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Freddie Wong
Is Freddie Wong from Dungeons and Daddies and this episode is sponsored by Rocket Money Houston off Houston. We have a problem and that's too many subscriptions that I don't know about because I like to put my credit card number into sights just for the sheer thrill of it. That's the fundamental problem of the Internet and money. And Rocket Money is here to solve that. Rocket Money is a personal finance app that helps find and cancel your unwanted subscriptions, monitors your spending, and helps lower your bills. You can see all those subscriptions that you've accrued over a lifetime of putting your credit card in on the Internet in one place. If you don't want them, just cancel them with a few taps. Rocket Money can help with that. Rocket Money's over 5 million users and has saved a total of $500 million in canceled subscriptions, saving members up to $740 a year when using all the apps Premium Premium features Stop wasting money on things you don't use. Cancel your unwanted subscriptions by going to rocketmoney.com cancelsubs that's rocketmoney.com cancel subs, not.
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Hi, we are here to talk to you about Sucrobay, a perfumery we love so much. They have not one but two official the Magnus Archives perfumes, one inspired by John and Martin and another inspired by the mysterious Ex Altiora, a book from the library of Jurgen Leitner. Sucrobay also make official perfumes for our friends over at Old Gods of Appalachia, including Blood and Bone and Unknown Roads. You should check them out. Sucrobe is a women owned and operated perfumery that is vegan and cruelty free, witchy and sometimes irreverent. Expect perfumes like you're in a culture. Call your dad or vodka and swearing the ever popular Chloroform or Papa's Waffles. Sucrobae do a range of exciting and unique fragrances you won't find anywhere else. They broadly fit into the following five classic scents that pass the test of time. Goth scents for those who like it dark and mysterious, witchy scents that are mysterious and potiony. Nerdy scents for for all the self professed nerds out there and femme scents, the classically floral and sweet scents, but we recommend them for anyone of any gender. Sucrobase Small batch perfumes are not like any other. You can find out more by going to www.rustedquil.com perfume that's rustyquill.com P E R F U M e Also you can join the supportive and kind Sucrabay community with with over 18,000 members on facebook@facebook.com groups Sucrobay that's s U C R E A B E I L L E.
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The last one to speak by James Tomasis the host is snapping their fingers. They are snapping at you. There you go, number nine. It's about time. What? What is that look? Did you think all of this would end simply because you passed out? Are you a child? Close your eyes and it all goes away. If you can't see me, I can't see you. Unbelievable. It really is true what they say about you. The game show host looks like a game show host. There's no other way to describe them. They look like somebody took every single game show host you've ever seen throughout your whole life, even in passing, and stitch them together to make this thing. Let me remind you and the others here that this is a game show. The most important part of what's left of your life is performance. Our commercial break is almost over, so put on your best face and smile for the cameras. There are no cameras around this stage and there are no people in the audience stands, just sheets and sheets of printer paper floating with unnerving stillness. Three holes punched through each in a mockery of human countenance. If only to not see the not crowd for a moment. You venture a glance to your right. Your co stars for Today's show, number four and number 38, are both smiling frantically, eyes darting around for a camera that will not reveal itself. To the left, your co star, number 16, has not moved in a couple of broadcasts now. Back on air in 3, 2, 1. And welcome back, viewers and non viewers, contestants and those yet to be. Ladies, ladies and gentlemen, and that technicolor spectrum beyond and in between, let us have a round of applause for our lucky contestants. The host's voice flips from haughty contempt to a more stereotypical television announcer's timbre. In an instant, the crowd bursts into monotonous activity. And rather than applause and cheers, the paper cutouts that represent the crowd simply chant the words clap, applause and cheer, their intonation as flat as the papers their face holes are punched into. Now then, number 4, number 9, number 16, and number 38 for your next question. These questions aren't fair. Just let us go. Number four, who stands with their hands stapled to the podium in front of them, interjects desperately, and you cannot help but wince. Now it will be worse for all of us. Ah, an interruption from number four, everybody. Such drama, such timing. So unsurprising. Isn't that right, folks? The not audience responds with a rolling wave of the word laughter. And once it has passed, the host continues. Now none of you would think this was unfair if you had just prepared like you were supposed to. Now you have 30 seconds to tell me the incredibly simple answer to the question, what is love? Number 38 whimpers audibly far off to your right as the sound of a grandfather clock ticks and tocks from unseen speakers. They know just as well as you that there is no correct answer. None that any of you could possibly guess. This host has had the lot of you on this stage for an uncountable number of days at this point, and in that time, not a single contestant had answered a question correctly. One could not even guess what answers this host had in mind, or if it had a single thing in mind other than hurting all of you. A blaringly loud air raid siren plays for just a couple of seconds before it suddenly cuts off and the small screens on the front of everyone's podiums light up. It seems your time is up. Now, let's see those answers. Number four. Love is hope. Hope? Really? Do you think you are clever? Milk a little bit of sympathy from the crowd. Was that the hope? Disgusting. Not even a smart play at virtue. Wrong. Next is number nine. Yes, you. Your answer. Love is nothing. Again, number nine. Only way to win is not to play. Is that it? Well, this won't go your way and we'll get back to you and your persistent lack of motivation in everything that you do. Moving on to number 16. Ah, it seems number 16 has stopped. Well, that's a shame. We'll remove them during the commercial break. Now then, number 38. Love is that feeling when you seriously. This is unbelievable. You see, this is exactly why each and every one of you are here. The host steps down from their podium and each one of its clicking steps would be cause for retreat. Where you're not stapled to your podium. They come to a stop right in front of you, as if you are personally responsible for the sum total of their disappointment. They look you dead in the eyes with whatever it is in their skull that they are trying to pass off as eyes. The host's voice slithers out of its announcer's facade back into its natural mocking state as it speaks. The answer, of course, is that love is a lie, obviously. Oh, glaring now, are we? Please, since this is apparently so confusing to all of you, repeat after me. Everyone who has ever told me they love me was lying. Got it? No. Ugh. We're being prideful now. Taciturn to the bitter end, are we? But you know I am correct. All four.
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All three of you knew that, of course. That's why you're all here. Because you deserve this. But the most Pathetic. Part of all of this is that all of you think you've ever loved anyone you've never loved. And I have proof. The Host whips around and takes three steps from you before stopping. Oh, but first I asked for an extremely simple answer to my question. Number 16 stopped, so they are out. Number four. Well, not clever at all. But one word is simple, so you get to stay. Number nine is a spoil sport. But no answer is still a simple answer. And I'm not done with you yet. Number 38. On the other hand, I'm afraid that if you don't understand the rules by now, you never will. You will have to join the audience. You sneak a glance over at number 38, who has blanched and gone as still as the podium they're attached to. You want to look away as the host approaches number 38, but you cannot. Instead, you close your eyes as tight as you can just to realize that what was once your own private personal darkness, your escape from the horrors that exist beneath the stage lights, has been invaded by the Host as well. Even with your eyes tightly shut, you clearly see the Host as it reaches its hand, its wrist, its forearm, all the way up to the elbow, down its own throat. How much of a blessing it would be for you to not hear the crinkling of paper that scrapes up the thing's throat before emerging from its mouth, perfectly dry and impossibly flat. What a miracle it would be if you could turn your head and block out the muffled screams of number 38 as the paper begins to cling to, then hug, then smother their face. The sounds of cheers and applause and clap reach your ears cacophonously, but do nothing to block out the sound of number 38's body folding itself in half, over and over and over and over and over again until it fits right behind the 8 by 11.5 inch sheet of paper that covered their face. As number 38 flattens to the width of the sheet of the paper that consumed them, three holes appear slightly ajar, and a host blows on the paper, which floats in the meandering path to join the crowd. One of many, many, many dozens, the Host's face spirals into something resembling an honest human smile. But you know it is neither of those things. Its voice jumps right back into its professional showman's tone, and it continues its macabre game. Now then, on to the final round. Chins up, Number four, and number nine. One of you is about to win. It just so happens there is only a single question Left. And it just so happens that it will make my point for me. For the first time since this nightmare began, the host leaves the stage. For a terrible several seconds. There is naught but complete silence. No hum from the ill kept sweltering stage lights above. No crinkling of paper from the not audience. Not even the faint buzzing in the back of your head from electrical equipment that almost certainly doesn't exist. Suddenly the silence is broke by the grating sound of metal being dragged across wood. The host appears back in your line of sight and is casually dragging two metal folding chairs behind them. Tied to each one of the chairs is what appears to be a person writhing while completely encased of sheets of 8.5 x 11 inch paper. They are screaming, or perhaps crying or perhaps laughing. Muffled beneath so many layers of paper, it is nearly impossible to tell. The host stands between the two paper entombed figures and holds a hand out towards each. Now then, Number Four, who is this person? And Number Nine, who is this person? I will give you a hint. It is someone you claim to love. Oh, what is that look? Surely if you weren't lying about the love you had for the people in your life, it would be easy to. My husband. He must be my husband. Why are you doing this to us? Number Four cries out desperately. I don't understand. What is the point of Olive? Number Four's indignation is cut off by a chuckle from the host and a glob of paper crawling up their throat and out of their mouth. There is nothing that can be done for them anymore as you are forced to listen to them fold inside of themselves again and again as their loved one goes stiff and folds up themselves. Both nascent, perforated sheets of paper join the crowd with naught but a rustle of paper. And now you are nearly alone on the stage. You, the host, and the person encased in paper that you are supposed to love. Well, here we are, Number nine. It's just you now. The last one standing and the last one to speak. This has been quite the disappointing broadcast, if I do say so myself. So I want you to make this finale particularly exciting. Now, don't rush like Number Four, but don't take too much time either. I want you to really think this answer through. The host roughly yanks the struggling person wrapped in paper out of the chair they're tied to with a loud rip, then cradles what appears to be the head of the prisoner next to their own. Under any other circumstances, the embrace might look almost loving. The host speaks over muffled cries with each statement, the friendly facade of the game show host fades and what crawls into its voice is something that more than anything else in the world, hates you. And you specifically. I want you to take your time, Number Nine. Now, now, just scowling at me isn't an option anymore. There is no one left but you. So I want you to really, truly imagine it. Close your eyes, Number Nine. Who is this person? Who is it you love more than anything? What's their name? What do they sound like? What do they smell like? What does it feel like to embrace them? Them? What do they want out of life? When they speak, do you listen? Do you really listen? They claim to love you, you know, and I think they even believe that. Come now, you claim to love them too. So tell me, Number Nine. Tell me their name and tell them that you love them. If you answer correctly and you really mean it, then you both get to go home. The host drags them right up to you. The view of the stage is nothing but the host's grotesque caricature of a face and the paper encased cries of someone that is starting to sound very, very familiar to you. Tell me, Number Nine, the host chuckles softly before leaning in and whispering into your left ear. I'm waiting. The Magnus Protocol is a podcast distributed by Rusty Quill and licensed under a Creative Commons Attribution Non commercial share alike 4.0 international license to subscribe, View associated materials or join our Patreon visit rustyquill.com Rate and review us online. Tweet us thererustyquill, visit us on Facebook or email us via mail rustyquilt.com thanks for listening.
Rusty Quill Advertiser
Hi, we are here to talk to you about Sucrobae, a perfumery we love so much. They have not one but two official the Magnus Archives perfumes, one inspired by John and Martin and another inspired by the mysterious Ex Altiora, a book from the library of Jurgen Leitner. Sucrobae also make official perfumes for our friends over at Old Gods of Appalachia, including Blood and Bone and Unknown Roads. You should check them out. Sucrobae is a women owned and operated perfumery that is vegan and cruelty free, witchy and sometimes irreverent. Expect perfumes like you're in a cult. Call your dad or vodka and swearing the ever popular Chloroform or Papa's Waffles. Sucrobe do a range of exciting and unique fragrances you won't find anywhere else. They broadly fit into the following five classic scents that pass the Test of time. Goth scents for those who like it. Dark and mysterious. Witchy scents that are mysterious and potiony. Nerdy scents for all the self professed nerds out there and femme scents, the classically floral and sweet scents, but we recommend them for anyone of any gender. Sucrobe Small batch perfumes are not like any other. You can find out more by going to www.rusticquil.com perfume that's rusticquil.com P E R F U M E Also, you can join the supportive and kind Sucrobae community by with over 18,000 members on facebook@facebook.com groups sukhrabay that's s u c R E A B E I L L E.
Freddie Wong
Hi, this is Freddie Wong from Dungeons and Daddies and this episode is sponsored by Rocket Money Houston Houston, we have a problem and that's too many subscriptions that I don't know about because I like to put my credit card number into sites just for the sheer thrill of it. That's the fundamental problem of the Internet and money, and Rocket Money is here to solve that. Rocket Money is a personal finance app that helps find and cancel your unwanted subscriptions, monitors your spending and helps lower your bills. You can see all those subscriptions that you've accrued over a lifetime of putting your credit card in on the Internet in one place. If you don't want them, just cancel them with a few taps. Rocket Money can help with that. Rocket Money's over 5 million users and has saved a total of $500 million in canceled subscriptions, saving members up to $740 a year when using all the app's premium features. Stop wasting money on things you don't use. Cancel your unwanted subscriptions by going to rocketmoney.com cancelsubs that's rocketmoney.com cancel subs, not submarines.
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Release Date: January 16, 2025
Host/Author: Rusty Quill
Production: Rusty Quill
License: Creative Commons Attribution Non-Commercial Share Alike 4.0 International
In "Rusty Fears 6 - The Last One to Speak," James Thomasos delves deep into the psychological horrors that lurk within the archives of the Magnus Institute. This episode presents a chilling narrative framed within the unsettling confines of a sinister game show, exploring themes of love, deception, and the inescapable grasp of fear.
The episode unfolds on a stage that appears to host a conventional game show, but swiftly reveals its true, malevolent nature. Contestants numbered four, nine, sixteen, and thirty-eight find themselves trapped in an inescapable arena where their ability to speak the truth about love determines their fate.
Opening Scene ([04:52] - [12:15]):
The host, an amalgamation of every game show presenter imaginable, addresses the contestants with a facade of congeniality. However, it's clear that something is amiss as the host's demeanor shifts from polite to menacing. The contestants are subjected to increasingly harsh questions about the nature of love, with each incorrect or insincere answer leading to dire consequences.
Rising Tension ([12:16] - [21:56]):
As the game progresses, the stakes escalate. Contestants begin to falter under the host's relentless pressure. Number sixteen becomes motionless, rendering them unable to continue, while numbers four and nine struggle to provide acceptable answers. The host's torment intensifies, culminating in the horrifying transformation of the stage audience into paper cutouts, symbolizing the erasure of genuine human connection.
In the final act, only Number Nine remains. The host's manipulative tactics reach their peak, forcing Number Nine to confront the authenticity of their love. The episode concludes on a bleak note, leaving both the character and the listener questioning the very essence of love and the possibility of redemption within such a twisted reality.
The Host: A grotesque fusion of traditional game show hosts, embodying both charm and underlying malice. The host serves as the primary antagonist, orchestrating the psychological torment of the contestants.
Contestants:
The Nature of Love:
The central question, "What is love?" serves as a catalyst for revealing the contestants' deepest fears and insecurities. The host's insistence that "love is a lie" challenges the characters' understanding and belief in genuine affection.
Psychological Manipulation:
The host employs a facade of normalcy to mask malevolent intentions, illustrating how manipulation can be cloaked in familiarity and comfort.
Isolation and Despair:
As the game progresses, the contestants face increasing isolation. The transformation of the audience into silent paper cutouts emphasizes the loss of support and the descent into personal despair.
Performance and Authenticity:
The emphasis on "performance" over genuine emotion critique societal pressures to present oneself in a certain way, often at the expense of true self-expression.
Host ([04:52]):
“The most important part of what's left of your life is performance. Our commercial break is almost over, so put on your best face and smile for the cameras.”
Number Four ([12:16]):
“I don't understand. What is the point of Olive?”
Host ([12:15]):
“Everyone who has ever told me they love me was lying. Got it?”
Host ([21:56]):
“Tell me, Number Nine, the host chuckles softly before leaning in and whispering into your left ear. I'm waiting.”
"Rusty Fears 6 - The Last One to Speak" masterfully intertwines horror with psychological drama, creating an atmosphere of relentless tension and existential dread. The episode serves as a metaphorical exploration of the fragility of love and the destructive potential of deceit. Through its compelling narrative and haunting dialogues, it invites listeners to reflect on their own perceptions of love and the masks they wear in their daily lives.
James Thomasos delivers a potent installment in The Magnus Archives series, utilizing the framework of a twisted game show to delve into profound psychological themes. The seamless blend of narrative suspense and thematic depth ensures that "The Last One to Speak" remains a memorable and thought-provoking entry in the anthology.
For more insights, discussions, and to join the Magnus Protocol community launching in January 2024, visit rustyquill.com.