The Saint: Baseball Murder (Encore) (EP4711)

Summary

The Great Detectives of Old Time Radio: Episode Summary

Episode: The Saint: Baseball Murder (Encore)

Release Date: May 23, 2025

Host: Adam Graham

Featuring: Vincent Price as The Saint

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Introduction

In this gripping episode of The Great Detectives of Old Time Radio, host Adam Graham presents an encore of The Saint: Baseball Murder. Featuring the legendary Vincent Price in the titular role, this installment dives deep into the dark underbelly of baseball, corruption, and familial strife. Set against the backdrop of a minor league team, the story intertwines the love for the game with a suspenseful murder mystery that keeps listeners on the edge of their seats.

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Plot Overview

The episode unfolds in a small town where the local minor league baseball team, the Blue Sox, is grappling with rumors of fixed games. The narrative centers around Lefty Miller, a seasoned pitcher struggling with injuries and the pressure of living up to his legacy. His son, Phil Miller, an emerging talent, becomes entangled in a web of deceit orchestrated by the enigmatic Diane Courtney.

Key Plot Points:

1. Introduction to the Conflict:

   • Louie Templer expresses his skepticism about the integrity of baseball, dismissing rumors of game-fixing as baseless. However, his concerns hint at underlying issues within the team.

2. The Saint's Involvement:

   • The Saint teams up with Louie to investigate the suspicious activities surrounding the Blue Sox. Their quest leads them to the Regent Hotel, where Diane Courtney is revealed to have ulterior motives affecting Phil's performance.

3. Uncovering the Truth:

   • The investigation uncovers that Diane Courtney, leveraging her influence over Phil, is forcing him to throw games. The plot thickens with the murder of Lefty Miller, initially ruled as a suicide but later suspected to be foul play orchestrated by the mysterious fixer.

4. Climactic Confrontation:

   • In a tense showdown, The Saint confronts Diane, unveiling her true identity as the fixer. A struggle ensues, leading to Diane's downfall and the restoration of integrity to the Blue Sox.

5. Resolution:

   • Phil pitches a winning game, honoring his father's legacy, while The Saint ensures that justice is served, dismantling the corruption that threatened the spirit of the game.

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Character Analysis

• The Saint (Vincent Price):
  As the quintessential modern-day Robin Hood of crime, The Saint employs intellect and charisma to navigate and dismantle the schemes threatening the Blue Sox. Vincent Price's portrayal adds a layer of sophistication and menace, making The Saint both approachable and formidable.

• Louie Templer:
  A seasoned baseball aficionado, Louie partners with The Saint to uncover the truth behind the game's corruption. His firsthand experience with the sport provides valuable insights that aid the investigation.

• Diane Courtney:
  Initially presented as a devoted fan, Diane's character arc reveals her as the mastermind behind the manipulation of Phil Miller. Her duality adds complexity to the narrative, embodying both vulnerability and deceit.

• Phil Miller:
  Caught between his father's legacy and Diane's coercion, Phil's internal conflict highlights the personal costs of corruption in sports.

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Key Scenes and Quotes

1. The Saint and Louie Discussing Suspicion:
   [02:50]
   Vincent Price: "The crowd with the dirty money's after him."
   The Saint articulates his doubt about the official suicide ruling, hinting at deeper conspiracies.

2. Diane Courtney's Revelation:
   [25:02]
   Vincent Price: "The Fixer is a very beautiful woman, Diane."
   A pivotal moment where The Saint exposes Diane's true role, shifting the narrative from suspicion to confrontation.

3. Confrontation at the Regent Hotel:
   [23:24]
   Vincent Price: "Phil, I pitched a three hit shutout. I figured it was the least I could do for Lefty."
   Phil asserts his innocence and commitment to his father, reinforcing themes of legacy and redemption.

4. The Saint's Determination:
   [25:14]
   Vincent Price: "I'm turning you over to the police."
   Demonstrates The Saint's unwavering pursuit of justice, regardless of personal risks.

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Themes and Insights

• Corruption in Sports:
  The episode delves into the moral decay that can infiltrate even beloved institutions like baseball, highlighting how greed and external pressures can taint the spirit of the game.

• Legacy and Familial Bonds:
  The strained relationship between Lefty and Phil Miller underscores the impact of legacy on personal identity, showcasing the struggle to uphold familial expectations.

• Deception and Facade:
  Diane Courtney embodies the theme of hidden motives, portraying how appearances can be deceiving and how trust can be manipulated for personal gain.

• Justice and Integrity:
  The Saint's relentless pursuit of the truth emphasizes the importance of integrity in the face of systemic corruption, advocating for moral fortitude.

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Conclusion

The Saint: Baseball Murder (Encore) masterfully blends the nostalgic charm of old-time radio detective dramas with a compelling narrative filled with suspense, emotional depth, and ethical dilemmas. Vincent Price's stellar performance as The Saint elevates the story, ensuring that listeners are both entertained and engaged. Through its intricate plot and rich character dynamics, the episode offers a timeless exploration of corruption, legacy, and the unwavering quest for justice.

Listeners new to The Great Detectives of Old Time Radio will find this episode a captivating entry point, while longtime fans will appreciate the intricate storytelling and classic radio drama elements that make The Saint a standout series.

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Notable Quotes with Attribution

• The Saint on Corruption:
  [02:50]
  "The crowd with the dirty money's after him."

• Revelation of the Fixer:
  [25:02]
  "The Fixer is a very beautiful woman, Diane."

• The Saint's Pursuit of Justice:
  [25:14]
  "I'm turning you over to the police."

• Phil's Dedication to His Father:
  [23:24]
  "Phil, I pitched a three hit shutout. I figured it was the least I could do for Lefty."

These quotes encapsulate the episode's central conflicts and character motivations, providing poignant insights into the narrative's progression.

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Final Thoughts

Adam Graham's adept hosting, combined with the stellar performance of Vincent Price, delivers an episode that not only entertains but also provokes thoughtful reflection on timeless issues. The Saint: Baseball Murder (Encore) stands as a testament to the enduring appeal of old-time radio dramas and their ability to weave complex stories that resonate across generations.

For those seeking a blend of mystery, drama, and classic radio charm, this episode is a must-listen. Subscribe to The Great Detectives of Old Time Radio on your preferred podcast platform or visit greatdetectives.net to immerse yourself in a world where every week brings a new detective adventure from the Golden Age of Radio.

Transcript

[Adam Graham]

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[Vincent Price]

Dippable chicken in McDonald's history.

[Adam Graham]

Dip it in all the sauces. Dip it in that hot sauce in your bag. Dip it in your McFlurry. Your dip is your business. Mc Crispy strips at McDonald's. Hello, this is Adam Graham. I hope you're enjoying this week's baseball themed encores. As a reminder, any offers or information contained in these episodes is not valid unless it's currently reflected on the Great Detectives of Old Time Radio website. And remember to listen to the amazing world of radio starting on Wednesday 28 May for the summer of Robert Louis Stevenson. Now enjoy another baseball related encore. Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This is your host, Adam Graham. If you have a comment, email it to me. Box13reatdetectives.net Follow us on Twitter at radiodetectives and become one of our friends on Facebook, facebook.com radiodetactives well, before we do get started, I do want to let you know this program is brought to you by the financial support of our listeners and I particularly want to thank Steven, Sharon and Susan so much for their support. We'll send along access to the premium site as we do with all donations of $7 or more. You can support the show at support.greatdetectives.net through PayPal and there's also a mailing address at that site. We're going to go ahead now and get started with today's episode of the Saint. The original air date September 3rd of 1950 and the title is the Baseball.

[Vincent Price]

Murder the Adventures of the Saint starring Vincent Price. The Saint. Based on characters created by Leslie Charteris and known to millions from books, magazines and motion pictures, the Robin Hood of modern crime now comes transcribed to radio starring Hollywood's brilliant and talented actor Vincent Price as the Saint. Going to the ball game. I miss the Temple. It's a great day for it. Know you was fond of baseball. You fond of baseball, Mr. Templet? Yes, indeed, Louis. No, I should have gone in for baseball instead of becoming a cat jockey. Grown men getting paid thousands of dollars for tossing a little ball around two hours a day. Can you beat it? Can you, Mr. Templar? I'm asking you, can you beat it? Louie, I raced for you. Can't beat it now. I'd like to live in a town where they got major league ball. The blue socks here is all right, but it's minor league. You think we're going to get a big league ball in this town, Mr. Templin? I see. You think we'll ever get big league ball, Mr. Templar? You're kind of quiet today, Mr. Templar. My silence, friend Louis, is purely comparative. Oh, well, since you're not feeling well, it's good you take in the afternoon, though. Didn't read about the father selling the blue Sucks. Left your pillows. They're rather interesting. Supposedly the first time in baseball father and son have played on the same team. Yeah? Yeah. The old man just down from the majors, and the kid on his way up. Old Lefty was great in his day, though. And the kid will be great, too. They both playing today, Louie? Neither one. Phil ain't doing fix till tomorrow. And the old man's got a game leg. Won't even be a uniform. That's what goes first in baseball, Mr. Temple. And the legs in my line of work. I know, I know, Mr. Temple. You know something funny? There's rumors out about the Blue Sox. What kind of rumor is, Louis? The rumors say the Sox are going to do business. Lose a ball game, that maybe they should win. Oh, nonsense, Louie. Baseball is honest. You know that. Maybe so, but it's still got to be played by humans. You better step on it, my cynical friend. We're late. Sure, Mr. Templer. Most likely nothing to the rumors anyway. You know how it is driving a cab. You pick up all sorts of things. Me? It don't do no good to pick nothing up. I'm married. Hey, did you hear that, Mr. Templer? I said me. It don't do no good to pick nothing up. I heard, Louie. I heard. Pretty funny, huh, Louie? Take me out to the ball game. Hello, Lefty. Thanks for coming, Saint. Sit down. Sit down. Hey, I hope I'm not late. No. The game won't start for another 10 minutes, huh? How's the leg, Lester? That's improving, Saint. How's crime? It stays about the same always with us. Yeah, that it is. That it is. Blue Sox going to win today? You know something, Saint? I don't much care. Oh, don't get me wrong. I'm in there myself. I play to win. That's the only way I know. But after the Majors. You don't get very excited over the blue socks. I guess not. I'm just playing out the string. What comes after that? I don't know. A manager's job? Nah, no chance. I was too busy spending my money while the smart boys were learning the inside of the game. But I had fun, I guess. Did you? Nah. Saint, there's only one thing in baseball I care about. There's only one thing in the world I care about. He's sitting across the field from the dugout, welling number 33, my son. I hear Phil's a great picture, Lefty. He's good. He'll be great. He's going up next year. Maybe this. Here. Take a look at him through the binoculars. Yes, he looks like you left him. You really think so? Yeah. Saint, I'm worried sick about him. That's why I asked you. I know. That's why I'm here. What are you worried about?

[Diane Courtney]

I think they're after him, Saint.

[Vincent Price]

The crowd with the dirty money's after him. I never handled any dirty money, but I've been around it and I can smell it. I can smell it now. What does Phil say? Do you talk to him? I can't talk to him. Maybe you read in the papers about our wonderful father and son relationship, huh? The kid hates me. How come, Lefty? He was brought up by his mother. And he was brought up to hate me. I got a divorce from her when the kid was two years old. I gave her a raw deal. He should hate me. You say you smell dirty money. You have anything else to go on, Lefty? Rumors. And a girl. No, I take that back. A woman. Take another look through the glasses, Saint. She's sitting in a box behind Phil, bending over to talk to him. She's there every day? Yes. Yes, indeed. Perhaps I should have taken that baseball. That's just it. There's a woman who's got what she has. Go for a 21 year old kid just because he plays baseball good? Ordinarily, no. But she's got Phil hooked so hard and so deep, I hurt all over for her. He thinks it's romance. Where do you think it is? I don't know. Not exactly. Saint, could you. Could you see if he could find out? I can try. What's her name, Lefty? Diane Courtney. She's staying at the Regent. Same hotel the ball club puts up at. I happen to hear the kid making a cocktail date with her there for while. A six this evening. Good. You see if you can get him delayed a few minutes. I will. Find out what she's trying to do, Saint. Find out who's in back of her. If they spoil that kid. They won't. They won't. Thanks, saint. And if there's anything I can ever do, don't worry about it. In fact, I'm looking forward to meeting Ms. Courtney. I'm sure we'll have a lot in common. Baseball and. Well, we'll find something. You mind if I sit down here? The bar seems to be rather crowded.

[Diane Courtney]

Is it that crowded?

[Vincent Price]

Matter of fact, it was crowded the minute you walked in.

[Diane Courtney]

Sit down. But I am waiting for someone.

[Vincent Price]

He might be late.

[Diane Courtney]

Not very true, but he won't be.

[Vincent Price]

What are we drinking?

[Diane Courtney]

Martini, you say, sir?

[Vincent Price]

Wait, there are two martinis, extra dry. Yes, I see that you're a devotee of the national pastime.

[Diane Courtney]

That could very well be. Which national pastime?

[Vincent Price]

I saw you at the ball game today.

[Diane Courtney]

Yes, I go every day.

[Vincent Price]

Business is pleasure.

[Diane Courtney]

What's that supposed to mean?

[Vincent Price]

They swallows a business for some. Yes, sir. Oh, thank you. Later. Let's drink to pleasure.

[Diane Courtney]

Let's just drink. I found that you run out of toastmasters long before you run out of drinks.

[Vincent Price]

A comment on human frailty. Well, what is it you want? France. I appreciate your frankness. It's one of your concealed assets. I'd like some answers about Phil Miller. Who are you? Don't you know? No. I'm the man who wants the answers about Phil Miller. Shall I start asking questions?

[Diane Courtney]

Phil just came in. We can't talk now. Come up to my room in 15 minutes. 808, will you? I need help.

[Vincent Price]

Believe me, I need help. Say, I thought we had a date, Diana. Was I wrong?

[Diane Courtney]

My friend's just leaving, Phil, and I doubt you for your time.

[Vincent Price]

Oh, I. I'm sorry, Diana. I just thought. Well, don't remember.

[Diane Courtney]

I don't care for the jealousy routine. You're too young for it.

[Vincent Price]

Yeah, okay. D. Well, it's been charming, but I had a cab waiting for.

[Diane Courtney]

I'll see you again.

[Vincent Price]

Definitely? Yes, definitely. Dian call you a cancer. Oh, thank you. I have one waiting. Yeah, here he is. Way too. Mr. Templar. Nowhere, Louie. Have a date in the hotel here in 15 minutes. You got a friend? I'm afraid not. I'm just dreaming. Louie, I'm not absolutely convinced about the purity of the lady's intentions. This is a cause for complaint, as you misinterpret. Come up to room 808, 10 minutes or so after I go up and knock on the door. I get you, but if I shouldn't happen to need a cab at that particular time. I'm ahead of you. There's times in everybody's life when the least thing he needs is a taxi living. That's spoken like a philosopher. 8:06 to eat. Oh, come in.

[Diane Courtney]

Come in quickly. Someone may see someone's already seen him, Frank.

[Vincent Price]

Go ahead in, Jack. And I'm right behind you with something that resens quick moves. You sneak up behind people pretty quietly, Frank. Used to being a girl guides. Shut the door, D. Shut it. Now, my nosy friend here in me has business.

[Diane Courtney]

I didn't tell the Saint anything, Frank.

[Vincent Price]

I just. The boss don't like nosy guys like the Saint. I don't like nosy guys like the Saint.

[Diane Courtney]

Let him alone, Frankie.

[Vincent Price]

What good are beating him up to the boss's orders? Besides, my analyst tells me beating up nosy guys I don't like is a good way of working out my aggression. Your analyst? What's the matter? I can't get analyzed? What does your analyst say about you carrying a gun? Didn't he point out this is an artificial prop to your otherwise charming person? Now that. Oh, you cre. My analyst says I should get insulted at remarks by neurotics. You think I'm a neurotic? You ain't no jack. You will be when I finish. Don't fall down yet, S. I got four for you before I let go. How do you work? Okay. Darn it. I shouldn't have got mad. My Alice says I shouldn't let my emotions color my business life. Mr. Temple? Mr. Temple. Oh. Oh, Lordy. Mr. Temple, you all right? Should I call doctor? I'm all right, I guess. What happened, Mr. Templar? I knocked on the door just like you said. When nobody answered, I'd come in. You was on the floor. You're still on the floor, man. I think I'll stay here. Oh. Got myself worked over, Lily. By a psychoanalytical muscle. Boy. Oh, he sure gave you some beautiful lumps. Yeah. Real neat. Professional job. What's this business card in your chest, George? No. Let's see. Frankie must have put it there. This is part of the warning, I guess. What's it say? It says the. The fixer. I fix anything. Huh? He ain't what you'd call modest, is he? No, but fixers rarely are. Look, I think we better have a doctor spray you with some liqueur. Chrome. No, Louie, I'm gonna be too busy. Doing what? Sleep. Hello, Shane? This is Lefty Miller. Oh, hello, Lefty. What time is it? Midnight. You sleep. I went to bed early tonight. Had a rather trying evening. Look, I've been finding out things. Things about the crowd with the dirty money. Who the head of it is. You mean who the fixer is. Yeah. I found out what they're trying to get from the kid. From Phil. Can you meet me here at the hotel? Half an hour. Good. In the bar. I'm going after some more dope now. You better wait until I get there, Lefty. They're rough boys. I know, but don't worry about me. See you in half an hour. Waiter, Another Johnny Walker over ice, please. Yes. Thanks, Brooke. You're Simon Temple, aren't you? The one they call the Saint. Sit down, Phil. I'm not sitting down. Got some things to tell you. I've heard that you've been asking questions about me. And I can guess who sent you. It was my father. Look, isn't it kind of late for you, Phil? You're supposed to pitch tomorrow. I don't need anybody to run my life for me. You or my father, either. Where is he? Well, I was to meet him here, but he hasn't shown up yet. Most likely up in his room. All right, come on, let's go up and see him. I want to straighten you both out together. Know what room he's in? Sure. 908. Right with you, Phil. All right. A waiter? Yes. Hold that drink for me. I'll be back for it sooner or later. Hey, dad, open up. I want to talk to you. Doesn't look like your father is in. Try the door. Open. But there's no. Dad, look. I told you not to look. He shot himself. Why? Why? Dead fell. And there's a gun in his hand, but he didn't pull the trigger. What are you trying to prove? Welcome, Mr. Templar. The regent Hotel. L. Good morning. Good morning. Say, I read in the papers this morning about Lefty Miller. Oh, it's tough. Why do you think he did it, Mr. Temple? He didn't. The police can buy the suicide theory for the time being. But it was murdered, Louie. A friend of mine was murdered last night and today. Things are going to be done about it. What are you going to do with the region? I'm going back to the young lady's room where I had such an interesting time last evening. This time I better go with you. Yeah, perhaps you'd better, Louie. And I'm hiring you for the whole afternoon. We've got a lot of ground to cover. Lefty was a great ball player, Mr. Templer. Seen him in The World Series once at Yankee Stadium. Hard to believe he's dead. A man can be killed in a lot of ways, Louie. He can be killed fast or he can be killed through what happens to his son. I'm glad at least that didn't happen to left. You sure nobody is in? Called on the house phone before we came up. I think this key will fit. How did you get a key? Remember to make an impression of the lock after that beating Rapine. There. We're in. Nobody here. Or shut the door and lock it. Okay. What are you looking for, Mr. Templer? The truth, Louie. As my friend Philip Marlow would say, crime detection is an adventure in search of the hidden truth. Going to find the hidden truth. Looking out that window on the fire escape. Perhaps Lily. Perhaps. Mr. Templer, somebody's at the door. I'll handle this. If I need help, you need help. We're in trouble. Good morning, Ms. Courtney. Hey, what are you doing? Come in. Diane, Ms. Courtney, my good friend Louie. Oh, chum. You want I should leave, Mr. Temple? No. We'll both be leaving in a minute, Louis. Just as soon as we ask Ms. Courtney some questions she probably won't answer.

[Diane Courtney]

What questions?

[Vincent Price]

Like who killed Lefty Miller? I don't know.

[Diane Courtney]

I thought it was suicide.

[Vincent Price]

You see, Louie, who's the fixer?

[Diane Courtney]

Diane, I. I can't tell you. I'm afraid. Say if you believe me, if you'd help me.

[Vincent Price]

Why are you working on Phil Miller? To throw a ball game. Why? I can't tell you.

[Diane Courtney]

They. I'm frightened.

[Vincent Price]

Look, I don't care how frightened you are. A man's been killed. Why? I can't. I'm afraid. Lady's afraid. Come on, Louie. Let's go back to the ballpark and see if we can throw a few curds. Mr. Bush, as manager of the Blue Sox, you must have known Lefty Miller fairly well. Not well, no. I manage the team. But you don't manage an old pro like Lefty. You just tell him what time the game is and he does the rest. Yes, from what I saw of him. No, he. He was a good guy. I'm sorry. How's still taking it? It's hard to tell about kids. He and Lefty weren't close. Well, maybe you knew that. Yes, I knew that. But it's hard to tell just how he was taking it tonight. Could have turned a pitch. And I told him, of course I'd start somebody else. But no, he's going to pitch tonight. Insisted on it. Said he had it. Your pitch. Do you think he's sure? Well, he's the best we got. And I might get a phone call tomorrow telling me he sold to the major leagues. Anytime he wants to pitch, he'll pitch. Mr. Boris, have you heard any rumors about a six on your ball club? Mr. Templar, there's always rumors around any kind of sport. I've never been in a phony ball game. As far as I know, I've never seen one, so I don't listen to rumors. Thanks, Mr. Bush. And good luck tonight to you and Phil Bowman. Where to now, Mr. Templer? I want to go see a bookmaker, Louie. Sam the spender. Do you know him? Sure, I know him. Biggest bookie in town. Place down in State Street. Only a block or two down the street. Got something good at Hollywood Park? No, Louie. You want something good? Thanks, but no. This is different. I did a favor for Sam once. He might be able to return it. Sam retains anything but money. One time I had a three horse parley going against him. Place to come in. The t is leading into the city. Really? Isn't this the place? Oh, yeah. You're sure? Wait for me here, Lou. It won't be long. Sure, Mr. Templer. Hello, Sam. How's business? Simon Templer. Glad to see you. What can I do for you? Information, Sam. We shall go no further. Thanks, Simon. Temper. We in business today. Do you handle any baseball money, Sam? N N the east is big business. All bet on the major leagues.

[Adam Graham]

How can.

[Vincent Price]

Yeah, peanuts. Have you handled or heard of any bets lately on the Blue Socks or against them? Against him?

[Diane Courtney]

Yeah.

[Vincent Price]

Only yesterday. Funny deal, too. Care to tell me about it? Yeah, sure. A big creep comes in with $200 to bet against the Sox in a game tonight. I don't like the smell of it. Nah. I tell him nah. Then the creep tells me what's wrong with me is that I had an emotionally insecure childhood. Honestly. Go on, sir. Then he does a funny thing. He'll give me an extra 200 to pay you off if you win the bet. Imagine that. And if the Sox win, I get to keep the home. 400. The guy's nuts. I can't lose. The best he can do is break even. Where's the payoff, Sam, if the Sox lose? In room 808 the region. Tonight after the game.

[Diane Courtney]

Do you get it, sir?

[Vincent Price]

A beginning girl. Estimiller was right. Dirty money has a smell to it. And I'm beginning to smell it. Thanks, man.

[Diane Courtney]

Anytime, Faith. See you soon.

[Vincent Price]

Maybe tonight. Tonight? I hope so. St Nothing personal, Sam, but I hope not. Who is it? Good evening, Diane. Well, it's our old friend Jack. How are you, Frankie? What is this room, Mr. Templer?

[Diane Courtney]

Your home away from home.

[Vincent Price]

Let me throw the bum out. Easy, Frankie. Your aggressions are showing.

[Diane Courtney]

Anything in particular you wanted, Saint? Frankie and I are busy.

[Vincent Price]

I can see that. Busy packing. Too busy to go to the ball game tonight? Did you know beforehand how it would come out? Let me throw the bum out. I hate schizophrenics.

[Diane Courtney]

But he looks like such an interesting one, Frankie. And he's handsome too.

[Vincent Price]

My darling, you're not so frightened as you were. Why, it's all right. I won't tell the boss. Jack, you better get out of here. It ain't healthy. What's your trouble? You got a compulsion or something? No, it's just that when I start out on something, I like to be in on the payoff. And tonight's the payoff. The game should be over by now and the people will be arriving. I'll be the host of our little party. You'll be host for a party of one in a wood box, Jack. Diane. She likes it. Diane, It's a kid.

[Diane Courtney]

Don't let him in, Frankie.

[Vincent Price]

Come in, Phil.

[Diane Courtney]

Hello, sweetie.

[Vincent Price]

Hello, Diane. Frankie. Yeah. Hello, Ms. Templer. Hello, Phil. Game over, honey? Yeah, it's over.

[Diane Courtney]

How you feel?

[Vincent Price]

Dirty.

[Diane Courtney]

Oh, don't feel bad about it, sweetie. In a week or two, you'll forget all about it.

[Vincent Price]

Sit down, Phil. I've taken over the party. Let's all find out what games we've been playing. Diane, I'm getting an awful frustration listening to him. Let him talk. Thank you, Phil. Yes, Mr. Templer? What mind did Diane use to get you to throw the game tonight? The fixer had something on her. She was afraid of him. Something would happen to her if you didn't do as he wanted. No, it doesn't matter. You know the real reason. Go on, tell him, Jack. Hello, Frankie. It was a trap for you, Phil. This outfit is big and smart. They're willing to make an investment and wait a while to cash in. It's too tough to get next to a major league player. You'll be up there this year and next. And when you get there, you'll do what the fixer tells you because there's a club over your head. Yeah? Yeah. A certain payoff you took in a hotel room at the Region for throwing a game of the Blue Socks. You understand that? I understand your father found out about it. He had the room right over this one. 908 and he listened on the fire escape. He was seen from in here. And he was killed. Then they took him back up the fire escape to his room and rigged the suicide. But they forgot to wash all the blood off the iron outside this window. You gonna listen to him, kid? He's a neurotic. Aren't you gonna say something?

[Diane Courtney]

I didn't have anything to do with it, honey.

[Vincent Price]

It.

[Diane Courtney]

It was the Fixer who did it.

[Vincent Price]

Yeah. I believed in the Fixer, too, at first, Diane. Until I came to your room the first time. Down the bar. You said you didn't know me up here. You told Frankie I was the Saint. You made other slips tonight? No. So I know who the Fixer is.

[Diane Courtney]

Who is he?

[Vincent Price]

You mean who is she? Fixer is a very beautiful woman, Diane. The Fixer is you. What is this, a filibuster or something?

[Diane Courtney]

That's A You're right, Mr. Temper. Where's it get you? What, does it change things?

[Vincent Price]

I'm turning you over to the police. And Frankie can hardly shoot both Phil and myself.

[Diane Courtney]

He won't have to. Just you. You underestimate me, Saint. We should have had more time alone together. Phil will do whatever I tell him, in spite of what's happened. Won't you, sweetie?

[Vincent Price]

Will you, Phil? Diane.

[Diane Courtney]

See, I made sure of Phil, Saint. I made sure of him first. He'll crawl on his hands and knees if I tell him to. Because if he doesn't, I might stay being nice to him. And he couldn't stand that.

[Vincent Price]

You should have thought of that, Saint. They got a mental block or something.

[Diane Courtney]

Finish with Mr. Templar.

[Vincent Price]

Frank.

[Diane Courtney]

We've got to finish packing.

[Vincent Price]

This gun says get over to the window sink. This time there won't be no blood on the fire escape. Just a lot of the sidewalk. Pretty messy that way, Frankie. Your subconscious will hate you. I won't look down. Now you're going over to the window. Quiet, Bill.

[Diane Courtney]

Sit down.

[Vincent Price]

Stand back, kid. I ain't playing with this thing. He's going to. You kill my body. Give me that Rift. No, you won't drink E. Think what your anim will say. And this makes us even. So how. How bad is it? No, not bad. Just my arm, but not my pitching arm. God. Why you try and stand still? Better go for the police. Phil, can you make it? Yeah. Yeah, I can make it. And Phil, thanks. What you did makes up for the game. We'll figure out that later about dad. Saint. He did all he could to protect you, Phil. Yeah. He did like me then. More than anything else. He told Me? You better leave. I want you out of here before that bookie shows up to pay off Mr. Templer. He won't be showing up. I didn't lose the game tonight. Tell me more, Phil. I pitched a three hit shutout. I figured it was the least I could do for Lefty. The kid's gonna be all right, Mr. Temple. They will be all right. Definitely. You know, I can't blame him for getting tangled up with that Diane. Now there is real apes in the wood stump. She won't be quite as attractive when she gets out, Louie. 20 years does something to a woman. Should have seen what it done to my wife if she was no prize to begin with. What do you think was wrong with Diane, Mr. Temple? An emotionally insecure childhood. You've been talking to Frankie. I think Diane felt an urge to corrupt Mary. To feel power, revenge perhaps for something hidden in her plastic. Might have been her childhood. Might have been society. So now society exacts further toll. 20 years. I feel like a drink, Louie. Let's do Mr. Templar back to the Regent. I've got a scotch waiting for me at the. You have been listening to another transcribed Adventure of the Saint, the Robin Hood of modern crime. And now here is our star, Vincent Price. Ladies and gentlemen, the most priceless gift which a community can give its children is a fine education here in America. Your parents have been able to take that education pretty well for granted. But that won't be true of the future unless we plan now to cope with the educational problems of the future. There are going to be lots of them. We know that for sure because of the increased birth rate during and since the war. An extra 7 million children are going to be enrolling in our public schools. And the way things stand, our schools just aren't ready to handle them. The problem varies from district to district, but it's always a problem of shortages. In some localities there aren't enough classrooms, and in others not enough books and equipment. And overall, we're suffering from a shortage of teachers. In order to meet the challenge and make sure that our youngsters will get the education they deserve, we'll have to lay down an educational blueprint for the years ahead. Our local school boards are doing that right now, but they can't do it alone. They need everyone's efforts to build a stronger educational system. If you wish to help, simply contact your local school board. And for further information, write to the National Citizen Commission for the Public Schools, New York. New York. That's the National Citizens Commission for the Public Schools, New York. New York. Good citizens everywhere are helping, but they know that better schools make better communities. This is Vincent Price inviting you to join us again next week at this same time for another exciting adventure of the Saints. Good night. Tonight's script of the Saints was written by Dick Powell. Our cast tonight included Gloria Blondell, Jack Boyle, Hal Marks, Ed Max, Bob Clark, and Larry Doctor. The music was composed and conducted by Von Dexter. The Saint, based on characters created by Leslie Charteris, is a James Earl Sat Here production and is directed by Helen Man. Vincent Price is soon to be seen co starring in RKO's production of his Kind of Woman. All you think fans will be glad to know that the Saint comic books are on sale at all newsstands. Your announcer, Val Brown three times mean good times on NBC. There's fine entertainment on Theater Guild on the air. Returning next Sunday on NBC. This weekend, 400Americans have a holiday date with death. Stay off the list. Be careful. Next Sam Spade. Then hear Katherine Grayson on NBC.

[Adam Graham]

You can make a difference in someone's life, including your own, with a job in home care. These jobs offer flexible schedules, health care, retirement options and free training. They also provide paid time off and opportunities for overtime. Visit oregonhomecarejobs.com to learn more and apply. That's oregonhomecarejobs.com welcome back. I have to say, I really enjoyed this script and for me, what sold it was just the emotional weight of lefty. Jack Moyles only had that one scene is lefty, but it was very well done and it established the tone, the serious part of it, and there was just some great comedy worked in throughout. So I found this really just a very strongly enjoyable story and I hope you liked it as much as I did. And I will apologize, I do have a bit of a cold thing I'm getting over, so my voice sounds a bit weird. We do just have one brief listener comment. And I've gotten some of these on shows that we posted so long ago, a lot of people wouldn't notice anything about it unless I went into some detail. But this one's kind of interesting. It's on an episode of Candy Matson. What an odd coincidence. I'd never heard the name Nona before. And now with both this and yesterday's Barry Craig, I've heard it twice. Well, Nona's not as a quite popular name these days, but if you're looking for an unusual name or perhaps a name we should bring back, well, there you go. All right. Well, thanks so much. That will do it for today. We will be back tomorrow with Crime and Peter Chambers and then join us back here next Monday for another episode of the Saint. In the meantime, send your comments to [e-mail] Follow us on Twitter at radiodetactives and become one of our friends on Facebook. Facebook.com Radiodetectives from Boise, Idaho, this is your host, Adam Graham, signing off.