Episode 213:

In the spring of 1606, a new Ben Jonson play premiered, not on this occasion at the Blackfriars theatre performed by one of the child companies, but at the Globe and performed by the King’s Men. The reasons for why Jonson sold his play to the King’s Men are not completely clear. Having a play performed by the Kings Men was, of course, prestigious in itself, and some of his early plays had been performed by the Lord Chamberlin’s Men, but up to this point for his most recent plays Johnson had seemed to prefer using the child companies. It may be that the Children of the Queens Revels were wary of another Jonson play after the problems that ‘Eastward Ho’ had caused for the playwrights, or perhaps Johnson himself felt it would be wise to distance himself from that association and switching to the adult company was a way of doing that. Perhaps Jonson had seen the writing on the wall for the Children of the Queens Revels after they had got into trouble for a production of a play by John Day called ‘The Isle of Gulls’.

The dating and first performance of the play

The slow demise of the Children of the Queen’s Revels

Early performances of the play

A brief synopsis of the play

The prologue and the argument

The city comedy elements in the play

What the setting of the play meant to the English audience

The methods by which Jonson created the Venetian setting

The purpose of the subplot featuring three English tourists

The beast fable elements in the play

Deception and the influence of the gunpowder plot on the play

The satire of greed as the driving theme of the play

Class conflict in the play and it’s moralistic ending

The later performance history of the play

Support the podcast at:

www.thehistoryofeuropeantheatre.com

www.patreon.com/thoetp

www.ko-fi.com/thoetp

You can find an advertisement free version of the latest podcast episodes by joining on Patreon at the lowest paid tier level – that’s for just £1 per month.

Hosted on Acast. See acast.com/privacy for more information.