The Falcon: The Case of the Jumping Jack (EP4629)

Summary

Podcast Overview

Title: The Great Detectives of Old Time Radio
Host: Adam Graham
Episode: The Falcon: The Case of the Jumping Jack (EP4629)
Release Date: February 17, 2025

The Great Detectives of Old Time Radio is a beloved podcast hosted by Adam Graham, a finalist for Podcast Awards and a seasoned guide through the Golden Age of Radio's detective series. Each episode features a different detective audio drama, accompanied by Graham's insightful commentary and humor. This episode spotlights "The Adventures of the Falcon: The Case of the Jumping Jack," a gripping narrative that delves into mystery, deception, and the intricate dynamics of human relationships.

Episode Summary: The Case of the Jumping Jack

The episode opens with Dorothy Gould, a distressed woman, sensing she's being followed down Madison Avenue in New York. At [02:59], she reaches out to Mike Waring, a private detective portraying a determined and methodical investigator. Dorothy fears that someone is surveilling her, a suspicion that leads her to seek Waring's expertise.

As Dorothy recounts her unsettling experiences, it becomes evident that her husband, Jack Gould, may be behind the mysterious tailing. Jack, exhibiting signs of paranoia and jealousy, has employed a detective named Dixie Hamilton to monitor Dorothy's movements. Dixie, a stocky man with a keen eye, confronts Dorothy twice, further escalating the tension and suspicion surrounding Jack's motives.

Waring's investigation uncovers that Dorothy isn't involved in any extramarital affair but is, in fact, assisting her brother, Gene Saunders, a former convict trying to rebuild his life after serving time for armed robbery. This revelation shifts the narrative, revealing Jack's mistrust and controlling nature as the true motive behind Dorothy's harassment and eventual murder.

In a climactic confrontation, Waring pieces together the puzzle, exposing Jack Gould as the murderer driven by unfounded suspicions and an inability to trust his wife. The episode concludes with Sergeant Corbett affirming the resolution of the case and reflecting on the darker aspects of human nature that led to Dorothy's untimely death.

Notable Quotes and Moments

1. Dorothy's Distress
   "You just realized your business needed to hire someone yesterday."
   (00:30) – Dorothy's immediate sense of urgency highlights the severity of her situation.

2. Waring's Assurance
   "I will leave him so fast it'll make his head swim."
   (02:59) – Waring's determination underscores his commitment to uncovering the truth.

3. Jack's Paranoia
   "It is Mrs. Gould. Yes, well, I always like to maintain a first name relationship with my clients."
   (15:45) – Jack's dismissive attitude reveals his controlling personality.

4. Final Revelation
   "I killed her."
   (27:10) – The chilling admission by Jack solidifies his role as the antagonist.

5. Sergeant Corbett's Reflection
   "When that fashion leads to murder, it's never in style."
   (31:15) – A poignant remark that encapsulates the tragic consequences of Jack's actions.

Host Commentary and Insights

After the dramatization, Adam Graham delves into an analysis of the episode, offering his appreciation for the intricate plot and character development. He remarks on the revelation of Gene Saunders' identity, noting how it not only flips the storyline but also reshapes Dorothy's character from a potential adulteress to a devoted sister aiding her brother.

Graham praises Jack Gould's motivations, emphasizing his paranoia and inability to trust as the driving forces behind the conflict. He comments on the performance of the actor portraying Jack, acknowledging a slight over-the-top delivery but recognizing it as a reflection of the character's unstable psychology.

The host highlights the dynamic between Sergeant Corbett and Mike Waring, particularly a scene where Corbett challenges Waring's theories, showcasing the tension and cooperation inherent in detective work. He appreciates the nuanced dialogue, especially lines like Corbett's, which deepens the narrative's complexity.

Graham also expresses his enjoyment of Dixie Hamilton's character, suggesting potential for future appearances and minor villain roles, which could add depth and recurring tension to the series.

Concluding Thoughts

The Falcon: The Case of the Jumping Jack stands out as a compelling episode that masterfully intertwines suspense, character exploration, and moral dilemmas. Through Adam Graham's insightful narration and the stellar performances of the voice actors, listeners are drawn into a world where trust is fragile, and appearances can be deceiving.

The episode not only entertains but also prompts reflection on themes such as jealousy, trust, and the lengths one might go to protect loved ones. Graham's analysis further enriches the experience, offering listeners a deeper understanding of the narrative's intricacies and the human emotions that drive the characters' actions.

For fans of classic detective stories and those new to the genre, this episode serves as a testament to the enduring appeal of old-time radio dramas, seamlessly blending timeless storytelling with contemporary appreciation.

Additional Highlights

• Performance Analysis: Adam Graham commends Chuck Webster's portrayal of Sergeant Corbett, suggesting that even if past performances by other actors didn't resonate, Webster brought a brutal and impactful presence to the role.

• Character Dynamics: The relationship between Dorothy and her husband Jack is scrutinized, revealing how misplaced trust and suspicion can unravel personal relationships and lead to tragic outcomes.

• Future Episodes Teaser: Graham hints at upcoming episodes, such as The Case of the Weeping Willow, maintaining listener engagement and anticipation for what’s next in the series.

Final Words

The Great Detectives of Old Time Radio continues to captivate its audience with meticulously crafted stories and thoughtful host commentary. The Case of the Jumping Jack exemplifies the podcast's commitment to honoring classic detective tales while providing fresh perspectives and engaging discussions. Whether you're a long-time fan or a newcomer, this episode promises a rich auditory experience that celebrates the art of mystery storytelling.

Transcript

[Adam Graham]

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[Les Damon]

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[Adam Graham]

Welcome to the great of Old Time Radio from Boise, Idaho. This is your host, Adam Graham. In a moment, we're going to bring you this week's episode of the Adventures of the Falcon. But first, I do want to encourage you, if you enjoy the podcast, to follow us using your favorite podcast software. Today's program is brought to you in part by the financial support of our listeners. You can support the show on a one time basis at support.greatdetectives.net and I want to thank Michael for supporting the program. That way you can also become one of our ongoing Patreon supporters for as little as $2 per month by going to patreon.greatdetectives.net and I want to welcome Doug as our latest Patreon supporter, coming on board at the shamus level of $4 or more per month. Thank you so much for your support. Well now, from April 20, 1952, here is the Case of the Jumping Jack.

[Les Damon]

Hello? Yes, this is the Falcon speaking. Oh Nora, I'm glad you called. You'll have to improve me out tonight, Angel. Some boy I know just heard of a new way to commit murder. Naturally, being the inventive type, he's going to make a stab at it once again. The National Broadcasting Company brings you the transcribed Adventures of the Falcon starring Les Demon. The Adventures of the Falcon, dedicated to private investigators everywhere. Those hard hitting detectives who like Mike Wearing, risk their lives to aid law enforcement agencies. So join him now when the Falcon solves the case of the Jumping Jack. It's early afternoon in New York and a lovely brunette named Dorothy Gould glances nervously over her shoulder as she walks down Madison Avenue. For Dorothy has a feeling she's being followed. And 10ft behind her is a stocky citizen who proves she's right. All right, you. What's the idea? Are you talking to me, sugar? Yes. Why are you following me? Offhand, I could think of a dozen reasons, but it so happens you're wrong. Oh, no, I'm not. I saw you get off the subway at 52nd Street. Not me. I'm strictly the cab type. You're lying. Who put you up to it? Hmm? It was my husband, wasn't it? Would you believe I have no idea what you're talking about? Was it Jack? The only Jack I know is a fellow down in Norfolk, Virginia. Jack Paxton? Is that the one you mean? Now look, I'm warning you. If you don't keep away from me, I suppose you'll call the police. Officer. Officer. Well, I guess that's my cue to beat it. Still, it's been fun, sugar. Let's do it again sometime. Four, 11 3. Oh, hello. Oh, Gene. Yeah. Dorothy, you know this isn't smart, Daddy. I couldn't help myself. I'm being followed. You're what? Yes, it's been going on for days. I don't realize what you're saying. You've got to believe me. I'm not making this up. What did he look like? He was kind of short and stocky and he was carrying a camera. Camera? You suppose he got a picture of us? I don't know. Listen, Gene, maybe we ought to tell Jack everything. Are you crazy? Well, he's going to find out eventually. Maybe eventually, but not now. Well, I've got to see you. Uh, that's odd. Why? Because it's not safe. Especially if you're right about this character Tailor. Well, listen, Gene, Suppose I hire a private detective? What for? Because I've got to find out what's going on. Did you ever hear of a Mike Waring? Is he the one they call the folks? That's right. I'm gonna talk to him. I wouldn't, Daddy. Well, I've got to do something. I'm going out of my mind. Now, look, honey, you're upset. Haven't I right to be? Yeah, sure, sure. This has been a real Strain. That's why I think you're imagining all this. No, I am. Now look, baby, with 10 million people in town, a couple are look familiar? Oh, maybe you're right. Sure I am. Now why don't you go home and relax? Well, when will I hear from you? Well, I don't know exactly, but I'll keep in touch. All right. Take care of yourself, darling. Yeah, you too. You through that phone, sugar? Oh, no. Well, what's the matter, lady? You act like you're seeing a ghost. You are following me. I never saw you before in my life. I am warning you. Now take it easy, Mrs. Gould. How did you know my name was Gould? How did I know what you called me? Mrs. Gould. Hey, you're not only seeing things, but you're hearing them too. If I were you, sugar, I'd see a doctor. Yes? I'm looking for Mike Waring. Oh, congratulations. What? You've made it. Oh. Oh, are you? Yes, I am. Come in. Thank you. My name is Dorothy Gould. Why don't you sit down? Oh, thank you. And drink? No, you better change your mind, angel. You look like you could stand it. There we are. Well, I. How long has it been going on? How long has what been going on? Whatever's bothering you. Well, what makes you think anything's bothering me? Would you be here if there weren't? Oh, well, I'm being followed, Mr. Waring. By whom? That's just the trouble. I don't know. What does he look like? He's kind of stocky and he's got red hair. Does he have a southern accent? How did you know? He's a large brother of mine. What? He's a private detective named Dixie Hamilton. Oh, I see. Have you any idea who hired him? No. You marry him? Yes. Why? Well, that would open up a flood of possibilities. What about your husband? What about him? You think he's behind us? That's what I want you to find out. If Jack is responsible for this, I will leave him so fast it'll make his head swim. Is he the jealous time? Unfortunately. Does he have reason? How dare you. Now look, dorothy. It is Mrs. Gould. Yes, well, I always like to maintain a first name relationship with my clients. I find it's a great time saver. And does your husband have any justification to believe you are seeing some man on the side? I tell you, there's no one yet. We know for a fact that someone sick Dixie Hamilton on you. You think he followed you here? I didn't see him. Well, maybe he's playing it Cozy. All right. Now, here's what I want you to do. When you leave, walk down to the corner. Wait there for about five minutes. That'll give Dixie, if it is Dixie, a chance to pick up the scent. Then what about you? And hail a cab and go home. And what about Dixie? I'll take care of him. On your way, angel. We don't want to keep the man wa. Taxi. Taxi. Madison and 84th, please. Hey, Cap. Cap. Can I give you a lift, Dixie, huh? I got a subway parker in Lexington. Look, Warren, I'm busy, but you Southerners have a reputation for taking things easy. Why don't we go somewhere and have a drink? Let go. My arm. How does a mint julep stretch? You ain't kidding me. I don't understand you, Dixie. I just thought we might have a little talk. Read any bad books lately? This ain't gonna help her one bit. Help who? Dorothy Gould. I'll pick her up again. Well, I wish you wouldn't. You're annoying the lady. She's gonna be a lot more annoyed before I'm through. Well, that's too bad. Who are you working for? None of your business. Come on, Dixie. Break. Down you go. Let go of my arm. Okay, but you keep out of her hair. Sorry, Warren. I only take orders from my client. And he may want me to give her a new Tony. I'll be seeing you, boy. Well, that's the story, Mr. Gould. Last I saw your missus, she was in a cab headed uptown. Why didn't you follow her, Dixie? I was rather forcibly detained. But you were right about her. She is playing around. You're fine. Cut it out. Admit it. You made this whole story up. No. So help me, I'll kill you if you don't tell me the truth. I am. Now let me go. Why? You knew all along she was cheating. You shut up. Well, you must have, otherwise you wouldn't have come to me. Who's the man? It's a fella named Mike Waring. Mike Waring? How do you know? Take a look at this picture. Well, that's where he lives. I followed her there. Who is he? Private Dick. What would Dorothy want with him? Why don't you ask her? I've got a better idea. I'll ask him. Beat it. I've got work to do. Yeah. You Mike Waring? It all depends. On what? On who's looking for him. Now, if the party is loaded. Come again? Well, isn't that a gun in your pocket? You're so right. I wish I weren't Shut the door. Since you put it so nicely. So you're the boy, huh? I'm what boy? You know what I'm talking about. Believe me, I haven't the Vegas notion. Suppose I told you I was Jack Gould? Mean anything to you? Yeah, it means a lot. You must be the one who hired Dixie Hamilton to shadow Dorothy. Looks like I made a smart buy. I don't think so. How long have you been romancing my wife? You're crazy. How long has it been going on? I asked you something wary. I wouldn't try that again. You and Darth. You tried to make a fool out of me, didn't you? Don't give us credit, Gool. You did it all on your own. Kill you for this. Don't talk like a jerk. You got it all wrong. I suppose you can explain. Explain everything. Yes, I can. Though I don't know why I should bother. Well, I'd enjoy hearing it. Not that it's going to make any difference. Your wife just saw me on business. Don't make me laugh. She knew Dixie was following her and she wanted me to find out who was responsible. Well, now we know. Yeah, now you know. But I can't take any bows. You made it real easy for us by coming here. You expect me to swallow that? I don't care whether you do or don't. I'm working for your wife. All you've got to say. You don't believe me, do you? Sure, you hate it. To find out you've been acting like a chump. That's enough out of you. All right, now put down the gun, ghoul. It won't do you any good. The safety's on. What? Now look at it. What are you talking about? My mistake. Come on, drop it. I'll break it if you don't behave. All right, now take it in the corner. Stay where you are while I get it. Where'd you get this gun, anyway? None of your business. You know, you could hurt somebody with this. Okay, go ahead. Run. Well, aren't you gonna shoot me? You could always claim you thought I was a thief. And then you and Daddy. Oh, stop talking like an idiot. I tell you, the relationship between your wife and myself is purely professional. You don't have to lie anymore. You got the gun. Look, I don't know why I should try to sell you, but I saw your wife for the first time today. She was scared stupid stiff. That on the level? Yes, it is. You can take it or leave it. It's all the same to me. But I thought. No, you didn't think. That's your trouble. Are you going to tell her about this? Of course I am. I have to. I'm working for her. Please. Please don't. She'll leave me if she finds out. Listen, Wearing, I'll give you $1,000. No, it's no die school. But you don't understand. If she. Hello? I'd like to speak to Dorothy Ghoul, please. Who wants her? Just tell her it's Mike Waring. Why don't you come over and tell her yourself? Not that it'll do any good. Who is this? Sergeant Corbett. What are you doing there, Corbett? Well, I ain't minding the store. Were you working for Mrs. Gould? Yes. Well, you better apply for unemployment insurance. You're entitled to it. What are you babbling about? You're out of a job. The dame was knocked off an hour ago. Foreign as it may sound, accidents on the nation's highways in the last 10 years have killed more than 300,000Americans like you and me. What's more, they have injured no fewer than 11 million men, women and children, crippling several million of these victims for life. To get the significance of those figures, try to visualize a great fleet of automobiles, trucks, buses and other vehicles moving into the city of Jacksonville, Florida, and killing every person there in a decade. Simultaneously, three other vast cavalcades of juggernauts move into Los Angeles, Philadelphia, Boston and all of their suburbs, working so systematically that in 10 years, every last man, woman and child of the 10,962,000 people in these three great metropolitan centers would be injured during these fantastic and horrifying sieges of mobile mayhem. That is the meaning of the highway accident casualty figures of the last decade. Help to protect your own life and the lives of your family by driving safely. Work for greater highway safety for yourself and for your family in your own community and state. And whenever you take the wheel of your own car, drive as though your life depends on it. It does. Now back to the Adventures of the Falcon. An hour has passed since Mike Waring learned of Dorothy Gould's death. And now in the murdered woman's apartment. Wait a minute, Sergeant. Yeah, just about. You boys carry on with you. Well, what's the scoop? That ain't pretty. She was stabbed 13 times. Any one of them could have done the trick. What was your deal with her? She was being tailed. She wanted to know who was behind it. How'd you find out? Yes. Him. Her husband. That's right. Mr. Gold? Yes. Like to See you. Can't it wait? I'm sorry. What do you want? Waring here tells me you were having your wife followed. I was. Why? I suspected her of seeing some man. I was right. This wouldn't have happened if she wasn't. What's his name? He thought it was Mike Waring. Was it? Don't be a fool. Hey, Sergeant, can we move the body? No. Anytime you're ready. No, you mustn't. You can't take her away. Now, look, girl, I won't let you. She belongs to me. Easy, fella. Leave her here, please. But just a few minutes. Well, that won't do any good. All right, Haskell, carry on. Right, Sergeant. Hey, Miles, give me a hand wearing. You've got to find the man she received. There wasn't any. You're wrong. I know she was. He's responsible for this. Okay, okay. I'll do what I can. Easy now. Can I go with him, Sergeant? Well, let him call this okay. Haskell, take Mr. Gold along. Thanks, Sergeant. You won't regret this. What do you think, Mike? He was really crazy about him. Yeah. Got any idea who killed him? Nope. Got any idea, period? Yeah, one. I'll let you know if it pays off. Hey, waiter. Waiter. How about a little service here, huh? What are you complaining about, Dixie? You're getting as little as possible. What are you doing here, Warren? It's a long story. Say, why don't I sit down? Because you weren't invited. Oh. Now, where's that board at Southern Hospitality? I left it in Norfolk. That's a pretty nice spot. But did you hear what happened on 86th street in Little old New York? No. Tell me. Darcy Gould was murdered. Think of that. Well, you're taking it pretty calmly. People die every day. Yes, but not quite so violently. He was stabbed 13 times. That just proves my daddy was right. He always said 13 was an unlucky number. Well, I never thought of it that way. When did you go to work for Jack Gould? None of your business. Oh, that's where you're wrong. It is my business. I'm working for him now. Why, the dirty skunk. Well, you can't blame him for canning you, Dixie. After all, you flopped pretty miserably. You never did find the boy she was seeing. I thought it was you. You know better than that. Why did you hold out on Gould? You're the smart one. You tell me. All right. Was it because you figured on playing both ends against the middle? How's that? Suppose you're planning a little shakedown. You Know, Keep the other man's name out of the picture in return for coin of the realm. Hey, that's a sauce. I'd forget it. A woman's been murdered, Dixie. Now, if you know anything, you want me to cut you in? How do you think you'd look without those pearly white teeth? I wouldn't start anything, Warren. I got a lot of friends here. You wouldn't care to step outside? What for? This suits me fine. Okay, Dixie. I'll see you around. I doubt it. No, I'm gonna make it my business. Take care of yourself, fella, until I get a ch. Who is it? Hello, Gene. Who the devil are you? You don't know it yet, but I'm a friend of yours. You're what? Well, I wouldn't hold out on the cops for everyone. Is that bourbon you're drinking? Put that down. Surely you don't begrudge a pal or we drop. Who are you? Oh, that's right. I haven't introduced myself. My name's Dixie Hamilton. I'm a detective. Detective? Maybe I should have said a private detective. What do you want him? Money? You're crazy. I don't think so. Gene, you know a girl named Dorothy Gould? No. That's funny. Cause I got a picture of you two that's a dilly. I thought maybe you'd be interested in buying it. Why should I? Then I won't have to sell it to her husband. Seems he's suspicioned his wife was meeting some boy on a sly. And I got a shot that proves he was right. Where is it? Right here. You like to see it? Yeah. Ain't it a beaut? Look at the detail. You notice how that mustache goes? Now, why did you want to do that? Folks, get out. You're putting me to a lot of trouble. Genie. Now I gotta run off another print. You don't know much about photography, do you? You see, once you got a negative, you can run off a million copies. Where's. Where's the negative? Now, that's gonna cost you dough. Five grand, to be exact. Where's that negative? Just for that, it's gonna cost you 10. Don't let me alone. I'll let you alone. I'm gonna get that negative if I have to kill you, brother. That's just the way I'd like. Look, Goo. Don't you think you've had enough? I'll never have enough. I'll always see her lying there with the. All right, all right, stop it. You gotta put that out of your mind. I Can't. Why haven't you been able to find the man? Because there is none. Oh, you're wrong. Look, did it ever occur to you that you might have been doing Dorothy an injustice? She's dead, isn't she? Well, yes. Then there must be someone. Believe me, I'd give anything in the world. Want me to get there, please. I don't want to talk to anybody. Hello? Let me speak to Jack Gould, please. I'm sorry, he's out. Well, where do you expect him back? Well, there's no telling, Dixie. What'd you call me? Well, isn't this Dixie Hamilton? No. I can't believe there could be two such accidents in the country. Who is this? Mike Waring. Listen, Waring, suppose I told you the name of the boy Dorothy Gould was seeing. What would you do? Well, first I'd wonder why you were so good to me. I got my reasons. What's the matter, Dixie? Wouldn't your other customer buy? Get smart and I'll hang up. You'll never get even that way. Who is he? Come on, Dixie. I'll take care of him for you. His name is Gene Sondes. He lives the bright. Thanks, fellow. Much obliged. Who is that? Dixie Hamilton. Well, Gould, looks like you were right. There was someone else. Who is he? His name is Gene Saunders. I'm going over to see him now. I'm going with you. No, no, we've had one murder already. That's par for the course. Let's leave well enough alone. Yep. Eugene Saunders? That's right. My name is Mike Waring. Is that supposed to mean something? I was hoping it wouldn't. You see, I was working for Dorothy Gould. Of course, now I'm employed by her husband. What are you mumbling about? Well, he suspected she was seeing some man on the side. Looked like he was right. Listen, Waring, if you don't get out of here. Look, why don't we go together? You ever been down to police headquarters? Where? Do you mind? What's the idea of the gun? What do you think? I think you mislaid your knife. And for your information, you left it in Dorothy. What did you say? I think I've said enough. And I think you haven't even started. No. Now, begin at the top of the page. And don't leave out a century, because every time you do, you're going to get one of these every day. Last year on the highways, an average of 103Americans like yourself or those in your family were killed in automobile accidents. But a lot of highway deaths don't seem to bother us much unless someone in our own family is killed. We are shocked, however, and do become excited when an occasional disaster or catastrophe strikes and claims a large tool of life. Why, if a tornado, over which man has no control, strikes several states and kills 100 or 200 people, is that disaster any worse than 100 or 200Americans being killed in a single day in automobile accidents? The daily toll of 103 deaths in traffic accidents is America's greatest shame because that toll is repeated year after year by an apathetic nation when it can be greatly lessened. You can do your part in helping to fight this disaster on the highways by being a safer driver and by working in your community and state for strict law enforcement. That means safer traveling for all of us at all times. You must remember to drive as though your life depends on it. It does. Now back to the Adventures of the Falcon. Two hours have passed since Mike Wearing tried to argue with a gun in Gene Sonder's apartment with the usual results. My head ain't that ironical. First time you use it in a week and look what it gets you. Oh, shut up, Sergeant. That's a nice snappy ad lib. Oh, how did you know where to find me? I saw Jack Gould. He told me you got a lead to the boy his wife was seeing. Well, he told you right. How long will it take you to pick him up? Who? Ms. Gene Saunders, of course. Well, that all depends on what we want him for. Oh, for Pete's sake, Corbett. What's the matter with you? Don't you get it yet? Maybe I'm thick. What do you mean? Maybe Dorothy was seeing Saunders in the qt. Maybe she had a reason. Of course she had a reason. She didn't want her husband to find out about it. Suppose I told you this Gene Saunders was the next con. Well, that makes it all the more binding. You might let me finish. He served five to ten at Sing Sing for armed robbery. He got out six months ago. Sure, without a dime to his name, I bet. Yeah, and from what we've been able to piece together, Dorothy was supporting him. There you are. That wraps it up. I don't see how. He got nervous when he heard her husband was having a tail, so he killed her. Well, why should he? He was afraid she'd give him away. Why don't you ask me Dorothy's maiden name? What difference does that make? It might make a lot. It was Saunders. Saunders? You mean she and Jean were brother and sister? Oh, you had a beautiful theory There, Mike. Ain't it a shame their parents had to ruin it for you 30 years ago? I don't understand it, Waring. I don't understand it at all. Well, I can't blame you. Ghoul drew me for lost too. But this man Dorothy was seeing was her brother Gene. But why didn't she tell me? Well, I can think of one good reason. What would be your reaction? If you learned your wife's brother was a graduate of Sing Sing? You wouldn't let her see him, would you? Yes, I would. No, you wouldn't. Enough with your makeup. You wouldn't want it noised around that your brother in law was an ex con. Listen, Waring, there's some mistake. I wouldn't be surprised if you were right. There must be another man in the picture. Oh, what about Dixie Hamilton? No. You're reaching, pal. Well, why else would he give me your name? Because he was being playful. No, no, he did it to protect himself. He must have been the one. Still trying to justify yourself, aren't you? What? You've got to believe there was somebody. Otherwise you committed murder for nothing. What are you talking about? You killed Dorothy. You're crazy. You never trusted her from the day you were married. What's the matter? Didn't you think you were man enough to hold her? That's not true. You wanted to be convinced she was deceiving her. You were begging for her. You're wrong. When Dixie reported to you that I was the boy, that's all you needed. No. Oh, yes. You could have pulled a name out of a hat and you would have been satisfied. I bet you couldn't wait for her to come home so you could accuse her. You don't understand. I love Doris. Sure you did, but you killed her just the same. I can see her backing off, terrified. And you following her with that knife every time she tried to get away. Am I right? Please? Am I right? Please? Yes. I killed her. I killed her. Let me alone. Let me alone. You know, Mike, you could have knocked me over with the Empire State Building. When you walked in with Jack Gould. Well, I was kind of surprised myself. Yeah, I have to give him credit. Certainly put up a wonderful act. Well, that was no act, Sergeant. Why the devil did he do it? All seems infected. That the infected spy is all. Seems yellow to the jaundiced eye. Alexander Pope. Very pretty. What's it mean? Just what it says. To a guy like Gould, everything his wife did seemed suspicious. He was born that way. But he claimed there was another man. Naturally he had to justify himself. You think he really loved her? In his fashion. But when that fashion leads to murder, it's never in style. Good night, Sergeant The Case of the Weeping Willow the Case of the Weeping Willow that's the title of next week's Adventure of a Falcon, when Mike Waring learns that sometimes blood is easier to spill than tears. The Adventures of the Falcon are based on the famous character created by Drexel Drake, produced and transcribed by Bernard L. Shubert, written today by Eugene Wang and directed by Richard Lewis. Les Damon starred as the Falcon, with Chuck Webster as Sergeant Corbett. This program came from New York. Fred Collins spent you just realized your.

[Adam Graham]

Business needed to hire someone yesterday.

[Les Damon]

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[Adam Graham]

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[Adam Graham]

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[Les Damon]

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[Adam Graham]

Welcome back. This is my favorite episode of the Adventure of the Falcon in a long time, certainly since the Craft era ended and probably since Chuck Webster replaced Ken Lynch. The revelation about the identity of the man that Dorothy had been seeing just flipped the entire story as well as your view of Dorothy as a character on its head. I think Jack's motive makes sense as well with what Waring tells us about him. The actor who played Jack may have been going slightly over the top, but most of my complaints about that performance go by the boards because what he was playing was a character who was mentally not balanced. This explains things like him taking a poke at Dixie after Dixie claimed Waring was the man his wife had been seen despite the fact that's what he'd hired Dixie to find out. The idea that his real reason behind everything he did, as well as behind her hiding the fact that she was helping her brother out, is that he never, ever trusted her. It also explains why Dorothy had decided that if it turned out that Jack had hired Dixie, she was going to leave Jack. It wasn't because she was having an affair, it was because she was tired of his suspicions and how he was treating her and that sort of cloud that made her keep a secret of her trying to help her brother get back on his feet. And the ending bit with Waring was good and I think summarized the drama well, and the closing plan was usually reserved for a cheap laugh, but it actually worked for a better purpose here. The idea that Jack loved her in his fashion is a nice nuanced saying when a lot of programs consider love just a question of does he have emotional feelings for her or not. But when Waring said when that fashion leads to murder, it's never in style, I thought that was just a great closing line. Beyond the whole overall story, the line in which Corbett did the typical Corbett and Spock the ball over Waring's theory that the brother was responsible for killing Dorothy was brutal and such a great smackdown. Maybe Ken lynch could have read it better, but even from Chuck Webster, that one stung. Dixie was a fun character and I know they didn't do this sort of thing with the Falcon, but I wouldn't mind him as a recurring minor villain in a similar sort of role as he played in this episode. Of course, a red headed stocky Southerner who gets spotted twice while tailing someone in one day may not have a viable future as a private investigator. Who was he kidding the second time he spoke to her in trying to convince her that she'd seen someone else? It was some other really stocky red headed Southern person that you were thinking of. Not really specifically related to this episode, but it finally hit me, you know, and we've been doing this about a year and a half or a year and a quarter thereabouts, but that women who have dates with Mike Waring call up to his home asking to speak with the Falcon because he says, yes, this is the Falcon. Which means the question that was asked is, is this the Falcon? Now someone might have mentioned this in a comment and it just went over my head, but it's kind of odd for a romantic date to call up looking for your detective nickname. I don't have much dating experience, but I think it'd be really weird if a woman was going to date me. Told me, here's my number. If you need to call, ask for the Ladybird. Now it's time to thank our Patreon supporter of the day and I want to go ahead and thank Ken. Ken's been one of our Patreon supporters since January of 2020, currently supporting the podcast at the Psalmist level of $4 or more per month. Thanks so much for your support Ken and That will actually do it for today. If you're enjoying the podcast, please follow us using your favorite podcast software. And if you're enjoying the podcast on YouTube, be sure to like the video, subscribe to the channel, and mark the notification bell. All those great things that make YouTube channels grow. We'll be back next Monday with another episode of the Adventures of the Falcon. But join us back here tomorrow for Matthew Slade, private investigator.

[Les Damon]

Wear gun mask. Can you identify it? Yeah, the one I keep in my office. How did you get a hold of it? We found it in Wakefield's driveway. That's the gun that was used, Adam. We already checked it. The only prints we found on it were yours. So you think I killed him? It looks that way. Now it's all very clear. The call being blackjacked and tied up. I wasn't supposed to be able to account for my time tonight. Look, isn't it obvious to you, too? I'm being set up for a frame. You surprised me, Slade. I figured you to come up with a better story than that. Well, it may sound contrived, but it happens to be true. I'd like to believe that. Did you really think I killed Wakefield? Don't you? Look, I was working with him. You both know we've been after Frank Venice. Why would I want to kill him? We've got that, too. Enlighten your friend, Sergeant. We've got an eyewitness. She swears she saw you shoot him. Well, whoever she is, she's lying. She claims to be Wakefield's bureau friend. Said you and she were together tonight. That Wakefield came in unexpectedly, there was a fight, and you shot. Oh, come on, Sid. There's the gun, Slade, and the fact that you can't satisfactorily account for your time between the hours of eight.

[Adam Graham]

I hope you'll be with us then. In the meantime, send your comments to Box [e-mail] follow us on Twitter at radiodetectives and check us out on Instagram. Instagram.com greatdetectives from Boise, Idaho, this is your host, Adam Graham, signing off. Coming up this week on the Old Time Radio Snack Wagon has been little.

[Les Damon]

Less than a famine in camp. Part of the army has been a week without any kind of meat. The unfortunate soldiers are in want of everything. They have neither coats, hats, shirts, nor shoes.

[Adam Graham]

Listen to the Old Time radio snack wagon, snackwagon.net or wherever you get your podcast.

[Les Damon]

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