Miss Pinkerton Incorporated (Encore) (EP4592)

Summary

The Great Detectives of Old Time Radio – Episode Summary: "Miss Pinkerton Incorporated (Encore)" (EP4592)

Introduction

In the January 4, 2025 release of "The Great Detectives of Old Time Radio," host Adam Graham presents an encore episode of the seldom-aired series "Miss Pinkerton Incorporated." As a cherished part of the Golden Age of Radio, this episode offers listeners a nostalgic dive into a 1941 CBS comedy detective drama starring Joan Blondell and Dick Powell. Graham provides insightful commentary throughout, enhancing the listening experience for both longtime fans and newcomers alike.

Episode Overview

"Miss Pinkerton Incorporated" introduces us to Mary Vance (Joan Blondell), a determined career woman who inherits her late uncle's detective agency. Intent on selling the business to pursue a law degree, Mary's plans take an unexpected turn when she becomes embroiled in the mystery of the Bentley Emerald, a prized jewel under threat of theft. Dennis Murray (Dick Powell), a charming sergeant with a knack for detective work, finds himself entangled in Mary's quest, setting the stage for a blend of detective intrigue and comedic interplay.

Plot Summary

The episode begins on the serene campus of Cornell University, where Mary Vance learns she has inherited the Vance Detective Agency following her cousin's untimely death (04:15). Although Mary is a budding lawyer, her inheritance forces her into the world of detective work, prompting her immediate move to New York City to settle the estate and arrange the sale of the agency.

During her train journey, Mary encounters Dennis Murray (07:05), who engages her in banter, subtly revealing his suspicions about the impending theft of the Bentley Emerald. Upon arriving in New York, Mary visits the detective agency, only to find it overwhelmed with cases and lacking available operatives to handle the high-profile Bentley account (10:03). Determined to prove her capability, Mary steps up to take on the investigation, much to the skepticism of Mr. Parker (agency manager) and Bingo Dorrit (agency assistant).

At the grand reception for the Bentley wedding, the tension heightens as the emerald is stolen (18:09). Mary, alongside Sergeant Murray and Bingo, begins piecing together clues, leading them to uncover a deeper criminal network involving jewel thieves Silk Jennings and Harry Miller. The episode crescendos with Mary outsmarting the criminals, revealing that the stolen emerald was a decoy all along—a masterful trap set by the police to apprehend the real culprits behind the scenes (28:31).

Key Characters

• Mary Vance (Joan Blondell): A resourceful and intelligent woman balancing her ambition to become a lawyer with the demands of running a detective agency.

• Sergeant Dennis Murray (Dick Powell): A suave and witty detective sergeant who becomes both an ally and a rival to Mary as they navigate the complexities of the Bentley Emerald case.

• Bingo Dorrit: The loyal and perceptive assistant at the detective agency, offering both support and comic relief.

• Mr. Parker: The agency manager struggling to maintain order amidst the overwhelming influx of cases.

Notable Quotes

1. Mary Vance (05:04):

   • "Well, that was awfully sweet of Uncle Mike, but what do I want with a detective agency? After all, I'm a lawyer."

2. Dennis Murray (07:05):

   • "I beg your pardon? There's a seat taken."

3. Mary Vance (12:00):

   • "I am applying for the job. Do I get it?"

4. Dennis Murray (16:24):

   • "No, now, don't stop dancing, Ms. Pinkerton."

5. Mary Vance (27:35):

   • "Because it was the only thing I could do. I saw this high Pockets individual getting ready to turn off the lights. I had to act quickly."

6. Dennis Murray (28:38):

   • "You don't think we'd bait a trap of the real article?"

Host's Insights and Commentary

After the episode concludes, Adam Graham reflects on the narrative and character dynamics, offering a thoughtful critique:

• Empowerment vs. Motivation: Graham observes that while Mary Vance embodies a strong, career-oriented female lead, her motivations appear driven more by proving herself to others rather than personal fulfillment. This contrasts with other strong female protagonists like Candy Matson, who pursue detective work out of genuine passion.

• Plot Dynamics and Realism: A significant plot point involves the emerald being a phony, orchestrated by the owner to facilitate a controlled theft. Graham identifies this as a plot hole, questioning the logic behind having the owner employ detectives to protect a fake gemstone, albeit speculating it might have been a strategy to lend authenticity to the setup.

• Character Development: The chemistry between Joan Blondell and Dick Powell is highlighted, with Powell's character evolving traits reminiscent of his roles in "Richard Diamond, Private Detective" and "Rogues Gallery." The supporting cast, including Gail Gordon and Hanley Stafford, are praised for their contributions to the episode's comedic and dramatic elements.

• Series Longevity and Production Factors: Graham theorizes that "Miss Pinkerton Incorporated" was likely intended as a summer replacement series, a common practice during the era to keep audiences engaged while main shows took breaks. He notes the challenges of sustaining a radio series centered on established film stars like Powell and Blondell, who had flourishing careers in the 1930s and may not have been readily available for extended radio commitments.

• Historical Context: The episode serves as Dick Powell's inaugural foray into detective-themed radio programming, laying the groundwork for his later iconic roles. Additionally, Graham corrects misconceptions, clarifying that despite sharing a title, this radio series is unrelated to a similarly named film.

Conclusion

"Miss Pinkerton Incorporated" offers a charming snapshot of 1940s radio detective dramas, blending comedic elements with mystery intrigue. Through the resilient Mary Vance and the suave Sergeant Murray, listeners experience a tale of ambition, deception, and cunning. Adam Graham's detailed commentary enriches the episode, providing valuable context and analysis that underscores the show's historical significance and narrative craftsmanship.

For those eager to explore more adventures from the Golden Age of Radio, "The Great Detectives of Old Time Radio" continues to deliver engaging stories every week. Subscribe to the podcast via your favorite platform or visit greatdetectives.net to delve deeper into classic audio mysteries.

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Note: Any advertisements, introductions, or non-content segments have been omitted to focus solely on the episode's narrative and discussions.

Transcript

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[Adam Graham]

From Boise, Idaho, this is your host, Adam Graham, bringing you yet another encore of a program that only has one episode in circulation. A reminder that this program is old and so any of the offers and information contained in the episode may not currently be valid. If you want to check out more episodes of programs that only have one or two episodes in circulation, search for the rare detectives of Old Time Radio in your podcast app. But now, here's today's encore.

Welcome to the Great Detectives of Old Time Radio. From Boise, Idaho, this is your host, Adam Graham. If you have a comment, email it to me. Box13reatdetectives.net Follow us on Twitter at radiodetectives and become one of our friends on Facebook facebook.com RadioDetectives Today's episode is brought to you by the financial support of our listeners. Thank you for your support. You can support the show at support.greatdetactives.net well, as I have mentioned a few times, today is going to be a little different than our typical Wednesday episode. Usually we do two episodes of Johnny Dollar on both Monday and Wednesday and then one episode on Friday. But because there are only four episodes of this week's serial in circulation.

[Mary Vance]

We'Re.

[Adam Graham]

Going to go ahead and do just two episodes on Monday and Friday and then something else on Wednesday. Today's program will be an episode of Ms. Pinkerton Incorporated, and it's one of the older programs we've aired. The original air date was July of 1941. The program was a CBS origination of sustaining broadcast and it starred Joan Blondell and her then husband Dick Powell, of course famous for Richard diamond and for Rogues Gallery, which we've heard. The show is definitely in the detective comedy, husband wife scheme of things, and we'll talk more about it afterwards. This is the first episode and sadly the only one in existence. So without any Further ado, from July 12, 1941, here is Miss Pinkerton Incorporated, Miss.

[Joan Blondell]

Miss Pinkerton Incorporated, starring Joan Blondell.

[Dick Powell]

And Dick Powell.

[Joan Blondell]

We present the first In a new series of half hour comedy detective dramas, complete in each episode, yet featuring the same principal characters in situations of adventure, thrills and romance. To begin at the beginning, as is customary and proper, the saga of Mary Vance, who may be described as a career woman, and Dennis Murray, whose occupation will be explained later, began, of all places on the placid campus of Cornell University. The exact place was the reception room of Mary's dormitory the time just a little while ago.

[Dick Powell]

And so you see, Ms. Bent, because of your cousin's untimely death, your late uncle's detective agency now belongs to you.

[Mary Vance]

Well, that was awfully sweet of Uncle Mike, but what do I want with a detective agency? After all, I'm a lawyer. Or I will be if I can scrape up enough money to finish my course.

[Dick Powell]

You will then sell the agency?

[Mary Vance]

Certainly.

[Dick Powell]

Your Uncle Michael made quite a name for himself as its head. And the business should be worth a considerable sum.

[Mary Vance]

Well, the next move is New York, huh?

[Joan Blondell]

Yes.

[Dick Powell]

You'd have to go in any event in order to settle the estate. The sale can be arranged later.

[Mary Vance]

How soon must I be there? Right away, Mr. Jones. I'm almost in New York right now.

[Dennis Murray]

I beg your pardon? There's a seat taken.

[Mary Vance]

I don't see anyone in it.

[Dennis Murray]

May I sit down?

[Mary Vance]

As long as you paid your fare. I don't see why not.

[Dennis Murray]

You don't mind if I sit on your books and magazines?

[Mary Vance]

Oh, I'm sorry. I forgot. There you are.

[Dennis Murray]

Thank you, no. I see you're reading the Case of the Missing Thumb. Like it?

[Mary Vance]

Why? Did you write it?

[Dennis Murray]

Oh, no, no, no. Just read it myself a few weeks ago. It's not a bad mystery, but it falls off toward the end, don't you think?

[Mary Vance]

I don't know. I haven't gotten that far.

[Dennis Murray]

Want to know who done it?

[Mary Vance]

No, I don't want to know who done it. I just want to read my newspaper in peace. Do you mind?

[Dennis Murray]

Oh, no, no, no, no, no. How's Superman doing today?

[Mary Vance]

See for yourself.

[Dennis Murray]

Thanks.

[Mary Vance]

You're welcome.

[Dennis Murray]

That's Superman. What a president he'd make. Oh, my. These streamlined trains are certainly quiet, aren't they?

[Adam Graham]

Huh?

[Dennis Murray]

I said, these new trains are not at all noisy, are they?

[Mary Vance]

No, and I wish I could say the same for you. Waiter. Is this the only seat left in the diner?

[Dennis Murray]

Yes.

[Bingo Dorrit]

I'm sure the gentleman won't mind you sitting at his teeth.

[Dennis Murray]

Ah, what could be more pleasant than gazing at a fair lady over one's mashed potatoes? Of course I don't mind.

[Mary Vance]

Thank you.

[Dennis Murray]

You're very welcome. Have a menu.

[Mary Vance]

Thanks again.

[Dennis Murray]

May I suggest the macaroni o gratin? It'll take the wrinkles out of your tummy and put them under your chin.

[Mary Vance]

Waiter. I'll dine when the car is less crowded. Besides, I'm allergic to drafts and there's certainly a big one blowing through the car right now.

[Dennis Murray]

And so we leave the diner and we're back in the club car where our beautiful friendship had its beginning.

[Mary Vance]

And look, don't you want to lie down and play dead?

[Dennis Murray]

Oh, come, come. With three hours of travel ahead, why not break down to get conversational? I'm not on the make.

[Mary Vance]

Honest, said he with a leer.

[Dennis Murray]

Really, I'm not. Now, what's wrong with a little conversation to make a train trip shorter?

[Mary Vance]

Nothing, I suppose.

[Dennis Murray]

My name is Dennis Michael Murray. What's yours?

[Mary Vance]

It's Esmeralda. Esmeralda Higgins.

[Dennis Murray]

Esmeralda Higgins. Well, it's a pretty name.

[Mary Vance]

Thank you.

[Dennis Murray]

Are you going to New York? Stay?

[Mary Vance]

No, just visiting.

[Dennis Murray]

Are you planning anything?

[Mary Vance]

I'm 5ft 3 inches tall. I weigh 118 pounds. I smoke occasionally, drink less occasionally, and I study law at Cornell.

[Dennis Murray]

A lawyer? You?

[Mary Vance]

What's funny about that?

[Dennis Murray]

Well, if you'd said anything else, a model or a nurse, even a lady barber. But a lawyer?

[Mary Vance]

What's wrong with my being a lawyer?

[Dennis Murray]

You're not the career girl type, that's all.

[Mary Vance]

So you analyze character, too?

[Bingo Dorrit]

Sure, sure.

[Dennis Murray]

You're the maternal type. I can see mother love shining out of those beautiful blue eyes. You know, the thing for you to do is to marry some nice fellow, settle down in a rose covered cottage.

[Mary Vance]

And raise dozens of children. I suppose.

[Dennis Murray]

Sure, that's better than raising dozens of affidavits.

[Mary Vance]

You know, your kind of thinking went out with the horse and buggy era. And believe me, that's where I wish you were right now, don't you? Pardon my back. I'd like to look at the scenery.

[Dennis Murray]

Well, Ms. Higgins, we've come to the end of our journey. But that shouldn't end our friendship, now, should it?

[Mary Vance]

I don't see why not be some elegant Murray.

[Dennis Murray]

Oh, no kidding, Esmeralda. Let's be friends. I'm taking a cab. Can I drop you somewhere?

[Mary Vance]

No, thank you.

[Dennis Murray]

Well, maybe I can drop your baggage off where you're going to stay. How's that?

[Mary Vance]

You'll do that for me? Really? Well, that's awfully sweet of you.

[Dennis Murray]

I'd be glad to. Just tell me where to go.

[Mary Vance]

I would, but I don't use profanity. Goodbye, Mr. Mulligan.

[Dennis Murray]

Dear mom, it's been a bad day.

[Mary Vance]

Madam Detective Agency. I'm sorry, madam, but if you want us to trace your husband, you'll have to come to our offices and make the usual arrangements. I know, madam, but. Yeah, yeah. Until 5:00.

[Dennis Murray]

Yes.

[Mary Vance]

Vance Detective Agency. I'll see these in. Pardon me, but I here to see Mr. Parker. A second door to your left, please. Thank you.

[Mr. Parker]

Come in, please.

[Joan Blondell]

Don't worry, mister.

[Mr. Parker]

Three hour service has always been satisfactory, hasn't it? Yes, I know it's important. It's just as important to us. I'll have my best operatives there. Goodbye, Mr. Bentley. All right, young lady, what's your experience?

[Mary Vance]

Well, not very much, I'm afraid.

[Mr. Parker]

What? There's a fine howdy view. Well, I'm sorry, miss.

[Mary Vance]

Ms. Vance.

[Mr. Parker]

I'm sorry, Ms. Vance, but I'm afraid you won't marry Vance. Not. Not Mary Vance?

[Mary Vance]

Positively.

[Mr. Parker]

Well, how do you do? I'm Parker, the agency manager. I hope you'll forgive me.

[Mary Vance]

Of course. I. I gather you were expecting someone.

[Dennis Murray]

I was.

[Mr. Parker]

We're a little shorthanded right now. The agency has more business than it can handle.

[Mary Vance]

Well, this is good news.

[Mr. Parker]

Ordinarily it would be. You've heard of the Bentley emerald even in Ithaca? Well, old PJ Bentley is giving it to his son's bride to be as a wedding gift. She's Gloria Van Dusen.

[Mary Vance]

Oh, sure. She's a well known glamour girl.

[Mr. Parker]

Exactly. The reception's tonight after the wedding. And the emerald will be on display along with the other gifts. We've been commissioned to see that nothing happens to him.

[Mary Vance]

Sounds like quite a feather in our cap.

[Mr. Parker]

It is, it is. His is the biggest account we have. Of course, the police will have their people too. But old PJ Bentley is eccentric enough to have no confidence of police and. And rich enough to get away with it. And that's why we're in a jam.

[Mary Vance]

A jam? I'm afraid I don't understand.

[Mr. Parker]

We're in a jam because I haven't a single operative available. At least not for that kind of an assignment. I need a clever woman. I've even had to try the employment agencies. Matter of fact, that's where I thought you were from.

[Mary Vance]

Oh, I see.

[Mr. Parker]

Well, our attorney tells me you're going to sell the agency.

[Mary Vance]

Yes. Yes, I am, Mr. Parker.

[Dennis Murray]

Good.

[Mary Vance]

Mr. Parker, you say you're stuck for a woman operative for the Bentley affair tonight. And it's very important you. You shouldn't pass up this job.

[Mr. Parker]

That's Right, but.

[Mary Vance]

And you need a fairly intelligent young woman who looks well in evening clothes, who can pass for a member of the smart set, who can be trusted to keep her eye on the emerald.

[Bingo Dorrit]

Is.

[Mary Vance]

Is that correct?

[Mr. Parker]

You sound as if you were applying for the job.

[Mary Vance]

I am.

[Mr. Parker]

You're what?

[Mary Vance]

Applying for the job. Do I get it?

[Mr. Parker]

Oh, please, Ms. Vance, you're joking.

[Mary Vance]

I'm not joking. After all, I own this agency. I must have his welfare at heart.

[Mr. Parker]

But you don't know anything about this kind of work.

[Mary Vance]

But this is a crisis and I think I can help. You're not an eclipse, I know that. But I've studied quite a bit of criminal law, and I think I'll do just as well as somebody you'd get from an employment agency if you got someone.

[Mr. Parker]

Now, Miss Vance, I must insist.

[Mary Vance]

Just a minute, Mr. Parker. I own this agency, and I'm in a better position to insist than you are. And that's just what I'm doing.

[Mr. Parker]

Okay, Ms. Vance, you're the boss. You'll need a license. And I'll assign one of our men to stand by and keep an eye on you while you're keeping an eye on the emerald tonight. He's not the type for this kind of a job. But you have to do.

[Mary Vance]

We'll manage.

[Mr. Parker]

I hope so.

[Mary Vance]

Yes, sir.

[Mr. Parker]

Send in bingo. Dorothy.

[Bingo Dorrit]

Gee, Ms. Vance, them newspaper guys. Satan, he'd give you a big play this afternoon, didn't they? When you got your license, I mean.

[Mary Vance]

Yes, Bingo. I never saw so much gallantry in one place before.

[Bingo Dorrit]

Made it mater. They sure went to town for bad. All that valley. Who's going to be wasted?

[Mary Vance]

Yes.

[Bingo Dorrit]

Look, Ms. Vance, are you really gonna sell the agency? Why don't you run it now?

[Mary Vance]

Do I look like a gun shoe? No, Bingo, I'm studying to be a lawyer. The agency wouldn't be any good to me, and I wouldn't be any good for it. After all, it's no business for a woman.

[Bingo Dorrit]

Yeah, I guess you got the right idea.

[Mary Vance]

I know I have, honey.

[Bingo Dorrit]

Gee, it's kind of shame. Your Uncle Mike run the joint for 25 years. And the name of Vance and the detective business has been like a. Well, like an institution in other ways.

[Mary Vance]

I know, Bingo, but that's the way things work out sometimes.

[Dennis Murray]

Yeah.

[Bingo Dorrit]

Ain't life sorted, Ms. Bean?

[Mary Vance]

Well, bingo, this is probably the most expensive wedding reception of the decade.

[Bingo Dorrit]

Yeah, there's enough champagne here in this joint to float a battleship, say the least.

[Mary Vance]

Hey, Bingo, you know what I think? I think we ought to separate Mingle with the guests. Perhaps we don't want to look too obvious.

[Bingo Dorrit]

Oh, no, wait a minute, Ms. Vance. You ain't gonna leave me alone with all these stuffed shades, are you?

[Mary Vance]

Don't forget, you're doing a pretty good job of stuffing your own shirt.

[Bingo Dorrit]

Yeah, and this starch collar is killing me.

[Mary Vance]

Hey, suppose you wait here and keep an eye on the pride's presence while I sort of drift around and mingle with the upper crut.

[Bingo Dorrit]

Okay, Ms. Vance. Oh, say, look at Murray of the headquarters society detail in the soup and fish. Ain't he got the savoir fairy?

[Mary Vance]

Who?

[Bingo Dorrit]

Over there by the pillar. The good looking guys.

[Mary Vance]

What? I know that man. I met him on the train. Is he a policeman?

[Bingo Dorrit]

Detective sergeant. And a good one.

[Mary Vance]

Well, well, well. Pardon me. Bingo. And don't forget your own savoir faire.

[Bingo Dorrit]

Oh, oh, oh, sure. Gee, if the guys at Barney's Bar could get a gander at me now, they'd swear I was getting class conscious. Mayday.

[Dennis Murray]

May I have this dance, Ms. Higgins?

[Mary Vance]

I'd be delight. Oh, it's you.

[Dennis Murray]

That's right. Shall we?

[Mary Vance]

What can I lose?

[Dennis Murray]

Well, I never dreamed we'd meet again. At least so soon.

[Mary Vance]

It is a small world, isn't it, Sergeant Murray?

[Dennis Murray]

Yes. Who told you I was on the force?

[Mary Vance]

Oh, I know all about you, Sergeant. For example, you're on the society detail.

[Dennis Murray]

Well, I guess I may as well break down and confess. Yep, I'm always assigned to these society affairs. The inspector thinks I look good in tail.

[Mary Vance]

He's right there. But one tail would be enough.

[Dennis Murray]

Sweet child.

[Mary Vance]

And you're here to guard the Bentley emerald, aren't you?

[Mr. Parker]

That's right.

[Dennis Murray]

Hey, what do you know about the emerald?

[Mary Vance]

I also know that Mr. Benchley thinks the police force are incompetent and immaterial.

[Dennis Murray]

Oh, he does, huh?

[Mary Vance]

Now, Sergeant, don't stop dancing. People are looking at.

[Dennis Murray]

Well, let him look. And how is it that you're so familiar with Mr. Bentley's opinions, Ms. Higgins?

[Mary Vance]

No, not Higgins. Vance. Mary Vance. You see, Mr. Bentley hired me to keep an eye on the emerald in person.

[Dennis Murray]

He hired you? Wait a minute, Vance. You. You wouldn't have any connection with Advance Detective Agency, would you?

[Mary Vance]

I own it.

[Dennis Murray]

You from mouthpiece to gumshoe in 48 hours. Oh, lady, you change careers more often than I do. Shirt.

[Mary Vance]

What's wrong with my being a private detective?

[Dennis Murray]

No, now, don't stop dancing, Ms. Pinkerton. I mean, Ms. Vance. People are looking.

[Mary Vance]

Really, Sergeant, I think you're afraid of a little competition.

[Dennis Murray]

Oh, sure, sure, I'm afraid to pieces, but not of competition. Now, look, Esmeralda.

[Mary Vance]

The name is Mary.

[Dennis Murray]

All right, all right, Mary. Now, kidding on the square. Go back to your law books, but fast.

[Mary Vance]

Oh, now you think the law is good? Is a good career for a woman?

[Dennis Murray]

Well, it's better than the racket you're getting into. Crime isn't romantic. It's. It's ugly and sordid. It's rotten.

[Mary Vance]

Is that all, Sergeant Murray?

[Dennis Murray]

No, that's not all. You get yourself all mixed up with some really bad boys, your pretty head won't be worth a nickel. Now, take a guy's advice and go back to school like a good little girl.

[Mary Vance]

Would it be too much of a strain for you to mind your own business?

[Dennis Murray]

Okay. Okay. Let's dance. People are looking.

[Mary Vance]

Well, that's better.

[Dennis Murray]

Don't holler when you get hurt.

[Mary Vance]

I won't. And don't you pout if I make you look bad.

[Dennis Murray]

It's a deal. Incidentally, now that you're a working detective, you might as well know the kind of playmate you're taking on.

[Mary Vance]

What do you mean?

[Dennis Murray]

You see that man near the French window?

[Mary Vance]

You mean that tall, distinguished looking man with the gray hair?

[Dennis Murray]

Yep. That tall, distinguished looking man is Silk Jennings, one of our better jewel thieves.

[Mary Vance]

No.

[Dennis Murray]

Yes. He usually works with European pleasure spas, but the war killed that. And that man in the corner there.

[Mary Vance]

Reminds me of my English professor.

[Dennis Murray]

Well, he's none other than High Pocket's Harry Miller, also a dealer in Hot Eyes.

[Mary Vance]

You mean they're criminals?

[Dennis Murray]

Yep.

[Mary Vance]

They're probably after the emerald.

[Dennis Murray]

Wouldn't be a bit surprised.

[Mary Vance]

Why don't you arrest him or something?

[Dennis Murray]

Because I haven't a thing on them yet.

[Mary Vance]

You know, they don't look like criminals. I mean, they.

[Dennis Murray]

Of course they don't. That's why they're top notches. But neither of them would stop at murder, believe me.

[Mary Vance]

Excuse me. Just a minute, please.

[Dennis Murray]

Where you going?

[Mary Vance]

Just a part of my nose, if you don't mind.

[Dennis Murray]

Well, hurry back.

[Adam Graham]

What happened to the lights?

[Joan Blondell]

Turn on the lights.

[Dennis Murray]

What's happening?

[Dick Powell]

They're on again.

[Joan Blondell]

What's happening?

[Mary Vance]

The Afros. It's gone.

[Dennis Murray]

It's been stolen.

[Joan Blondell]

Sergeant, you know what?

[Dennis Murray]

Well, looks like they got to the emerald.

[Bingo Dorrit]

Ma. Hey, you see my boss, Ms. Vince?

[Dennis Murray]

Nope. She disappeared just before the lights went out.

[Mary Vance]

Disappeared?

[Dennis Murray]

Yes. And so have two of the slickest jewel thieves in the country. Come on.

[Joan Blondell]

Bingo. Only a minute has passed since the theft of the famous Bentley emerald. And the vast ballroom is the scene of Excitement and confusion. No one, however, knows of the disappearance of Mary Vance and the two uninvited, but nonetheless to be reckoned with. Gentlemen from the underworld, that is. No one but Detective Sergeant Dennis Murray and the redoubtable Bingo Dorrit.

[Dennis Murray]

Well, Bingo, did you talk to the gateman?

[Bingo Dorrit]

Yeah, I conversed with him.

[Dennis Murray]

Did he see anything?

[Bingo Dorrit]

Plenty. Two cars pulling out of the driveway and going like bats out of Haiti.

[Dennis Murray]

Oh, that crazy girl. She's chasing two of the most dangerous jeweled thieves in the country.

[Bingo Dorrit]

But that ain't it, Serge.

[Dennis Murray]

What ain't it?

[Bingo Dorrit]

What you said. She ain't chasing them, they're chasing her.

[Dennis Murray]

Are you kidding?

[Bingo Dorrit]

Well, the gate man says the face car what pulled out had a dame at the wheel. And the car that was following her had two guys in it.

[Dennis Murray]

But there can't be. Unless.

[Bingo Dorrit]

Unless.

[Dennis Murray]

Unless.

[Bingo Dorrit]

Unless what, Serge?

[Dennis Murray]

Bingo. You don't think Mary would swipe that piece of green glass, do you?

[Bingo Dorrit]

Hey, if I thought you meant that, I'd load a boom on you.

[Dennis Murray]

Okay, okay, let's go. What? Well, after that nitwit boss of yours. Get my car. Bingo.

[Mary Vance]

Make this an express stop, will you?

[Adam Graham]

Floor, please.

[Mary Vance]

10Th floor.

[Dennis Murray]

Say, where'd you get the shiner?

[Mary Vance]

I got caught in a jam.

[Joan Blondell]

Would you like some beefsteak?

[Mary Vance]

Thanks, kid. I'm not hungry.

[Dennis Murray]

Okay, lady, here's your 10th floor.

[Mary Vance]

Thanks. Clerk, this is Ms. Vance in 10O5. I'm not home to anyone, understand? Anyone at all.

[Dick Powell]

So sorry to intrude.

[Mary Vance]

Who are you? How'd you get in?

[Dick Powell]

With this pass key.

[Mary Vance]

Well, what do you want?

[Dick Powell]

The Bentley Emerald, Ms. Vance. And don't try to lift that phone.

[Mary Vance]

What makes you think I have the emerald?

[Dick Powell]

We know you got it. Let's not beat around the bush, Ms. Vance. Miller and I were after the stone. Had the stage all set. You just worked faster than we.

[Mary Vance]

I don't know what you're talking about.

[Dick Powell]

Oh, no. Incidentally, I do want to apologize for the condition of your eye. The darkness. You know, I didn't expect to find someone else reaching for the stone at the same time I did.

[Mary Vance]

Gentlemen, I think you're making a mistake.

[Dick Powell]

She's too smart, Silk. Let's get tough and scream.

[Mary Vance]

If you take another step toward me, I'll scream.

[Dick Powell]

Now, just a moment. Just a moment. I'm sure there's no need for violence, Ms. Vance. Let me explain the situation.

[Mary Vance]

Do.

[Dick Powell]

To begin with, Miller and I went after the emerald on our own hook. You should know that a stone so large and so famous would be extremely Difficult to dispose of. Consequently, we've been operating as what might be termed contractors.

[Mary Vance]

Contractors?

[Dick Powell]

Yes. We were hired to obtain the emerald. And for a very handsome retainer, too. You stepped in and almost robbed us of our commission.

[Mary Vance]

Ah, the world's a cruel place, isn't it?

[Dick Powell]

For some people. Get to the point. Silk. Ms. Vance, we aren't the kind of men to lose a large sum of money with a smile. I suggest that we cut you in and split the proceeds three ways.

[Mary Vance]

Oh, you cut me in exactly.

[Dick Powell]

To dispose of the emerald, you would eventually have to do business with our employer, who happens to be the most important fence on the east coast. He's a good man to have for a friend, a bad one for an enemy.

[Mary Vance]

And I'm only to get a third. Is that all?

[Dick Powell]

Well, on this deal, yes. But I think you're a clever girl. We ought to be able to work together and do well, too.

[Mary Vance]

And if I refuse?

[Dick Powell]

Then Mr. Miller here will be forced to apply his own method of persuasion.

[Mary Vance]

Well, I think you boys have something there. It's. It's a deal. But I want to turn the stone over to your boss personally.

[Dick Powell]

Excellent. You are a clever girl.

[Dennis Murray]

Good evening, folks. Papa's got a nasty old gun that might explode and go boom, right in your pussy.

[Dick Powell]

Funny man, isn't he?

[Dennis Murray]

Yeah, yeah. Now you two step over to the corner and face the wall. That's right. And you, young lady, come over toward me. Say, where did you pick up that black guy? It's a lulu.

[Mary Vance]

You're clever, don't you?

[Dennis Murray]

Yeah, yeah, yeah. Now you stand right here by me while I give these gentlemen the once over. Toten. Any artillery silk?

[Dick Powell]

I never do.

[Dennis Murray]

Sure, sure. But this time you were a little out of your territory.

[Mary Vance]

Yes, and you're a long way from yours. Drop your gun, Sergeant, because I got one right in your back.

[Dick Powell]

What are you in with these? Oh, good work, Miller.

[Mary Vance]

Did you have to hit him with that thing?

[Dick Powell]

Come on, you better not lose any more time. Yeah, let's get going. Who is it?

[Mr. Latour]

Just a moment. Ah, gentlemen, come in.

[Dick Powell]

Thanks, Mr. Latour.

[Mr. Latour]

And who is your charming companion?

[Dick Powell]

We'll tell you about that in a minute.

[Mr. Latour]

Tell me first, did you get the stone?

[Dick Powell]

In a roundabout way, yes. You see, Ms. Vance here beat us to the emerald. But we were able to persuade her to join forces with us. At no additional expense to you, I might add.

[Mr. Latour]

Excellent.

[Dick Powell]

Oh, she's a very clever girl, Latour. On our way here, she was also instrumental in preventing our arrest.

[Mr. Latour]

Incredible.

[Mary Vance]

Meaning what, Mr. Latour?

[Mr. Latour]

I mean that you are as clever as you are charming. Where is the amulet?

[Dick Powell]

Ms. Vance has it.

[Mr. Latour]

Ms. Vance, of course.

[Mary Vance]

There you are.

[Mr. Latour]

I confess that I am baffled. What do you mean baffled, Ms. Vance? Why you should steal the Bentley emerald, prevent the arrest of my associates, and then so very obligingly bring the stone to me is more than I can understand.

[Mary Vance]

Well, I. I decided after talking to these gentlemen that I'd like to join forces with you.

[Mr. Latour]

Especially since you are a detective.

[Dennis Murray]

She's a detective.

[Joan Blondell]

Detective?

[Mr. Latour]

Certainly. You idiots. Don't you read the newspapers? There's her picture, the story that goes with it. She's taken over the van's agency.

[Dick Powell]

Hey, what a nervy dame. Well, anyway, we've got the emerald.

[Mr. Latour]

Yes, and we also have a live corpse on our hands.

[Mr. Parker]

Yes.

[Bingo Dorrit]

Oh, Sarge.

[Dennis Murray]

Bingo, where are you?

[Bingo Dorrit]

I was down in the lobby keeping my eyes peeled like you said, when I seen Ms. Vance and them two guys come out. So I figure I better follow them and guess where they went. They went in the back door of Latour's. You know, that high class jewelry store on fifth Avenue.

[Dennis Murray]

Well, I'll be. Bingo, you stay right where you are till I get there. And don't let anybody in her out. And don't go in yourself. You get it? Ah, darn. That crazy girl. Give me police headquarters.

[Mr. Latour]

Then I take it we're all agreed. All right. We leave immediately for my cottage in Maine. It's right on the ocean. You know, by the time Ms. Vance's body is washed in, she'll be unrecognizable.

[Mary Vance]

Now wait a minute. You know murder's a serious business.

[Mr. Latour]

Ah, but at this stage of the game, so is exposure. I'm sorry we have to do this. Truly I am.

[Dick Powell]

Come on, let's get going.

[Mr. Latour]

Yes, we can leave by the street door. It's late and no one will see us.

[Dick Powell]

We'd better gag her anyway.

[Mr. Latour]

Good idea. Take care of it, Mother.

[Dick Powell]

Right. Hey, that's the cops.

[Mr. Latour]

Come on, this way.

[Dennis Murray]

But the girl.

[Joan Blondell]

We're caught with her, we're dead.

[Mr. Latour]

I know.

[Joan Blondell]

Wait.

[Mr. Latour]

We put her in the bars, she'll suffocate. We can dispose of her body later. Now hurry, hurry. Out the back way.

[Dick Powell]

Let him have it.

[Dennis Murray]

All right, boys, the game's up. Come on, up with your hands. Nice work, Bingo. Are you hurt? And that. Where's Ms. Vance? Yeah, where is she, Latour?

[Mr. Latour]

I don't know what you're talking about.

[Dennis Murray]

All right, boys, we'll make them talk.

[Dick Powell]

Wait a minute. I'm not taking a Murder app. She's in the ball.

[Dennis Murray]

Get her out, Latour.

[Mr. Latour]

It's not locked. Just throw back the bold.

[Dennis Murray]

Well, well, well. Look at little Miss Pinkerton. Come on, out you go.

[Mary Vance]

Think you're smart, don't you?

[Dennis Murray]

That's what I get for saving your life. Get back in the safe. All right, Noonan, you can take these gentlemen down to the station now.

[Mr. Parker]

All right, come on, get along.

[Dennis Murray]

Now, when and where did you get that shiner, Ms. Gumshoe?

[Mary Vance]

When I took the emerald.

[Dennis Murray]

And why, if I may be so bold, did you snitch? Exhibit A's.

[Mary Vance]

Because it was the only thing I could do. I saw this high Pockets individual getting ready to turn off the lights. I had to act quickly. I grabbed the emerald first.

[Dennis Murray]

And. And?

[Mary Vance]

Well, I got the black guy in the tussle with Jennings. And then I got scared and I ran. I don't know why. I got into my car and they followed me.

[Dennis Murray]

Why did you stick a gun in my back and get me knocked out?

[Mary Vance]

Oh, that.

[Dennis Murray]

Yes, yes, that.

[Mary Vance]

Well, I found out that they were only part of a ring. The tour was the big shot. The master fence. That was even bigger than the emerald itself. I had to follow through. And then. And then you got in the way.

[Dennis Murray]

And you might add, it was a mighty good thing for you that I got back in your way.

[Mary Vance]

Well, thank you kindly, Sergeant.

[Dennis Murray]

No, you're welcome. You're welcome. Now, let me tell you something, Little Miss Muffet. All you did tonight was to mess up the sweetest little trap ever set by the police department of this great city.

[Mary Vance]

Ah, don't be a poor sport, Sergeant Murray.

[Dennis Murray]

Believe me, I'm not. We've been trying to find the identity of the man above Jennings and Miller for a long time. So tonight we set a trap.

[Mary Vance]

Trap?

[Dennis Murray]

Yes, but the wrong mouse nibbled the cheese. Why do you think I gave Jennings and Miller so much rope? Is because I wanted them to steal the emerald.

[Mary Vance]

You wanted them to steal the emerald?

[Dennis Murray]

Sure. It was a fake.

[Mary Vance]

A fake? You mean I took a chance on my life for an imitation emerald?

[Dennis Murray]

That's right. You don't think we'd bait a trap of the real article? We arranged the whole thing with Mr. Bentley and the insurance company.

[Mary Vance]

Well, of all things, uh.

[Dennis Murray]

Oh, here comes the press. Hi, boys.

[Joan Blondell]

Hi, Sarge.

[Mr. Parker]

Hey, here's my Mary pants. Hi, Mary.

[Mary Vance]

Greetings, gentlemen.

[Dennis Murray]

Say, by the looks of that shiner.

[Joan Blondell]

Ms. Vance has been a busy little girl. Come on, Mary, spill it.

[Dennis Murray]

Now, just a minute, boys. What is this?

[Mary Vance]

Charge.

[Joan Blondell]

Come on over here, Ms. Vance. And tell us all about it.

[Dennis Murray]

Well, how do you like that?

[Bingo Dorrit]

It looks like Ms. Vance is getting all the play, huh, Serge?

[Dennis Murray]

Yeah, so it does.

[Bingo Dorrit]

Well, that's life, Serge. In other words.

[Dennis Murray]

In other words, a guy named Murray is a first class sergeant.

[Dick Powell]

Temper, T.

[Mr. Parker]

I don't mind admitting I had a very anxious night, Ms. Vance.

[Mary Vance]

You had an anxious night, Mr. Parker?

[Mr. Parker]

How does it feel to have your name on every front page in town?

[Bingo Dorrit]

Yeah, Ms. Vance, you were in the limelight all right.

[Mary Vance]

It hurts my eyes.

[Mr. Parker]

Too much excitement, eh? Well, you can relax now. After last night's business, you'll have no trouble at all getting some good office for the agency. Come in.

[Dick Powell]

Huh?

[Dennis Murray]

Am I intruding?

[Mary Vance]

Not at all, Sergeant.

[Dick Powell]

Good.

[Dennis Murray]

I'd like to take you to lunch.

[Mary Vance]

Really? As a tribute to my ability?

[Dennis Murray]

Frankly, no. As a tribute to your luck. Stop kidding yourself, Mary. You're not a detective. You never will be.

[Mary Vance]

That's not what the newspapers think.

[Dennis Murray]

Yeah, well, if I hadn't been around, the only newspaper headline you'd rate today would have been an obituary.

[Mary Vance]

Power. Great.

[Dennis Murray]

I hear you're going to sell the agency.

[Mary Vance]

I don't know where you got that impression.

[Dennis Murray]

But Ms. Vance, are you kidding?

[Mary Vance]

I had intended to sell it, but you men who think all women are helpless nitwits give me 12 kinds of a pain. Not only am I going to keep the agency, but I'm going to show you that I can outsource you in every direction, including spades. Goodbye, gentlemen. I'm going to lunch alone.

[Bingo Dorrit]

Ain't she, this bit of her Uncle Mike?

[Dennis Murray]

Yep. So she's going to be Miss Pinkerton Incorporated, huh? Well, one of these days she's going to poke that pretty nose of hers into something and get it caught. And I won't be around to unhook it. Or will I?

[Joan Blondell]

Supporting Ms. Blondell and Mr. Powell were Hanley Stafford, Gail Gordon, Ed Max Elliot Lewis, Frederick German and Sarah Berner. Story by Carl Foreman and Charles R. Marion. Music composed and directed by Lenny Khan. Ms. Pinkerton Incorporated was conceived and produced by J. Donald Wilson. This is Art Gilmore speaking. Listen in next week to Miss Pinkerton Incorporated for the story of the man who Became Obsessed with the Urge to Kill. Starring Joan Blondell and Dick Powell.

[Adam Graham]

Welcome back. You know, an interesting episode. There were some strong points to it, but I do get some ideas of why it didn't make it. On one hand, it did definitely seem to be playing to a female pride. You know, go ahead and prove that you can compete with the men, but I felt it Was kind of undercut a little bit in terms of that feeling. The fact that she didn't really seem to want to do it out of enjoyment, but more out of proving herself. Unlike, say, Candy Matson. Though, if anything, the thoughts of Dick Powell's character kind of makes you want to cheer for her anyway, even though she's doing something she doesn't really want to do. There was one big plot hole I did notice in this particular project program, and that was that the jewel was a phony and the owner was in on it. Yet the owner went out and called in a phony, you know, called in a private investigator and paid them to protect this phony jewel, which would seem to kind of complicate matters, but perhaps that was just to make it look real. The cast on this episode was really a strong cast for this program for summer show with Gail Gordon, who's of course famous for a lot of roles, including Mr. Conklin, Mayor Latrivia over on Faber MC Hanley Stafford really plays into the comedic side of this. Stafford was famous as daddy to the Baby Snooks character who was played by Fanny Brass for so many years over the radio. And then of course you have Edwin Max and Elias Lewis, who would star as Gallagher and Captain Kearney over on Voyage of the Scarlet Queen. And Lewis, really phenomenal radio talent. Of course, there can be some speculation as to why the show didn't make it. Truth be told, it was intended as a summer replacement. Theories. And it lasted during the summer. There were still, I think, some rough edges in the series, but that was probably the main reason. Powell and Blondel had had a very good 1930s. And holding them on radio forever, I think would be a very big challenge indeed. And pretty expensive. These radio summer series were often never intended to go beyond at one season and served as a vehicle for the networks to keep people listening while giving some of their stars a rest. And it also allowed the actors to increase their own exposure and hopefully land a bigger audience for their next films. This was also the first sort of role of Dick Powell in any sort of detective or mystery program. It was noted when I was doing some research, I listened to Jim Widner's commentary on the show and he. He noted that Joan Blondell had appeared in a movie called Ms. Pinkerton that didn't have any relation to this story. But in this episode we see him kind of developing the characteristics we hear in Richard Roeg and Richard Dahmen. Alright, well, that will do it for today. Next Wednesday we'll be back again with Johnny Dollar. And of course, on Friday, we'll conclude with the final parts of this week's episode in the meantime. And tomorrow it will be Nick Carter in the Meantime. Your comments are appreciated. Box [e-mail] Follow us on Twitter radiodetectives and become a one of our friends on facebook.facebook.com Radiodetactives from Boise, Idaho, this is your host, Adam Graham, signing off.