RQ Network Feed Drop – [REDACTED] S1E1: False Start (Part 1)

Summary

The Magnus Archives: RQ Network Feed Drop – [REDACTED] S1E1: False Start (Part 1)

Date: November 10, 2025
Host: Rusty Quill Feed featuring Kareem (intro)
Episode Type: Feed Drop/Guest Episode – Introduction to “[REDACTED]”
Genre: Horror, Procedural, Comedy-Drama

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Episode Overview

This episode of The Magnus Archives features a feed drop introducing the pilot episode of a new audiodrama, [REDACTED]. Created by the teams behind "The Grotto" and "The Seller Letters," REDACTED is a “Monster of the Week” horror-comedy audio drama, centering on Jacob Kane—a struggling actor who, after the mysterious death of his twin brother, accidentally steps into his brother’s life and joins a clandestine agency dedicated to containing supernatural beings and phenomena. The story deftly blends sharp wit, emotional depth, and genre-savvy commentary on creative struggles, all while introducing the central mystery and setting the stage for paranormal intrigue.

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Key Discussion Points & Story Breakdown

1. Introduction to [REDACTED] and Its Format

• Kareem, familiar from the Magnus Archives, sets the scene:
  • [00:00] “Today I’m here to introduce you to a brand new show on the RQ Network, Redacted, a procedural Monster of the Week audio drama... following the death of his twin, failing actor Jacob Kane assumes his late brother’s life in hopes of a fresh start.”
• Athen (creator of [REDACTED]) highlights the structure:
  • [01:03] “This is the first part of our pilot episode of our Monster of the Week horror comedy. Part 2 and 3 are out now...”

2. Jacob Kane’s Struggles & Audition

• Jacob phones his mom after a traumatic car accident, conveying both guilt and emotional weight.
  • [01:23] “It’s dad. He didn’t make it… Who was driving? Well, I was, but it’s not my fault…”
• The reveal: The “confession” is an audition scene, not reality.
  • [02:24] (Eli Reyes, director): “Thank you, Jacob, that was great. But did you prepare any of the material we sent you?”
• Jacob objects to the script, branding it “pedestrian,” seeking a deeper portrayal:
  • [02:48] “Look, I get that there’s a vision and all, but the lines that were sent to me were just so pedestrian.”
  • [02:55] (Eli Reyes): “You are aware that the writer is sitting at this table, correct?”

3. Daily Struggles and Jaded Ambitions

• After failing the audition, Jacob vents with friend Eli at a diner, exposing his fragile financial situation and creative frustrations.
  • [04:24] (Eli Reyes): “You mean, like, I don’t know, an actor then?”
  • [04:34] (Jacob): “I prefer to look at it as having artistic integrity.”
  • [04:39] (Eli Reyes): “All of that, whatever that is, it doesn’t pay the bills, Jacob.”
• Jacob’s resistance to “survival jobs” becomes a recurring jab:
  • [05:14] (Jacob): “Like a job?”
  • [05:15] (Eli Reyes): “Yeah, like a job.”
• Comic moment as Jacob utterly misunderstands what “supply chain management” means:
  • [05:43] (Jacob): “This whole time, I thought you supplied chains to management… bike shops, stuff. Places that need chains.”

4. Character Depth: Family, Loss, and Twin Identity

• The conversation shifts to heavier themes—Jacob's estrangement from his twin, Jordan, and recent death of their mother.
  • [07:12] (Eli Reyes): “Do you need a lift to the cemetery tonight?”
  • [07:14] (Jacob): “Nah, I’ll walk over later… Mom’s been gone a week now and still nothing. From Jordan?”
  • [07:32] (Jacob): “About two years. I just thought he would show up for something like this… Towards the end, there were nights where my mom would actually call me Jordan."
• Jacob’s vulnerability and guilt surface:
  • [08:09] (Jacob): “I would actually play along sometimes… I thought it could actually make her proud.”
  • [08:16] (Eli Reyes): “No, Jacob, don’t. You can’t go there. Don’t do that… she was proud of you…”

5. Financial Crisis and Dark Humour

• Jacob receives a call from his angry landlord, Phil, about overdue rent.
  • [09:01] (Jacob): “Landlord.”
  • [09:25] (Jacob): “Look, I’m sorry, okay? I’m a few months late. I’ll have your money soon.”
• The discussion is laced with the show’s signature humor:
  • [09:02] (Eli Reyes): “Oh, that’s awesome. I didn’t realize you auditioned for a landlord. That’s incredible.”

6. Confrontation, Mystery, and Sudden Violence

• Tension ramps up at the cemetery when Jordan, Jacob's long-lost twin, finally appears—seemingly on the run and embroiled in something nefarious.
  • [14:41] (Jacob): “All you have to say to me is get out? Why are you even here?... Where the fuck have you been?”
  • [15:36] (Unknown Thugs): “Roll down the window.”
  • Jacob is warned by Jordan to keep quiet and not reveal his name to strangers.
  • [15:58] (Jacob): "We're in a cemetery, asshole."
• Chaos erupts as violence breaks out:
  • [16:21] (Jacob): “Who are you? Is your belt on? What? No, it’s not. Christ Jordan—did you just run him over?...”
• Jordan tries to protect Jacob, pressing cash on him and insisting he disappear:
  • [17:16] (Jordan): “There’s about 800 bucks cash below the seat. Use that to get away.”

7. Accident and Identity Twist

• Amid confusion, Jacob is left injured—briefly cared for by EMTs.
  • [20:00] (EMT Jody): “Hi, I’m Jody. I’m an EMT. We’re taking care of you. Sir, can you tell me your name?”
• Jacob, possibly to protect himself or in a moment of confusion, gives the name of his dead twin:
  • [20:18] (Jacob): “Jordan. My name is Jordan.”
• Cliffhanger: The lines between who Jacob is and who he’s becoming are blurred, driving the series’ premise.

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Notable Quotes & Memorable Moments

• On Creative Integrity:
  • [02:48] Jacob: “Look, I get that there’s a vision and all, but the lines that were sent to me were just so pedestrian.”
  • [02:55] Eli Reyes: “You are aware that the writer is sitting at this table, correct.”
• On Twin Confusion and Grief:
  • [07:32] Jacob: “About two years… Towards the end, there were nights where my mom would actually call me Jordan.”
• Deadpan Comic Banter:
  • [05:43] Jacob: “This whole time, I thought you supplied chains to management.”
• On Familial Guilt:
  • [08:09] Jacob: “I would actually play along sometimes… I thought it could actually make her proud.”
• On Identity and Escape:
  • [20:18] Jacob: “Jordan. My name is Jordan.”

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Important Timestamps

• 00:00-01:03 — Kareem’s intro and show context
• 01:23-02:24 — Jacob’s “audition” and reveal
• 04:13-06:35 — Diner banter about ambition, financial struggles, and comic misunderstandings
• 07:12-08:27 — Conversation on family grief, twin estrangement
• 09:01-10:06 — Landlord confrontation with dark humor
• 14:41-16:39 — Cemetery confrontation with Jordan; sudden threat appears
• 17:16-20:00 — Car accident, chaos, EMT intervention
• 20:18 — Jacob claims to be Jordan, setting up identity thread
• 20:38-21:15 — Credits and episode wrap

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Tone & Style

The episode deftly balances snarky, quick-witted dialogue with authentic expressions of grief, sibling rivalry, and existential malaise. There’s genre awareness and dark comedy, juxtaposed against moments of genuine peril and emotional rawness. The pacing is brisk, mirroring a television dramedy pilot.

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Summary Takeaway

This premier of [REDACTED] functions as a layered introduction: it gives listeners both a meta-narrative about creative self-doubt and a pivotal, engaging setup for a supernatural procedural. The blend of horror, comedy, and emotional realism promises depth, while the cliffhanger ending leaves stakes high—perfect for fans of The Magnus Archives and newcomers alike.

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Next Steps:

• Listen to Parts 2 and 3, available now
• More information at theredactedunit.com or rustyquill.com

Transcript

[Kareem]

Hi, everyone. It's Kareem, the voice of Simon Fairchild in the Magnus archives. Today I'm here to introduce you to a brand new show on the RQ Network, Redacted, a procedural Monster of the Week. Audio drama from the creators of the Grotto and the seller Letters. Following the death of his twin, failing actor Jacob Kane assumes his late brother's life in hopes of a fresh start. Instead of finding stability, Jacob finds himself working within the Redacted Unit, a covert agency tasked with containing impossible creatures and phenomena. Each week, they'll face up against a different threat or aberration. In this first episode of Redacted, we meet Jacob as he unwittingly becomes entangled in a world of paranormal forces and secret agendas. Starring familiar names and voices, including Jamie Petronis, Athen Jeffrey Reddick, Nathan Lunsford, Harlan Guthrie, and more, new episodes of this series release weekly. Find them by searching for Redacted wherever you listen to podcasts or by clicking the link in the show Notes. For more information, visit theredactedunit.com or www.rustedquill.com. have fun and enjoy the episode.

[Eli Reyes]

Hello, my name is Athen, and this is the first part of our pilot episode of our Monster of the Week horror comedy. Part 2 and 3 are out now, so once this is over, you can check out the links below or visit theredactedunit.com for.

[Jacob Kane]

Hey. Hey, Mom. Yeah, yeah, I know it's late. I'm sorry. I just wanted to call you before the police do. There's been an accident. No, no, I'm fine. A couple of scratches, but. Mom, are you sitting down? Yeah, I think it would be best if you did. It's dad. He. He was thrown from the car. He must not have had his belt on. Mom, dad is. He didn't make it? Who. Who was driving? Well, I was, but it's not my fault. Mom, it's raining and the car just started sliding, and I. No, no, mom, please. Mom, please. Please don't go. Mom, please.

[Eli Reyes]

Thank you, Jacob, that was great. But did you prepare any of the material we sent you?

[Jacob Kane]

So I looked it over. I just don't think that it really resonated with the character. None of the dialogue really showed the gravitas that I think he deserves.

[Eli Reyes]

Jacob. Jacob, we appreciate the care put into your craft, but production really has a singular vision for this character.

[Jacob Kane]

Look, I get that there's a vision and all, but the lines that were sent to me were just so pedestrian.

[Eli Reyes]

You are aware that the writer is sitting at this table Correct.

[Jacob Kane]

Hey, I am sorry. Look, I didn't mean anything by it. All writers have to start somewhere, right?

[Eli Reyes]

Jacob, we can't use alternate dialogue. The script is locked. We need to hear the lines as written. If you could please just start again with the provided material whenever you're ready.

[Kareem]

Sa.

[Eli Reyes]

Okay. So you didn't do the audition then?

[Jacob Kane]

No, I did do. Just wasn't what they wanted. They wanted some brainless nobody to recite their amateur script exactly as. Right, right.

[Eli Reyes]

Okay, yeah. You mean, like, I don't know, an actor then?

[Jacob Kane]

Look, if they wanted an actor, I would have heard back by now.

[Eli Reyes]

You do realize how pretentious you sound when you get like this, right? Like, you have to hear that, right?

[Jacob Kane]

I wouldn't call it pretentious, per se. I prefer to look at it as having artistic integrity.

[Eli Reyes]

Okay, well, yeah, all of that, whatever that is, it doesn't pay the bills, Jacob. And also, I don't think it's even possible to say per se without being pretentious, so.

[Jacob Kane]

Look, I'm not gonna waste my time reciting derivative bullshit for a part as an unnamed victim on some random crime scene.

[Eli Reyes]

The character could have come back in future episodes and it would lead to more work.

[Jacob Kane]

No, I read the script. That character is dead before the theme song plays.

[Eli Reyes]

Okay, fine, then. I don't know. Have you given any thought to picking up some, like, side work or something, you know, to subsidize your artistic integrity, you know?

[Jacob Kane]

Like a job?

[Eli Reyes]

Yeah, like a job.

[Jacob Kane]

I don't know, man.

[Eli Reyes]

Look, I know it's rough, but you can have a day job and still make time for acting. I mean, look, my job never stopped me from doing music. I'm able to do both.

[Jacob Kane]

Yeah, about that. What is it that you even do, Jacob?

[Eli Reyes]

You. You know this. I'm in supply chain management.

[Jacob Kane]

Right? Yeah, I know. We talked about it. But, like, what does. What does that mean?

[Eli Reyes]

Is it not obvious, Jacob? I. I manage supply chains.

[Jacob Kane]

This whole time, I thought you supplied chains to management.

[Kareem]

What?

[Jacob Kane]

I don't know, like bike shops, stuff. Places that need chains. You're.

[Eli Reyes]

You're kidding, right?

[Kareem]

Hi.

[Jacob Kane]

Who had the blt?

[Eli Reyes]

Oh, right here. Thank you.

[Jacob Kane]

You bet.

[Eli Reyes]

So you had the egg.

[Jacob Kane]

That's me.

[Eli Reyes]

The egg.

[Jacob Kane]

Thank you. Of course.

[Eli Reyes]

Enjoy. See? Did you just order one egg? Yeah, just one singular egg.

[Jacob Kane]

Struggling artists, remember, homie, I'm buying.

[Eli Reyes]

You can get more than one egg. You know that, right?

[Jacob Kane]

Look, you don't need to do that.

[Eli Reyes]

Apparently I do. Otherwise, you're gonna order breakfast like a weirdo. Now you're done. You're already done. And now you're just watching me eat. No, I'll.

[Jacob Kane]

I got it. Fine. Thank you.

[Eli Reyes]

You're welcome. I don't mind. Honestly, it's. It's more for me than you anyway. I come here a lot. Like.

[Kareem]

Right.

[Eli Reyes]

This is one of my favorite spots. And you're kind of embarrassing me.

[Jacob Kane]

Okay.

[Eli Reyes]

With your egg.

[Jacob Kane]

Okay.

[Eli Reyes]

Single. Single egg.

[Jacob Kane]

You might be right about that survival job, by the way, with mom and everything. I could probably use a change of pace. At least for a little while. Hey, is your place hiring?

[Eli Reyes]

No. No. You would. You would hate supplying Jane's. The links and the hooks and the hoops and stuff. But. But I can help you with your resume. I mean, I know all the corporate buzzwords.

[Jacob Kane]

Right.

[Eli Reyes]

We can knock it out. It'll be super easy. Promise.

[Jacob Kane]

Thanks. Yeah. Might take you up on that.

[Eli Reyes]

Do you need a lift to the cemetery tonight or. You said.

[Jacob Kane]

Nah, I'll walk over later. Thank you, though. You know, it's really crazy. Mom's been gone for a week now and still. Still nothing. From Jordan?

[Eli Reyes]

Yeah. When was the last time you talked to him?

[Jacob Kane]

About two years. I don't know. I don't know. I just thought he would show up for something like this. Yeah, so did Mom. You know, towards the end, there were. There were some nights where my mom would actually call me Jordan.

[Eli Reyes]

Well, I mean, you guys are twins. And she was really confused at the end. Makes sense that she would get you two mixed up, but. I know it's hard, you know?

[Jacob Kane]

Yeah. Yeah, I know it isn't right.

[Kareem]

But.

[Jacob Kane]

I would actually play along sometimes. I don't know. I thought it could actually make her proud.

[Eli Reyes]

Okay, no, Jacob, don't. You can't go there. Don't do that. You know, she loved you. And everybody could tell she was proud of you. I mean, she talked about it all the time. You don't. Don't do that.

[Jacob Kane]

It was still different with him. She would constantly bring him up, wondering how he was doing. She missed him. I. I still miss him. He's still my brother.

[Eli Reyes]

I know. And I'm. I'm sorry. Really. Oof. It's looking. It's looking pretty bad out there, dude. You're sure you don't want to run?

[Jacob Kane]

Dude, I'll be fine. I'm not a child.

[Eli Reyes]

Are you sure? Cuz you sort of eat like one, so.

[Jacob Kane]

Oh, shit.

[Eli Reyes]

Oh. Who is it? Casting? Maybe. Maybe you got the part? Possibly.

[Kareem]

Nope.

[Jacob Kane]

Landlord.

[Eli Reyes]

Oh, that's awesome. I didn't even realize you auditioned for a landlord.

[Jacob Kane]

That's. That's.

[Eli Reyes]

That's incredible.

[Jacob Kane]

Fucking idiot. My landlord. Should I pick it up?

[Eli Reyes]

Um, yeah, probably.

[Jacob Kane]

Jacob Kane. Hey, Phil, how are you? Whoa, whoa, whoa, whoa, whoa. Slow down. Take it easy. Yes, yes, that is correct.

[Eli Reyes]

He sounds mad.

[Jacob Kane]

Look, I'm sorry, okay? I'm a few months late. I'll have your money soon.

[Eli Reyes]

Jacob.

[Jacob Kane]

I actually had a big audition today that I think went really shitty.

[Eli Reyes]

Well, it did not go well.

[Jacob Kane]

I'll have the rent in no time. Will you? I don't think you will. Whoa, let's not get too hasty, Phil, please calm down. Okay? Okay, I'm on my way. I'm right down the street. I'll be there in one minute. Don't do anything. Bye. Bye.

[Eli Reyes]

So, how do we think that went?

[Jacob Kane]

Oh, great. Just great. He said he's about to chain up the door to my apartment. Wonder who supplied him with that. Fucking asshole. I need to go. Cool.

[Eli Reyes]

Do you want me to, I don't know, order you an egg to go?

[Kareem]

Maybe.

[Eli Reyes]

Maybe you'll get hungry later. Or maybe he wants an egg. I don't know. He seems like an egg guy.

[Jacob Kane]

Possibly. Wait there. No, I ate.

[Eli Reyes]

Yeah, my food.

[Jacob Kane]

I'll talk to you later. Okay. Thanks for the feast.

[Eli Reyes]

Yeah. See ya. Wait, Jacob, before you go, you know I have your back, right? Like, no matter what happens, I'll. I'll cover for you if need be. You. You know that, right?

[Jacob Kane]

Yeah. Okay. This slow ass elevator. I don't have time for this. Whoa, whoa, whoa, whoa. What are you doing? What does it look like I'm doing? Changing your locks. Yeah, I can see that. But why? You know why. Look, I'm really sorry. Just give me. Give me a little more time. You know I'm good for it. It's quite evident that you are not good for it. You're behind three months. I know. I. I've just been dealing with a lot. My mom. I don't care about your mom.

[Kareem]

But.

[Jacob Kane]

But she's dead. Unless she left you a little cash to pay the rent, I don't give a shit.

[Eli Reyes]

That.

[Jacob Kane]

I didn't mean it like that. I am sorry for your loss, but that doesn't change anything. With this. Come on. Quit looking at me that way. Fine. You know what? Fine. I'll give you two weeks. Two weeks. Perfect. Two weeks to get me everything you owe. Should not be a problem. Not. Not a problem at all. Thank you so much. I'll have the money for you very soon. No worries at all, Phil. Not a problem. Yeah, right. Two weeks. Two weeks. Two Weeks. This is going to be a problem. Hey, Mom. I'm gonna have to cut this short. Really sucks out here. I brought flowers this time, but they're just gonna blow away. I'll bring them back next time. Should have taken Eli up on that ride. I had another audition today and got another rejection. They were a way tougher audience than you were. I'll never forget how I used to film those stupid little plays I would put on in the living room. You'd tell everyone I was going to be the next De Niro. You were always my biggest fan. And look where I am now. My biggest role is still that car insurance commercial where I had that one line. But what about my deductible? I think I need a reset. I don't want to be known as that guy who almost booked the Hulu show or Jacob, who needs a loan to cover rent. I keep trying to convince myself this is just a rough patch, but maybe it's just. Maybe it's just my life. Eli is still trying to convince me to pick up a steady day job. As agonizing as that sounds, I'm just not sure if that will be enough. Hello? Who's there? You. Hey. Stop. I know it's you. Talk to me.

[Kareem]

Damn.

[Jacob Kane]

Is you. I knew I saw you. You need to get out of the car now. Are you kidding me? Jordan. Jacob, get out. I can count on one hand the number of times I've seen you in the last seven years, and all you have to say to me is get out? Why are you even here? Is your guilt finally catching up with you? I did, too. She kept asking for you, you know. Where's Jordan? Is Jordan coming? I had to lie to her. Tell her you were on your way, that you. That you got held up. Hello? This is the part where you explain things to me. Where the fuck have you been? I'm sorry, Jacob. Oh, okay. Then I guess if you're sorry, I'll just hop on out and go back to taking care of everything on my own. That beard looks stupid, by the way. Just get out.

[Kareem]

Shit.

[Jacob Kane]

Kane, we just want to talk.

[Eli Reyes]

Roll down the window.

[Jacob Kane]

Uh, who are these people? Listen to me. Whatever happens next, keep your face down. Don't tell them your name. Don't tell him. What the hell are you talking about? Whatever Hargrove wants, it can wait. Hargrove disagrees.

[Kareem]

You're out of time.

[Eli Reyes]

Aw. Did this guy bring you flowers?

[Jacob Kane]

We're in a cemetery, asshole.

[Eli Reyes]

No, no. That kind of name calling is uncalled for.

[Jacob Kane]

Who's this with you, he's nobody. A friend of a friend who knew my mother.

[Eli Reyes]

A friend of a friend, really? Hey, buddy.

[Jacob Kane]

Who are you? Is your belt on? What? No, it's not. Christ, Jordan, did you just run him over? Jesus fucking Christ. Oh, my God. Oh, my God.

[Kareem]

Oh, my God.

[Jacob Kane]

You just fucking hit that guy. What do we do? What do we do? Oh, fuck. Oh, fuck. Oh, fuck. Oh, fuck. What the fuck is going on? Jordan, listen to me carefully. I need to drop you off somewhere far away from here. You cannot come back. What are you talking about? Who are those people? There's no way I can explain it to you. You need to trust me. This is for your own good. Trust you? Jord, I barely even know you. There's about 800 bucks and cash below the seat. Use that to get away. Stop. I'll drop you off it. Tell me what's going on. I told you, I can't. That isn't good enough. I want to answer. Stop interrupting me. Tell me what's going on. Look out. Ow. Jordan, are you good? God damn it. Oh. Jordan. Jordan. Help me open this. Hang on. The door's stuck. Jacob, you need stay with me. I'm gonna get you out of here. Can you roll down the window? You gotta watch your back. My job. Fuck. This is all my fault. My job. Okay. It's fine. I'll use your briefcase. Look away. Stupid window. Come on. I'm sorry. No, don't apologize. You can apologize after we get you out of the car. Jordan, you still haven't told me where the fuck you've been. You can't just get out of it. Jordan. Jordan, please. Jordan, wake up. Jordan, wake up. Jordan, please. I just got you back. Just wake up.

[Kareem]

Please.

[Jacob Kane]

Please. Wake up and prep for intubation. Stats drop below 92. Where. Where am I? Sir, you were in a serious accident. You're lucky.

[Eli Reyes]

Most folks in a crash like that.

[Jacob Kane]

Would be done for. The only thing we recovered was your briefcase, Officer.

[Kareem]

What?

[Jacob Kane]

The only thing. My brother. My brother was driving. I have to get him. I. Sir, you need to sit still. You're in an ambulance. You're safe. Take a deep breath with me. Okay?

[Kareem]

Okay.

[Jacob Kane]

Shit. Hi, I'm Jody. I'm an emt. We're taking care of you. We're in the ambulance on the way to the hospital. Sir, can you tell me your name? My name?

[Eli Reyes]

Yeah, like a job.

[Jacob Kane]

Singular vision. Jordan. My name is Jordan.

[Eli Reyes]

Thank you for listening to the first part of our premiere episode of Redacted. Starring Jamie Petronas as Jacob Cain. Athena as Eli Reyes, Dan Morris from Fearzine as the strict producer and Jeffrey Reddick from Final Destination as the anxious screenwriter Karen Neat as the server and James Spurny as Phil the landlord. Nathan Lunsford from the Storage Papers plays Jordan Cage. Harlan Guthrie from Malevolent plays one of the thugs, and Zoe D. Lee plays the other thug. Ben Akira Spencer as the officer and Joanna Descalite as Jody the paramedic. Thank you for supporting the show. Part two starts right now.

[Kareem]

You can listen to the next episode of Redacted right now. Just click the link in the description or search for Redacted wherever you listen to podcasts. For more information, visit theredactedunit. Com or www.rustedquill. com. Thanks for listening.