The Saint: Murder on the High Seas (EP4946)

Summary

Podcast Summary: The Great Detectives of Old Time Radio – The Saint: Murder on the High Seas (EP4946)
Date: April 6, 2026
Host: Adam Graham
Original Air Date (Program): September 18, 1949
Starring: Vincent Price as Simon Templar, “The Saint”

Episode Overview

In this suspenseful slice of Golden Age radio drama, Simon Templar (“The Saint”), played by Vincent Price, investigates a complex murder case aboard a fog-shrouded ocean liner. As danger circles a fading film star, Barbara Brooks, and a cadre of criminal characters, the episode unfolds with wit, noir atmosphere, and a classic fair-play puzzle for armchair detectives.

Host Adam Graham sandwiches the audio drama between insightful commentary, focusing on the storytelling devices and intricacies of old radio mysteries. Fans of vintage detective fiction will find both the episode and Graham's observations engaging and informative.

---

Key Plot & Discussion Points

Setting the Stage: Aboard the Dangerous Deck (04:05–05:30)

• Simon Templar (The Saint) encounters the anxious film star Barbara Brooks on deck at night in heavy fog.
  • Barbara hints at retiring from acting, admitting to exhaustion and unnamed fears.
  • Templar, sensing deeper troubles, probes for more.
  • Suddenly, Barbara is startled by a shadow; moments later, someone is knocked overboard.

“Barbara, you'll never be able to run away from it.”
— Simon Templar (04:42)

Templar’s Near-Fatal Encounter and Shipboard Intrigue (05:49–08:06)

• Simon is knocked out and awakens in the ship’s infirmary, attended by Dr. Norman (the ship’s doctor/psychiatrist).
• Dr. Norman tries, with professional interest, to unravel what drives Templar.
• The death of Barbara is officially an “accident,” but Templar insists:

  “Horrible, yes. Accident, no.”
  — Simon Templar (06:55)

The Flashback: Piecing Together the Puzzle (08:14–15:19)

• Templar recounts meeting Barbara at embarkation and identifies her terror of the gangster Phil Rader, who, along with the Miller couple, operates as criminal card sharps.
• The ship’s costume ball provides opportunity for confusion and murder.
• Templar and Dr. Norman exchange banter, Norman expressing a schoolboy crush on Barbara.
• During the ball, Lil Miller is murdered, stabbed from behind.

“A stiletto in the back leaves very little doubt. She’s dead.”
— Simon Templar (14:08)

• Templar notes that Lil was confused for Barbara due to the similarity in harlequin costumes—an important clue.

The Card Cheat Circle and Blackmail Angle (15:27–17:09)

• Templar confronts Miller (Lil’s husband and criminal partner) in the bar, questioning motives and ties between the card sharps, Rader, and Barbara.
• Miller claims he declined a “bump off” (murder) job against Barbara offered before sailing, providing a vague suspect description.

“I was propositioned on a stunt against that dame a few weeks before we sailed. I turned her down. Big dough, too.”
— Miller (20:22)

Key Clues: The Colorblind Killer (20:19–21:56)

• As Miller is shot, he gasps out a dying clue: “Brown tie, blue shirt.”
• Templar deduces that the murderer must be colorblind, as such a mismatched outfit would be glaringly obvious otherwise.

The Showdown: Psychiatrist Unmasked (22:07–25:11)

• Back in the present, Templar tells Dr. Norman that in Barbara’s cabin he found letters—fan mail from an obsessed ex-fiancé, now revealed as Dr. Norman himself.
• Templar springs the trap, noting Norman’s colorblindness:

  “A colorblind schizophrenic. I don't believe I've ever met one before, Dr. Norman. So colorblind, he mistook the green and orange harlequin costume worn by Lil Miller for the blue and yellow one worn by Barbara.”
  — Simon Templar (23:18)

• An attempted poisoning and drawn gun follow. Templar fakes drinking the sedative, tosses it in Norman’s eyes, and subdues him.

---

Notable Quotes & Memorable Moments

• On Barbara’s predicament:

  “If only I could confide in someone. If I could tell you what I—”
  — Barbara Brooks (05:05)

• On the murderer’s psychology:

  “A fan she was once engaged to marry, Doctor. A fan who loved her very much and hated her in equal proportions. Who was so torn between love and hate, he had to kill her.”
  — Simon Templar (22:45)

• On colorblindness as a clue:

  “Blue and brown just aren’t worn together.”
  — Simon Templar (21:43)

• Climactic standoff:

  “What a pretty purple gun you’re wearing. Or is it pink?”
  — Simon Templar (24:04)
  “You’ll hardly feel it. It’s just a dash of prussic acid.”
  — Dr. Norman (24:08)

---

Key Timestamps for Important Segments

• Barbara’s Fear and Simon’s Suspicion: 04:05–05:30
• Templar’s Head Injury and Dr. Norman: 05:49–08:06
• Flashback: Meeting Barbara and Shipboard Threats: 08:14–13:01
• Costume Ball and Lil Miller Murdered: 13:01–14:26
• Exploring Blackmail/Scam Angle: 15:27–20:19
• Murder Clue: “Brown tie, blue shirt”: 20:19–21:56
• Revelation & Confrontation with Dr. Norman: 22:07–25:11

---

Host Commentary & Analysis (28:04–31:37)

• Adam Graham praises the structure of the episode—especially the unfolding “story within a story,” with Templar recounting events to the murderer.
• Notes the delight of having Vincent Price (Templar) and William Conrad (Dr. Norman) face off.
• Criticizes the episode’s alternate historic titles (“The Schizophrenic Psychiatrist”, “The Colorblind Killer”) as spoilers.
• Observes that the depiction of colorblindness is comically broad by modern standards but was common in period mysteries.

  “The portrayal of colorblindness is ridiculously broad...Prominent people who have colorblindness, they tend to work things out...assistants or tailors or someone else...”
  — Adam Graham (29:15)

---

Social Themes & Closing Message (25:18)

• Vincent Price, in a post-show statement, appeals to audiences to fight against prejudice and racism, underlining Golden Age radio’s occasional engagement with contemporary issues.

“Let’s judge our neighbors by the character of their lives alone and not on the basis of their religion or origin.”
— Vincent Price (25:18)

---

Closing Notes

• The episode showcases classic whodunit mechanics: dying clue, locked-room atmosphere, cast of suspects, unique “tell.”
• Adam Graham urges listeners to support the podcast and shares listener feedback and Patreon thanks (31:37).
• Next week’s promise: Another Saint adventure.

---

For fans and newcomers alike, this episode is a tightly-plotted, witty introduction to both The Saint and the world of old-time radio mystery drama.

Transcript

[Julian Edelman]

This is Julian Edelman from Games With Names. I want to take a second to talk about something that's personal to me. I've had the privilege of working closely with Robert Kraft for a long time, and one thing I've always respected is how seriously he takes up standing up to hate. As a Jewish athlete, my identity is something I am proud of, but I also know what it feels like to be singled out for it. That's why this new commercial for the Blue Square Alliance Against Hate that aired during the Big Game really hit home. It's about showing up for someone when they're targeted, even if you don't have the perfect words. And sometimes standing next to someone is enough. And you can show support by sharing the Blue Square.

[Blinds.com Announcer]

The right window treatments change everything. Your sleep, your privacy, the way every room looks and feels. @blinds.com We've spent 30 years making it surprisingly simple to get exactly what your home needs. We We've covered over 25 million windows and have 50,000 five star reviews to prove we deliver. Whether you DIY it or want a pro to handle everything from measure to install, we have you covered. Real design professionals, free samples, zero pressure right now. Get up to 45% off site wide plus get a free professional [e-mail] rules and restrictions apply.

[Adam Graham]

Welcome to the Great detectives of Old Time Radio from Boise, Idaho. This is your host, Adam Graham. In a moment, we're going to bring you this week's episode of the Saint. But first, I do want to encourage you. If you're enjoying the podcast, please follow us using your favorite podcast software. And if you're enjoying the podcast on YouTube, be sure to like the video, subscribe to the channel and mark the notification bell. All those great things that help YouTube channels to grow. Today's program is brought to you in part by the financial support of our listeners. You can support the show on a one time basis, support.greatdetectives.net and become one of our ongoing Patreon supporters for as little as $2 per month. Just go to patreon.greatdetectives.net but here from September 18, 1949, here is an episode and I'm going to admit I'm going to use an alternate title. I will tell you the other titles that this circulates around after the podcast, but we're going to call this Murder on the High Seas.

[Narrator/Announcer]

Listen one hour from now for a special broadcast over most of these stations in which Sir Stafford Cripps, British Chancellor of the Exchequer, announces and explains his Government's decision to. To devalue the British pound sterling. That's one hour from now. The Adventures of the Saint, starring Vincent Price. The Saint. Based on characters created by Leslie Chartres and known to millions from books, magazines and motion pictures, the Robin Hood of modern crime now comes to radio starring Hollywood's brilliant and talented actor, Vincent Price as the Saint.

[Simon Templar (The Saint)]

Well, hello.

[Barbara Brooks]

Who is.

[Simon Templar (The Saint)]

Oh, how is my favorite shipboard acquaintance this evening?

[Barbara Brooks]

Oh, Simon, you startled me. I could hardly see you through the fog here on deck.

[Simon Templar (The Saint)]

Oh, yes, it is getting thicker, isn't it? But I suppose it's to be expected. Last night nature went on a binge of moonshine and this is her foggy morning after.

[Barbara Brooks]

Only it's evening.

[Simon Templar (The Saint)]

How can you tell through the fog? You know, you have a very pretty laugh, Barbara. I'll listen for it in all of your pictures from now on.

[Barbara Brooks]

Thank you, Simon, but I'm. I'm not going to make any more pictures. I'm retiring.

[Simon Templar (The Saint)]

Retiring? At the peak of your career?

[Barbara Brooks]

I'm just tired of pictures, that's all.

[Simon Templar (The Saint)]

Barbara, you'll never be able to run away from it.

[Barbara Brooks]

What do you mean?

[Simon Templar (The Saint)]

I'm referring to whatever it is that frightens you. Why don't you tell me about it, Barbara?

[Barbara Brooks]

There's nothing to tell. I'm. I'm tired. I need a rest. Please, Simon, don't make me talk about it. Some things that I. Simon, is that someone standing there?

[Simon Templar (The Saint)]

No, no, I don't see anyone. You are nervous, Simon.

[Barbara Brooks]

If only I could confide in someone. If I could tell you what I.

[Simon Templar (The Saint)]

Perhaps I already know more than you think I do. You're cold. Where's your rat?

[Barbara Brooks]

It's over there someplace on one of those deck chairs.

[Simon Templar (The Saint)]

I'll find it. I don't see it here. Barbara, are you sure you. Barbara. Behind you. Look out.

[Dr. Norman]

Barbara.

[Simon Templar (The Saint)]

Barbara. Man overboard. Man overboard.

[Phil Rader]

Maybe you'd like a swim too. Saint What?

[Simon Templar (The Saint)]

Oh, Mr. Templar.

[Dr. Norman]

Mr. Templer.

[Simon Templar (The Saint)]

Oh, hello. I suppose the usual question is where am I?

[Dr. Norman]

Sometimes they awaken from your type of custom made coma asking who am I?

[Simon Templar (The Saint)]

Evidently, I wasn't hit quite that hard. I even remember who you are. Dr. Norman. It is Dr. Norman, the celebrated psychiatrist, isn't it?

[Dr. Norman]

That is very good, Templar. But I'm afraid I must still confine you here to the ship's infirmary for a while. Possible concussion, you know.

[Simon Templar (The Saint)]

Tell me, what makes a famous neurologist like you pose as a mere ship's doctor?

[Dr. Norman]

I'm really not posing, Partridge. The ship's physician is ill. I was within Earshot when I heard the familiar call. Is there a doctor in the house? And no, Simon, don't try to get up. I have a flask here if a drink will make you happy.

[Simon Templar (The Saint)]

Oh, not right now, thank you. As I recall, I have some unfinished business to attend to.

[Dr. Norman]

Barbara?

[Simon Templar (The Saint)]

Yes. What? She.

[Dr. Norman]

They couldn't find her in the fog. She's gone.

[Simon Templar (The Saint)]

Poor Barbara.

[Dr. Norman]

Yes, it was a horrible accident.

[Simon Templar (The Saint)]

Horrible, yes. Accident, no.

[Dr. Norman]

You mean to say she didn't fall overboard?

[Simon Templar (The Saint)]

She was murdered.

[Dr. Norman]

Murdered? But who?

[Simon Templar (The Saint)]

I think I know who. Oh, my head. It feels like the Aberdeen Proving Grounds.

[Dr. Norman]

I will mix you a sedative. You know, you're not looking very well.

[Simon Templar (The Saint)]

I always look like this when I'm angry. There's only one cure.

[Dr. Norman]

Yes, I know. The lady with the scales known as Madame Justice. You know, Templar, I've been curious about what makes a man like you tick.

[Simon Templar (The Saint)]

Well, I'll tell you. Every eight days or so, someone winds me up. Right now I'm wound up tight. Tight with fury.

[Dr. Norman]

Well, as a psychiatrist, I would advise you to unwind a bit.

[Simon Templar (The Saint)]

Here we are.

[Dr. Norman]

Now, drink this. It will put you to sleep after a while.

[Simon Templar (The Saint)]

Thank you.

[Dr. Norman]

You say you think you know who killed Barbara?

[Simon Templar (The Saint)]

Simon, I was wrong. I do know.

[Dr. Norman]

Well, I think you ought to talk to me. Unwind yourself.

[Simon Templar (The Saint)]

You think I need psychiatry, Doctor?

[Dr. Norman]

Well, I think you're too taut at the moment. That, plus your concussion, it might be dangerous.

[Simon Templar (The Saint)]

Very well, Doctor. I'll unwind. I'll tell you the entire story, if

[Dr. Norman]

you don't mind, Simon. Here, this will help the rhythm. A metronome. Psychiatrists often use them. But if you'd rather.

[Simon Templar (The Saint)]

No, no, I don't mind. I'd never met Barbara Brooks, although I doubt if there's a human being alive who hasn't heard of her or seen her in the movies. I first saw her the day we boarded ship. There was something in her expression, in the way she walked and talked and smiled that immediately told me here was someone I should know. Her entire demeanor was an attitude of invitation, romance, fear. Doctor, she was a frightened lady. She wanted someone near her. I walked over to her there on deck and immediately made myself useful. Her steward evidently had become busy elsewhere. So I tipped my hat and said, somewhat idiotically, get your program here, lady. You can't tell the staterooms without the numbers.

[Barbara Brooks]

I beg your pardon?

[Simon Templar (The Saint)]

Your stewardsy deserted you. I've sailed this scow before, so if it's the direction to your stateroom you're

[Barbara Brooks]

looking for, well, I would like to know.

[Simon Templar (The Saint)]

I would too. Number please.

[Barbara Brooks]

A36, main deck.

[Simon Templar (The Saint)]

Thank you very, very much. It's this way. My, My name's Templar. Simon for short. And of course your Barbara Brooks. You know, we passed the bar en route to a 36 main deck. There's an old Fashioned with a new acquaintance. Sound inviting?

[Barbara Brooks]

It will, a little later. After he's here on the ship.

[Simon Templar (The Saint)]

Ooh, there are several. Oh, I see he's gone now.

[Raider]

Turn the corner.

[Simon Templar (The Saint)]

Yeah, I think I saw the man you meant. Certain off center gentleman named Rader.

[Barbara Brooks]

Raider?

[Raider]

I don't know that name.

[Simon Templar (The Saint)]

No? Surely you've heard of Phil Rader. He's just as big a star in his line of work as you are in yours.

[Raider]

What?

[Barbara Brooks]

What is his line of work?

[Simon Templar (The Saint)]

Well, he's an exterminator of human beings, Mr. Templar. I'm afraid that was obvious from the moment I first saw you. Why don't you tell me about it?

[Raider]

No, I can. No.

[Barbara Brooks]

I'd be killed.

[Simon Templar (The Saint)]

That's as good a reason as any for not telling me. But I must warn you, I have a peculiar talent for finding things out for myself.

[Barbara Brooks]

Oh no, you mustn't do anything.

[Dr. Norman]

Please.

[Miller]

Please.

[Simon Templar (The Saint)]

Hello, Raider.

[Miller]

Well, Miss Saint. World's getting smaller.

[Simon Templar (The Saint)]

Yes, yes, but I understand you're doing your share to see that it doesn't get overcrowded. Traveling for your health again or just traveling?

[Miller]

Just traveling.

[Simon Templar (The Saint)]

Raider, why does the mere glimpse of you rounding a corner start a lady's teeth to chattering?

[Phil Rader]

Lady?

[Miller]

I don't know any ladies.

[Simon Templar (The Saint)]

Obviously.

[Miller]

Maybe she thought I was someone else.

[Simon Templar (The Saint)]

Maybe. And if you're of a mind to annoy her, you'll wish you were.

[Miller]

Look, Saint, just soak up sunshine on this cruise. Don't go poking in any dark places. Might be bad for you.

[Simon Templar (The Saint)]

Oh, what sort of bad, Raider?

[Miller]

Look, big shot, just so there's no misunderstanding. You butt in where you ain't welcome on this cruise and.

[Simon Templar (The Saint)]

Yes, and I'll kill you.

[Dr. Norman]

How is your head, sir?

[Simon Templar (The Saint)]

It feels as if a regimental crap game was going on inside of it with jet propelled dice.

[Dr. Norman]

You haven't drunk your sedative yet. Here.

[Simon Templar (The Saint)]

Oh, thank you. Shall I go on taking the load off of my concussion?

[Dr. Norman]

Yes, by all means. I think I was present at the next sequence.

[Simon Templar (The Saint)]

Yes, Doctor, you were. It was the night of that ridiculous costume ball ship's captains are so fond of arranging.

[Dr. Norman]

Yes, I remember. We were at the bar together. You were a pirate, I recall.

[Simon Templar (The Saint)]

Yes, and you were a clown. The ball was loaded with clowns. Some of them not even aware of their clownishness but it was gay and sprightly and the music was good. I remember our conversation, Doctor. You suddenly appeared at my elbow and said in the most shivery, sinister manner,

[Dr. Norman]

you know, Templar, I have a confession to make to you.

[Simon Templar (The Saint)]

Well, I'm always interested in confessions, Doctor.

[Dr. Norman]

I've had a schoolboy crush on the beautiful Barbara ever since I saw her in pictures. First tell me, what does one do about it?

[Simon Templar (The Saint)]

Well, I know exactly what I would do if I were you, Doctor. Yes, I'd consult the nearest psychiatrist.

[Dr. Norman]

At the prices we charged. Nothing. I was hoping you'd cut a fellow in on your acquaintanceship, Templar. But if you won't introduce me, won't you at least show me which mask she's hiding under? I think I might be able to make my own introduction.

[Simon Templar (The Saint)]

Oh, very well, Doctor. Look for a sylph like figure in a blue and yellow harlequin costume.

[Dr. Norman]

Thank you, Templar, thank you. And if you should ever need a

[Simon Templar (The Saint)]

good psychiatrist at the prices you charge,

[Dr. Norman]

I will be seeing you.

[Raider]

Don't turn around, Mr. Templar. I have a pistol in the small of your back.

[Simon Templar (The Saint)]

Now really, is that any way to enjoy a walk?

[Raider]

Listen, Sade, and listen hard.

[Simon Templar (The Saint)]

I'm all ears. Except for the small of my back, which feels abnormally large at the moment.

[Raider]

Certain arrangements have been made, Saint. It means a big head of lettuce if they go through. So all the signs say. Keep out. See that you do. Now don't turn around. This costume's so pretty. I'd hate to have to put a hole through my pocket.

[Simon Templar (The Saint)]

Well, it's probably just a coincidence, but I've acquired the same regard for the small of my back.

[Raider]

Keep regarding it that way. Satisfaction. Don't let your nose wander where it doesn't belong. And you might begin by forgetting you saw certain people aboard this boat.

[Simon Templar (The Saint)]

See? Just tell me how you're going to swing it, Mrs. Miller. Oh, don't be surprised. I'd recognize the notorious Lil Miller's voice on a party line. How are you gonna take him, Lil?

[Miller]

A palm vase?

[Simon Templar (The Saint)]

Or perhaps a marked deck?

[Raider]

This rod has a hair trigger, Saint. Just a touch.

[Barbara Brooks]

And you're Lil.

[Phil Rader]

Lil.

[Raider]

What's the matter?

[Phil Rader]

That girl there.

[Simon Templar (The Saint)]

One of the holidays. Lil.

[Nick Oliver]

Lil.

[Barbara Brooks]

Thank you.

[Simon Templar (The Saint)]

You're lucky.

[Dr. Norman]

Sing.

[Barbara Brooks]

I'd have shot.

[Simon Templar (The Saint)]

Give her ear. Give her ear. Don't crowd. Crowd her all you want to. She won't mind now, is she? Yes. A stiletto in the back leaves very little doubt. She's dead.

[Dr. Norman]

You know, Simon, I would never have paid the late Mrs. Miller for a Professional card shop. She was anything but the type of professional.

[Simon Templar (The Saint)]

Card sharps are always anything but the type, doctor.

[Dr. Norman]

Yeah, and to think I actually played bridge with her myself. With a crook and a hot headed one had said.

[Simon Templar (The Saint)]

Well, as my old grandmother used to say, Doctor, beware of lady thieves with red hair.

[Dr. Norman]

I guess the lady's red hair accounted for the lack of insulation in her temperament. How does your head feel, Simon?

[Simon Templar (The Saint)]

Better, doctor. Much better.

[Dr. Norman]

You still haven't touched your sedative, you know.

[Simon Templar (The Saint)]

Haven't I?

[Dr. Norman]

I think you'll find that it helps, Simon. Here.

[Simon Templar (The Saint)]

Oh, thank you. Well, you know, shortly after the murder of Mrs. Miller, doctor, I called on her bereaved husband and partner in crime. A very interesting visit it was too.

[Dr. Norman]

You have the knack for making all of your visits interesting, Simon. Tell me about it.

[Simon Templar (The Saint)]

Well, I found Miller in the bar. Quenching his sorrow with the merry waters of the river of forgetfulness.

[Phil Rader]

Fifty grand in the palm of our hands and beep no more lil no more lil no more sucker no more sucker. Beep no more. 50 grand.

[Simon Templar (The Saint)]

I see you valued your wife highly. Who was the sucker?

[Nick Oliver]

Miller.

[Simon Templar (The Saint)]

Ha ha.

[Phil Rader]

You're funny.

[Simon Templar (The Saint)]

Tell me, what's Phil Rader cruising for, Miller? And don't tell me it's a coincidence he's on board the same ship.

[Phil Rader]

You get funnier and funnier.

[Simon Templar (The Saint)]

Why is Barbara Brooks so afraid of Raider?

[Phil Rader]

You ain't even warm, Saint. You're a mile wide of the target.

[Simon Templar (The Saint)]

And I'd better use a different kind of ammunition then, Miller.

[Phil Rader]

Yeah? Like what?

[Simon Templar (The Saint)]

Like a little murder performed on an unwilling sucker in Reno, huh?

[Phil Rader]

What do you know about that?

[Simon Templar (The Saint)]

You won't like going back to Reno, Miller. It gets hot in the summertime. Especially in the penitentiary.

[Phil Rader]

Raider was with Little me on the steel.

[Narrator/Announcer]

He put the zipper on Raider.

[Phil Rader]

I wasn't going to say anything, Phil. Honest I was.

[Narrator/Announcer]

Just skip it, Miller.

[Miller]

I always knew someday you'd show Canary yellow. I thought you and I had a little understanding, Saint.

[Simon Templar (The Saint)]

You've got a reputation for wrong thoughts, Raider.

[Miller]

Yeah, but right or wrong, I back my ideas up to the hilt.

[Simon Templar (The Saint)]

Keep that frog sticker undercover, Raider, or I might take it away from you and the Dutch courage that rides with it, too.

[Miller]

I'll keep it hidden for now. You just be careful of the places where the lights don't shine, Saint.

[Simon Templar (The Saint)]

Come on, Miller.

[Miller]

I want to talk with you.

[Phil Rader]

Well, I'll be out in a little while, Phil. I want a drink.

[Miller]

You're drunk enough, Canary. Come on.

[Simon Templar (The Saint)]

You'd better go, Miller. And if you can't talk your way out of it. My regards to the fishes.

[Dr. Norman]

And I recall it was shortly after Mr. Leader passed on his second warning that you and I met for the first time. Professional?

[Simon Templar (The Saint)]

Yes, Doctor. The very next night.

[Dr. Norman]

Well, I am very surprised at you. He had warned you to stay away from Doc Platers.

[Simon Templar (The Saint)]

Yes, Doctor. So he had. But I'm perverse by nature and I like to poke around. I was strolling around the deck with Barbara, getting moon burned and trying desperately to get some more information.

[Barbara Brooks]

So wonderful having you near, Simon. I feel safe.

[Simon Templar (The Saint)]

Safe? I refuse to accept the compliment, particularly on a moonlit night at sea.

[Barbara Brooks]

I'm referring to danger, Simon, not romance.

[Simon Templar (The Saint)]

They're often the very same thing. I'd like to join the team, Barbara. Why don't you confide in me?

[Barbara Brooks]

Because if I did, we'd both be dead by morning.

[Raider]

I must go now.

[Barbara Brooks]

Good night, Simon.

[Simon Templar (The Saint)]

Good night.

[Phil Rader]

Don't turn around, Templar.

[Simon Templar (The Saint)]

I've got a. I know. A gun pointed at the small of my back.

[Phil Rader]

That's it. Now keep away from Barbara Brooks. Am I clear?

[Simon Templar (The Saint)]

Clear enough. Anything else?

[Phil Rader]

Yeah, just so it sinks in, Saint. Take this along to remember me.

[Simon Templar (The Saint)]

Once again you enter the picture, Dr. Norman. You found me there, lying on the deck, basking in moonlight and blood.

[Dr. Norman]

Go on, Simon, tell me the rest of it.

[Simon Templar (The Saint)]

Well, after your neat job of vulcanizing me, thus saving me a trip to the ship's doctor and innumerable words of explanation, I hit upon a strategy. And my next visit found me calling in the lion's den. I tell you, you're being made a patsy, Raider. You're on the verge of being demoted back to second class hoodlum.

[Miller]

I can take care of myself.

[Simon Templar (The Saint)]

Well, I admit a minor sandbagging committed in your good name doesn't amount to much, Raider. But what if the same someone likes your name and decides to use it in other ways?

[Miller]

What do you mean?

[Simon Templar (The Saint)]

I mean murder. You're a lead pipe cinch to pay for one of your own someday, Raider. But meanwhile, how would you feel getting hung for somebody else's shenanigans?

[Miller]

I'd be annoyed. You sure would. Look, I'm not rigged up with no murder. St. Lil meant 50 grand to us alive. That's what we figured the sucker was good for.

[Simon Templar (The Saint)]

That's a good enough reason for wanting Lil among the present instead of the late Raider. Tell me, what was the angle? Blackmail?

[Miller]

Nah, nah, nothing so crude, Saint. I sponsor the party, spot em, finger em and oil em and the Millers squeeze em through a deck of cards. The guy's a sucker for good looking dames and card games, that's all.

[Simon Templar (The Saint)]

That sounds very uncomplicated. Easy picking.

[Miller]

The guy ain't had the coin long enough to be smart about it.

[Simon Templar (The Saint)]

Who's the guy?

[Miller]

He makes water heaters.

[Simon Templar (The Saint)]

The fat man with the diamonds from Passaic. That's a sucker I should have tumbled.

[Miller]

Looks like you did. I thought you were out for a bust up. 50G is a lot of money, Saint. I figured if I could scare you, it'd be insurance.

[Simon Templar (The Saint)]

How about Barbara Brooks?

[Miller]

Ah, deal me out. I'm not in on whatever the caper is.

[Narrator/Announcer]

There.

[Simon Templar (The Saint)]

She saw you the day we sailed and she got scared.

[Miller]

Maybe it's because I ain't exactly pretty, but if you really want to know something, Saint, I'll tell you. I was propositioned on a stunt against that dame a few weeks before we sailed. I turned her down. A big doe too.

[Simon Templar (The Saint)]

A murder deal?

[Miller]

Yeah, big doe to bump her up. Not for me though. Nah, she's too prominent. Too much heat on those jobs.

[Simon Templar (The Saint)]

Who made the offer? Raider.

[Miller]

He wasn't exactly interested in leaving his calling card st. Just a John Smith as far as I'm concerned.

[Simon Templar (The Saint)]

But he had a description, didn't he? Everybody has a description.

[Miller]

Well, sure, sure. He was a medium sized guy with. Hey, the lights.

[Narrator/Announcer]

Who turned them off?

[Simon Templar (The Saint)]

Get down.

[Phil Rader]

Raider.

[Simon Templar (The Saint)]

Raider. Raider. Are you brown? Brown tie, Blue shirt.

[Dr. Norman]

Brown tie, blue shirt.

[Simon Templar (The Saint)]

Brown tie, blue shirt. Not a very harmonious color scheme, is it? Thank you, Raider. At least your last earthly utterance was in the direction of. Good. Thank you.

[Dr. Norman]

Brown tie, blue shirt. What does he mean, Simon?

[Simon Templar (The Saint)]

Well, it means that either the man for whom I search isn't a very fastidious dresser, Doctor. Or else.

[Dr. Norman]

Or else?

[Simon Templar (The Saint)]

Or else he's colorblind. Blue and brown just aren't worn together.

[Dr. Norman]

Well, no, they.

[Simon Templar (The Saint)]

I'll take that drink now, Doctor.

[Dr. Norman]

Oh, and the sedative I mixed for you. Your concussion.

[Simon Templar (The Saint)]

Later, Doctor, later.

[Dr. Norman]

Very well. I can see that you're going to be a very difficult patient. I hope you don't mind drinking out of another medicine glass.

[Simon Templar (The Saint)]

No, right now I prefer it.

[Dr. Norman]

Say when.

[Simon Templar (The Saint)]

A little more, Doctor. That's fine. Has such a beautiful color, hasn't it, doctor?

[Dr. Norman]

Yeah, hasn't it? So, aren't you going to drink it, Simon?

[Simon Templar (The Saint)]

In a moment, Doctor, when I finish my story.

[Dr. Norman]

Oh, yes, of course, this story. Barbara's murder was next.

[Simon Templar (The Saint)]

Yes, Barbara was next. But immediately before our last meeting on deck in the fog, Doctor, I found out what she was afraid of.

[Dr. Norman]

You did? But how?

[Simon Templar (The Saint)]

It Was easy. The steward had some keys, I had some money. The steward has enough now for that chicken ranch he's always dreamed of.

[Dr. Norman]

You broke into Barbara estate's room?

[Simon Templar (The Saint)]

Yes.

[Dr. Norman]

Well, what did you find, Simon?

[Simon Templar (The Saint)]

Lingerie, perfume, stockings. And some letters, Doctor. Peculiar letters, huh?

[Dr. Norman]

Fan made.

[Simon Templar (The Saint)]

Yes, yes. And all from the same fan. A fan she was once engaged to marry, Doctor. A fan who loved her very much and hated her in equal proportions. Who was so torn between love and hate he had to kill her.

[Dr. Norman]

Ah, schizophrenic.

[Simon Templar (The Saint)]

You should know.

[Dr. Norman]

What do you mean?

[Simon Templar (The Saint)]

Well, you know the classifications. You're the doctor. Oh.

[Dr. Norman]

Drink your sedative, Simon.

[Simon Templar (The Saint)]

A colorblind schizophrenic. I don't believe I've ever met one before, Dr. Norman. So colorblind. He mistook the green and orange harlequin costume worn by Lil Miller for the blue and yellow one worn by Barbara.

[Dr. Norman]

That is very interesting, Simon.

[Simon Templar (The Saint)]

Poor Lil. If she'd come to the ball as anything but a harlequin, she'd have lived to take in $50,000.

[Dr. Norman]

Your sedative.

[Simon Templar (The Saint)]

You know, you were wrong about Lil's hair, doctor. It wasn't red. It was brown.

[Dr. Norman]

You said it was red.

[Simon Templar (The Saint)]

I wanted to see if you'd agree.

[Dr. Norman]

Your sedative.

[Simon Templar (The Saint)]

Yes, of course. Hand it to me, would you, Doctor? It's there alongside the drink.

[Raider]

No, no.

[Simon Templar (The Saint)]

Don't try to tell them apart by their aromas, Doctor. It's obvious that they're different colors. Or can't you tell?

[Dr. Norman]

You find it saint. I like very much for you to drink it, my doctor.

[Simon Templar (The Saint)]

What a pretty purple gun you're wearing. Or is it pink?

[Dr. Norman]

Drink up, Templer. You hardly feel it. It's just a dash of prussic acid, Dr. Norman.

[Simon Templar (The Saint)]

When you give a sedative, you go overboard.

[Dr. Norman]

Drink it, Templar.

[Simon Templar (The Saint)]

Well, you're the doctor. A Toast to you, Dr. Norman. To your green shirt, blue tie and gray handkerchief. None of which match. Here's how.

[Dr. Norman]

My eyes. You threw it in my eyes.

[Simon Templar (The Saint)]

It was a question of your eyes or my stom, Doctor.

[Dr. Norman]

My eyes are blind.

[Simon Templar (The Saint)]

Get over it, Doctor. Which is more than can be said of me if one of those wild shots of yours should hit me. I know I shouldn't practice medicine without a licensed doctor any more than you should. But here's a sedative from me to you. Pleased nightmares, Dr. Norman.

[Narrator/Announcer]

You have been listening to another adventure of the saint. The Robin Hood of modern crime. And now here is our star, Vincent Price.

[Simon Templar (The Saint)]

Ladies and gentlemen, in a prejudice filled America, no one would be Secure in his job, his business, his church or his home. Yet racial and religious antagonisms are expressed, exploited daily by quacks and adventurers whose followers make up the irresponsible lunatic fringe of American life. Refuse to listen to or spread rumors against any race or religion. Help to stamp out prejudice in our country. Let's judge our neighbors by the character of their lives alone and not on the basis of their religion or origin. This is Vincent Price inviting you to join us again next week at the same time for another exciting adventure of the Saint. Good night.

[Narrator/Announcer]

The light script of the Saint was written by Michael Cramoy. Our cast included Betty Lou Gerson, Gene Bates, Frank Gerstel, Bill Conrad and Barney Phillips. The music was composed and conducted by Harry Zimmerman. The Saint, based on characters created by Leslie Charteris, is a James L. Safier production and it's direct directed by Thomas A. McEvitty. Vincent Price is soon to be seen in Harry and Popkins production of Champagne for Caesar, co starring Ronald Coleman. All you Saint fans will be glad to know that the Saint comic books are on sale at all newsstands. Your announcer, Meryl Ross. This is the mutual broadcasting system.

[Geico Commercial Host]

I'm here on the job site with Dale, who's a framing contractor.

[Miller]

Hey, good morning.

[Geico Commercial Host]

Dale traded up to Geico Commercial Auto Insurance for all his business vehicles. We're here where he needs us most.

[Simon Templar (The Saint)]

Yep, they sure are.

[Geico Commercial Host]

We make it easy for him to save on all his insurance needs, all in one place with coverage that fits his business and bottom line. Oh, I shouldn't have looked down.

[Adam Graham]

It's all right.

[Geico Commercial Host]

We're so far up here.

[Miller]

Look at me.

[Adam Graham]

Take a deep breath.

[Geico Commercial Host]

I'm good. So good.

[Simon Templar (The Saint)]

Get a commercial auto insurance quote [e-mail] and see how much you could save. It feels good. To Geico.

[Adam Graham]

Welcome back. An enjoyable episode. And I really love the idea of this being told and us learning that it was actually being told to the killer at his own designs on Simon. And of course, you have to love the interplay of two great actors, Vincent Price and William Conrad. And there's something about Price where when he gets a lot of scenes with the same performer, I think of the suspense episode of the hands of Mr. Audermore, which he played with Claude Rains, that you really can have just this great energy going on. Now, what are the titles of this program that are listed typically on the Internet? The Schizophrenic Psychiatrist. I hope people see the problem with that title. It gives away the entire plot. So does the second most popular title that you'll see on the Internet for this episode, the Colorblind Killer. Murder on the High Seas is generic, but it is a title that has been used for this episode, and it's the only title that's been used for this episode that doesn't ruin the ending. On the Toddling issues, you do have to say that the portrayal of colorblindness is ridiculously broad. Now, to be fair, a lot of Golden Age media, when it came to mysteries, portrayed colorblindness in this way. Without getting too much into the weeds on this. Generally, colorblindness comes across a spectrum of a few different colors that you're not able to distinguish. But even more than that is just the fact that this guy is a prominent man in a profession that relies on credibility. And the way Simon describes it, he walks around dressed in a way that others would say, oh, look, there's a clown in that situation. Particularly in this era, if you had a disability that was not immediately visible, you would want to camouflage that. And prominent people who have colorblindness, they tend to work things out. Assistants or tailors or someone else who will go ahead and say, okay, well, you need to go ahead and plan these outfits. This, these shirts go with this pair of pants and this tie goes with this shirt and put maybe little labels on them that are written so he knows what to do. And so where some of the subtlety might come in is a situation where things are not carefully planned or the person with colorblindness doesn't have an opportunity to follow their typical process. Listener comments and feedback. Now we go to YouTube where Joe comments regarding the episode Mr.

[Geico Commercial Host]

Important.

[Adam Graham]

Thanks Adam. You are the best. I love your comments. I learned so much from you. Well, thanks so much. Appreciate your comment, Joe. Well, now it is time to thank our Patreon Supporter of the day and I want to go ahead and and thank Bernie. Patreon supporter since June of 2024, currently supporting the podcast at the Shalmas level of $4 or more per month. Thanks so much for your support, Bernie. And that will do it for today. If you're enjoying the podcast, please follow us using your favorite podcast software and be sure to rate and review the podcast wherever you download it from. We'll be back next Monday with another episode of the Saint, but join us back here tomorrow for the big stream

[Nick Oliver]

story where and now you stand with

[Simon Templar (The Saint)]

Special investigator Nick Oliver. Both of you shaking your head at the dead man lying on the cot

[Nick Oliver]

just off Route 66 near Clinton.

[Dr. Norman]

No possible way of identification, Nick?

[Simon Templar (The Saint)]

Nothing.

[Nick Oliver]

I'll get Haynes of the Fingerprint Bureau and see if his prints tell us anything. I don't think even a mother would recognize his face. Hey, where you going? Looking around. I wish that ambulance would get here. What are you looking for?

[Simon Templar (The Saint)]

Something in the grass.

[Nick Oliver]

Nick. Hey, what do you know?

[Simon Templar (The Saint)]

It's a coin.

[Nick Oliver]

Here's another one. Let me see. Those are Mexican coins, right? That's what they are.

[Simon Templar (The Saint)]

Well, what are they doing here? How do I know?

[Nick Oliver]

Well, we've got something anyhow. It's not much more than nothing, but it's something.

[Adam Graham]

I hope you'll be with us then. In the meantime, send your comments to box13greatdetectives.net Follow us on Twitter at Radio Detectives and check us out on Instagram. Instagram.com Great detectives from Boise, Idaho, this is your host, Adam Graham, signing off.