The Falcon: The Case of the Beautiful Bait (EP4563)

Summary

Summary of "The Falcon: The Case of the Beautiful Bait" (EP4563)

Introduction

In Episode 4563 of "The Great Detectives of Old Time Radio," titled "The Falcon: The Case of the Beautiful Bait," host Adam Graham brings listeners into a gripping mystery from the Golden Age of Radio. This episode features The Adventures of the Falcon, a charming detective series starring Les Damon. Graham not only narrates the unfolding drama but also provides insightful commentary and engages with listener feedback, enhancing the overall experience for both new and long-time fans.

Episode Plot Summary

Setting the Scene

The episode opens on a Wednesday night in New York, inside a bustling fight arena. Al Lassiter (Walter Whitcomb) is at ringside, anxiously watching a prizefight involving the promising young fighter, Joey O'Hara.

• Al Lassiter: "That kid's terrific. Yeah, look at that jab." [04:19]

As the fight progresses, tensions rise between Lassiter and Joey's manager, Walter Whitcomb, over O'Hara's potential and his contract.

The Intrigue Unfolds

Post-fight, Al Lassiter confronts Whitcomb about Joey's rising stardom and hints at ulterior motives involving a mysterious woman, Vicky Terrence.

• Al Lassiter: "Lassiter has chips. You'd go for that. And he has a stable of fighters. He could be interested in this O'Hara. And you're just the bait he'd need." [08:18]

Whitcomb, suspicious of Lassiter's intentions, reaches out to Michael Waring (the Falcon) for assistance in investigating Ken Floyd, Lassiter's associate, who is suspected of shady dealings.

• Walter Whitcomb: "All I want is for you to check up on Ken. He's waving a bankroll and I'd like to know where he got it." [10:16]

The Investigation Deepens

As Falcon delves deeper, he uncovers inconsistencies in Vicky's story about her morning phone call and discovers that Lassiter has ulterior motives tied to blackmail and manipulation of Joey O'Hara's career.

• Adam Graham (Falcon): "It's obvious. You don't need to. What's the trouble, Al?" [17:28]

The tension escalates when Vicky is found strangled, and clues point towards Lassiter's hand in her demise, intending to frame O'Hara for the murder.

Climactic Confrontations

In a dramatic turn, Falcoln confronts both Lassiter and Floyd, unearthing the truth behind Vicky's death and Lassiter's scheme to control Joey's boxing career through coercion and deceit.

• Adam Graham (Falcon): "I knew Lassiter was lying. He was trying to throw suspicion on Joey and, at the same time, explained what he was doing at Vicky's in case anyone saw him going there that night." [28:10]

The Falcon skillfully pieces together the puzzle, revealing that Lassiter orchestrated events to eliminate Vicky and manipulate Joey for his gain.

Resolution

The episode culminates with the Falcon presenting his findings to Sergeant Corbett, exonerating Joey O'Hara and exposing Al Lassiter's criminal intentions. Nayihing justice, the truth prevails, and the Falcon's keen detective skills shine through.

Host Commentary and Analysis

After the fictional narrative, Adam Graham provides a thoughtful analysis of the episode, pointing out subtle inconsistencies and character motivations that enhance the mystery's depth.

• Adam Graham: "There is an odd inconsistency in the story because Waring told Sergeant Corbett that he gave Vicki the brush when it was really her who decided not to do business with him because he wasn't stupid and wanted to understand what he was getting himself into." [28:10]

Graham reflects on the narrative structure, character development, and the clever use of deceptive clues that make "The Falcon: The Case of the Beautiful Bait" a standout episode.

Listener Feedback and Questions

The episode features engaging interaction with listeners, addressing their comments and questions to foster a community of Old Time Radio enthusiasts.

Listener Andrea raises an intriguing question about the arbitrary-sounding default membership fee:

• Andrea: "Why the $7.14 cents for the default membership for detective sergeant? It is so arbitrary to me..."

Adam Graham explains the significance behind the number, tying it to Detective Sergeant Joe Friday's badge number, emphasizing the podcast's attention to detail and homage to classic radio detective tropes.

Moreover, Andrea shares a nostalgic memory about The Shadow, a favorite childhood show, prompting Graham to discuss copyright concerns that prevent its inclusion in the podcast, despite its popularity among listeners.

Listener Terry comments on a previous episode, appreciating the storytelling and the podcast's dedication to preserving old-time radio mysteries.

Conclusion

"The Falcon: The Case of the Beautiful Bait" masterfully blends suspense, wit, and classic detective work, making it a must-listen for fans of old-school radio dramas. Host Adam Graham's insightful commentary and responsive engagement with listeners further elevate the podcast, creating an immersive and interactive experience. Whether you're a seasoned sleuth or new to the golden era of radio mysteries, this episode delivers an enthralling adventure that showcases the enduring charm of classic detective storytelling.

Key Takeaways:

• The Falcon utilizes his detective prowess to unravel a complex web of deceit involving rival fighters and manipulative managers.
• Al Lassiter's scheme to control Joey O'Hara leads to tragic consequences, highlighting the dark side of ambition in the boxing world.
• Adam Graham's post-episode analysis enriches the listener's understanding and appreciation of the narrative intricacies.
• Listener engagement underscores the podcast's commitment to community and preserving the legacy of old-time radio detectives.

Notable Quotes

• Al Lassiter: "That kid's terrific. Yeah, look at that jab." [04:19]
• Walter Whitcomb: "All I want is for you to check up on Ken. He's waving a bankroll and I'd like to know where he got it." [10:16]
• Adam Graham (Falcon): "It's obvious. You don't need to. What's the trouble, Al?" [17:28]
• Adam Graham (Falcon): "I knew Lassiter was lying. He was trying to throw suspicion on Joey and, at the same time, explained what he was doing at Vicky's in case anyone saw him going there that night." [28:10]
• Andrea: "Why the $7.14 cents for the default membership for detective sergeant? It is so arbitrary to me..." [33:00]

These quotes encapsulate key moments and character dynamics that drive the episode's narrative forward.

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"The Great Detectives of Old Time Radio" continues to captivate audiences with its faithful renditions and insightful commentary, ensuring that the spirit of classic detective tales lives on. Subscribe and join Adam Graham each week for a new mystery that will challenge your sleuthing skills and keep you eagerly anticipating the next adventure.

Transcript

[Adam Graham]

How do you feel when you switch.

[Michael Waring]

To Geico and save on your car insurance?

[Vicky Terrence]

It's like going to work on one Thursday morning and thinking to yourself just one more day until Friday.

[Michael Waring]

But then somebody in the elevator says Happy Fri. Yay. Then you check your phone quickly and.

[Vicky Terrence]

Discover today is actually Friday.

[Michael Waring]

So yes, Happy Friday. Random stranger in the elevator. Happy Friday indeed.

[Vicky Terrence]

Yep, switching and saving with Geico feels just like that.

[Walter Whitcomb]

Get more with Geico My dad works in B2B marketing. He came by my school for Career day and said he was a big roas man. Then he told everyone how much he.

[Adam Graham]

Loved calculating his return on ad spend.

[Walter Whitcomb]

My friends still laugh at me to this day.

[Vicky Terrence]

Not everyone gets B2B, but with LinkedIn you'll be able to reach people who do get a hundred dollar credit on your next ad campaign. Go to LinkedIn.com results to claim your credit. That's LinkedIn.com results. Terms and conditions apply. LinkedIn the place to be, to Be.

[Michael Waring]

Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This is your host, Adam Graham. In a moment we're going to bring you this week's episode of the Falcon. But before we get started, I want to encourage you if you enjoy the podcast, to please follow us using your favorite podcast software. Today's program is brought to you in part by the financial support of our listeners. You can support the show on a one time basis. Support.greatdetives.net in addition, you can become one of our ongoing Patreon supporters for as little as $2 per month at patreon.greatdetectives.net thank you for Andrea becoming our latest Patreon supporter at the detective sergeant level of $7.14 or more per month. Now from August 22, 1951 is the case of the Beautiful Bait.

[Vicky Terrence]

If you're a maintenance supervisor for a commercial property, you've had to deal with everything from leaky faucets to flickering light bulbs. But nothing's worse than that ancient boiler that's lived in the building since the day it was built 50 years ago. It's enough to make anyone lose their cool. That's where Grainger comes in. With industrial grade products and dependable, fast delivery, Grainger can help with any challenge, from worn out components to everyday necessities. Call click ranger.com or just stop by Ranger for the ones who get it done.

[Adam Graham]

The Adventures of the Falcon Starring Les Damon hello? Yes, this is the Falcon speaking. Oh Linda, thanks for the call, but I have to say nix tonight, angel, as I'm involved with a prize fighter. They tell me he's murder in the ring, but it looks like there may be a murder out of it. This is Ed Hurley. He friends inviting you to listen to the adventures of the Falcon. Transcribed Tonight you met the Falcon first in his best selling novel. Then you saw him in his thrilling motion picture series. Now join him on the air when the Falcon solves the case of the Beautiful Bait. Now the case of the beautiful bait. It's Wednesday night in New York and in a fight arena, Al Lassiter is eagerly watching one of the boys in the second round of the main event. Lassiter is the fat little man at ringside who keeps poking the pretty girl sitting next to him with his elbow to call her attention to what excites him.

[Joey O'Hara]

Vicky, that kid's terrific. Yeah, look at that jab.

[Walter Whitcomb]

Look at it. I felt it.

[Joey O'Hara]

Wow. There's another one.

[Ken Floyd]

Hurt.

[Walter Whitcomb]

I'll say. Broke three ribs. Look out. You don't have to keep giving me the elbow. I'm paying attention.

[Joey O'Hara]

I just want you to watch this boy.

[Walter Whitcomb]

What do you think of me watching the scenery?

[Joey O'Hara]

He's dying. Am I? Come on, Joey.

[Al Lassiter]

You got him going.

[Joey O'Hara]

Keep on top of him.

[Adam Graham]

Yeah.

[Joey O'Hara]

Joey will kill him.

[Walter Whitcomb]

Well, he better do it quick or I'll kill you.

[Joey O'Hara]

This is it, Vicky. This is it. Course he's in trouble. Look at that Joey go. He's out, Rao. And that does it. Course he's down.

[Walter Whitcomb]

Well, thanks for telling me last year. I wouldn't have known.

[Adam Graham]

Ah, he's throw.

[Walter Whitcomb]

Well, I hope so. I can't take much more.

[Joey O'Hara]

Well, that's it. Come on, let's go.

[Al Lassiter]

Yeah.

[Walter Whitcomb]

It's a pleasure. Next time I go to a fight with you, I'm going into training too.

[Joey O'Hara]

I gotta get that Joey O'Hara.

[Walter Whitcomb]

Get him.

[Joey O'Hara]

His contract's up. He's handled right. Maybe he won't renew with Whitcomb.

[Walter Whitcomb]

How do you handle him right?

[Joey O'Hara]

I don't. That's your department.

[Walter Whitcomb]

Well, don't you get bright ideas.

[Joey O'Hara]

You'll play him along before he knows it. His name's on my contract.

[Walter Whitcomb]

Did anybody ask me?

[Joey O'Hara]

I'm telling you.

[Walter Whitcomb]

Well, what if I don't play?

[Joey O'Hara]

I don't put it like that. Put it? If you do play. You know that convertible you've been wanting?

[Walter Whitcomb]

Uh huh.

[Joey O'Hara]

Joey signs with me, it's yours.

[Walter Whitcomb]

All of a sudden Joey interests me.

[Joey O'Hara]

I gotta sew him up. Vicky, the boy's gone places. Right to the top. You don't find light heavies like him every day. He's Young. Who knows? He may put on a few pounds and challenge the big boys. Yes, sir, the kid's dynamite.

[Walter Whitcomb]

Yeah, Lassiter, dynamite. And you want me to light the fuse. Excuse me. Aren't you Joey O'Hara?

[Adam Graham]

Yeah, that's right.

[Walter Whitcomb]

I recognized you from the other side of the hotel lobby. I. I saw you fight the other night.

[Adam Graham]

Oh, yeah. You don't look like a fight fan.

[Walter Whitcomb]

No? How do fight fans look?

[Adam Graham]

Oh, I mean, you. Well, a lady.

[Walter Whitcomb]

Thanks. And you're obviously a gentleman. But you, you're a fighter. Why shouldn't I be a fan?

[Adam Graham]

Oh, if you want to be, I think it's swell. It's just.

[Al Lassiter]

Well, I don't know.

[Walter Whitcomb]

You mean you're ashamed of being a boxer? Well, you shouldn't be. It takes courage, skill, clean living. Do I sound silly?

[Adam Graham]

No, no, it sounds good when you say it.

[Walter Whitcomb]

Well, I won't keep you. Now, you were going somewhere when I stopped you.

[Adam Graham]

Just out to a movie. I. Hey, how about you coming along?

[Walter Whitcomb]

Well, I. I don't have anything planned.

[Adam Graham]

Good. Then it's settled. Let's go.

[Walter Whitcomb]

Kenny Floyd, what are you doing in New York?

[Al Lassiter]

I'm looking for you. Sweetheart, Detroit's not the same without you.

[Walter Whitcomb]

They're still making cars, I hear.

[Al Lassiter]

Oh, but not making beautiful music.

[Walter Whitcomb]

Look, run along, Ken, will you? I got a date.

[Al Lassiter]

And you're gonna cancel it.

[Walter Whitcomb]

Now, look, chum, before this goes any further, my date happens to be with an artist with his fist.

[Al Lassiter]

Oh, you got me real worried. What do you say we go inside? It's more comfortable standing here in the hall.

[Adam Graham]

I know.

[Al Lassiter]

What's the matter, Vicky, you're a chick who plays the percentages. Now, I don't hold that against you. I think that's smart.

[Walter Whitcomb]

Meaning what?

[Al Lassiter]

Meaning you got an eye for the blue chips. I had a short stack. So you pulled out. Well, honey, things are different now. My luck's changed. Here, take a look at this.

[Adam Graham]

Roll.

[Al Lassiter]

Catch.

[Walter Whitcomb]

So you got a roll? So, what am I supposed to do, wear a ring in my nose?

[Al Lassiter]

They're all 50s, honey. Help yourself. And there's plenty more where they came from.

[Walter Whitcomb]

No sale.

[Al Lassiter]

All right, sweetheart, and let's look at it like this. According to the columns, you're dating Joey O'Hara. That's what tipped me you were in the big town.

[Walter Whitcomb]

Well, what do you know? He can read.

[Al Lassiter]

So I moved in and I've been asking around. And what do you think?

[Walter Whitcomb]

I found out how many bars there are in New York.

[Al Lassiter]

I found out that up until a couple of weeks ago, you Were real chummy with Al Lasseter.

[Walter Whitcomb]

Fancy that.

[Al Lassiter]

So it figures. Lasseter has chips. You'd go for that. And he has a stable of fighters. He could be interested in this O'Hara. And you're just the bait he'd need.

[Walter Whitcomb]

Now we're playing guessing games.

[Al Lassiter]

Well, one way to find out if I'm guessing. I could drop a hint to O'Hara.

[Walter Whitcomb]

No, Ken. Oh.

[Adam Graham]

Oh.

[Al Lassiter]

All of a sudden she's not the sharp chick, huh? That hit a nerve.

[Walter Whitcomb]

Well, it's just that Joey might get the wrong idea. And he likes me, see? He likes me a lot. I wouldn't want to hurt him.

[Al Lassiter]

Now, wait a minute, Vicky. Something's out of gear. You started running too fast. Now, don't tell me you're that worried about hurting some jerk or something.

[Adam Graham]

Oh, wait a minute.

[Al Lassiter]

Now, wait. Why didn't I think of that? Certainly you're soft on him. Maybe Lasseter's the one I ought to talk to.

[Walter Whitcomb]

Look, what are you trying to do? Just what is it you want?

[Al Lassiter]

I thought that was obvious, sweetheart. I want you.

[Walter Whitcomb]

And you think this'll get me blackmail?

[Al Lassiter]

Why not? I have what Lassiter has. A bankroll. Of course, maybe I don't have shoulders like O'Hara, but you used to think I wasn't so hard to take. You'll come around again.

[Walter Whitcomb]

I hate to disappoint you, but you're counting this chick a little too fast. Ken, if we're gonna play guessing games, I can do some guessing too. Like where this bankroll came from you're so proud of. You didn't get it Singing hymns.

[Al Lassiter]

You don't know where I got it.

[Walter Whitcomb]

Well, maybe I know where to find out. So before you go running to Joey or Lasseter with any pipe dreams, just remember it's a two way street, honey, and you could have an accident. Now, here's the roll back, cat.

[Adam Graham]

Hello.

[Walter Whitcomb]

Hello. Are you Michael Waring?

[Adam Graham]

Mm. Also called the Falcon, but don't ask me why. And you're Vicky Terence, huh?

[Walter Whitcomb]

Well, I heard you're a good detective, but that's kind of stretching it.

[Adam Graham]

Why? I've just been looking at a picture of you and O'Hara nightclubbing together.

[Walter Whitcomb]

I didn't know we'd been published.

[Adam Graham]

You don't read the Police Gazette? Come in.

[Walter Whitcomb]

Thanks.

[Adam Graham]

Well, now, why do you want a detective?

[Walter Whitcomb]

Well, Mr. Waring.

[Adam Graham]

Oh, call me Mike. And I'll call you Vicki. Unless O'Hara objects.

[Walter Whitcomb]

Don't worry about Joey. He's a lion in the ring, but a lamb out of it with you.

[Adam Graham]

As Little Bo Peep. I can believe it. But back to business.

[Walter Whitcomb]

Well, Mike, there's a fellow I used to go with in Detroit, Ken Floyd. He's come to New York and wants to make trouble between me and Joey. Oh, he has some wacky yarn. He's threatened to tell Joey.

[Adam Graham]

What yarn?

[Walter Whitcomb]

Well, it hasn't anything to do with what I want you for, Vicky.

[Adam Graham]

I found out when people who want to hire me start holding out on me.

[Walter Whitcomb]

I'm not holding out. But I'm beginning to wonder if I didn't make a mistake coming here.

[Adam Graham]

So am I, angel.

[Walter Whitcomb]

Look, all I want is for you to check up on Ken. He's waving a bankroll and I'd like to know where he got it.

[Adam Graham]

Why?

[Walter Whitcomb]

Look, I'm offering you a job. Take it or leave it.

[Adam Graham]

How do I know you're not planning to blackmail this Ken Floyd if I bring something hot in on him?

[Walter Whitcomb]

Oh, brother. He's trying to blackmail me.

[Adam Graham]

How? What's he got on you?

[Walter Whitcomb]

It's been nice knowing you, Mr. Waring. I think I go now.

[Adam Graham]

How long, Vicky?

[Walter Whitcomb]

You know, most people have to work if they want to eat. Maybe you're not hungry, huh? So long, Mike.

[Adam Graham]

Now, here we are. C4, 5 and 6. You going first, Mr. Lasseter.

[Joey O'Hara]

All right, Joey.

[Adam Graham]

And now you, Vic.

[Walter Whitcomb]

Oh, no, thanks, Joey. You're in better shape. You can take it, huh? I mean, you and Mr. Lasseter may have some things you want to talk about. You sit next to him.

[Adam Graham]

Okay.

[Walter Whitcomb]

Good. That's a load off my ribs.

[Adam Graham]

Well, Mr. Lasseter, ought to be some good action tonight.

[Joey O'Hara]

Yes, there's going to be some good boys in there.

[Adam Graham]

You know, I like this.

[Joey O'Hara]

What's the matter?

[Adam Graham]

There's Whitcomb and he sees me.

[Joey O'Hara]

Oh, yeah, he's coming over. Well, don't worry. He can't do anything. Hello, Whitcomb.

[Ken Floyd]

Well, looks like a jolly little party. Hello, Lester and Joey.

[Adam Graham]

Hello, Mr. Wickham.

[Ken Floyd]

And this must be the little lady I've been hearing about.

[Adam Graham]

This is Vicky.

[Ken Floyd]

Yes, yes, I know. Vicki Terrence.

[Adam Graham]

Ah, you read the papers, too.

[Ken Floyd]

I didn't get it from the papers. They just say you've been out with her. But I happen to know why.

[Walter Whitcomb]

And I happen to smell a rat. Or could it be a weasel?

[Adam Graham]

What's that, Vicky?

[Walter Whitcomb]

I just mean somebody's trying to make trouble.

[Adam Graham]

Who? Why?

[Walter Whitcomb]

Obviously someone who'd rather have his dirty work done by somebody else. You know, Whitcomb. I never thought of that angle.

[Adam Graham]

Yeah, I don't get it. What's. What's this all about?

[Ken Floyd]

There's nothing mysterious about it, Joey. I just didn't have my eyes open. Somebody opened them for me.

[Adam Graham]

If I don't get an answer, I understand pretty quick. Somebody's gonna close them for you.

[Ken Floyd]

I see Ms. Terrance has introduced you to Lassiter.

[Adam Graham]

Yeah.

[Ken Floyd]

And told you he was a friend of the family or some such.

[Joey O'Hara]

All right, that's enough, Whitcomb.

[Adam Graham]

Wait a minute, Mr. Lassett. I want to hear this. Go on, Whitcomb.

[Ken Floyd]

Well, Joey, it's just that she and Lassiter happen to be more than friends, that's all.

[Adam Graham]

Huh?

[Ken Floyd]

She's his girl, Joey. Don't you get it?

[Joey O'Hara]

Don't listen to him, Joey.

[Adam Graham]

Vicky.

[Walter Whitcomb]

It's a lie, Joe.

[Ken Floyd]

I've been wondering why you were so hard to talk to lately, Joy. Now I find out Lasseter's girl leaving you along so you'll sign with him.

[Adam Graham]

I don't believe it.

[Ken Floyd]

She did ask you to sign with Lassiter, didn't she? Well, didn't she?

[Adam Graham]

She said she thought it'd be a good idea.

[Ken Floyd]

Yeah, good for her.

[Adam Graham]

But still don't prove.

[Ken Floyd]

All right, all right. You want proof? I'll get it. I didn't know she was Laster's girl, but there are people who do. Just promise me this, Joey, that you won't sign with Laster until you talk to them.

[Adam Graham]

I can't promise that.

[Ken Floyd]

Why not?

[Adam Graham]

Because I already did sign with them today. Hello. Looking for me, Corbett? Oh, that you wearing?

[Vicky Terrence]

Yeah.

[Adam Graham]

I'm looking for you. I'm sorry I can't make it tonight, angel. I have to. You'll make it this afternoon. I want to talk to you. What about? What do you know about Vicky, Terrence? Vicky? Oh, beautiful eyes, wonderful complexion. Gorgeous figure. Look, the inventory I can take myself. What I want to know what's with you and her? Nothing. I gave her the brush. Oh, a girl with a bill like hers? I don't believe it. Oh, it's her boyfriend's bill that stopped me. Now, look, I'm in her room. Oh, well, you better be careful, Corbin. That boyfriend I mentioned. Take care of the boyfriend. And what I started to say. I find your name in her address book. How come? Oh, come now, Corbett. If you're going to start investigating all the girls who have my name, I'm investigating this one. Now, what's with you and Vicky? Well, is she there? Yeah, why not ask her? Well, that'll be a little tough, Mike, seeing as how somebody strangled her this morning. Wearing. Please, Corbett, I'm trying to eat what, again? Every time I look into Ed's luncheonette, I find you. Somebody's got to support him. Look, I don't have all day to hang around here. Well, so long then. Wearing. I've told you all I know, Corbett. You admit the girl wanted to hire you? Yes. To check on a Ken Floyd. Yes. But what'd you find out about it? I didn't. Look, I don't buy your dropping the case.

[Ken Floyd]

Well, why not?

[Adam Graham]

Well, first, the girl's looks. I told you. And second, anytime you turn down a chance to make a buck, that I gotta see. All right, open your eyes. Look, are you gonna cooperate? I told you, she named Ken Floyd. You can check on her. I will. And you can check on her boyfriend, O'Hara. We're trying to find him. He's disappeared. Well, all the more reason to check. And you could check with the desk clerk at her apartment. Maybe he saw someone go up. Are you trying to tell me my business, Waring? And it so happens the desk is closed from midnight to 8. And Doc says it's possible that she was killed before 8. Well, you've still got enough to keep you busy for a while. If you don't get anywhere, come on back and I'll be happy to take over the case for you.

[Michael Waring]

Why?

[Adam Graham]

For a fee, of course. So long, Corbett.

[Ken Floyd]

Michael Warning?

[Adam Graham]

That's right.

[Ken Floyd]

My name is Walter Whitcomb. I'd like to talk with you, Waldo.

[Adam Graham]

Oh, yeah. Joey O'Hara's manager.

[Ken Floyd]

Ex manager. That's what I wanted to see you about. May I come in?

[Adam Graham]

Yeah, sure. Well, looks like destiny.

[Ken Floyd]

What then?

[Adam Graham]

I should get involved with O'Hara?

[Ken Floyd]

I don't understand.

[Adam Graham]

Well, you don't need to. What's the trouble, Al?

[Ken Floyd]

Lester wanted to get Joey away from me. He baited his hook with a beautiful girl.

[Adam Graham]

Vicki. Vicki?

[Ken Floyd]

Yes. You've seen in the papers what happened to her. But what the papers don't know is that the girl was just being used by Laster. They also don't know that she was successful.

[Adam Graham]

What do you mean?

[Ken Floyd]

Last night I learned that Joey signed with Lasseter.

[Adam Graham]

Oh, well, it's bound to come out pretty soon.

[Ken Floyd]

I know. And when it does, the police may think I killed the girl for revenge.

[Adam Graham]

Yeah, they might. So you want me to prove you didn't?

[Ken Floyd]

Yeah.

[Adam Graham]

Well, just one thing first.

[Ken Floyd]

What's that?

[Adam Graham]

What gave you the idea that Lassiter was behind Vicki's attentions to Joey?

[Ken Floyd]

Why, it's obvious.

[Adam Graham]

Yeah, but was it until somebody tipped you off?

[Ken Floyd]

Well, it was suggested.

[Adam Graham]

And would there Somebody who suggested it be a fellow by the name of Ken Floyd.

[Ken Floyd]

Wow. Incredible.

[Adam Graham]

It's elementary, my dear Whitcomb. All done with mirrors.

[Ken Floyd]

What do you know about Floyd?

[Adam Graham]

Not as much as I'd like to. I'll have to look him up after I get through with Lassiter.

[Ken Floyd]

Oh, then you. You are taking the case.

[Adam Graham]

Waring, who am I to fly in the face of destiny? Yeah, Whitcomb. I'll take the case.

[Joey O'Hara]

Now wait a minute. You must think I'm absolutely crazy Wary.

[Adam Graham]

Not absolutely, Lassiter.

[Joey O'Hara]

You come here and ask me a lot of questions. All of which are trying to prove that Joey O'Hara killed Vicki.

[Adam Graham]

I never said that last night.

[Joey O'Hara]

Well, your questions imply it. But Joey just signed up with me. If you think I'm going to sell my own fighter up the river, you got another thing coming.

[Adam Graham]

Look, look, I'm just trying to find out a few things about O'Hara. You've got to admit things don't look good for him. Disappearing right after the murder.

[Joey O'Hara]

All right, he's not at his hotel. That doesn't say he disappeared.

[Adam Graham]

What does it say?

[Joey O'Hara]

I don't know anything about him and I've got nothing more to say. So wearing. I know that you're a busy man.

[Adam Graham]

Yeah, sure, sure. Well, thanks for nothing. Lassiter.

[Joey O'Hara]

What was that?

[Adam Graham]

Something in the next room.

[Joey O'Hara]

Yeah, must have come in the back way. Who's there?

[Adam Graham]

Name. Is the Lassiter. Bump into a chair.

[Joey O'Hara]

Oh, Joey. Say, what's the matter with you, boy? You look sick.

[Adam Graham]

I'm all right. Who's this? Mike.

[Joey O'Hara]

Wherry.

[Adam Graham]

Oh, hello, Joey. Where you been? I don't know where I've been.

[Joey O'Hara]

You what?

[Adam Graham]

That's right, Lass. I don't know. The Whitcomb told me about you and Vicki. I didn't know what to do. Went to a bar, had a couple, three, four. I don't know. It's all I remember.

[Joey O'Hara]

I wasn't very smart, Joey.

[Adam Graham]

Yeah, Yeah, I know Mr. Lasseter. Not very smart.

[Al Lassiter]

Just a slap happy jerk.

[Adam Graham]

But you and a girl make a real schmo out of me. But you're not gonna get away with it.

[Joey O'Hara]

What are you gonna do?

[Adam Graham]

I'm gonna. Who's he? I told you. Mike Waring. Oh, yeah? Yeah. Well, what's he want? I wanted to talk to you, Joey, and so does Sergeant Corbett. Why don't you come along with me? What do you want to talk about? The keen, that little. I don't want to talk about her.

[Joey O'Hara]

You don't have to talk, Joey. Where do I get your Lawyer, huh?

[Adam Graham]

Lawyer? What for?

[Joey O'Hara]

They want to pin the murder on you. Don't you understand?

[Adam Graham]

What murder?

[Joey O'Hara]

Vicky's.

[Adam Graham]

Vicky's has Vicky?

[Joey O'Hara]

But didn't you know who did it? Hey, hey, Let go.

[Ken Floyd]

Who did it?

[Joey O'Hara]

I don't know.

[Adam Graham]

That's enough, Joey, stop it. Stay out of this, Mr. Waring. I will when I get you out of it. Now let him go. All right, all right. Now let him go. It's a difference. Biggie's dead, huh? Wanna talk about it? Got nothing to say? I think you better go see Sergeant Corbett just the same.

[Ken Floyd]

Police?

[Adam Graham]

Yeah, why not?

[Joey O'Hara]

Joey, Joey, you don't understand. They'll say you did it.

[Adam Graham]

Let em say I don't care. Vicki's dead, huh? I don't know. Did I love her? Did I hate her? Come on, Mr. Roger.

[Joey O'Hara]

No, Joey, wait.

[Adam Graham]

I'll see you later.

[Joey O'Hara]

Well, at least don't say anything, Joey. Not until I get your lawyer. I'll get one down there right away. Ah, that crazy. Jake.

[Al Lassiter]

How are you? I put down that phone.

[Adam Graham]

Lesson, huh?

[Joey O'Hara]

Who are you?

[Al Lassiter]

Ken Floyd, friend of Vicky's. Joey left the back door open, so I come in.

[Joey O'Hara]

What do you want?

[Al Lassiter]

Save you the cost of a phone call and lawyer fee. Put down the phone.

[Joey O'Hara]

I got a sentence.

[Al Lassiter]

Put it down.

[Joey O'Hara]

Wait a minute. Be careful with that gun.

[Al Lassiter]

All right, you be careful too. Just do like I tell you.

[Adam Graham]

Yeah, well, that's better.

[Joey O'Hara]

What do you want, Floyd?

[Al Lassiter]

I told you. To keep you from wasting your money. No use hiring a lawyer to protect somebody else's fighter, is there?

[Joey O'Hara]

I don't know what you mean. Joey, sign with me.

[Al Lassiter]

So you say, but you can't prove it without a contract.

[Joey O'Hara]

I've got a contract.

[Al Lassiter]

Yes, but it's not on record yet.

[Joey O'Hara]

All right, it will be.

[Al Lassiter]

I don't think so. You and I are going down to your office. You're going to open up the safe.

[Joey O'Hara]

Wait a minute. Who are you working for? Whitcomb.

[Al Lassiter]

I make it a point never to work for anybody except Ken Floyd. I figure your copies of the contract ought to be worth a nice piece of change to Whitcomb so he can destroy him. Sign up Joey himself.

[Adam Graham]

That's.

[Joey O'Hara]

Maybe Whitcomb won't be interested. There's a murder rap hanging over Joey's head.

[Al Lassiter]

You were ready to spend money on lawyers. I should think Whitcomb would be too. And on the contracts, Joey's worth the risk.

[Joey O'Hara]

I see. How much do you expect Whitcomb to pay for the contract?

[Al Lassiter]

Why? Do you want to top it?

[Ken Floyd]

I might go.

[Al Lassiter]

Good. I Don't care who I deal with as long as the price is right. But there's no use peddling contracts until I got them. So let's get moving, Lester.

[Adam Graham]

Now, back to the Adventures of the Falcon. It's the day after Ken Floyd took over Joey O'Hara's contract at gunpoint. He's put it up for sale, weighed his offers, and now he's closing the deal with the highest bidder.

[Al Lassiter]

8008-509009-50000. All right, Whitcomb, that makes it an even 10 grand.

[Ken Floyd]

Well, Floyd, now the contracts.

[Michael Waring]

Here.

[Al Lassiter]

Yeah, Whitcomb.

[Adam Graham]

Good.

[Al Lassiter]

That's what Lassiter gets of being a cheapskate.

[Ken Floyd]

Now, first to get rid of these.

[Al Lassiter]

Oh, here, Use my lighter.

[Adam Graham]

Thanks.

[Ken Floyd]

Well, there they go. Up in smoke. That's a beautiful sight.

[Al Lassiter]

You're gonna burn the table.

[Ken Floyd]

No, no. I'll throw them in the grate. And now that I can do business with Joey again, I better see how things are getting along.

[Al Lassiter]

There's no use my hanging around. How long?

[Ken Floyd]

Goodbye, Floyd.

[Adam Graham]

Hello.

[Ken Floyd]

Is that the Falcon?

[Adam Graham]

Yes, this is the Falcon speaking.

[Ken Floyd]

Well, this is Walter Whitcomb. I understand you picked up Joey O'Hara.

[Adam Graham]

That's right.

[Ken Floyd]

And do the police think he's guilty?

[Adam Graham]

They're not sure. Why?

[Ken Floyd]

I find I made a mistake about him and Lester. I'm in a position to deal with Joey after all, so naturally, I'd like to see him cleared. According to the paper, he didn't tell the police anything damaging.

[Adam Graham]

He didn't tell them anything, period. So they were holding him until he felt in a more conversational mood.

[Ken Floyd]

You say we're holding him. Does that mean he's been released?

[Adam Graham]

Not exactly. I'm afraid I have bad news for you, Whitcomb.

[Ken Floyd]

What do you mean?

[Adam Graham]

Well, I just got word Joey killed himself in his cell. Half an hour. 900.

[Al Lassiter]

951 thousand. Well, that does it, Lassiter. And even 10 grand.

[Joey O'Hara]

All right, now, let's have the contract.

[Ken Floyd]

Floyd.

[Al Lassiter]

Yeah? The photo stats, they proved Joey signed with you, huh?

[Joey O'Hara]

And now, just a second, Floyd. Oh, you again.

[Adam Graham]

Wary, Lassiter. Who's your friend?

[Joey O'Hara]

That's Ken Floyd.

[Adam Graham]

Oh, good. I've been wanting to meet him. You can ask me in.

[Joey O'Hara]

Looks like you're asking yourself that. What'd you come here for? Wary?

[Adam Graham]

Well, you were trying to protect Joey before because you figured to cash in on him. But now that he can't be of any more use to you.

[Joey O'Hara]

What do you mean, can't be of any more use to me?

[Adam Graham]

Now that he's Dead? What? Yes. Didn't you know he killed himself?

[Joey O'Hara]

Floyd, did you know about this?

[Al Lassiter]

Lasseter, sir.

[Adam Graham]

Hell, what's Floyd got to do with it?

[Al Lassiter]

Nothing. Wearing it.

[Joey O'Hara]

I'll settle with you later, Floyd.

[Adam Graham]

Maybe I will too. But first, Lasseter, can you tell me anything about Joey you didn't tell me before?

[Joey O'Hara]

Wait a minute. How do I know this isn't a bluff about him being dead?

[Adam Graham]

Turn on the radio. You'll hear it on the news.

[Joey O'Hara]

Well, all right, Waring, so it's on the level. But what do you expect me to tell you about Joey?

[Adam Graham]

Anything that might tie him to the murder. What?

[Joey O'Hara]

Doesn't suicide do it?

[Adam Graham]

Not entirely. Then I've got a client to clear.

[Joey O'Hara]

Well, I know Joey threatened Vicki, but that doesn't say he killed her.

[Adam Graham]

How do you know he threatened her?

[Joey O'Hara]

Well, she called me about four in the morning. Said he was banging on a door to her bedroom, trying to get in. I had to go over and drag him away. Maybe he went back. But I don't know how you're going to prove it.

[Adam Graham]

Maybe we won't have to. There's a good chance.

[Joey O'Hara]

Hey, wait a minute. Where's Floyd?

[Adam Graham]

Looks like he slipped out the back way while we were talking.

[Joey O'Hara]

We got to get him. He's got ten grand.

[Adam Graham]

Tomorrow we'll get him. At first we're going to headquarters.

[Joey O'Hara]

Why?

[Adam Graham]

To give Corbett our proof.

[Joey O'Hara]

But I told you, I don't have proof.

[Adam Graham]

Joey killed Vicky. I know that. But we have proof that you did.

[Ken Floyd]

Huh?

[Adam Graham]

Yeah, sure. Lassiter, you killed Vicki. So let's go tell Corbett about it. Waring, there's just one thing. I want to know why Lassiter killed Vicki. Well, I'll tell you, Corbett. He was using Vicky to work on Joey for him. But he found out that she was taking your work too seriously. He really fell for Joey and Lassiter killed her in a jealous rage. No, that's not what I wanted to ask. Oh, you wonder how I knew that Lasseter was the murderer. Well, he said Vicki phoned him from her room at 4 in the morning. But the desk in her apartment house is closed from midnight to 8 and calls have to go through the desk. So she couldn't have phoned at 4. Yeah, but that's still not true. So I knew Lasseter was lying. He was trying to throw suspicion on Joey and at the same time explained what he was doing at Vicky's in case anyone saw him going there that night. All right, all right, Waring. But now, will you just answer one thing? Sure, Corbett. You told me you turned down the case and still I find you involved with Joey Lassiter, Whitcomb and Floyd. Go ahead, explain that. Well, it's really very simple, Corbett. There's only one trouble. Yeah? What's that? You wouldn't believe me. Oh. Good night, Corbett.

[Vicky Terrence]

If you're a maintenance supervisor for a commercial property, you've had to deal with everything from leaky faucets to flickering light bulbs. But nothing's worse than that ancient boiler that's lived in the building since the day it was built 50 years ago. It's enough to make anyone lose their cool. That's where Grainger comes in. With industrial grade products and dependable, fast delivery, Grainger can help with any challenge, from worn out components to everyday necessities. Call clickranger.com or just stop by Grainger for the ones who get it done.

[Michael Waring]

Welcome back. This is one of those stores where you really have to pay attention to the to have any hope of guessing the killer, as this whole concept of having calls to a residence only go through a front desk is kind of foreign to most of us today. There is an odd inconsistency in the story because Waring told Sergeant Corbett that he gave Vicki the brush when it was really her who decided not to do business with him because he wasn't stupid and wanted to understand what he was getting himself into. And that got her nervous. And I don't know why it was described inconsistently. This isn't like with the hallmarks where they were writing so many shows. If it wasn't a mistake in the script, it could be a matter of pride for Waring not to want to share that somebody didn't want to do business with him. But Corbett's comments about Waring, you know, not turning cases is a bit silly based on what we've heard because he tends to be one of the more cautious detectives. He's not someone who, like Pat Novak, will waive his common sense if you offer him a substantial amount of money. At any rate, we turn now to listener comments and feedback and Andrea writes in I've been wondering one thing in particular, why the $7.14 cents for the default membership for detective sergeant? It is so arbitrary to me, but I'm sure there's something that I'm missing that's related to one of the shows. Indeed there is. $7.14 is after Joe Friday's badge number, which is 714 as Detective Sergeant Joe Friday. And of course, 714 was chosen as Friday's badge number based on the career Home runs of Babe Ruth. She goes on. I've been listening to this podcast on and off since 2009. Wow. Back to the very beginning. I lose track for a while and then I come right back and try to catch up. You're on pretty much all day most of the time. This is the only place that I would come to listen to Old Time Radio. Your commentary adds so much to the experience. You always have some interesting research knowledge to share. Not that I can afford it at this point in time, but when you offer special Patreon requests for the Chief of Detectives, you list things that you will not play and you very specifically list the Shadow. I'm curious to know why. Because the Shadow was what I listened to when I was a child that sparked my interest in Old Time Radio. Would have been Sometime in the 70s we had a blackout at the house and my dad had a battery powered radio that we tuned into WGY and the show that came on was the Shadow. I sat in front of the radio glued to the story, just like the typical images of people sitting around the radio back in the day. Thanks for all you do. Well, thank you so much, Andrea. The reason for the Shadow being excluded is that it is a series that has had a supposed copyright owner for the programs taking action against people who distributed the program in some form or another. Now, I personally am somewhat dubious of these sort of claims, but I have no interest in getting into any sort of legal tangle with anyone. Now Andrea pointed out there are other podcasts that offer the Shadow and there are actually websites where the series can be downloaded. So it's possible that Condon asked or the people representing them are being less aggressive than they might have been a few years ago. But I don't really have any interest in taking that sort of chance. But again, thank you so much. I appreciate you listening for so long and your kind words, Andrea. And of course for becoming our latest Patreon supporter. And then we have a comment on YouTube from Terry who writes regarding the case of the Cautious Cousin. Another very enjoyable detective detective story from your channel. Thanks for sharing it with us. Well, thank you so much Terry. And now it is time to thank our Patreon supporter of the day. And I want to thank Lauren. Lauren's been one of our patreon supporters since September 2021, currently supporting the podcast at the Master detective level of $15 or more per month. Thank you so much for your support and that will actually do it for today. If you're enjoying the podcast, please follow us using your favorite podcast software. And be sure to rate and review the podcast wherever you download it from. We will be back next Monday with another adventure with the Falcon. And we'll be back next Tuesday with the only episode of Operation Danger. But join us back here tomorrow as we return to the Hammerverse with a previously uncirculated Hearthstone of the Death Squad Ware.

[Adam Graham]

This isn't a murder for money, Inspector Hearthstone. My foster brother Richard practically told my father last night that he was going to kill him. But the question is, did he? Of course he did. And if you ever find him, you'll know that I'm right. I understand your theory perfectly, Jim Hopkins. You think your foster brother Richard killed your father because he testified against him at his trial. That's it exactly, Inspector. Then I put it to you that your father's testimony wasn't the major factor in Richard's conviction. What? I remember the trial very clearly. The testimony that had actually sent your foster brother Richard up was given by a man named Galupas, a tavern keeper who cashed the forged checks. Oh, yes. I'd forgotten all about Galupas.

[Joey O'Hara]

Isn't that wonderful, Jim?

[Walter Whitcomb]

I told you Richard didn't do it. And now Inspector Hearthstone says he didn't.

[Adam Graham]

Let me correct you, Ella. I didn't say he did or he didn't. Detective Cook and I are now going to see this man Galupas at the Blue owl Tavern on 10th Avenue. And I have a hunch we'll find Richard Hopkins there.

[Michael Waring]

I hope you'll be with us then. In the meantime, send your comments to Box13REAT detectives.net follow us on Twitter at radiodetectives and check us out on Instagram. Instagram.com greatdetectives from Boise, Idaho, this is your host, Adam Graham, signing off.

[Vicky Terrence]

If you're a maintenance supervisor for a commercial property, you've had to deal with everything from leaky faucets to flickering light bulbs. But nothing's worse than that ancient boiler that's lived in the building since the day it was built 50 years ago. It's enough to make anyone lose their cool. That's where Grainger comes in. With industrial grade products and dependable, fast delivery, Grainger can help with any challenge, from worn out components to everyday necessities. Call clickgrainger.com or just stop by Grainger for the ones who get it done.