Yours Truly Johnny Dollar: The Three Sisters Matter (EP4615)

Summary

The Great Detectives of Old Time Radio: "Yours Truly Johnny Dollar: The Three Sisters Matter" (EP4615)

Release Date: January 31, 2025
Host: Adam Graham
Podcast Series: The Great Detectives of Old Time Radio
Episode Focus: Investigation of Misha Romanov’s disappearance and murder by his stepdaughter, set against the backdrop of familial tensions and hidden motives.

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1. Introduction by Host

Adam Graham welcomes listeners to "The Great Detectives of Old Time Radio" from Orlando, Florida. He begins by encouraging followers to subscribe and shares a personal anecdote about meeting Robert Riggs at Podfest, highlighting the community aspect of the podcast. Graham sets the stage for the episode titled "The Three Sisters Matter," featuring Johnny Dollar investigating the mysterious disappearance of a client.

Adam Graham (01:28): "Welcome to the great detectives of Old Time Radio from Orlando, Florida. This is your host, Adam Graham."

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2. Episode Story: "The Three Sisters Matter"

The episode unfolds in three acts, chronicling Johnny Dollar’s methodical investigation into the disappearance and subsequent murder of Misha Romanov, a concert pianist staying at the Lucky Four Ranch in Green Mountain Falls, Colorado.

Act One: The Disappearance

Johnny Dollar receives a call from Earl Foreman, reporting that Misha Romanov has vanished. Upon arriving in Colorado Springs, Johnny meets Earl at Peterson Field Airport.

Johnny Dollar (02:27): "I want you to join me."

Earl explains that Misha was last seen taking his usual morning walk and that a search has been hampered by difficult terrain and snowfall. He introduces Johnny to Ray Schmishny and his wife, owners of the Lucky Four Ranch, and provides background on Misha’s life, including his relationship with his stepdaughters: Olga, Maria, and Ada.

Earl Foreman (04:15): "He loves, I'm sure, especially Ada, the youngest."

Act Two: Uncovering Clues

Johnny’s investigation leads him to discover a bullet hole in the back of Misha’s head near a bear cave, indicating foul play. Ray Schmishny unveils crucial evidence: a .257 Roberts cartridge case, an uncommon caliber in the area, suggesting premeditation.

Ray Schmishny (07:45): "It must have been some time before Romanov disappeared. His being killed here couldn't have been accidental."

Johnny connects the dots, considering the unusual insurance policy details and the potential motives among the stepdaughters. He inspects the family's dynamics, noting tensions and possible financial incentives.

Act Three: The Revelation

The climax occurs when Johnny confronts the stepdaughters at the Romanov cottage. Earl Foreman reveals his true colors, confessing the murder driven by greed and resentment towards his father, Misha. The musical notes Ada plays on the piano serve as a hidden message, leading Johnny to discover Misha’s last will and testament concealed within a cage, implicating Olga as the murderer.

Earl Foreman (19:03): "Now look here, I'll go."

Oscar triumphantly concludes the case as Earl takes his own life, unable to live with his guilt.

Johnny Dollar (19:53): "It's empty."

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3. Host's Commentary and Analysis

After the dramatized story, Adam Graham provides insightful commentary on the episode. He critiques the character Earl Foreman's motivations and actions, pointing out inconsistencies such as Foreman’s role confusion and the plausibility of Olga’s murder plot.

Adam Graham (22:00): "Olga's plan to kill everybody has a big flaw... it suggested that her mind was a bit gone."

Graham also acknowledges the accuracy of certain elements, such as the .257 Roberts caliber, enhancing the episode's authenticity. He praises Jack Johnstone, the episode's writer, for the clever use of musical notes as a hidden message, despite noting occasional lapses in logical storytelling.

Adam Graham (25:00): "I have to give credit to Jack Johnstone for coming up with a message using the musical notes."

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4. Notable Quotes

• Adam Graham (01:28): "If you're enjoying the podcast, please follow us using your favorite podcast software."

• Johnny Dollar (02:27): "I want you to join me."

• Ray Schmishny (07:45): "It must have been some time before Romanov disappeared. His being killed here couldn't have been accidental."

• Earl Foreman (19:03): "Now look here, I'll go."

• Johnny Dollar (19:53): "It's empty."

• Adam Graham (22:00): "Olga's plan to kill everybody has a big flaw... it suggested that her mind was a bit gone."

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5. Listener Feedback and Interaction

Graham transitions to listener comments, featuring feedback from Natalie Perfection and others who express appreciation for the podcast’s restoration of old shows and the engaging stories presented.

Natalie Perfection: "Even when the audio is somewhat degraded... these old shows live again. Johnny Dollar is my favorite find."

He acknowledges technical challenges but reassures listeners of the podcast's commitment to quality.

Adam Graham (24:00): "Unfortunately this week was a case where it was not the best sound quality, but we've heard worse."

Graham encourages continued listener engagement through surveys and social media platforms, fostering a vibrant community around the podcast.

Adam Graham (25:50): "Send your comments to box13greatdetectives.net. Follow us on Twitter at radiodetectives and check us out on Instagram."

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6. Conclusion and Teasers for Upcoming Episodes

Adam Graham wraps up the episode by hinting at the next story, teasing a new mystery involving a model and a related crime, thereby maintaining listener interest and anticipation for future episodes.

Johnny Dollar (20:33): "A beautiful girl, a model in fact, and unfortunately a model crime to go with her. Join us, won't you?"

He signs off with gratitude, reinforcing the invitation to subscribe and stay connected.

Adam Graham (27:04): "This is your host, Adam Graham, signing off."

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Final Thoughts

"The Three Sisters Matter" exemplifies "Yours Truly, Johnny Dollar" with its intricate plot, well-developed characters, and suspenseful narrative. Adam Graham's adept hosting and analytical commentary enrich the listening experience, offering both entertainment and thoughtful critique. The episode successfully captures the essence of old-time radio detective dramas, making it an engaging installment for both longtime fans and newcomers to the series.

Transcript

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[Adam Graham]

Welcome to the great detectives of Old Time Radio from Orlando, Florida. This is your host, Adam Graham. In a moment we're going to bring you this week's episode of Yours Truly, Johnny Dollar. I do want to encourage you. If you're enjoying the podcast, please follow us using your favorite podcast software. And I want to give a special shout out to Robert Riggs. I was delighted to meet Robert at podfest. He mentioned that he and his wife listened to the podcast and in particular yours truly, Johnny Dollard. And it's always great to meet people who listen to the podcast. So thanks so much Robert, and hello to you and to your wife. Now from October 27, 1957, he Here is the three sisters matter and Johnny Dollar, Earl Foreman.

[Johnny Dollar]

Johnny. Oh hi Earl. How are things down in sunny Florida? I don't know what I'm calling from Green Mountain Falls, Colorado. What under the sun are you doing out there? Fishing trip? Hardly. Because if it is, I'll join you. I want you to join me. All right, but no fishing. I got a problem, Johnny, and one of my important clients has disappeared. Ah, I see. Okay, Earl, I'll grab the next plane. Bob Bailey in the exciting adventures of the man with the action backed expense account. America's fabulous freelance insurance investigator, yours truly, Johnny Dollar. And now, act one of yours Truly, Johnny Doll. Expense account submitted by Special investigator Johnny Dollar to the Tri State Life and Casualty Insurance Company. Attention aeroplane. Following us, the kind of expenses incurred during my Investigation of the Three Sisters. Expense Account Item 1, 151.80. Transportation to New York, then airfare and incidentals to Colorado Springs. Earl met me at Peterson Field, a municipal airport. I'm glad to see you, Johnny. Hi. Toss in your bags and pop in, okay? Sure. And where's this Green Mountain Falls you call from? A little place about 12, 13 miles east. Severe. Ah, I'm staying at the Lucky Four Ranch, one of the last places Rolanov was seen. Rolanoff? Misha Rolanov, the concert pianist? Oh, sure, yeah, I've heard of him. He has a little place up on the mountain, just back at the Lucky Four, where he and his daughters live when he's not on concert. Daughters? How many? Olga, Maria, Ada. No, here's what happened. Rolandov and the girls. Well, they're really stepdaughters, by the way. Oh, where's the money? She died some years back. Well, anyhow, they arrived up here about 10 days ago, right after his last concert. Swing over in Europe. What does he do when he's up here and the girl's just low? Oh, he has a piano in his cottage to keep him practiced, that's all. And now you say he's disappeared. You see, Johnny, he was fond of taking long walks. This is pretty good hiking country. I can see that all right, if you're part mountain, though. Yeah. Well, anyhow, three days ago, right after breakfast, he started out on his usual morning walk. He stopped in for a second cup of coffee with Ray Schmishny and his wife. Who are they? Ray and Glee has run the Lucky Four. Oh, yeah? Well, go on. Well, that's all. That was the last time ROV was seen. Was any kind of a search been made? Yes, and that's not easy terrain to search. There's been quite a bit of snow, too. Enough to cover up any tracks he might have made. All right. You know of any reason he might have wanted to disappear? No, I don't think so. I. I knew him very well, Johnny. I've known him for years. Of course, he occasionally got fed up with having three girls around his neck all the time. Silly man. Well, that. Who wouldn't? But he loves, I'm sure. Especially Ada, the youngest. He's a brilliant pianist. Hey, Earl, tell me, how did the girls feel about him, really feel? Oh, now, just a minute. Well, you said yourself they aren't his own blood. What? Well, just wait till you meet them and decide for yourself. Yeah, I will. The Lucky Four was on a level spot on the side of a mountain. It consisted of half a dozen neat, modern, comfortable cottages. And from the front window of the one we shared was a beautiful view of Pike's Peak, huh? Oh, come in, Ray, Come in. You see us come up the drive. I want you to meet the man I've been telling you about. Ray Smishney, this is Johnny Dollar. Hi, Ray. Johnny. Only I'm afraid he got here too late, Earl. Oh, what do you mean? Just a few minutes ago, before you got back here in a gully up on the West Meadow, way up where I dumped the trash. Do you know what I mean? Yes. Remember the bear cave I pointed out to you one day when you went up there with me in the jeep? You mean that bear got rolling off? No, but that's where I found him. Rolling off. Dead, Earl, dead. A bullet hole in the back of his head. Act two of yours truly, Johnny Dollar. In a moment of yours truly, Johnny Dollar question, was Misha Romanoff, the eminent constantine and it's murdered or was he shot accidentally up near the bear cave on the mountain back of the Lucky Four Ranch at Green Mountain Falls, Colorado. We went up there in Ray's Jeep. A careful inspection of the body in the gully in which he found it revealed nothing by way of clues. One thing, Johnny. Now, what's that, Ray? Like I told Earl, here I was planning to shoot that bear myself. Letting him get nice and fat on the garbage from the ranch. So what? What's that? He used to come down every day, regular as clockwork, and tip over the pals and gorgeous. Well, what are you trying to say? It's been over a week now since I've seen him. Well, I don't see what you're getting at, Ray. Well, it could mean only one thing, Earl. Somebody else got to that bear before I could. And it must have been some time before Romano disappeared. That's right. So his being killed here couldn't have been accidental by somebody gunning for that bear. Look here, Johnny. This cartridge case I picked up. Oh, okay. Yes. 200 and. 57 Roberts. Where'd you find it? Behind that tree there down the slope. You know anybody around here who shoots a.257 Roberts? All the hunters in these parts use a.30 aught six or a.270 or a 30. 30. Only 257. Well, what's the matter, Ray? You look sick. Yeah. There's a.257 up in the Rolanoff cottage. And one of the girls, she's a pretty good shotgun, Ray, you know what you're saying? Which one, Ray? Olga? Maria, Ada? No. No, I won't do it, Johnny. I won't accuse law. This is no guessing game. This is murder. No, Johnny, I can't believe it. Not one of them. Besides, look, I gotta drive into Colorado Springs, notify the coroner and the police. But if you know something that'll help us. No, no, Johnny. Because if I was wrong, I'd never forgive myself. Don't you understand? All right, Bill, do you know the way up to the RO Place? Yes, darling. Road all right for my car, Ray? Yeah, yeah, it's okay. Then let's go. Hey, take it easy. Your own. This road isn't much wider than the car. I know it. Rolandov Cottage is right up in that clearing, middle of that big meadow. You know those daughters, stepdaughters. You figure which one of them might have wanted to kill Ronanov? Oh, no, Johnny, no. Who's a beneficiary of his policy? Well, it's a very unusual policy. What do you mean, unusual? There's no beneficiary specifically named. What? Beneficiary or beneficiaries are to be the same as the heirs that are specified in ROV's will. Well, who? Nobody knows. Where is his will? Same answer. Well, now, look here. He's always made it very clear that his will would show up at the proper time. I assume, of course, his stepdaughters will be his heirs. Oh, but if they're not? Oh, this is a well enough cottage. Well, quite a lot of cottage. And just as nice on the inside as it is on the outside. Rollanov used to complain now and then about some of the feminine strippery all around him, but, well, he liked it. And you're sure they all got along well together? Of course, every family has a little spat once in a while. Johnny, Johnny, now listen to me. Well, we shall see what we shall see. I know that after what Ray said, the evidence kind of seems to point to one or all of them, but.

[Earl Foreman]

Well, yes. Oh, hello.

[Johnny Dollar]

To say the girl who stepped through that jaw was beautiful would be the understatement of the week. Tall and striking, dressed in something that looked like Schiaparelli or Christian Dior, as though she just stepped out of Charles at the Ritz. And if her two sisters were anything like this. Johnny, I said, this is the older sister, Olga Rolanov.

[Earl Foreman]

Johnny.

[Johnny Dollar]

Oh.

[Earl Foreman]

Oh, hi, Johnny.

[Johnny Dollar]

Hi.

[Earl Foreman]

Daydreaming? You're the investigator Earl told us about. Come in, won't you?

[Johnny Dollar]

Sure. Thanks.

[Earl Foreman]

Have you found out anything about Daddy?

[Johnny Dollar]

Olga, that's what we. No, no, Olga, we haven't.

[Earl Foreman]

Oh, dear, such a terrible.

[Johnny Dollar]

Oh, wait a minute, Johnny.

[Earl Foreman]

You wait, Ada. We have guests. Oh, Hello, Earl.

[Johnny Dollar]

Oh, hello, Ada.

[Earl Foreman]

And this good looking man is Johnny Darlett.

[Johnny Dollar]

Hi.

[Earl Foreman]

Hello. Oh, that's a nice warm welcome. Ada, why don't you go in and fix your hair, you look a fright. That plain old houseware. Really.

[Johnny Dollar]

What's that you're playing, Ada?

[Earl Foreman]

It's the last thing Daddy wrote. He wrote it frantically the morning he. It was almost as though he knew something was going to happen to him. Oh, come now, he had to write it before it did happen.

[Johnny Dollar]

Oh, where were you, Ada, the morning he left?

[Earl Foreman]

Right here, Johnny. Playing this for the first time ever since you've disappeared, I've been trying to figure that has some special meaning. Oh, Ada, that's such a silly idea. Is it?

[Johnny Dollar]

What did you mean by that, Olga?

[Earl Foreman]

Oh, it's really. Well, it's like a lot of other silly ideas she gets over her music.

[Johnny Dollar]

Yeah? Like what?

[Earl Foreman]

A lot of things. As though she should be the concert artist in the family instead of Daddy. Maybe now that he's gone I will be. I'll be greater than he ever was. Oh, sure, and I'll do it in memory of him. You'll do it for your own self glorification. I'm sorry, sir.

[Johnny Dollar]

That's all right. Incidentally, where were you that morning, Olga?

[Earl Foreman]

In Colorado Springs. I went shopping right after breakfast. Or rather window shopping. I need some new things so badly and, well, you know, I have to keep up with the child or I look like our poor little artist here.

[Johnny Dollar]

Where was your other sister, Maria?

[Earl Foreman]

I don't know. Oh, Ada, stop that. When I left the house, she and Ada were doing the dishes.

[Johnny Dollar]

Well, you weren't helping.

[Earl Foreman]

I told you, Johnny, I had to go into the spring.

[Johnny Dollar]

Oh yeah? Where is she now?

[Earl Foreman]

Oh, Maria's probably out in the hill somewhere tramping all he is right here, Olga.

[Johnny Dollar]

Hello, Earl. Well.

[Earl Foreman]

Oh, come in, dear. This is Johnny Dollar, the investigator Earl said that he was getting. So I see. Well, investigator, I saw two and I.

[Johnny Dollar]

Didn'T like what I saw. Maria was dressed in khaki shirt britches and honey hoops. And hanging in the crook of her arm was a high powered hunting rifle. Act three of yours truly, Johnny Dollar. In a moment. Act three of yours truly, Johnny Dollar and the three sister. How about aiming that rifle the other way, Marie?

[Earl Foreman]

Oh, sure, I'll set it down the corner, sensei.

[Johnny Dollar]

Needless to say, better let me see it, huh?

[Earl Foreman]

I told you. Are you a hunter too, Johnny? You talked as if you were, dear.

[Johnny Dollar]

I am, Maria. Do you do a lot of shooting?

[Earl Foreman]

Shooting? Yes, killing. Stamping around These mountains blazing away at anything that moves just for the sake of.

[Johnny Dollar]

How about that, Maria?

[Earl Foreman]

Gives me something to do. Kind of a relief. What else is there to do in this God forsaken place?

[Johnny Dollar]

Have you any other guns too that.

[Earl Foreman]

I use for plinking? We all use it. Why?

[Johnny Dollar]

I want to see that one you put in the corner, Maria. Sure.

[Earl Foreman]

And please don't start waving it around the way you did. Here you are. Why are you so interested in it?

[Johnny Dollar]

Oh, I pretty odd six.

[Earl Foreman]

That's right, Johnny.

[Johnny Dollar]

And your only other one is a.22. That's right.

[Earl Foreman]

Surprise.

[Johnny Dollar]

That's no.22 up there.

[Earl Foreman]

Over there, that's daddy.57.

[Johnny Dollar]

Oh, get it down for me, Maria.

[Earl Foreman]

Why? And why all these questions, Johnny?

[Johnny Dollar]

Better tell them, Johnny. Yeah, I guess.

[Earl Foreman]

Tell us what?

[Johnny Dollar]

We. We found your father's body, Johnny.

[Earl Foreman]

You can't use that.

[Johnny Dollar]

I'm sorry. He was shot by a high powered rifle.

[Earl Foreman]

Wait. Where is it? This is terrible. Johnny. Tell me, what are you crying for, Olga? I suppose you're glad, Maria, because now you can do what you please. No more of those boring concert trips.

[Johnny Dollar]

All over the world.

[Earl Foreman]

No more of this God forsaken place, as you call it. I suppose you're glad because now you'll have money, fancy clothes, Europe, the Riviera, South America. Men.

[Johnny Dollar]

Men.

[Earl Foreman]

Duck. Stop talking like that. Why? Because it's true? No, because it's. Ada. For heaven's sake, stop saying that thing.

[Johnny Dollar]

Over and over and over.

[Earl Foreman]

What are you trying to do? Drive us out of our mind? You know, I'm trying to find out why Daddy wrote it. What compulsion made him feel he had to write it before he left that morning.

[Johnny Dollar]

Hey, wait a minute.

[Earl Foreman]

Well, all I have to say.

[Johnny Dollar]

Wait, I said. What is it, John? Ada, get back to that piano.

[Earl Foreman]

What?

[Johnny Dollar]

Sit down. Play that thing again. Now play it slowly. Stop. Donnie, what under the sun are you doing? Listen, Earl, the notes on the piano run from A to G like this. Don't you see? The first three notes of that thing she's been playing are a D, A. Listen. A D, A. Yes.

[Earl Foreman]

Oh, now wait a minute.

[Johnny Dollar]

The rest of it now, quickly. D, E, F, A, C, E. Deface. E, D, E. Edge. C, A, G, E. Cage. D E, D. Bed. Ada. The face Edge. Cage. Bed. The canary cage. Right. And that's exactly what I'm going to do. Tear out the base of that cage.

[Earl Foreman]

Will somebody please tell me what this is all about?

[Johnny Dollar]

Hey, look here. Look. It has a false bottom. Yes. Look what's in it. Hidden there. Last will and testament of Misha Romanov. What? What does it say, Johnny? That note with it. Daddy's hand.

[Earl Foreman]

Johnny, what?

[Johnny Dollar]

Well, it looks like Roth put the finger on his killer.

[Earl Foreman]

Johnny. Johnny, what does it say?

[Johnny Dollar]

And my reason? Or deliberately omitting her from my will?

[Earl Foreman]

Omitting whom from his will? What are you talking about?

[Johnny Dollar]

Read on, Johnny, please. It's not only because of the self centered life she's always led. Not only because of her constant completely selfish extravagance.

[Earl Foreman]

I'm afraid that could apply to all of it.

[Johnny Dollar]

An extravagance which finally led her to forging my name on checks.

[Earl Foreman]

Who? Johnny.

[Johnny Dollar]

Then when I discovered that she was sneaking out and practicing with the old rifle that's kept over the map. The.257.

[Earl Foreman]

It was kept over the mano. Don't move. All right, so he cut me out of his will. If I can't have what I wanted, you won't have it either.

[Johnny Dollar]

Now look here, I'll go.

[Earl Foreman]

This gun holds five shots. I know because I reloaded after I killed him. Olga. And now you all know that I killed him. All right. One shot is for you, Maria. One is for Ada. One is for you, Earl. And one for Johnny. And that leaves one for me. So that when I finish, no one will ever know. I'll take you out of your mind. Maybe so. What difference does that make now? Cuz now there's no other way out for me. There's nothing else. I can't stand still. It's all of it. No, no, it's empty.

[Johnny Dollar]

It's empty.

[Earl Foreman]

But that won't stop me. That Maria's got. Not for you. Al you.

[Johnny Dollar]

Thank God somebody emptied the bullets out of that gun.

[Earl Foreman]

Yeah, Maria a and I, we didn't want to believe it. We tried not to. But I guess we knew that when Daddy disappeared she must have somehow. Somehow something like this might happen. And she did kill him. Yes, she did.

[Johnny Dollar]

Oh Johnny. Why? Why? What kind of a wine so twisted? Expense account. Total including fare Back to Hartford. 350. 120. Remark? None. Yours truly, Johnny Doll, our star will return in just a moment to tell you about next week's story. Star to tell you about next week's story next week. A beautiful girl, a model in fact, and unfortunately a model crime to go with her. Join us, won't you?

[Adam Graham]

Welcome back. I'd really been hopeful when Earl Poorman said at the beginning that he let Johnny judge for himself, that he would stick to that. But instead, when it came to be pretty clear that one of the stepdaughters had done it, he did the typical insurance agent thing of telling Johnny it can't possibly be that despite the fact that the reason you call on insurance investigators is at least in part because the agent may have too close of a relationship with the client and their family, it's also not really explained in this episode what Earl Poorman is doing in Colorado. Even if he had a long standing relationship with the family, it would be weird to bring the actual insurance agent as opposed to the investigator, all the way out to Florida. Although it does later get established that Earl moved, although I don't remember if it was to Colorado. Now, in this series, particularly in episodes written by Jack Johnstone, we've had a lot of things that get made up that don't actually exist. For example, Johnstone made up a couple of powerful poisons that are totally fictitious, and I'd never heard of a.257 before, but it is actually a real caliber and the first rifle that fired.257s was introduced in 1934. As John Abbott notes in his book the who Is Johnny Dollar Matter. Now, of course, Olga's plan to kill everybody has a big flaw, as illustrated by her statement stand still. This is not an automatic. This is a rifle in close quarters, and no one in that room would have anything to lose by charging. Even if there were bullets, I doubt she would have been able to kill everybody, but I think it suggested that her mind was a bit gone. At this point, I do have to give credit to Jack Johnstone for coming up with a message using the musical notes, because I have encountered fiction where the keys are supposed to send a message, but the way it ends up, they have letters that aren't musical notes as part of the message. Now, you can get away with that if you say that there's a code involved and so maybe a combination of certain notes equals a letter that's higher than the musical notes. But if you don't have that sort of explanation and you give some message that leaves me scratching my head and saying, okay, how did you get a cue out of the musical notes? Now we turn to listener comments and feedback and we go to our listener survey and we start with a comment from Natalie Perfection. Even when the audio is somewhat degraded, which is rare, as you do an amazing job restoring them, I still want to hear them and crave more. These old shows live Again. Johnny Dollar is my favorite find. Well, thanks so much. And unfortunately this week was a case where it was not the best sound quality, but we've heard worse. And then Another comment. Just simply great. Detectives love this. Well, I appreciate you taking the time to answer our listener survey and leave a comment. And that will actually do it for today. If you're enjoying the podcast, please follow us using your favorite podcast software. And if you're enjoying the podcast on YouTube, be sure to like the video, subscribe to the channel, and mark the notification bell. We'll be back next Friday with another episode of Yours Truly, Johnny Dollar. But join us back here tomorrow for Dragnet Ware.

[Maria Rolanov]

When he was ready to leave, he told me Harry had ordered the things on credit, so he didn't want to mention it, but he wondered how he could get payment for the watch and the pen and pencil.

[Johnny Dollar]

Well, he didn't show you a bill, did he? An invoice listing the price of the watch or the engraving that was done?

[Maria Rolanov]

No. And I didn't want him bothering Harry's mother or father at a time like this. I borrowed some money from my dad and paid him.

[Johnny Dollar]

Let's see. It's $48 for the watch, 30 for the pen and pencil center.

[Maria Rolanov]

Yeah. He gave me a phone number to call if the watch needed adjustment. And when I found the watch was a fake, I called the number. It was a Chinese laundry. They didn't know anything about it.

[Johnny Dollar]

You haven't seen or heard from this man since he left your house yesterday morning?

[Maria Rolanov]

No.

[Johnny Dollar]

Could you describe this man for us, Ms. Bergstrom? What he looked like, clothes he was wearing?

[Maria Rolanov]

What? It's right here in this slip of paper, Sergeant. I wrote it all out for you.

[Johnny Dollar]

Thank you. Well, you're not alone, if that's any consolation. There's an army widow out in Hollywood who's cheated on the same kind of deal last Friday.

[Maria Rolanov]

So cruel, using a dead person's name to cheat you.

[Johnny Dollar]

Yes, ma'am.

[Maria Rolanov]

How can anybody get lower than that?

[Johnny Dollar]

They keep trying.

[Adam Graham]

I hope you'll be with us then. In the meantime, send your comments to box13greatdetectives.net Follow us on Twitter at radiodetectives and check us out on Instagram. Instagram.com Great. Detectives from Boise, Idaho, this is your host, Adam Graham, signing off.