Mathew Slade: The Secret Grey Man (EP4636)

Summary

Episode Summary: "Mathew Slade: The Secret Grey Man" (EP4636)

Release Date: February 25, 2025
Podcast: The Great Detectives of Old Time Radio
Host: Adam Graham

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Introduction

In episode 4636 of The Great Detectives of Old Time Radio, listeners are plunged into the suspense-filled world of Matthew Slade, a private investigator navigating a labyrinth of secrets, deceit, and danger. Titled "The Secret Grey Man," this installment showcases Slade's relentless pursuit of truth amidst cloak-and-dagger intrigue reminiscent of classic spy thrillers.

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Plot Summary

Setting the Stage

The episode opens at Slade's meticulously arranged apartment, setting a calm atmosphere:

• Matthew Slade (00:01): "Saving for your next milestone. Turn your everyday errands into cash back opportunities..."
  (Note: This is an advertisement segment and thus skipped in the summary.)

Transitioning to the narrative:

• Adam Graham (00:58): Welcomes listeners and introduces the episode, briefly mentioning the podcast's listener support campaign before diving into the story.

The Mysterious Letter

Matthew Slade receives a cryptic letter from Gray Durant, his old acquaintance from their clandestine days in Korea:

• Matthew Slade (03:54): "The letter was from Gray Durant, and it was in code. I'd met the secret Gray man..."
  (00:03:54)

Slade deciphers the code, realizing it signifies a perilous agreement made among operatives anticipating their demise during their secret mission. With urgency, he disposes of incriminating items and heads to Morro Bay, where Gray is believed to reside.

Encounter with Herbert Edwards

At a gas station near Morro Bay, Slade interacts with Herbert Edwards, who appears suspiciously alike to Slade's own vehicle registration:

• Matthew Slade (05:34): "Customary precaution. Gray. Who is this? Matt Slade..."
  (00:05:34)

Edwards reveals himself as a potential threat, raising Slade's suspicions about the true intentions behind the coded letter.

Arrival at The Glass House

Slade arrives at The Glass House, a hotel overlooking Morro Bay, and checks in under duress, wary of being watched:

• Matthew Slade (06:41): "Herby. Do you have to talk to every con, dick, and Harry on the highway?"
  (00:06:41)

He attempts to secure a safe environment but soon finds himself entangled in a complex web of deceit involving Edwards and Marcy.

The Pool Incident

During a poolside brunch at the hotel, an altercation ensues where Edwards attempts to drown Slade's associate, Marcy:

• Herbert Edwards (08:03): "Don't move. I was just getting up enough to speak to you."
  (00:08:03)

Slade intervenes, saving Marcy and further deepening the mystery surrounding Edwards' motives and connections to the "Secret Grey Man."

Confrontation at the Moonstone

Determined to uncover the truth, Slade and Gray investigate the Moonstone yacht, suspecting foul play. Their underwater search leads to a tense discovery:

• Gray Durant (11:15): "She's riding low. Yeah, I can see that. Day from my house, Matt."
  (00:11:15)

Amidst the suspense, they find Lisa Albers injured aboard the yacht. Gray's true intentions become murky as alliances shift and betrayals surface.

Final Showdown

Returning to Gray's estate, Slade faces the ultimate confrontation with Sanderson, a traitorous figure from his past:

• Sanderson (19:44): "You cannot lie to me, Matt. A case..."
  (00:19:44)

In a climactic battle, Sanderson attempts to eliminate Slade, but the detective's resilience prevails, leaving the identity of the "Secret Grey Man" ambiguously unresolved.

Reflection

As Slade drives home, he contemplates the precariousness of his agreements and the thin line between survival and demise:

• Matthew Slade (18:34): "We saw them hit. We saw them fall. We thought they were dead. We were all expendable..."
  (00:18:34)

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Notable Quotes

• Matthew Slade: "The letter was from Gray Durant, and it was in code."
  (00:03:54)

• Herbert Edwards: "Don't move. I was just getting up enough to speak to you."
  (00:08:03)

• Sanderson: "You should have made sure. Yeah, I will this time. Sanderson, baby."
  (00:19:23)

• Matthew Slade: "We thought they were dead. We were all expendable..."
  (00:18:34)

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Host's Commentary

Upon concluding the dramatic narrative, Adam Graham reflects on the episode's intricate plot and character dynamics:

• Adam Graham (23:36): "A different sort of episode for Matthew Slade, but this points back to that idea I found in a newspaper where one of the goals with this radio series was to take the radio dramas and adapt them into James Bond style adventures."
  (00:23:36)

Graham appreciates the rapid twists and the James Bond-esque flair of the story, suggesting its potential expansion into longer formats such as audio dramas or films. He highlights the clever plot device where Edwards's alleged sobriety is juxtaposed with his duplicitous actions, noting it as an early 1960s cultural artifact.

Listener Feedback:

• Valencia from Air Valencia: "I'm enjoying this radio show. Had never heard of it before..."
  (00:25:02)

• Stuart from Scottsdale: "I enjoy listening to Adam talk about the episodes as he enlightens us on behind the scenes insights."
  (00:25:30)

Graham expresses gratitude for the positive feedback, reinforcing the community feel of the podcast.

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Conclusion

"The Secret Grey Man" serves as a riveting episode that encapsulates the essence of old-time radio detective dramas while infusing them with modern storytelling techniques. Through Matthew Slade's harrowing journey, listeners are treated to a masterful blend of suspense, mystery, and character-driven intrigue, all guided by Adam Graham's insightful narration and commentary.

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Additional Information

For those interested in exploring more episodes or supporting the podcast, visit GreatDetectives.net or follow The Great Detectives of Old Time Radio on popular podcast platforms. Listener engagement is encouraged through comments, feedback, and Patreon support, fostering a vibrant community of mystery enthusiasts.

Transcript

[Matthew Slade]

Saving for your next milestone. Turn your everyday errands into cash back opportunities. Thanks to the Blue Cash Every Day card, we can earn 3% cash back in the US on essentials like groceries at supermarkets, online retail purchases, and gas stations. That's how we started growing our family's little nest egg. Take the next step with Blue Cash every day from Amex. Learn more at americanexpress.com Explore BCE terms and cash back cap.

[Adam Graham]

Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This is your host, Adam Graham. In a moment, we're going to bring you this week's episode of Matthew Slade, Private Investigator. But first, I do want to encourage you, if you're enjoying the podcast, to please follow us using your favorite podcast software and our listener support campaign continues. You can become one of our Patreon supporters for as little as $2 per month by going to Patreon. Great. Detectives.net now from October 25, 1964, here is the Secret Gray man.

[Matthew Slade]

From Hollywood. Welcome to Starlight Mystery Theater and another episode in the series Matthew Slade, Private Investigator. We invite you to take your seats as Matthew Slade unfolds the Secret Gray Man. In my job, the hours are odd. So are the circumstances and the people I meet. You can even call some of them dangerous. My calling card reads, matthew slade, private investigator. Time, 12:00am Place my apartment. Lights were low, soft music playing, flames from the fireplace reflected in two brandy glasses. The setting was perfect, the company divine, Matthew.

[Lisa Albers]

Simply divine. The apartment is so soothing.

[Matthew Slade]

All right.

[Lisa Albers]

Wasn't that the doorbell?

[Matthew Slade]

Yes.

[Lisa Albers]

Are you expecting anyone?

[Matthew Slade]

Only my grandmother. She drops by every evening with a fresh case of root beer that played. Yeah, right. This delivery letter. Sign here, please. Thank you.

[Lisa Albers]

Who's it from? Granny?

[Matthew Slade]

Yeah. Yeah, in a way.

[Lisa Albers]

Business, Mr. Spade.

[Matthew Slade]

Business.

[Lisa Albers]

I am sympathetic, understanding and willing to make sacrifices for a rain trick. Good night. I'll let myself out.

[Matthew Slade]

The letter was from Gray Durant, and it was in code. I'd met the secret Gray man, Durant's tag and cloak and dagger circles in Korea. Gray was G2, one of four men assigned to top secret work. The code was born there, worked out one night before Gray Eye and two other men, Sanderson and Rogers, went across the line. It was involved and was a one for all agreement. One of those things that men do when they know they're going to die. The slender thread to luck. Sanderson and Rogers were killed, Gray and I have never invoked the agreement until now. I burned the note, threw my toothbrush and an extra cylinder cartridges into a suitcase and Headed for my car, I drove along the coast toward Morro Bay. Gray lived in what he called his castle. The place overlooked the bay and seemed carved out of the cliff. Huge rock in the ocean. Morro Bay's landmark was more noticeable and more accessible. Gray was still cloak and dagger. If the letter meant what I thought it did, he could be dead. A filling station loomed ahead on the highway. I wheeled the Continental under the pump area. Yes, sir. That gal filler up? Yeah, yeah. You got a phone? A telephone booth. Wrong side. Thanks. Second step in the agreement. Contact before approaching. Customary precaution. Gray. Who is this? Matt Slade. I got the letter. Are you in trouble? Maybe. Now. I didn't send it. Sanderson or Rogers. Someone else. A nice setup for a kill. Don't sweat it, man. Will you, punk? I've been so busy playing Superman, I didn't notice. Ray, where shall we meet? Well, I can set it up alone. It was my goof. We'll go together. There's a hotel called the Glass House on Morrow Bay. Registered? I'm known in the village. So we'll dig into the handy Dandy disguise tip code. Contact will be Marcy. Marcy. The Glass House. Isn't there something about people who live on rocks shouldn't build glass houses? I hope not, Dre. I hope not. I walked back to the car. Man was standing beside. Appearing inside. He was back east, knees York tied. Sharply dressed, I tightened inside. This your car? Yeah. Got one just like it over there. Pointed toward what could have been the Continental's twin. Except his had a blonde inside. My wife. Honey, it's Mr. Slade. I read your registration. My name's Herbert Edwards.

[Lisa Albers]

Herby. Do you have to talk to every con, dick and Harry on the highway?

[Matthew Slade]

Nice talking to you, Slade. I headed toward Morro Bay, keeping an eye on the rear view mirror. No one was following me. At least no one that I could spot. I reached the Glass House at three stories, a thousand eyes blinking at the sea. I registered, took the elevator up. The room looked all right, wasn't bugged. So my unknown killer was behind me somewhere. I finished a pack of cigarettes and decided to get some sleep. Morning came, but not too soon. I dressed, went downstairs to the desk. No, no Mr. Slade. No messages. You came in late last night, I see. Oh, Are we having a brunch at the pool this morning? Is that the custom? Oh, yes, indeed. The sea air is so appetizing. Yes, well, we'll have brunch at the pool. The pool is on your right. Oh, don't walk through the glass doors. That can be nasty. Finding the pool was no problem. I remembered not to walk through the glass doors. I edged over legs and arms and various degrees of sunburn, looking for someone who might resemble gray. People in bathing suits resemble other people, never themselves. A waiter appeared, ushered me to a table near the diving board where a group of teenagers were playing water tag. He took my order. By the time my scrambled eggs arrived, I was soaked in the skin. A waiter. Could you find me a table a little further back from the pool? Yes, sir.

[Lisa Albers]

Don't move. I was just getting up enough to speak to you.

[Matthew Slade]

Her voice indicated that she was gorgeous. I turned for a good book. She was. Well, I could see over.

[Lisa Albers]

I belong to the Cotton State Journal over there.

[Matthew Slade]

She indicated a seersucker suit. The character in it smiled blearily, raised his scotch in a passing bikini.

[Lisa Albers]

But he liked me to be friendly.

[Matthew Slade]

I couldn't catch all she said because I noticed a charm bracelet with Marcy in chunk sized letters. I'm very friendly too.

[Lisa Albers]

That's wonderful.

[Matthew Slade]

What's wrong? You got a cramp? She nodded and slowly disappeared into the water. And I went in after her. Okay, now, you're all right. I. I've got you. Here, let me help you. She's all right now. She's all right. Hold on. Just let her go. She's all right. Let me. Hey, Slade, it's Edward on Herbie Edwards. Yeah, well, will you let go of it, please? Sure, sure. Hey, imagine not anything over here. Yeah, well, I. Just let me get her up the steps, will you? All right. Okay, okay, I'll pull her over there. Keep back, folks.

[Lisa Albers]

How did you have to get involved in everything?

[Matthew Slade]

What in the world is going on here? Somebody tried to drown my little gap. It was Gray, Southern accent, pot belly and beard. She almost drowned. Slade here says. Well, Mr. Slade, I surely do. Thank you. Now, I want to repeat, Big Charlie Winston, don't let things just go by. Now, if you folks will let us through. Gray, Marcy and I sloshed our way through the lobby. It took 20 minutes to change clothes and get to Gray suite. I knocked, Marcy opened the door, grinned at me and then locked it after I entered. You didn't spot me. That's quite a get up you're wearing Big Charlene. Anyone tried to contact you? No, no, but Edwards thought he might.

[Lisa Albers]

Edward, the other clown in the pool, was trying to save me now.

[Matthew Slade]

The one. I ran into Edwards and his wife on the way down here in before. No, I can't tie them in. Anywhere. But there's. There's a possibility they just leave us out on a L. Mr. Or Ms. Unknown knows about the agreement. How? We will figure out later. But they know. They know about the call. So around 5:30. See what goes with the Costa CL. I slid onto a seat in the bar and glanced around. The terrace dining room was crowded. There were a few couples on the dance floor. None looked in a killing mood or even interesting himself.

[Lisa Albers]

Martinis, aren't we Ann held in, are they? I mean, I'm not likely to get something horrible if I keep drinking them.

[Matthew Slade]

She was young and beautiful and maybe lonesome, which I doubted.

[Lisa Albers]

Maybe something else like developing analogy to olives with them.

[Matthew Slade]

That depends. How many have you had? 4.

[Lisa Albers]

This place is pretty dull.

[Matthew Slade]

It should start to liven up soon.

[Lisa Albers]

Oh, it has. I'm Ms. Alvin. Who are you?

[Matthew Slade]

That's late.

[Lisa Albers]

What do you do, Matt?

[Matthew Slade]

I'm a private investigator.

[Lisa Albers]

Are you private investigating?

[Matthew Slade]

No, no. Vacation.

[Lisa Albers]

You vacation from here to LA to Mexico City to Honolulu.

[Matthew Slade]

Poor little rich girl.

[Lisa Albers]

Poor little poor girl. Secretary from Sacramento. Saved her money for.

[Matthew Slade]

For one day. Big one.

[Lisa Albers]

Big husband. Hunting expedition. Want to marry me now or later.

[Matthew Slade]

Would you like to dance, coward?

[Lisa Albers]

I'd love to.

[Matthew Slade]

Lisa felt good, perhaps too good in my eyes. She danced well easily over her shoulder. I saw Gray in his Captain Andy disguise come in with Marcy. He looked about the bar, then headed for the terrace, Marcy following. Then he spotted us on the dance floor starting tortoise. I could feel Lisa's back muscle tight briefly. Then. Well now, Mr. Smith. You're doing all right by yourself, son. I thought you were a stranger here. Introduce me to the lovely little lady. Lisa Albers, this is Marcy and Big Charlie Winston. Mighty flea. Now you stop stepping on her pretty speech, Lade. And both of you come and join us for dinner. Gray led the way to a table one which gave him a full view of the dining area and the bar. And ordered for all of us. Proceeded to charm Lisa out of her life story. She had reached the age of 18 when we were interrupted by a great Herbie Edwards. You remember Honey. Don't get up. I just wanted to say how much I admired what you did this afternoon and buy a drink for all of you. Everybody likes a hero. Sitting down, Edward. Now, honey, you, you. You sit over here. Gray was playing his role to the hilt. But he was suspicious of Edwards. So was I. Gray and Edwards babbled on with Gray leading the conversation. Marcy tried talking to Honey, but Honey just didn't like to talk Lisa was quiet. I glanced at her. She seemed to be no more than what she had said then.

[Lisa Albers]

Listen, everybody. I would like to contribute something. I know a crazy little place called the Cave. Very avant garde. I invite all of you to be my guest.

[Matthew Slade]

Secretary, salary, please. That's the best little idea I've heard all evening. Come on, let's go. How old Herbie and Honey is. We'll take my car.

[Lisa Albers]

Why don't we take Matt's car? You do have one, don't you?

[Matthew Slade]

Lisa raised her eyebrows at old Herbie, who would have had trouble finding his car, much less driving it. I nodded to her and we trooped toward the parking lot. As we reached it. Oh, dear.

[Lisa Albers]

John, wait for me, please. I forgot something.

[Matthew Slade]

What is it? I'll go.

[Lisa Albers]

No, no. It'll only take a minute. Just pull the car under the front.

[Matthew Slade]

Lisa ran back inside the hotel as we piled into my car and then discovered that my keys were in the suit I had so hastily shed. I started to go back for them, but Edwards protested. We'll take my car and I'll drive. I'm not that drunk, old friend. Edwards got out and headed for his car, which was about 50ft away. You can cut out old Herbie. The front of Edward's car disappeared in smoke. Stunned, we all ran toward the car. I reached the car, dragged Edwards clear. He was badly hurt, but still alive. An ambulance took Herbie away, Honey with him.

[Lisa Albers]

What happened to Lisa, Gray?

[Matthew Slade]

What? I don't know.

[Lisa Albers]

Surely she heard the explosion, the siren, and she didn't come back.

[Matthew Slade]

She didn't intend to come back. Lisa isn't the one behind it. There's someone else.

[Lisa Albers]

There's one point you masterminds are forgetting. Edward's car had the bomb, not Matt's Cars looked alive. Was it a mistake?

[Matthew Slade]

A killer wouldn't make a mistake unless Lisa wanted him to. Come on, Matt. What are you selling? She wanted us to take my car, remember? Not Edwards. And she thought we were. Look at my registration. Gray, Herbert Edwards. 624 Willowbrook. She switched. I stopped to ask the desk clerk if Lisa Albers had checked out. Lisa had never checked in. When I reached Gray suite, he was standing at the window with a pair of binoculars. Marcy was curled in the corner of the couch, watching him. Gray handed me the binoculars. Look beyond the rock in the bay. Yeah, okay. Okay. What am I looking for? A yacht. 50 foot, well lighted. About halfway there. Yeah, got it. I don't see anyone on board. She's riding low. Yeah, I can see that. Day from my house, Matt. I keep an eye on ships coming in and out. I know most of them. I don't know that one. The Moonstone. The Moonstone showed up the morning you received the letter. No one came nearer. No one left her until you got my call. Right after you called, a woman left the boat in a dinghy. I think that woman was weaker. Come on now, Gray. You're reaching. Maybe. I want to go out there and find out. Are you game? How do we go? Boat? Bus. We drive out to the rock and then swim. I have scuba suits in the cockpit. You're not going to take Marcy, are you? I'm not going to leave her here if I am to find. Come on. Let's go. Gray drove along the road leading to the rock, then parked the car in a deserted section. We donned the frogman suits and slipped into the water. The boat looked far away. I had the underwater torch. Marcy and Gray were ahead of me in the water, their heads bobbing. To an observer, we would appear to be seals. We hoped. As we neared the moonstone, I listened for voices of someone on board. I heard nothing. I followed Gray and Marcy around the bow, silently. Gray beckoned to me, pointed to a spot just above the water line. I flashed the torch briefly, long enough to see a nice splintered hole man made. The dinghy was gone. I saw a rope dangling, reached for it, scrambled aboard, crouched in the shadows, listening. It was silent. Light streamed from the open cabin door. I went toward it. Gray was right behind me. He had a gun. Mine was tucked easily where I could reach it. I started down the cabin way, a thousand icy spiders crawling down my back. Then I saw her. Lisa. Lisa. She was crumpled against the bunk, her head angled up. She moved slightly, saw it. Don't try to move, Lisa. I knelt down, cupped her head in my hands. Her hair was wet, sticky with blood. Gray stood silently, cursing.

[Lisa Albers]

He thought I was dead before you made an agreement in Korea.

[Matthew Slade]

No, no. Don't. Don't try to talk. Him is still alive. Yeah. Yeah. Which one?

[Lisa Albers]

I'm sorry, Matt. I didn't know what he was going to do.

[Matthew Slade]

It's all right, Lisa. We'll get you off. We'll get you a doctor. Gray helped me lift her. It was very light. Water was rising on the cabin floor. Gray turned to glance around. Leave it. There's nothing here. We've got to get her off. She's dead. Leave her here, Matt. Gray took her from my arms, put her on the bunk. I looked at her, wondering why she had to die like this. Then Gray took my arm, pulled me up the cabin way. Marcy was waiting for us. Automatically, numbly, I followed Gray and Marcy over the side. We swam quickly away, then saw the boat as its lights flickered. Went out in the water. Sucks it down slowly.

[Lisa Albers]

How could he just. You don't mind if I cry, do you?

[Matthew Slade]

Yeah. We all need someone to cry for us sometime. Gunderson or Roger.

[Lisa Albers]

But he said they were both dead. We saw them die.

[Matthew Slade]

We saw them hit. We saw them fall. We thought they were dead. We were all expendable, Marcy, and we knew it. If only one man got back alive. We didn't stop to make sure. Marty. We couldn't. We reported them missing later.

[Herbert Edwards]

Dead.

[Matthew Slade]

Now one of them is too late. Alive. Well, we can't check the boat's registry tonight, so we throw him out, right? On the drive back, we outlined a plan. We reached the hotel. I went to my car, checked for superfluous wiring. There was none. Gray, parked across the highway, blinked his headlights once, indicating it seeming. I started the car and turned onto the highway. I drove slowly, Gray staying a good half mile behind. Traffic was slow. Several cars passed, but none stayed with me. I reached the turnoff to Gray's estate. Made the turn, then started up the hill to his private road. I kept watching the rear view mirror. When I was halfway up, I saw headlights make the turn. The gates to the estate were open. Looked back to the lights. They disappeared. Gray had given me the key to the front door. I had trouble fitting it into the lock. Then I felt someone behind me. What's wrong? The key. Feel it? Graphite. He's already inside. Where's Marcy?

[Lisa Albers]

Right here.

[Matthew Slade]

She knows what to do. Go ahead, Matt. Just give me five minutes. Cover Marcy and Gray became part of the shadows. I put the key in the lock, turned it and entered the house. It was dark, and I knew from Gray's briefing that I was in an entry hall. I crouched. I ran for the drawing room. I straightened and stood just inside the door, waiting. Quite a show, man. But great call. Was prayed for. Alt delight. Hold it bloody right there. I swiveled toward the sound of his voice, but he had moved. The cold, empty hole of a revolver was pressed against the back of my neck. So I held it. Now, you turn around, son. You put your hands against that wall. Higher. How many minutes did Gray give you for this razzle dazzle with me? Five. One to go. Sanderson. Oh, baby, what a memory. Yeah, Sanderson, but not so dead, huh? You should have made sure. Yeah, I will this time. Sanderson, baby. You went over the lines, huh? With all the goodies, buddy, all that classified info. I. What is that nasty word? I deserted. No. Defected. You don't approve? No. I didn't think you would. Neither would our big hero, the secret Gray man. You're both, too. Why don't you try square? Fits in with your philosophy. What happened? They sending you back on a goodwill tour? They said Sandy baby girl spread words of joy to those poor lost Americans. Yeah. Guess who I saw when I hit Frisco? Old buddy Matt slayed true blue and Honest Indian Slade. And then I learned another old buddy, Gray Durant, was on the coast. My orders, Eliminate the Boxy twins. How'd you find out where Gray lived? Oh, well, I just called the CIA and asked. You kidding? We got boys on your side of the street, too. What about Lisa? Oh, Lisa. Oh, I moan for Lisa. She dug the Nathan Hale of moral baby. I'm enjoying your story, Sanderson, but if we're playing Wipeout, let's play. No, we're going to wait for Daddy. Gray, you've been playing bird dog ever since I sent that letter. And for Lisa. She was dumb, man. Dumb. She couldn't spot the Gray man. He wasn't Edwards. Well, at least a jolly Southern planet. All right, come on out, corn pone, wherever you are. You guessed wrong. Now, you don't lie to me, Matt. A case. This place, baby, is full of gimmicks. Hidden panels, whole bit. He's right over there. See, boy? See that moonlight shimming and shining on that painting? We're right behind it. It's a monk's room. A secret room for the secret gray man. And watch me aim for the eyes. Hold it steady, man. I got two hands and two guns. You still alive, Gray man? Watch me get old buddy boy here. Suddenly, all hell broke loose. The room's been fired. Light. I was blinded. So was Sanderson. The shot came from the window, thudded into the wall beside me. I jumped for Sanderson as he turned to fire at the window. I hit him hard, trying for the guns. He was stomach with his elbow slamming back against a marble coffee table. I twisted aside, but he caught the edge of the table with his chin. That was it. Wearing blazes, were you, Emperor Cath? Your temper in the monk's room, I'll be digging plaster out of my face for weeks. Yeah, well, it looks good on you. Sort of Van Gogh effect when Marcy fired that shot, huh? Yeah, she's not much of a shot you almost got you. So the secret gray man remained alive and secret. Sanderson was happy to talk about his colleagues and their activities as he said his heart belonged to America. I headed home for San Francisco. As I passed the giant crouching rock in Morro Bay, I thought of Korea and the four men crouching in the giant shadow of death and wondered if the agreement that slender thread to luck was not after all, the thread which led to death and to near death, or the secret gray man. This is the United States Armed Forces Radio and Television Service.

[Adam Graham]

Welcome back. A different sort of episode for Matthew Slade, but this points back to that idea I found in a newspaper where one of the goals with this radio series was to take the radio dramas and adapt them into James Bond style adventures. You can definitely feel that in this story. And while this story had a lot of exciting twists and turns and came really quickly, this is one that really could be expanded upon into a longer form, either audio, drama or film. I will say that I was glad that it turned out the reason for the bomb getting planted in Edwards car was because Edwards had been fingered as gray. I kind of got lost in Matt's theory about the whole switched registration thing. Also an early 1960s cultural artifact was the idea that Edwards was fine to drive because he wasn't, quote unquote, that drunk. Listener Comments and Feedback now air Valencia comments regarding Matthew Slade. I'm enjoying this radio show. Had never heard of it before. When I first listened to an episode I thought it starred Jack Webb. I thought the guy signed it. Did like him a little. Glad I randomly decided to check it out. Well, thanks so much Valencia and I'm so glad that you're enjoying it. And then on our listener survey have a comment from Stuart in Scottsdale who writes, I enjoy listening to Adam talk about the episodes as he enlightens us on behind the scenes insights. Well, thank you so much. Appreciate your kind comments. And and now it's time to thank our Patreon Supporter of the day and I want to go ahead and thank Sean. Sean's been one of our Patreon supporters since June of 2021, currently supporting the podcast at the shamus level of $4 or more per month. Thanks so much for your support Shawn. And that will do it for today. If you're enjoying the podcast, please follow us using your favorite podcast software. And if you're enjoying the podcast on YouTube, be sure to like the video, subscribe to the channel and mark the not bell. All those great things that help YouTube channels to grow we'll be back next Tuesday with another episode of Matthew Slade, but join us back here tomorrow for Broadway's My Beat. Where.

[Herbert Edwards]

What did you do with the gun you killed Ernie with? I killed him. I shot him. I threw the gun away. Where? In a trash can? A sewer? I don't remember. I was upset. I can't remember a thing after I pulled the trigger. Why did you kill him? You know Ernie Caldwell? Why ask me? I know Ernie Caldwell. I know about the man he came here with. Travis Faulkner. Deputy sheriffs from Norcross County. That's a thousand miles from here, Jimmy. That's how far I ran. But they caught me running from Ernie and Faulkner. Yeah, I stole a drum of gasoline once, Clover. They put me to building county roads. I couldn't see doing that. I slugged a guard and ran a thousand miles to New York. You did pretty well in New York, Jimmy. Job a fine wife. Leave her out, huh? Peggy knew all about what happened in Norcross County. Maybe she killed Caldwell. Maybe you know that. Maybe that's why you're saying your.

[Adam Graham]

I hope you'll be with us then. In the meantime, send your comments to box Thirteenreatetectives.net Follow us on Twitter at radiodetectives and check us out on Instagram. Instagram.com Great. Detectives from Boise, Idaho, this is your host, Adam Graham, signing off.