The Falcon: The Case of the Grand Gamble (EP4611)

Summary

Detailed Summary of "The Falcon: The Case of the Grand Gamble (EP4611)"

Episode Overview

"The Falcon: The Case of the Grand Gamble" is a captivating episode from The Great Detectives of Old Time Radio podcast, hosted by Adam Graham. This installment delves into the mysterious murder of Vince Calvin, a prominent club owner in New York City. The narrative weaves through deception, betrayal, and cunning detective work as Sergeant Mike Waring (the narrator) unravels the truth behind Calvin's untimely death.

Plot Breakdown

1. Introduction to Conflict

The episode opens with a tense exchange between Eli Proctor and Dana, the owner of Dana's gambling club on Manhattan's east side. Eli, a menacing figure, confronts Dana over territorial disputes, threatening violence if Dana does not comply with his demands. Their confrontation sets the stage for the central conflict surrounding Vince Calvin's operations and the imminent danger he faces.

2. The Client's Plea

Joan Andrews arrives at Sergeant Mike Waring's apartment, urgently seeking protection for her fiancé, Vince Calvin. She claims that Vince is in danger and has hired Waring to ensure his safety. Her desperate demeanor and inconsistent storytelling raise Mike's suspicions, but he agrees to take the case, sensing deeper complexities beneath her request.

3. Unraveling the Mystery

As Mike delves into the case, he discovers that Vince Calvin has been mysteriously killed. The investigation leads him to uncover inconsistencies in Joan's story, particularly regarding Vince's marital status and the timeline of events surrounding his murder. These discrepancies hint at foul play and suggest that Joan may not be entirely truthful.

4. The Tension Escalates

Mike's suspicions intensify when he notices a blue Nash car trailing him, an ominous sign that someone is monitoring his every move. Eli Proctor reappears, manipulating the situation further by hinting at his own involvement and subtly threatening Mike. The interaction between Eli and Mike deepens the mystery, revealing that Eli may have orchestrated Vince's murder to seize control of the club.

5. Confrontation and Revelation

In a climactic confrontation, Joan Andrews returns to Mike's apartment, this time revealing her true identity as Dana's daughter. Her facade crumbles as she admits her involvement in the plot to protect her father's interests, ultimately admitting that Eli Proctor was behind Vince's murder. Mike, utilizing his detective acumen, sets a trap alongside Lieutenant Corbett to expose the real culprit.

6. Resolution

The episode culminates in the exposure of Tony Abruzio, the professional gunman hired by Eli Proctor to carry out Vince Calvin's assassination. Through clever deduction and strategic maneuvering, Mike successfully brings the antagonist to justice, resolving the case and restoring order to Dana's establishment.

Character Analysis

• Sergeant Mike Waring (Narrator): The perceptive and resilient protagonist who navigates the complexities of the murder investigation with keen insight and determination.

• Eli Proctor: The antagonist, a ruthless gunman driven by greed and ambition, willing to eliminate anyone standing in his way to seize control of the gambling club.

• Joan Andrews: Initially portrayed as a distressed fiancée seeking protection, she is later revealed to be Dana's daughter, deeply involved in the machinations to safeguard her father's interests.

• Dana: The owner of the Dana's gambling club, struggling to maintain control amidst Eli Proctor's aggressive tactics and the mysterious circumstances surrounding Vince Calvin's death.

• Lieutenant Corbett: A figure of authority whose collaboration with Mike is pivotal in uncovering the truth and bringing the murderer to justice.

Key Plot Revelations and Twists

• Joan Andrews' True Identity: Joan's transformation from a seemingly innocent client to Dana's daughter orchestrating the protection plot adds layers of intrigue and deception.

• Eli Proctor's Manipulation: Eli's role as the mastermind behind Vince Calvin's murder is unveiled through his interactions with both Dana and Mike, showcasing his strategic deceit.

• The Trap: Mike's collaboration with Lieutenant Corbett to set a trap for Tony Abruzio is a testament to his detective prowess, ultimately leading to the resolution of the case.

Conclusion

"The Falcon: The Case of the Grand Gamble" masterfully combines suspense, drama, and intricate detective work. Through Sergeant Mike Waring's relentless pursuit of the truth, listeners are taken on a thrilling journey that highlights the perils of betrayal and the triumph of justice. The episode not only entertains but also underscores the timeless allure of classic detective narratives.

Notable Quotes

• Eli Proctor to Dana [03:10]:

  "This is my territory from 86th street to 94th."
  Eli asserts his dominance, setting the stage for the ensuing conflict.

• Joan Andrews to Mike Waring [07:17]:

  "I want you to see nothing happens to him."
  Joan's plea reveals her desperation and the gravity of the situation.

• Mike Waring Reflecting [15:32]:

  "Eli was the only one who actually profited by Calvin's murder."
  Mike pieces together the critical motive behind the murder.

• Joan Andrews to Mike Waring [23:50]:

  "If I'm the guy who killed Calvin and you know it, what do you suppose is going to happen to you?"
  A tense confrontation showcasing the high stakes of the investigation.

• Mike Waring's Conclusion [29:30]:

  "With Calvin gone, it was a cinch for him to move in and take over the club."
  Mike summarizes the motive driving Eli Proctor's actions.

This episode stands out for its intricate plot and well-developed characters, embodying the essence of old-time radio detective dramas. Through sharp dialogue and unexpected twists, "The Case of the Grand Gamble" keeps listeners engaged from start to finish.

Transcript

[Kelly Clarkson]

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[Wayfair]

Wayfair.

[Narrator]

Every style, every home.

[Adam Graham]

Welcome to the Great Detectives of Old Time Radio from Orlando, Florida. This is your host, Adam Graham. In a moment, we're going to bring you this week's episode of the Adventures of the Falcon. But first, I do want to encourage you if you're enjoying the podcast, to please follow us using your favorite podcast software. Today's program is also brought to you in part by the financial support of our listeners. You can support the show on a one time basis. Support.greatdetectives.net and you. You can also become one of our ongoing Patreon supporters for as little as $2 per month at patreon.greatattractives.net now from March 16, 1952, here is the case of the Grand Gamble.

[Narrator]

Hello? Yes, this is the Falcon speaking. Oh, Carol, I'm glad you called. Now you'll have to count me out tonight, angel. Some boy I know just bought himself a gun. And unless he's stopped, he aims to get a big bang out of life.

[Les Damon]

Once again, the National Broadcasting Company brings you the transcribed Adventures of the Falcon starring Les Damon. The Adventures of the Falcon, dedicated to private investigators everywhere. Those hard hitting detectives who like Mike Waring, risk their lives to aid law enforcement agencies. So join him now when the Falcon solves the case of the Grand Gamble. It is early morning in New York, the time of day generally reserved for slumber. But there's plenty of action at Dana's, a gambling spot on Manhattan's east side. All of which impresses the two gentlemen standing by the roulette wheel.

[Mr. Calvin]

Well, what do you say, Mr. Calvin? You seen enough?

[Eli]

More than enough, Eli. How long's it been going on?

[Mr. Calvin]

Jackie tells me six weeks.

[Eli]

What do you figure the take is?

[Mr. Calvin]

Around six or seven GS a night.

[Eli]

Not bad. Where does Dana keep himself?

[Mr. Calvin]

In the office over there.

[Eli]

What do you say we drop in and congratulate him?

[Mr. Calvin]

Now?

[Eli]

Now.

[Mr. Calvin]

Maybe we better. Wait.

[Eli]

I said now.

[Mr. Calvin]

You're the boss.

[Eli]

Yeah, I'm the boss, Eli. Let's not forget it.

[Mr. Calvin]

What do you want me to do.

[Eli]

Just stay out here and see that we're not disturbed.

[Dana]

Yes?

[Eli]

Hello, Dana.

[Dana]

Calvin?

[Eli]

Yeah.

[Dana]

Well, I must say, this is a surprise.

[Eli]

I meant it to be. Oh, keep your hands off that buzzer. I just assumed we weren't interrupted.

[Dana]

Now, look, Calvin.

[Eli]

Sit down.

[Dana]

You can't come in here.

[Eli]

Look, you crumb. This is my territory from 86th street to 94th.

[Dana]

Since when?

[Eli]

Since all the time. You're gonna close up.

[Dana]

And if I don't?

[Eli]

I'll do it for you. I'll give you 24 hours.

[Dana]

Give who 24 hours?

[Eli]

Well, aren't you the sly one?

[Dana]

Aren't I? Now, do you leave quietly or do they carry you out?

[Eli]

You better put that gun away, Dana. It's out of character.

[Narrator]

Is it?

[Eli]

Yeah. You're not man enough to pull a trigger. Go on. I dare you. What are you waiting for? You gotta write the gun. Me? Shoot. You can tell him it was a heist.

[Dana]

I'm warning you, Calvin.

[Eli]

You're warning me? Give me that gun. Let me go. Come on. Drop it. You shouldn't have tried to bluff me, fella. Cause I really got a great hand. Come on, Xander, get up. You can't quit now. I got time for another couple of rounds.

[Wayfair]

Is that you, Daddy?

[Dana]

Yes.

[Wayfair]

You're home early. Daddy. Daddy. What happened?

[Dana]

Nothing.

[Wayfair]

Look at it.

[Dana]

I tell you something, Joan. Let me sit down.

[Wayfair]

I'm gonna call a doctor.

[Dana]

You'll do nothing of the kind tomorrow.

[Wayfair]

But your face.

[Dana]

I had a little accident, that's all. I fell down at the club.

[Wayfair]

Can't I get you anything?

[Dana]

Just the phone book.

[Wayfair]

Who do you want? I'll look it up for you.

[Dana]

See if there's an Al Romero listed.

[Wayfair]

Al Romero?

[Dana]

Yes.

[Wayfair]

Couldn't be the same one.

[Dana]

Couldn't be what? Same one?

[Wayfair]

The Al Romero I read about. The one who was tied up with Murder Incorporated?

[Dana]

No, no. This is a different boy.

[Wayfair]

You're not telling the truth.

[Dana]

Okay, so it's the same one. And I got a job for him. You happy now?

[Wayfair]

You don't mean that.

[Dana]

Don't give odds, Joanie.

[Wayfair]

Daddy. What's come over you?

[Dana]

I've seen the light. I just learned when you're in my racket, you can't use kid gloves. Vince, Calvin was around to see me tonight.

[Wayfair]

Calvin?

[Dana]

Yeah. That's why I look this way. From now on, I play his rules.

[Wayfair]

You don't know what you're saying.

[Dana]

Try to understand, Joan. I'm doing this for you. I want you to have the best of everything.

[Wayfair]

But I don't want it that way.

[Dana]

You don't get it any other way. Mr. Calvin taught me that. Now give me that phone.

[Wayfair]

No, I won't let you do it.

[Dana]

You won't? Sorry, baby. You might as well learn the facts of life.

[Narrator]

Now.

[Dana]

Information. I'd like the phone number of Al Romero.

[Narrator]

Oh, angel, you don't know what you. Oh, go away. Oh, for Pete's sake. Wait a minute. Where's my robe? I said wait a minute. What's here?

[Wayfair]

How are you, Mike? Wearing?

[Narrator]

Well, it all depends.

[Wayfair]

Depends?

[Narrator]

On the time of day. Before seven. I'm not myself.

[Wayfair]

I know it's late, but I've got to see you.

[Narrator]

Come back in the morning.

[Wayfair]

That's no good. Time is of the essence. I don't know what I'll do with you.

[Narrator]

No, won't. Now take it easy.

[Wayfair]

But you don't understand.

[Narrator]

Well, I never will at this rate. Now sit down.

[Wayfair]

Thank you. I suppose I should introduce myself.

[Narrator]

I suppose you should.

[Wayfair]

My name is Joan Andrews.

[Narrator]

Joan Andrews? Yes, if you say so.

[Wayfair]

Don't you believe me?

[Narrator]

I never question a lady's word at 4:00 in the morning. But I wouldn't advise you to come back at five with that story.

[Wayfair]

Why?

[Narrator]

Well, if you're Joan Andrews, how come the initials on your purse are J.D.

[Wayfair]

Oh, this. This belongs to a friend.

[Narrator]

Mm. All right, angel, have it your way.

[Wayfair]

I tell you, it's the truth.

[Narrator]

Well, let's hear the rest.

[Wayfair]

Well, I'm engaged to a man named Vince Calvin.

[Narrator]

Vince Calvin? You?

[Wayfair]

Do you know him?

[Narrator]

Yeah. So I won't offer my congratulations.

[Wayfair]

Well, Vince has been threatened.

[Narrator]

How do you know?

[Wayfair]

He told me.

[Narrator]

Go on.

[Wayfair]

That's all there is to it. I want you to see nothing happens to him.

[Narrator]

Now, angel, enough is enough. You can't expect me to buy that.

[Wayfair]

I swear it's true.

[Narrator]

Does Calvin know you're here?

[Wayfair]

No. And he mustn't find out. He thinks he can take care of himself.

[Narrator]

From what I know of that gent, he can.

[Wayfair]

But I can't afford to gamble. You've got to protect him.

[Narrator]

Why don't you go to the cops?

[Wayfair]

Because I don't want any publicity. Vince would kill me if there was.

[Narrator]

And this is the man you're engaged to?

[Wayfair]

I didn't mean it that way.

[Narrator]

How did you mean it?

[Wayfair]

Look, Mr. Waring, it all comes down to this. Either you want the case or you don't.

[Narrator]

I get a hundred dollars a day, plus expenses.

[Wayfair]

That's all right. I'll pay you in advance.

[Narrator]

Hey, you're really on the level about this, aren't you?

[Wayfair]

What did you think?

[Narrator]

Frankly, Joan, I don't know. Where can I reach you?

[Wayfair]

Don't bother calling me. I'll call you.

[Narrator]

Okay, but keep in touch with the office. I hope for your sake there won't be any startling developments.

[Mr. Calvin]

That's funny.

[Eli]

You must have money in the bank. Eli, you're talking to yourself.

[Mr. Calvin]

There's a blue Nash behind us.

[Eli]

It's a very attractive color. So what?

[Mr. Calvin]

I'd swear that was the same car I saw on Broadway.

[Eli]

They're imagining things.

[Mr. Calvin]

I tell you, it's the same one. Calvin. He's trailing us.

[Eli]

Turn up 84th.

[Mr. Calvin]

It's one way going east.

[Eli]

That's all right. I'll take care of the ticket. Let's see if he makes the same mistake.

[Mike Waring]

Well.

[Mr. Calvin]

What did I tell you? He's coming right after us.

[Eli]

Okay, stop right here. Give me a gun.

[Mr. Calvin]

What are you gonna do?

[Eli]

Wait for our friend.

[Mr. Calvin]

But don't you think we.

[Eli]

I think you worry too much. Stay here. What's the matter, comrade? Having trouble?

[Narrator]

How's that?

[Eli]

I asked if you were having trouble.

[Narrator]

Oh, yeah. I guess I lost my way.

[Eli]

I guess you did. Get out.

[Narrator]

What for?

[Eli]

Want to look at you. Listen, are you gonna get out of that car?

[Narrator]

Is that thing loaded?

[Eli]

What do you think?

[Narrator]

I think I better get out.

[Eli]

Now. Walk over to that lamp post.

[Narrator]

Sure, Anything you say.

[Eli]

Hold it. That's fine. Just keep your hands with the iron.

[Narrator]

How's this?

[Eli]

Well, what's the idea wearing if it isn't Vince Calvin.

[Narrator]

Certainly is a small world.

[Eli]

Too small. Why are you tailing me?

[Narrator]

Me tailing you?

[Eli]

Eli saw you on Broadway.

[Narrator]

No, no, it must have been two other guys. I was just headed home.

[Eli]

So you go the wrong way up a one way street.

[Narrator]

We all make mistakes.

[Eli]

And you're gonna pay for yours.

[Narrator]

I wouldn't try that again.

[Eli]

Who put you on to tailing me?

[Narrator]

None of your business.

[Eli]

I got a good.

[Narrator]

I wouldn't try it or keep out.

[Eli]

Of my way, you understand? I don't like being crowded with 10.

[Narrator]

Million people in town. You gotta expect.

[Eli]

I mean it, Waring. If I catch you within gunshots or help me, I'll let you have it. Now, on your way.

[Narrator]

What for? I like it here.

[Eli]

Okay. Maybe I can arrange for you to hang around for quite a while. Come.

[Joan Andrews]

I'm looking for Vince Calvin.

[Eli]

Who are you?

[Joan Andrews]

If I wanted you to know, I would have had them announce me.

[Eli]

Eli. Eli.

[Joan Andrews]

If you're calling your stooge, you're wasting your time.

[Eli]

Where is he?

[Joan Andrews]

What difference does it make I look comrade.

[Eli]

I don't know what your game is.

[Joan Andrews]

Solitaire. I play it with Ace.

[Eli]

What's the idea of the gun?

[Joan Andrews]

This is how I deal him. Would you like to see one off the top?

[Eli]

What made Dana think I'd fall for this, huh? Well, didn't Dana send you around?

[Joan Andrews]

You can't expect me to divulge the name of my client. That wouldn't be ethical.

[Eli]

Look, buster, you're not kidding me. I don't frighten easy.

[Joan Andrews]

Mean to tell me you're not scared?

[Eli]

Not a bit.

[Joan Andrews]

Glad to hear that. There's one thing I admire. It's a guy with plenty of moxie. It's a pity to have to spill yours. A real pity.

[Les Damon]

We Americans have been justly accused of living at too fast a pace. Not only are we living too fast, we are also driving too fast. On the highways, speed is the number one killer. It takes more than half of the lives lost in traffic accidents in many states. Last year, speeding drivers caused 15,000 deaths in the United States. That year, more than 500,000 persons were injured in automobile accidents blamed on excessive speed. That is the bloody price tag on too much speed. The cost that you may pay sooner or later for a few minutes saved by speeding. Slow down for safety sake and you'll be doing your part in the current campaign against the number one killer on the highways. Initiate and support your local enforcement drives against speeders. And remember, drive as though your life depends on it. It does. Now back to the adventures of the Falcon. Three hours have passed since Mike Waring had his run in with Vince Calvin, the man he was hired to protect. Now, at Mike's apartment, we find him recuperating from the encounter.

[Narrator]

Yeah. Hiya, Mike. Oh, what do you want, Sergeant?

[Mike Waring]

That's no way to greet an old and trusted friend. Hey, what happened to you?

[Narrator]

Never mind.

[Mike Waring]

Let me see.

[Narrator]

Will you get your hands off me?

[Mike Waring]

Well, if I was you, I'd trade this head in for another. Better still, you could grow one.

[Narrator]

Look, Sergeant, I'm in no mood for kiboting.

[Mike Waring]

Oh, looks like someone really did a job on you.

[Narrator]

You ought to see the other guy.

[Mike Waring]

I did. He looks even worse.

[Narrator]

What are you mumbling about?

[Mike Waring]

Why'd Calvin slug you?

[Narrator]

How did you know it was Calvin?

[Mike Waring]

Now you're not the only detective in the crowd.

[Narrator]

Well, when I get my hands on.

[Mike Waring]

Him, I can arrange that. He's at the morgue.

[Narrator]

The morgue?

[Mike Waring]

He was gunned at 9 o'clock tonight.

[Narrator]

Is that on the level?

[Mike Waring]

You know I never joke about things like murder.

[Narrator]

Who did it?

[Mike Waring]

Did you?

[Narrator]

Don't be an idiot.

[Mike Waring]

Well, you got to admit, we can make out a pretty convincing case. After all, he bounced you around.

[Narrator]

I went around killing everyone who bounced me.

[Mike Waring]

Yeah, I know, I know. You could fill your own personal cemetery. Still, in all, it doesn't look so good for you.

[Narrator]

Who says so?

[Mike Waring]

Lieutenant Coram.

[Narrator]

Oh, that jerk.

[Mike Waring]

That jerk can pull you in and throw away the key. What gave with you in Calvin?

[Narrator]

I was tailing him for a client.

[Mike Waring]

Why?

[Narrator]

She thought he was in danger.

[Mike Waring]

She must have had inside information. Who is she?

[Narrator]

Joan Andrews.

[Mike Waring]

You say that like you don't believe it.

[Narrator]

Well, I don't.

[Mike Waring]

So even though you knew she was a phony, you took the case.

[Narrator]

Well, she may have been a phony, but her money wasn't.

[Mike Waring]

What she have against Calvin?

[Narrator]

Nothing.

[Mike Waring]

Look, Mike, if you're holding out.

[Narrator]

Why should I? She told me they were engaged.

[Mike Waring]

And you bought that story? Calvin's a married man.

[Narrator]

Well, I didn't know that.

[Mike Waring]

For a smart guy, there's a lot you didn't know. You better find this client of yours.

[Narrator]

Sure. Tell me how.

[Mike Waring]

Well, that's your headache. But you better dig her up and do it fast. Lieutenant. Corinne.

[Narrator]

Wait a minute. Wait a minute. How did you learn about my running with Calvin?

[Mike Waring]

Eli told me.

[Narrator]

You mean Eli Proctor? Calvin Stooge?

[Mike Waring]

Yeah.

[Narrator]

He knows all about Calvin's operations, doesn't he?

[Mike Waring]

Including the one Calvin did on you.

[Narrator]

Yeah. Well, maybe he knows something about my mysterious client, too. You want to join me?

[Mike Waring]

No. No, thanks. I've already talked to him. But don't let that stop you. Now, you go right ahead. Have your fun.

[Mr. Calvin]

You sure you won't join me in a drink wearing?

[Narrator]

Positive.

[Mr. Calvin]

You don't know what you're missing.

[Narrator]

I'll take my chances. Eli, why did you tell the cops Calvin slugged me?

[Mr. Calvin]

It was my duty, wasn't it?

[Narrator]

You're the kind of a guy who never forgets it. Not me. Well, let's see how good that memory is. Did Calvin have any enemies?

[Mr. Calvin]

Marry a soul.

[Narrator]

Just a big lovable guy.

[Mr. Calvin]

That was Vince. We're really gonna miss him around here.

[Narrator]

Yeah, I'll bet. Who's gonna handle the business now that he's gone?

[Mr. Calvin]

I don't know. But if his wife wants me, I'll be available.

[Narrator]

Well, that's big of you.

[Mr. Calvin]

Well, that's the sort of a guy I am.

[Narrator]

She'd be a lot easier to swindle than Vince was.

[Mr. Calvin]

You want to watch that mouth, fella.

[Narrator]

I'm sorry you see, I washed it this morning. Can't seem to do a thing with it. Know a girl about 5ft 2, blue eyes, blond hair, pretty?

[Mr. Calvin]

No, but I'd love to meet her.

[Narrator]

Me too. How did she know that Calvin was in trouble?

[Mr. Calvin]

Maybe she was planning to knock him.

[Narrator]

Off, so she hired me to prevent it.

[Mr. Calvin]

You didn't do too good a job, did you?

[Narrator]

That was Calvin's fault. He never should have slugged me.

[Mr. Calvin]

If I were around, this might not have happened. Well, that's life for you.

[Narrator]

Or death. What does Mrs. Calvin look like?

[Mr. Calvin]

You're barking up the wrong tree.

[Les Damon]

Wearing.

[Mr. Calvin]

She's a redhead.

[Narrator]

Did he have any girls on the string? No. Come on, Eli, open up.

[Mr. Calvin]

Tell you, he didn't have any trouble with a dame. But he did have trouble with a man.

[Narrator]

Who?

[Mr. Calvin]

Arthur Dana.

[Narrator]

The guy who runs the club on 86?

[Mr. Calvin]

Yeah. Vince closed him up.

[Narrator]

Well, then Dana might have had it in for Calvin.

[Mr. Calvin]

I wouldn't be at all surprised.

[Narrator]

Well, thanks a lot, Eli. You've been a big help.

[Mr. Calvin]

You're not leaving already?

[Narrator]

Yeah, but I'll be back. See what you can dream up in the meantime.

[Wayfair]

Yes?

[Narrator]

Well, if it isn't Joan Andrews.

[Wayfair]

What?

[Narrator]

Well, that's the name you used 36 hours ago.

[Wayfair]

Are you out of your mind?

[Narrator]

If I am, angel, it's little girls like you who are responsible.

[Wayfair]

Get out.

[Narrator]

Now, now, Joanie, I didn't throw you out when you came calling on me.

[Wayfair]

You're crazy.

[Narrator]

You don't remember coming to my apartment at 4:00 yesterday morning?

[Wayfair]

I came to your apartment.

[Narrator]

Yes, you did. And you use the name Joan Andrews just to keep the record straight. What are you calling yourself today?

[Wayfair]

Look, are you gonna get out of here?

[Narrator]

Wait a minute. Of course. You must be Dana's daughter. It was a SAP not to have seen it before. Why did you hire me? To protect Vince Calvin.

[Wayfair]

Vince Calvin? I never even heard of the men.

[Narrator]

Well, your father did. Were you afraid he was gonna kill Calvin?

[Wayfair]

I don't know what you're talking about.

[Narrator]

Look, angel, I rarely slug a woman, but in your case, I'll be glad to make an exception.

[Wayfair]

Don't you dare.

[Narrator]

Where's your father?

[Wayfair]

He's not here.

[Narrator]

Dana.

[Mike Waring]

Dana.

[Wayfair]

I tell you, he's not here. He flew to the coast on business yesterday morning.

[Narrator]

What time?

[Wayfair]

Caught the 4:30 plane.

[Narrator]

But Calvin was killed at 9.

[Wayfair]

Well, that proves my father couldn't have done it.

[Narrator]

You're lying.

[Wayfair]

If you don't believe me, check with Creighton Airlines.

[Narrator]

Thanks for the advice, angel. That's One tip I intend to take.

[Wayfair]

Hello?

[Dana]

That's you, Joanie.

[Wayfair]

Daddy. Where are you calling from?

[Dana]

Los Angeles. What'd you think?

[Wayfair]

When are you coming home?

[Dana]

Maybe a week or 10 days.

[Wayfair]

Try to get back as soon as possible.

[Dana]

Why? What's the matter?

[Wayfair]

I can't talk on the phone. Where are you staying?

[Narrator]

Why?

[Wayfair]

I want to write to you. Vince Calvin was murdered yesterday.

[Dana]

I know. I heard about it out here.

[Wayfair]

Well, Mike Waring is investigating the matter.

[Dana]

Walking. How did he get involved?

[Wayfair]

That's a long story. I'll go into it in my letter. What's the name of your hotel?

[Dana]

Oh, it won't do you any good, honey. I'm checking out. I don't like it here.

[Wayfair]

But how will I reach you?

[Dana]

Well, you can't. You'll have to wait for me to get in touch with you.

[Wayfair]

But Mike Waring thinks.

[Dana]

I don't care what he thinks. You told him I was on the coast.

[Wayfair]

Yes.

[Dana]

Well, there's my alibi. When he hears I called you from Daddy.

[Wayfair]

That was your dime being released into the payphone. Listen, Joan, you're in New York. You've been here all the time.

[Dana]

Forget it.

[Wayfair]

But if you were in New York.

[Dana]

I told you to forget it. Take care of yourself, Joanie. Don't worry about Mr. Waring. I'll take care of him.

[Mr. Calvin]

All right, ladies and gentlemen, get your bets down. The gentleman is coming out and eight's the point.

[Narrator]

I got two bits says he's right. Eli.

[Mr. Calvin]

Go away, boy, you bother me.

[Narrator]

You're busy.

[Mr. Calvin]

What does it look like? And the gentleman got himself a big 10.

[Narrator]

I would a word with you.

[Mr. Calvin]

Would you?

[Narrator]

Yeah, unless you want me to make a nuisance of myself out here.

[Mr. Calvin]

Jackie, take over the table.

[Mike Waring]

Right.

[Narrator]

I knew you'd see the lights.

[Mr. Calvin]

Follow me.

[Narrator]

I did that once and it didn't work out so well, huh? The other night, wound up with a peach of a headache, remember?

[Mr. Calvin]

It was your own fault.

[Narrator]

Hey, this is quite a layout.

[Mr. Calvin]

I'm glad you like it.

[Narrator]

You really moved in, haven't you?

[Mr. Calvin]

Come on, Waring, get to the point.

[Narrator]

Well, I was wondering if you had any more leads.

[Mr. Calvin]

Leads?

[Narrator]

For Calvin's murder. What about his missus?

[Mr. Calvin]

What about her?

[Narrator]

You think she might have knocked him off?

[Mr. Calvin]

Are you nuts? Where's her motive?

[Narrator]

She might have wanted to get her hands on all this.

[Mr. Calvin]

Don't talk like a schmo. She don't even know what this thing is worth.

[Narrator]

That's going to make it awfully convenient for you.

[Mr. Calvin]

Now listen, Warren.

[Narrator]

Well, isn't it?

[Mr. Calvin]

If you came here to needle me?

[Narrator]

Apparently, I succeeded, all right. Can you think of anyone else who might have had it in for Calvin?

[Mr. Calvin]

What's wrong with Dana?

[Narrator]

Nope. He's got an alibi.

[Mr. Calvin]

Who says so?

[Narrator]

I do. He was on his way to Los Angeles at the time.

[Mr. Calvin]

Couldn't he have hired someone else to do the job? A torpedo?

[Narrator]

Oh, I never thought of that.

[Mr. Calvin]

Well, it's time you did.

[Narrator]

Yes. You may have something there. Of course, there's only one thing wrong with that theory.

[Mr. Calvin]

What?

[Narrator]

Dana hired a pro to do the job. He wouldn't quit now.

[Mr. Calvin]

What do you mean?

[Narrator]

Well, his daughter must have told him I was shoving my nose into this business. If Dana felt I was a source of danger to him, he'd give orders of that gunman. Go to work again.

[Mr. Calvin]

Well?

[Narrator]

Well, the mere fact that I'm alive proves you're wrong. Still, it was an original thought, Eli. Let me know if you get any more bright ideas.

[Joan Andrews]

Money and waring. Just keep your hands where they are.

[Narrator]

Who the devil are you?

[Joan Andrews]

Me? I'm a nobody.

[Narrator]

Not with that gun in your mitt. That makes you a big man.

[Joan Andrews]

Yeah, I guess it does. Kick the door shut.

[Narrator]

Hmm?

[Joan Andrews]

I said kick it shut.

[Narrator]

Anything you say.

[Joan Andrews]

Now park yourself on that sofa.

[Narrator]

Hey, don't I know you from someplace?

[Joan Andrews]

I don't think so.

[Narrator]

Yeah, you must be the citizen who got Calvin.

[Joan Andrews]

How did you figure that out?

[Narrator]

I'm real smart.

[Joan Andrews]

Then maybe you can answer this. If I'm the guy who killed Calvin and you know it, what do you suppose is going to happen to you?

[Narrator]

No, that's a very good question, ain't it?

[Joan Andrews]

I'll give you two minutes to dream up the answer.

[Les Damon]

Any day, any hour. Now, perhaps this very minute, a tragic moment in our nation's history will occur. Somewhere, a careless driver will wreck an automobile or a jaywalking pedestrian will be struck down. Another life will be snuffed out in an automobile accident. Suddenly, needlessly. Why will this particular accident stand out in history? Because for the first time, this death will tip the balance scales of the two mass killers of Americans, war and the automobile downward. On the automobile side, Each of these three wholesale killers, destroyers of life, has killed about 1,005,000Americans. War took its vast toll. In nearly 177 years, the automobile. In a mere 52 years. Once the automobile fatality side of the scale tilts downward, it will probably stay down. Unless you and I, as drivers and pedestrians become safer and act to reduce this senseless slaughter on the highways, automobiles will keep on killing Americans at a far faster rate than wars. What can we do about it? We can demand that our civic organizations and communities act immediately to make drivers more careful and the highways safer. Drive as though your life depends on it. It does. Now back to the Adventures of The Falcon. Just 90 seconds has passed since Mike Waring entered his apartment to find it occupied. Worse yet, the new tenant moved in with all the necessary hardware.

[Joan Andrews]

Well, what do you say, Waring? You look like you've been thinking. You come up with the answer.

[Narrator]

What answer?

[Joan Andrews]

What's going to happen to you?

[Narrator]

Oh, well, if I were judging solely by appearances, I'd say someone doesn't want me around.

[Joan Andrews]

Smart boy.

[Narrator]

Would you mind telling me who you're working for?

[Joan Andrews]

What difference does it make?

[Narrator]

Well, I'd hate to get sent to my grave without knowing who's responsible.

[Joan Andrews]

That's the way it works out sometime.

[Narrator]

Was it Dana?

[Joan Andrews]

Where do you want it?

[Narrator]

Do I have a choice? Sure.

[Joan Andrews]

I ain't a bad guy. If you leave it to me, I'll put it right in the back of your head. That way you won't feel a thing.

[Mike Waring]

Thanks loads.

[Joan Andrews]

I mean it. I never had a complaint yet.

[Narrator]

I bet.

[Joan Andrews]

Okay, on your feet.

[Narrator]

What's the point? I'm only going to get knocked off him again.

[Joan Andrews]

Okay, wise guy. Try to do you a favor.

[Narrator]

I'm ready to return it. If I were you, I'd drop that gun.

[Dana]

Would you?

[Narrator]

Yeah. Don't look now, but there's an ugly police sergeant right behind you.

[Joan Andrews]

You think I'm gonna fall for that tired routine?

[Mike Waring]

Why not? What?

[Narrator]

Watch it. Sergeant Corbett.

[Mike Waring]

I'm all right. What about our friend?

[Narrator]

Well, I can't say as much for him.

[Mike Waring]

Is he.

[Narrator]

Yep. This time, Corbett, you really. Hello. Eli Waring? Yeah. I want you to meet a friend of mine.

[Mike Waring]

No, don't bother introducing us, Mike. We've met. Six years ago, wasn't it, Eli? When you and Calvin first started, you had a joint on West 8th Street. It was just a little.

[Narrator]

Let's not start reminiscing, huh?

[Mike Waring]

I'm sorry. I got carried away.

[Mr. Calvin]

Sit down.

[Narrator]

No, thanks. We won't be staying long. We just dropped by to thank you.

[Mr. Calvin]

What for?

[Wayfair]

What?

[Narrator]

If it hadn't been for you, we never would have cleaned up this mess.

[Mr. Calvin]

What are you mumbling about?

[Narrator]

We solved Calvin's murder, swear.

[Mr. Calvin]

But I don't see him.

[Narrator]

Well, you were the one who advanced the theory that there might be a professional killer involved. And you were right.

[Mr. Calvin]

Did you find him?

[Narrator]

Yep. Waiting for me at my place. His name was Tony Abruzio. At least that's how he's been identified. At the morgue.

[Les Damon]

The morgue?

[Mike Waring]

Well, it was either him or Waring. And like a fool, I made the wrong choice.

[Narrator]

I doubt it. I think you were aiming for me. But you're such a rotten shot.

[Mr. Calvin]

Look, if you guys got nothing better to.

[Narrator]

Oh, we have Eli. You see, before Tony died, he named you as the party who hired him.

[Mr. Calvin]

You're lying.

[Narrator]

Even found your check on his body.

[Mr. Calvin]

You couldn't. I paid him cash.

[Narrator]

All right, Sergeant. What are you waiting for? Make out like a cop and do your duty.

[Wayfair]

I suppose I should apologize, Mr. Waring. But you see, the position I was in. I was afraid my father intended to kill Calvin.

[Narrator]

And that's why you hired me?

[Wayfair]

Yes.

[Narrator]

Well, didn't you know your father was in New York during the time of the murder?

[Wayfair]

I only discovered that later. It seems he canceled out on his trip. Then when he heard that Calvin was.

[Narrator]

Murdered, he got nervous and decided to play it as though he were in Los Angeles all along. Mm, that was silly. He played right into Eli's hands. He was just lucky that Eli gave himself away.

[Wayfair]

Now, that I don't understand.

[Narrator]

You see, angel, it all came down to motive. Eli was the only one who actually profited by Calvin's murder. With Calvin gone, it was a cinch for him to move in and take over the club.

[Wayfair]

But what about Mrs. Calvin?

[Narrator]

No, she didn't figure to give him any trouble. He even admitted to me that she didn't know the score.

[Wayfair]

Weren't you guessing all this?

[Narrator]

Well, sure, but I had nothing else to go on. Then when Eli suggested a professional gunman might have done the actual job for your dad, I decided to do a little deep sea fishing.

[Wayfair]

I don't follow you.

[Narrator]

Well, I told him that if your father was behind the kill, he'd certainly take care of me.

[Wayfair]

Oh, so that's why he sent that Tony Abruzio around.

[Narrator]

He really rose to the bait. So I got together with Corbett and laid a trap.

[Wayfair]

Then it was no accident that the sergeant turned up.

[Narrator]

Oh, no. He was behind me right along.

[Mike Waring]

And I still am.

[Narrator]

Oh, no.

[Mike Waring]

Just thought I'd see how you're getting along. Mind if I join you?

[Narrator]

I certainly do. Didn't you ever hear two's company, three's a crowd?

[Mike Waring]

No. No. Did you just make it up?

[Narrator]

Oh, now listen.

[Wayfair]

Wait. There's an easy way to handle this.

[Narrator]

But you're not leaving.

[Wayfair]

Well, you two get along so well. It would be a pity to let a woman break up your Happy home. Good night, Mike.

[Les Damon]

The Case of the Murdering Misses The Case of the Murdering misses That's the title of next week's Adventure of the Falcon, when Mike Waring learns that when money is your target in life, you give people something to shoot at. The Adventures of the Falcon are based on the famous character created by Drexel Drake, Produced and transcribed by Bernard L. Shubert, written today by Eugene Wang and directed by Richard Lewis. Les Damon was starred as the Falcon, with Chuck Webster as Sergeant Corbyn. This program came from New York. Fred Collins speaking.

[Adam Graham]

Welcome back. So Waring's big plan involved betting the murderer was a dope who could be tricked into hiring an assassin for an unnecessary murder. Not the worst way to prove the killer's identity, but I guess Grand Gamble is a fitting title for this episode. After all, this also does seem like the type of case that he wouldn't have taken or that he would have been so suspicious that he discouraged the client from hiring him. In past episodes, though, it may have just been the magic of her showing up at an ungodly hour since he thought of that as to why he wasn't more suspicious at the time. And thus Waring has to learn that valuable lesson not to agree to anything before that hour in which his good judgment is present. On the positive side, another great Ralph Bell appearance, and I don't know that I've ever heard him given anything that required some great dramatic depth. But he is so fun to listen to as a heavy, and the Falcon radio series employs him for that purpose a lot. Well, now it's time to thank our Patreon supporter of the day and I want to go ahead and thank Harold. Harold's been of our patreon supporters since September 2017, currently supporting the podcast at the Master detective level of $15 or more per month. Thank you so much for your support, Harold. And that will actually do it for today. If you're enjoying the podcast, please follow us using your favorite podcast software. And please rate and review the podcast wherever you download it from. We'll be back next Monday with another adventure with the Falcon, but join us back here tomorrow for Matthew Slade, where.

[Mike Waring]

Your accent sounds German. You been in the States long?

[Narrator]

No. Either.

[Mike Waring]

Where you headed?

[Narrator]

No place in particular.

[Mike Waring]

By the way, my name's Matt Slade.

[Wayfair]

Erica Lynn.

[Mike Waring]

I seem to remember that name.

[Narrator]

You should.

[Mike Waring]

We met before.

[Narrator]

No, Mr. Slade, we've never met.

[Mike Waring]

It's funny, I could swear over the. Oh, yes.

[Dana]

No, I'm remember.

[Mike Waring]

It was Kyle Lims. And you're his widow. I turned to look at her, I found myself staring down the muzzle of a German looter.

[Adam Graham]

I hope you'll be with us then. In the meantime, send your comments to box Thirteenreatetectives.net Follow us on Twitter at radiodetectives and check us out on Instagram. Instagram.com Great detectives from Orlando, Florida, this is your host, Adam Graham, signing off.