We have to prove he entered his office. And a lot depends on how closely we can tie the niece into all this.

[Rita York]

How bad does it look for Max?

[Host]

What evidence the police have is fairly conclusive. Maybe it's too conclusive.

[Rita York]

What do you mean by that?

[Host]

Well, it's also perfect. You're clear cut. Makes Matt look too obvious. I think Benice tried to play two pat a hand. It may work in our favor.

[Rita York]

And what will you do?

[Host]

I'm not sure just yet. Have a meeting in an hour with the assistant da, Austin Brigg. Maybe something will come out of that. The only thing I am sure of is that Matt is not going to be convicted of murder. I'm going to find some way to get the truth.

[Narrator]

Come in, Dan.

[Host]

Morning, Austin.

[Narrator]

You know Lieutenant Flagg. Sergeant Benelli.

[Matt Slade]

Of course.

[Host]

Gentlemen.

[Narrator]

Sit down, Dan.

[Host]

Thank you.

[Narrator]

Cigar?

[Host]

No, thank you. Seem to be in a very obliging spirit this morning, Austin.

[Narrator]

I'm open to anything you care to discuss. But I should warn you I'm not in a deal making mood and offer.

[Host]

You a chance to save yourself considerable embarrassment in court.

[Narrator]

Just how do you think I'll be.

[Host]

Embarrassed trying for a conviction against my client?

[Narrator]

Oh, you're very funny, Dan.

[Host]

You think so?

[Narrator]

Why don't you save everyone a lot of time and bother by pleading guilty? If you do, I won't push for the gas chamber.

[Host]

Now you're being there's no question of Slade's guilt. Not even a reasonable doubt, Lieutenant?

[Matthew Slade]

Not as far as I'm concerned.

[Host]

Oh, well then I suppose I'll give all of you a good laugh when I say Matthew Slade is being framed by Frank the niece.

[Matthew Slade]

That was his story. It doesn't sound any more convincing coming from you.

[Narrator]

Dennis Flag supplied me with an excellent case then?

[Host]

Oh, come now, Orton. Give credit where credit is due. The niece is the one you have to thank for that.

[Narrator]

If you can prove that, fine. I have nothing against Slade personry. I merely act on the evidence given me.

[Host]

I dare say, Lieutenant, that you aren't quite as neutral as Austin here.

[Matthew Slade]

If you mean I'm not going to lose any sleep over Slade's predicament, you'll right he's a gun happy skirt, happy gumshoe who was bound to get into real trouble someday.

[Matt Slade]

Barney, I've told you, you've got the.

[Host]

Wrong idea about Mary.

[Matthew Slade]

Look, Sergeant, I can't tell you who to pick for friends. Just don't presume to tell me I'm wrong about that.

[Narrator]

Provide an argument over Sally.

[Host]

Gentlemen, I'm going to use all of this in court. Austin, don't think for one minute I won't use what. Your arresting officer here is obviously prejudiced against my client.

[Matthew Slade]

Are you accusing me of rigging the evidence?

[Narrator]

Oh, did you?

[Host]

Lieutenant, what are you. Barney, take it easy.

[Matt Slade]

Look, counselor, the Lieutenant has a buzz about privacy.

[Matthew Slade]

Detective, it's not necessary to make excuses for me.

[Narrator]

Okay, okay, that's enough. Would you come in here for the purpose of stirring up something?

[Host]

Dan, my only purpose in coming here was to tell you you're making a big mistake, Austin.

[Narrator]

Really. Let's find that out in court.

[Matthew Slade]

Order in the court. Proceed, Mr. Briggs.

[Narrator]

Now then, Lieutenant, tell the court what you found when you arrived at the decedent house.

[Matthew Slade]

He was lying by the bedroom door with bullet holes in his chest. He was holding the poker from the fireplace in his right hand.

[Narrator]

Ms. York, you saw the man who shot and killed Congressman Wakefield?

[Rita York]

Yes, I did.

[Narrator]

Do you see that man in this courtroom?

[Rita York]

That's him over there.

[Narrator]

Let it be recorded that the witness indicated the defendant, Matthew Slade. Now, Ms. York, tell the court what your relationship was to the defeat.

[Rita York]

We were friends.

[Narrator]

I mean, more specifically, you were more than just friends. And that too. We were lovers, Miss York. Yes. Now then, on the night in question, what transpired?

[Rita York]

Mr. Slade and I were together that night at Clark's home.

[Narrator]

I see. He belongs.

[Rita York]

He came in and found us together.

[Narrator]

And what was his reaction?

[Rita York]

I'm sure he wouldn't have lost his temper if Mr. Slade hadn't baited him.

[Narrator]

What do you mean, baited?

[Rita York]

He laughed at Clark. Said he wasn't capable of keeping a woman.

[Narrator]

Now, Miss your. Please tell the court what happened after that.

[Rita York]

Clark needs to the fireplace, picked up the poker.

[Narrator]

Did he make any move to strike the defendant?

[Host]

No.

[Rita York]

He made a verbal threat. That's when Mr. Slade shot him.

[Matt Slade]

And what did you do?

[Rita York]

Frightened. I thought he might shoot me. And then? He ran from the room. That's when I phoned the police.

[Narrator]

Thank you, Ms. York.

[Matthew Slade]

Is there any regret?

[Host]

Yes, you, Honor. Ms. York, did you phone the defendant that night and ask him to meet you?

[Adam Graham]

Yes.

[Host]

And isn't it true that you asked him to meet you in a deserted apartment on Quincy street and not at the home of Congressman Wakefield?

[Rita York]

No, that's not true.

[Host]

Need I remind you that you're under oath, Ms. Yorke?

[Rita York]

I'm well aware of that.

[Host]

Well, I'm sure an attractive girl like you would find it rather stifling to have to spend time in prison on a perjury charge.

[Matthew Slade]

Your objection?

[Narrator]

Badgering the witness, your honor.

[Matthew Slade]

Sustained. You're a little out of line, Mr. Brodie. Please confine the questions to testimony given in the direction.

[Host]

Very well, you, Honor. Now, monsieur, what time did you call the defendant?

[Rita York]

Between 7 and 7:30.

[Host]

And what time did he arrive?

[Rita York]

8:00.

[Host]

You go to Don Khan?

[Rita York]

Yes.

[Host]

You're sure of that?

[Matt Slade]

Yes.

[Host]

Please the court, at this time I'd like to enter some new evidence.

[Matthew Slade]

Mr. Briggs.

[Narrator]

State has no objection, your honor.

[Host]

Now I have here, sir, two reports. One shows that on the day of the Wakefield murder, my client's car was lubricated by Max's garage. Now the mileage was recorded and indicates that at the time there were 12,562 miles on the speedometer. I also have a report here verified by the police that the day after my client was taken into custody, as car seduction diameter indicated 12,581 miles. A difference of only 19 miles. Now, on the day of the murder, my client drove from Max's garage to his apartment, then to 472 Quincy street and then back again to his apartment. A distance of exactly 19 miles. If on the other hand, my client had driven to Congressman Wakefield's home, as Ms. York has testified, he would have had to travel an additional eight miles. Therefore, I submit Ms. York has pretty.

[Narrator]

The state must oppose the introduction of this so called evidence. Without meaning to demean the defense, counselor, it is obvious that such evidence is inadmissible. Anyone who knows even the slightest about cars knows how easy it is to turn back.

[Host]

His predominant take offense at that remark. Austin. You're saying I'm attempting to submit false evidence?

[Matt Slade]

No.

[Narrator]

Dynamo is suggesting its validity is questionable.

[Matthew Slade]

Gentlemen, please.

[Narrator]

I'll have to take this evidence into consideration.

[Matthew Slade]

Now, I see it's approaching 12 o'clock.

[Matt Slade]

We'll adjourn for lunch.

[Matthew Slade]

I caution the jury not to discuss this case or draw any conclusion until.

[Host]

All the evidence is in.

[Matthew Slade]

Court. Will reconvene at 1:30.

[Host]

On that morning, Ms. Jones, you stated that the defendant had a visitor.

[Rita York]

Yes. Actually. Three men came in.

[Host]

Who were they?

[Rita York]

Mr. Frank Venice and two of his associates. I don't know their names.

[Host]

Why did Mr. Venice come to see Ms. Slade?

[Rita York]

He knew that Mr. Slade was working with Congressman Wakefield on compiling evidence that Would link him with a crime. He tried to persuade Mr. Slade to call off their investigation.

[Host]

Did he make any threats?

[Rita York]

Nothing. Over. Mr. Slade said that he was being persecuted and if they continued, it should prove disastrous he didn't allow him.

[Host]

I see. And then he left?

[Rita York]

Yes.

[Host]

Now, Ms. Jones, the next day after the defendant was arrested, he received a call from a Mr. Max Cutler.

[Rita York]

That's right.

[Host]

What was the nature of that call?

[Rita York]

Well, Max rents the garage where Mr. Slade has his car service. When he read about Mr. Slade's arrest, he called to tell me that he had noticed a man leaving the station Slade's car late the previous afternoon. His description matched out of one of the two men who accompanied Mr. Venice to the office.

[Host]

Now, how could he have known the defendant's car was at Max's garage?

[Rita York]

Well, Mr. Slade asked me to call Max's garage to find out when his car would be ready. I was asking him the information when the three men entered. They overheard the conversation.

[Host]

What do you suppose one of these men was doing at the defendant's car?

[Rita York]

He must have taken an impression of the office key.

[Narrator]

Objection.

[Matt Slade]

Your Honor.

[Narrator]

The witness is drawing a conclusion.

[Matthew Slade]

Objection sustained. Write that from the record. The jury will disregard it. Proceed, Mr. Birdie.

[Host]

Yes, you, Honor. Now, Ms. Jones, tell the court what you learned from Lucas Haynes, the night janitor of your office building.

[Rita York]

Lucas led a strange man out of the building after it was closed, sometime before 7:00.

[Host]

The same man seen by Max Cutler at his garage?

[Rita York]

Yes.

[Host]

And the same man who came to your office with Frank Venice?

[Rita York]

Yes.

[Host]

Thank you, Ms. Jones. The state may cross examine.

[Narrator]

Ms. Jones, you're employed by the defendant, Matthew Slade?

[Rita York]

Yes.

[Matt Slade]

For how long?

[Rita York]

For four years.

[Narrator]

And for those four years you've been a loyal employee?

[Rita York]

Oh, yes.

[Narrator]

And these gentlemen, Max Cutler and Lucas Haynes, I would guess they are friendly with the defendants.

[Host]

Yes.

[Narrator]

And what about you? Are they fond of you?

[Rita York]

I think so.

[Narrator]

Then would you mind telling me this story you just told? Was it your idea, the defendants or the defense counselor?

[Matthew Slade]

Objection.

[Matt Slade]

Your Honor.

[Matthew Slade]

No further questions. Order in the court. I won't tolerate this sort of outbreak.

[Host]

Your Honor, the prosecution is attempting to belittle the witness.

[Matthew Slade]

I'm well aware of what the prosecution is attempting to prove. I must caution both councils to try.

[Host]

And remember their courtroom etiquette.

[Matthew Slade]

You may call your next witness, Mr. Brody.

[Rita York]

Yes.

[Host]

Your Honor. I call to the stand Frank Benice.

[Frank Denise]

Everything Ms. Jones said is untrue.

[Host]

Is it, Mr. Denise?

[Narrator]

Yes.

[Host]

Oh, it's true.

[Frank Denise]

I paid a call of Mr. Slade that morning. But not for the purpose. She stated I wanted to retain Mr. Slade's service.

[Host]

Why would a prominent man about town like yourself want to hire a private detective?

[Frank Denise]

Well, I do have enemies, counselor. A man in my position will occasionally step on a few toes, however unintentional.

[Host]

Of late, my family and I have.

[Frank Denise]

Been plagued by anonymous phone calls threatening harm.

[Host]

Really? Now why would anyone want to do that to a first class citizen in his family?

[Frank Denise]

As I said, I do have enemies. As to who made the calls, well, that's the reason I wanted to hire Mr. Slade to find out. The only reason I paid him that visit.

[Host]

And what about this associate of yours who was seen by Max Cutler and Lucas Haynes?

[Narrator]

I think the assistant district attorney has.

[Frank Denise]

Summed that up very neatly already. Besides, I have no associate or knowledge of anyone fitting to the description he gave.

[Host]

Now, tell the court. Are you acquainted with Rito York?

[Frank Denise]

No, I am not.

[Host]

Come now, sir. Isn't she on your payroll?

[Matthew Slade]

Of course.

[Frank Denise]

Now, you make many accusations, Mr. Brody. I trust you're ready to back them up.

[Matthew Slade]

The witness will refrain from addressing the defense counsel in that manner. Must I sit here and allow him. I'll handle the discipline in this courtroom, Mr. Denise. Now then, Mr. Brody, do you intend following this line of interrogation?

[Host]

No, your honor. I'm filled with this witness.

[Matthew Slade]

Do you care to cross examine, Mr. Briggs?

[Narrator]

No questions, your honor.

[Matthew Slade]

And does this conclude Your case, Mr. Brody?

[Host]

No, you, honor, I'd like. But first I'd like to request a 30 minute recess so I might discuss a vital point with my client.

[Matt Slade]

Very well.

[Matthew Slade]

We could use the cooling off period.

[Matt Slade]

Courted.

[Matthew Slade]

Adjourned for 30 minutes.

[Host]

Sit down, Matt.

[Matt Slade]

Where's Jonesy off to? Dan? I saw you with. And then she left the courtroom in a big hurry.

[Host]

I'm gonna try something, Matt. Not strictly ethical and it could backfire. But I think it's worth a risk.

[Matt Slade]

You know. What is it?

[Host]

First, take off your coat and shirt.

[Matt Slade]

Do you mind explaining?

[Host]

Okay, but no arguments. Now here's what I propose to do. Are you ready to proceed, Mr. Brody? Yes, your honor.

[Matt Slade]

Very well.

[Matthew Slade]

Call your witness.

[Host]

Will Ms. Rita York please take the stand?

[Matthew Slade]

Order in the court. I remind you, Ms. York, you are still under oath.

[Host]

Now, Ms. York, I'd like to go back to something you said in your previous testimony. You stated that you and the defendant were together that night. Is that correct?

[Rita York]

Yes.

[Host]

I take it this is not the first time you both were together under such circumstances. Am I correct in assuming that we've.

[Rita York]

Spent many nights together?

[Host]

Then you've had shall we say close relations with the defendant?

[Rita York]

I don't know what you mean.

[Host]

Come now, Miss York. Surely we don't have to paint you a picture. How many nights have you spent with Mr. Slade?

[Rita York]

Several. I can't remember exactly.

[Host]

Now, come now, think, Ms. York.

[Matthew Slade]

Three? Four?

[Rita York]

I told you there were many.

[Host]

Then if I asked you something specific about the defendant, you'd be able to tell me now, wouldn't you? What do you mean? What I mean, Ms. York, is can you tell the court if the defendant has any outstanding scars, moles, birthmarks or tattoos on his body?

[Rita York]

I.

[Host]

Come on, Miss York. Surely you would have noticed something like that. Well. Your Honor, will you please instruct a witness to answer my question?

[Matthew Slade]

You must answer.

[Rita York]

No, no, I notice nothing like that.

[Host]

It please the court, I would like the defendant to remove his shirt.

[Narrator]

Objection, you, Honor.

[Matthew Slade]

Mr. Brodie is attempting to turn these.

[Narrator]

Proceedings into some sort of silence.

[Host]

I am attempting to establish the fact that this witness has perjured herself, you, Honor. I believe it to be a vital point.

[Matthew Slade]

I'm going to allow a wide latitude here, Mr. Briggs. In the interest of justice. You may remove your shirt, Mr. Blake.

[Host]

As the court can plainly see, the defendant's chest is tattooed with the likeness of an eagle. Your Honor, I submit that the witness, Ms. Rita York, could not possibly not have known about this if she had told the truth.

[Matthew Slade]

What do you have to say, Ms. York?

[Rita York]

I didn't want to get involved in this. You must believe that. He forced me to.

[Host]

Who is he, Miss?

[Rita York]

The nice pride? The niece? He killed Wakefield.

[Matt Slade]

I don't know how to thank you, Dan.

[Host]

I'll say that when you see my fee, you may feel different.

[Matt Slade]

Whatever the price, it's worth it. You know I'm very fond of my freedom.

[Host]

Oh, by the way, you can wash off that indelible ink with a good strong detective.

[Matt Slade]

Oh, I don't know. I just may keep it. How can anyone destroy such a masterpiece? Your forensal talents, Mr. Brody, are surpassed only by your tattooing artistry.

[Host]

Please get the nicest thing, Mr. Detective.

[Matthew Slade]

This is the United States Armed Forces.

[Matt Slade]

Radio and Television Service.

[Adam Graham]

Welcome back. That was something. There was a trial scene in the 2000s movie. The Adventures of Rocky and Bullwinkle was live action film. That's essentially law and order compared with what we got here. I think this is a case where the creative team's reach exceeds seeded their grass. Doing a good legal drama with the limited time they had to tell the story anyway. And the time it took to set up what happened was not going to work regardless of anything else. But then it seems like there was very little if any research done into how legal procedures actually work. So even if you were used to something like Perry Mason, which itself is not the most accurate program out there, when it came to legal procedures, this one would leave you scratching your head. There were some basic things bobbled. For example, when Dan Brody questioned the state's witness, it was called a redirect rather than a cross examination. Redirect would be the state requesting the witness after being cross examined by the defense. And of course, while the prosecution could object to the introduction of the milog from the mechanic and the way that the mileage reflected Slade's location, and further could point out that Slade wouldn't necessarily have had to transport himself in his own car, the the argument that it shouldn't be admitted because odometers can be rolled back in theory is nonsense. There should be evidence that it was rolled back to disqualify it or to impeach it. Though of course most legal dramas lack the realism of pretrial discovery, which happens in civil and criminal cases, and would address these sorts of things well before the trial. But that was a pretty silly argument. I've listened to this before, and listening to it a second time, I found myself wondering whether this was a backdoor pilot for a Dan Brody series as he becomes the main character for 2/3 of the episode. And I've mentioned the series was broadcast under the name Starlight Mystery Theater Theater. If they had opted to make another season of Starlight Mystery Theater, might that have focused on Dan Brody or been a situation where it alternated between Dan Brody and Matthew Slade? I mean, Dan Brody even sounds like a lead character named Dan Brody, Attorney at Law. He doesn't play by the rules, he just gets the truth. Now, while you could spend a lot of time picking apart the legal process, I did think that there was something wrong that actually wasn't, because to my mind it seemed like killing a congressman would be a federal crime. And it is. However, this was made in 1964 and that law didn't go on the books until 1971. Probably more wrong than the legal process is the tattooing process by which Brody gave Matt a convict convincing eagle tattoo that was dried sufficiently for Matt to put his shirt back on without it apparently staining the shirt. And this would have happened within the 30 minute recess. Although anyone who's watched courtroom proceedings on television will tell you that these do not often go with the limited time provided. So maybe he would have had time to find a private area and tattoo him with the temporary process and have it sufficiently dry and be in court in an amount of time where the judge would not be upset. Tattoo artists who are expert in the temporary Tattoo methods of 1964 comments are certainly welcome, particularly if you also happen to be trial lawyers, although that might be a little bit too narrow of a niche to ask feedback from Now I should note that our journey through Matthew Slade is nearing an end. We only have three more episodes to go, so coming in four weeks, we'll be bringing you Hot Copy, a really intriguing radio series, which I'm sure you won't want to miss. While we turn now to listener comments and feedback. And there's a comment here from Rein sir, who writes in regarding the incredible Dr. Adam. We love that you go to such intensive research trying to give us each series in the proper order. Each of the episodes is enjoyable in its own, but hearing them in order makes the experience more authentic for us, your listeners. Besides, it's what you do here. Well, thanks so much. I appreciate the comment and I like the opportunity to actually do the research. And you're right, going back to the way the series started, which was with me wanting to play the episodes in order from start to finish in each series we did. I will say that with most of the larger series, the well documented ones, I've been blessed that so many other folks have done the research, the big primary research. So it's just a matter of finding the right logs and occasionally you run into an issue here or there and they've gotten more accurate over the years. Where I'm able to, I guess, contribute something in terms of original understanding are in those shows that are a bit more obscure. So it's things like the order of episodes for this series and discovering who starred in Michael Piper Private Eye are where I make a contribution, I guess, to the wider knowledge of radio within the community. And it's. It's fun to have the opportunity to do the research, although sometimes I'd like more definitive answers than we can find. We always do the best we can and appreciate your kind words. All right, well, now it is time for us to go ahead and thank our Patreon supporter of the day. And I want to go ahead and thank Ken. Ken's been one of our patreon supporters since November 2023, currently supporting the podcast at the Seamus level of $4 or more per month. Thanks so much for your support, Ken. And that will do it for today. If you're enjoying the podcast, please follow us using your favorite podcast software. And be sure to rate and review the podcast wherever you download it from. We'll be back next Tuesday with another episode of Matthew Slade, but join us back here tomorrow for Broadway's My Beat Wear.

[Witness]

Listen to me. I've got an apartment house here. Respectable. For girls only. Sure, they can have men callers at certain hours. Who am I to warp young women by? No men callers, but respectable. Understand that, Mister, the newspapers. The girl, Hope Anderson. I told you that she's dead. I told you that, too.

[Frank Denise]

Yeah, you did.

[Matt Slade]

And I believed you.

[Matthew Slade]

Now try me on.

[Matt Slade]

How come you're here?

[Witness]

This way. I was on the balcony of my apartment. That one up there. I was sniffing the moonlight. I looked down on the fountain. Cause it goes with the moonlight. Hope Anderson lying there didn't go with anything at all.

[Matthew Slade]

Go on.

[Witness]

I came down, saw what happened. Then I posted a notice on the bulletin board. No one allowed in the courtyard tonight. Then I called headquarters. Look, mister, don't you want to look at that? The gun lying there. I saw it. How come you didn't see it?

[Matthew Slade]

Yeah.

[Matt Slade]

Equipped with a silencer. More about the girl, Ms. Walker.

[Witness]

How do I know? She roomed in apartment six with. With. Let me see.

[Matt Slade]

Jackie Logan and Jackie Logan.

[Matthew Slade]

Tell me about her.

[Witness]

Sure. She roomed in apartment six with Hope Anderson. And she's been out all night. Now listen to me. If the newspapers get this, it'll give my apartment house.

[Adam Graham]

I hope you'll be with us then. In the meantime, send your comments to box Thirteenreatetectives.net Follow us on Twitter at radiodetectives and check us out on Instagram. Instagram.com greatdetectives from Boise, Idaho, this is your host, Adam Graham, signing off.