S23 Ep19: NoSleep Podcast S23E19

Summary

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The NoSleep Podcast – Season 23, Episode 19

Date: November 16, 2025
Host: David Cummings

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Overview

This episode of The NoSleep Podcast weaves together a suite of original horror stories centered on storms, isolation, supernatural pacts, and the monstrous forces lurking inside and outside the mind. The show navigates unrelenting rain, a nightmarish food delivery during a blizzard, a grotesque encounter in a park toilet, and an escalating standoff with a supernatural being at Goat Valley Campgrounds. The episode immerses listeners in dread, paranoia, and the harrowing loss of certainty, highlighted by atmospheric sound design and haunting performances.

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Episode Structure & Key Segments

1. Opening & Listener Engagement (00:00–05:23)

   • Host David Cummings welcomes listeners to a stormy night, teases regional cryptid folklore, and segues into horror recommendations.

2. Story 1: "It Is Always Raining" by Caleb Greenfield (07:06–13:09)

   • A psychological horror where relentless rain fractures reality for a solitary man.

3. Story 2: "Takeout in the Storm" by Barry Pirro (16:40–33:22)

   • A blizzard, a takeout order, shifting identities, and something sinister at the door.

4. Story 3: "Shithouse Exorcist" by Anthony D. Herrera (36:25–66:07)

   • Heat, weight loss, a cursed chemical toilet, and an escalation into grotesque urban legend.

5. Story 4: Goat Valley Campgrounds, Season 2, Chapter 9 by Bonnie Quinn (66:39–94:27)

   • Supernatural politics, family debts, and a bloody showdown with the Man With No Shadow.

6. Closing Credits & Outro (94:27–end)

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Main Themes

• Nature as Malice: Every story revolves around overwhelming weather or untamable natural forces.
• Isolation & Madness: Protagonists face isolation that warps reality, leading to terror or transformation.
• Supernatural Contracts: Recurring plots involve deals with dark entities whose terms always twist to horror.
• The Price of Survival: Each survivor pays—physically, psychologically, or spiritually—for their ordeal.
• Small Town Secrets: The episode bookends with local legends and power struggles in insular communities.

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Detailed Segment Breakdown

1. Opening & Podcast Recommendations (00:00–05:23)

• Weather-Tinged Banter: David Cummings frames the episode around stormy weather, linking it to the episode's horror themes.
• Local Lore: Mentions "Rat Man" sightings in storm drains, enhancing the eerie, place-based atmosphere.
• Podcast Plugs: Recommends Conversations with Ghosts and Burned by a Paper Sun, both horror anthologies.
  • Notable quote:
    "For centuries, humans have populated the darkness with creatures of legend whose existence remains unproven, yet whose presence is undeniable in the whispered tales of those who dare venture too deep into the wild." — David Cummings (04:04)

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2. Story 1: "It Is Always Raining" (07:06–13:09)

• Protagonist: A man trapped inside during ceaseless rainfall; isolation blurs his sense of time and reality.
• Psychological Decomposition: The rain becomes an all-consuming presence, leading to hallucinations and a nightmare escape attempt.
• Supernatural Encounter: While trying to leave, he’s confronted in a surreal meadow by shifting, shadowy figures.
  • Memorable moment:
    "...its voice the hiss of rain through a drainpipe: 'Don't try it again.'" — Man with no Shadow (13:02)
• Ambiguous Ending: He awakens from the ordeal—or does he? The rain continues, reality uncertain.

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3. Story 2: "Takeout in the Storm" (16:40–33:22)

• Setting: Jason is snowed in, orders food, experiences increasingly bizarre encounters.
• Creeping Horror: The delivery person arrives implausibly early, without food, and potentially accompanied by doppelgängers or nameless intruders.
• Shifting Identities: Girlfriend Lauren, her grandmother, and the deliveryman all seem to become “hungry” outsiders demanding entrance.
• Descent into Paranoia: Jason calls 911, only to have the dispatcher echo surreal menu options.
  • Chilling exchange:
    "There's this girl in the lobby trying to get in, too. She looks like my girlfriend, but she isn't. I mean, it's not really her. I think they're in on this together. You have to send someone over right away, please." — Jason (28:30)
• Climax: Otherworldly repetition at doors and windows:
  "Jason, open the window. It's Myrna. Myrna Lloyd. Lauren's grandma. It's awfully cold out here. Let me in..." — Kate as Grandma Myrna (29:58)
• Implied Fate: The episode closes as Jason is overwhelmed by the entities—all “hungry”—outside.

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4. Story 3: "Shithouse Exorcist" (36:25–66:07)

• Set-up: Overweight protagonist tries to get his life together by exercising at McCarran Park.
• The Cursed Toilet: Weird omens (an imperishable fish), an old woman's silent vigilance, and graffiti forewarn a dark presence.
• The Whispering:
  "Give me your pain. Give me your pain..." — Man with no Shadow (45:12, repeated)
• Local Legend Unmasked: Elder reveals the spirit of Grenas, a vagrant who died by suicide in the chemical toilet, now haunts it.
  • Notable exposition:
    "That is his house. That is his pain." — Old Woman (53:56)
• Confrontation: The protagonist battles Grenas—described as a plastic-skinned, waste-filled horror—inside the toilet.
  • Gruesome description:
    "His skin wasn't blue... but transparent like plastic... Inside the liquid floated large gobs of human effluents, toilet paper, used tampons, cigarette butts..." — Narrator (59:17)
• Victory and Infamy: He survives, destroys the toilet (becoming a viral meme), but is left scarred and changed forever.

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5. Story 4: Goat Valley Campgrounds, Season 2, Chapter 9 (66:39–94:27)

• Setting: Kate manages a supernatural-infested campground and navigates faustian bargains with the Man with No Shadow.
• Negotiation and Power: Kate resists demands to sign over the campground, maneuvering against the entity through strategic anger and misdirection.
• Family Legacy: The Thin line between obligation and personal survival is explored, especially in strained conversations with her brother and the new sheriff.
• Supernatural Leverage: The Man with No Shadow manipulates through threats to friends, family, and the town’s psyche.
  • Key exchange:
    "I don't honor my mother's bargain... I'm human. I'm not bound to these agreements the way you are. I get to choose." — Kate (72:10)
• Climactic Showdown: Amid a staged town hall meeting, an assassination attempt, and mind-controlled townsfolk, Kate uses ritual and violence to wound the Man with No Shadow—forcing him to retreat but not destroying him.
  • Chilling highlight:
    "The man with no Shadow slowly picked himself up. The assembled townsfolk went still and quiet." — Narrator (90:21)
• Final Move: Kate collects the enemy’s blood to fulfill a ritual, establishing both a tactical victory and lingering danger.

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Notable Quotes & Memorable Moments

• On Relentless Isolation:
  “The deep, mind-numbingly repetitive tap, tap, tap of the rain against every surface has drilled its way into my skull. It will never, ever leave me.”
  — Jason Lang, “It Is Always Raining” (07:23)

• On the Sinister Ordinary:
  “Come on, open the door. I have a bunch of other deliveries to get to before the snow starts.”
  — Impostor Pizza Delivery Person (24:10)

• On Urban Legends Made Flesh:
  “He could hear the angels cry and the demons sing. He screamed. He screamed. He screamed. His hair a jungle not covered in bogs. He had no name. We christened him Grenyas…”
  — Old Woman, “Shithouse Exorcist” (52:32)

• On the Tyranny of Family Legacy:
  “You know that's not how this works. I don't honor my mother's bargain... I'm human. I'm not bound to these agreements the way you are. I get to choose.”
  — Kate, “Goat Valley Campgrounds” (72:10)

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Timestamps for Major Segments

• Opening & Weather Banter: 00:00–05:23
• "It Is Always Raining": 07:06–13:09
• "Takeout in the Storm": 16:40–33:22
• "Shithouse Exorcist": 36:25–66:07
• Goat Valley Campgrounds S2E9: 66:39–94:27

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Summary & Takeaway

This episode delivers a classic NoSleep blend of original horror fiction: immersive soundscapes, interwoven dread, and stories that pick at both primal and modern anxieties. Unrelenting storms, the malice of the mundane, and blurring lines between the supernatural and the psychological are recurring obsessions. Each story showcases the personal, messy struggle for survival against entities and circumstances that cannot be explained, let alone bested by simple courage.

If you’re drawn to horror rooted in place, family, and the self-destroying bargains we strike with darkness—this is an episode not to be missed.

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Transcript

[David Cummings]

WNSP. Welcome back to the Darkness of the Night. WNSP's overnight programming. DC here with you as we enter hour three of our program. And yes, it's still raining out there. And as much as we're used to our fair share of rain here in Cryptid Valley, this storm has been torrential. And looking at the radar, it doesn't look like it's gonna let up anytime soon. I just hope this storm drains can handle it. And I also hope there's no Rat man living in them. Oh, surely you know about the Rat Man. He was spotted in the main rainwater runoff tunnel.

[Narrator / Storyteller]

But I tell you, we must learn.

[Kate]

From the events in First Landing State Park.

[Narrator / Storyteller]

We cannot have them repeated.

[David Cummings]

Brothers saw a creature they say was large, covered in black fur, and with huge hands, it used to pull itself through the tunnel towards them. The brothers ran off, but returned the next night better equipped for another encounter. But the Rat man was never seen again. Let's hope he hasn't made his way to Cryptid Valley. We don't need anything blocking our storm drains, and as the water keeps flowing, I think it's time to get some horror flowing for you. So enjoy this new episode of Horror Stories from our friends at the no Sleep Podcast. A rustle of the leaves, A fleeting movement at the edge of your vision. How often have you walked a forest trail at dusk only to feel the unmistakable sensation that something unseen is watching you? For centuries, humans have populated the darkness with creatures of legend whose existence remains unproven, yet whose presence is undeniable in the whispered tales of those who you dare venture too deep into the wild. Wild. Brace yourself for the no Sleep podcast. Welcome to the no Sleep Podcast. I'm your host, David Cummings. How about this weather, huh? You're thinking after 15 years, Cummings has run out of things to talk about? No, no, it's not that. But recently, a lot of people in our audience have dealt with some unusual weather. Snow down south, lots of wind and rain in other places. Somewhat strange weather for this time of the year. So I was just curious if you've been weathering some storms lately. And if you're looking for a deluge of podcast recommendations, I have a couple for you. The first will be featured on November 19th. We're going to do a feed drop in our free feed with an episode from the new podcast, Conversations with Ghosts. It's from the same team that brought you Archive 81. It's all about loss, history, and the things we leave behind. So check the show out now and be sure to check out the episode we'll share with you on Wednesday. The other podcast recommendation is from the team behind Male Topia and Gentlemen from Hell. It's called Burned by a Paper Sun, a horror anthology podcast featuring stories that can be standalone or interconnected, often involving unsettling characters and situations. Here's a short trailer for Burned by a Paper sun after the great darkness.

[Narrator / Storyteller]

Of 1999, shadows tore free from their.

[David Cummings]

Casters and the night began to walk.

[Man with no Shadow]

Humanity, broken, trembling and half mad clings.

[David Cummings]

To the last scraps of light as.

[Man with no Shadow]

Cosmic horrors whisper their soul shattering truths.

[Narrator / Storyteller]

Across the wasteland of a ruined world.

[Man with no Shadow]

Relics of nightmares linger.

[Narrator / Storyteller]

A tower of teeth piercing a bruised sky.

[Man with no Shadow]

Forests forever trapped in autumn, murmuring in their sleep, and stars that no longer burn but stare, hungry, wicked and waiting. This is the post noctum world where nightmares survive sleep and madness runs like rivers. Check out Burned by a Paper Sun, a new horror anthology. Wherever you get your podcasts, enter the darkness.

[David Cummings]

Be sure to find conversations with ghosts and Burned by a Paper Sun. Now, wherever you get your podcasts or check the show notes for links. Both shows are highly recommended. And so, as I was saying, storms can whip up in our lives in many different forms, from bad weather to the maelstroms of life's rough waters. We all have to deal with these dark times, and the episode this week features tales about people who are looking for refuge from the storms, both real and metaphorical. So grab that umbrella and put on your boots. You'll want to be as warm and dry as you can as you tune in. Turn on and brace yourself for our sleepless tales. In our first tale, we meet a man who is lamenting the rain. So much rain. Not the cozy, romantic rain, but the incessant kind. And in this tale shared with us by author Caleb Greenfield, the man soon reaches his limit on that never ending rain. He's ready to go outside and deal with it once and for all. Performing this tale are Kyle Akers and Jesse Cornett. So the old song might ask who stops it, but we have no answers. When it comes to the rain.

[Jason Lang]

It is always raining. I don't know how many days it's been now, or maybe it's been a matter of hours, minutes even. I don't know. All I know is that the deep, mind numbingly repetitive tap, tap, tap of the rain against every surface has drilled its way into my skull. It will never, ever leave me. Sometimes I can escape it, steal a few hours of sleep. But even in my dreams, it's there to the Point I can no longer tell whether I'm awake. I don't know what I did to deserve this. The power's been out since the first time I woke up. My phone must not have charged very long before it went out because it's been dead the entire time. I can't hear any of my neighbors, not even the man above me who has a revolving door of sexual partners, or the couple below me whose young child cries incessantly throughout the night. I am completely alone in the world. There is only the rain. Sometimes I can hear the distant rumble of thunder, but in the end, the only constant is the tap, tap, tap of the rain. When I first woke up, I assumed it was before dawn. So I laid back down after doing my business and tried to focus on stealing a few more hours of sleep. The constant slap and patter of the rain made my heart race more than I'd like to admit, the fear closing like a vise around me. But eventually I did manage to drift off. It was still dark when I woke up again. Okay, I thought maybe I just didn't sleep that long. After a few more repeats, I realized something wasn't right. There was no way it could still be nighttime. I thought about knocking on Mrs. Hendricks door, asking her if her power was out too. Surely it had to be, since every apartment in the building was hooked up to the same grid, you see, but decided against it. This was my off weekend at work and damn it, I wasn't leaving my apartment unless I absolutely had to. And so, with nothing else to do, I went back to sleep. I don't know how many times I've woken up now to the goddamn rain pounding against the building. It's there, it's there, it's there and it won't leave me alone. No matter where I go in my home, the rain follows, sounding for all the world like it's about to break through my ceiling. Even in the rooms without windows, I can hear it, and I swear to God it sounds louder, like it's angry that I tried to slip away from it. I've started to count the seconds, minutes, hours, but I always lose track. The steady assault of the rain always breaks through. Always, always, always. It is always raining. I tried to leave once. I stepped outside my door expecting to find myself in the dark, familiar hallway of my apartment building, but found myself in an almost pitch black meadow. Ice cold rain lashed against me and stung my skin and I was soaked to the bone in seconds. I turned to go back inside, but there was nothing around me but Mud and grass and the trees circling me, bowing and creaking in the wind and the sound of the rain still tap, tap tapping away. The wind hit me in gusts that threatened to knock me over, driving the rain hungrily towards my flight flesh and I felt like it finally had what it wanted. It had me. I don't know how long I stood there in that half drowned meadow, the never ending rain pelting against me with a ferocity and malice that almost made it feel alive, predatory. After a while I forced my stiff legs awake and started walking. The only sound was the spattering of the rain and the squish of my bare feet through the mud. Despite the fact that the tree line couldn't have been more than a minute's walk ahead of me. I swore I walked for hours and it never got closer. I started running, sprinting until my legs ached and my lungs burned and I stumbled over my feet and still the tree line seemed no closer. Shadows began to emerge, peeking around the corners of the trunks and giggling to each other. I couldn't hear their taunts over the sound of the rain, but I had the idea that they were talking to me. I don't know what planted the idea, but I was convinced they must have put me here. They must have started the rain. I must have screamed myself hoarse, hurling pleas and then insults and eventually threats at them. At first they showed no sign that they had heard me, although I swear their shapes began to swell and bulge as if they were feeding on my words. Eventually, though, they turned those ever shifting faces towards me. They had no eyes or mouths or noses to speak of, but I got the distinct crawling feeling they were looking at me and that they hated me. They crossed the clearing in their lumbering sort of way, not quite walking, but giving the impression of doing so. I realized out of nowhere that I had stopped walking. Had I even been walking in the first place? I couldn't move, some combination of fear and awe paralyzing me as they drew nearer, one of them at last reaching out a not quite hand. Its fingers dug into my jaw, cold and clammy and still the rain pelted the both of us. But it didn't seem to feel the assault. It leaned in close, its voice the hiss of rain through a drainpipe.

[Man with no Shadow]

Don't try it again.

[Jason Lang]

When I woke up, it was still raining.

[Kate]

Foreign.

[David Cummings]

SP will return after a word from our sponsors. You want longer episodes, no ads and lots of bonus content? Find out [e-mail] this episode is sponsored by BetterHelp. Seasons are changing and the days are growing darker sooner, and while that's great for horror stories, it can be a tough time for many. This November, BetterHelp is encouraging everyone to reach out, check in on friends, reconnect with loved ones, and remind the people in your life that you're there. Just as it can take a little courage to send that message to someone you haven't seen in a while, reaching out for therapy can feel difficult too. But it's worth it. And it almost always leaves people wondering, why didn't I do this sooner? Trust me, keeping in touch with others pays dividends you might not expect. Just like therapy, BetterHelp therapists work according to a strict code of conduct and are fully licensed in the US with over 30,000 therapists, BetterHelp is one of the world's largest online therapy platforms, having served over 5 million people globally, and it works with an average rating of 4.9 out of 5 for a live session based on over 1.7 million client reviews this month. Don't wait to reach out. Whether you're checking in on a friend or reaching out to a therapist yourself, BetterHelp makes it easier to take that first step. No sleep listeners get 10% off their first month at betterhelp.com no sleep. That's betterhelp.com/no sleep. Thanks BetterHelp for your continued support. Now back to WNSP's presentation of the no Sleep podcast. If the weather's turning bad and you don't want to go out, you can always order in some food for delivery. Well, you could, but try to have some sympathy for the poor delivery person. And as we'll learn in this tale shared with us by author Barry Pirro, Jason's desire for food in the midst of a blizzard doesn't seem quite right, especially to all the people asking him to let them in. Performing this tale are Matthew Bradford, Mike Delgadio, Dan Zappulla, Nicole Goodnight, Graham Rowett, Wafia White, Aaron Lillis, and Jesse Cornett. So throw some pizza pockets in the micro if you're hungry when it's storming out, don't try to get take.

[Police Officer / News Reporter]

To be blisteringly cold tonight, and we can expect some heavy winds and up to a foot of snow overnight in parts of Bayfield. With the heaviest snow coming in tomorrow, the state police are advising everyone to stay indoors tonight as driving will be treacherous. As you know, in this part of the world, we're just not equipped for this kind of snow, so we don't.

[Kate]

Have the apparatus to keep the roads clear.

[Pizza Delivery Person]

Hello, Zabelli's Pizza.

[Jason (phone conversations and interactions)]

Hey, yeah, I was wondering if you guys are still taking orders for delivery tonight.

[Pizza Delivery Person]

Yeah, but just for the next hour. The snow's gonna start any minute. Supposed to be a hell of a storm.

[Jason (phone conversations and interactions)]

Yeah, I hear it's supposed to be really bad tonight. Thanks for still taking orders.

[Pizza Delivery Person]

No problem. What can I get for you?

[Jason (phone conversations and interactions)]

Okay, I'll have an eggplant Parmesan hero and a side of garlic knots.

[Pizza Delivery Person]

That comes with a salad.

[Jason (phone conversations and interactions)]

What kind of dressing do you have? Blue cheese.

[Pizza Delivery Person]

Yeah, we can do that for you. So we got one eggplant parm Hero, one order of our delectable garlic knots and a side salad with blue cheese. Anything else?

[Jason (phone conversations and interactions)]

No, that's it.

[Pizza Delivery Person]

Want to drink with that? We get Orange Crush, 7Up, Pepsi, Diet Pepsi, you name it.

[Jason (phone conversations and interactions)]

No, I am all good.

[Pizza Delivery Person]

And just your first name, phone number and address, please.

[Jason (phone conversations and interactions)]

First name is Jason. My cell number is 425-6670. The address is 37 Ridgewood Place. There's a call box in the lobby, so just tell your delivery guy to ring apartment 3C and I'll buzz him in.

[Pizza Delivery Person]

You got it, boss. Give us about 45 minutes. Maybe a little longer. It'll be sooner, but everyone's out there ordering because of the snow. A lot of hungry people out there tonight, believe you me.

[Jason (phone conversations and interactions)]

Yeah, I'm sure there is. Guess nobody wants to go out to dinner on a night like this, right? And I'm one of them. Anyway, thanks, and I'll keep an ear out for your delivery guy. Yeah, and good luck with the storm.

[Pizza Delivery Person]

Yeah, thanks, bud. Take care.

[Jason (phone conversations and interactions)]

Okay, thanks. Bye.

[Lauren]

Hello?

[Jason (phone conversations and interactions)]

Hey, sweetie. How's my honey doing?

[Lauren]

Jason. I didn't think I'd hear from you this early. Did you get out of work early?

[Jason (phone conversations and interactions)]

Yeah, this storm's supposed to be really bad, so they sent Everybody home at 4. I ran out to the grocery store to pick up a few things, but stupid me forgot to get something for dinner. Oh, but the place was a zoo too. I mean, why the hell do people buy bottled water during snowstorms anyways? I never get that.

[Lauren]

Yeah, the water thing is a mystery to me too. How's the snow there?

[Jason (phone conversations and interactions)]

Well, I'm looking out the window. It's pretty dark out, but the parking lights are on and I don't see much coming down yet. Just a few flakes, but it's really windy. I just ordered takeout and the pizza guy told me it's supposed to start pretty soon. Here. How's it by you. Any snow yet?

[Lauren]

My God, yeah, it's really coming down, and the wind is crazy. I think we're supposed to get about a foot tonight, then another two feet tomorrow. I wish you're both closer. Hey, maybe I'll come over tonight and we can keep each other nice and warm during the storm. Snuggle up under the blankets as nature intended. You know, ring in the storm in style. It'd be a lot of fun.

[Jason (phone conversations and interactions)]

Yeah, that would be amazing. And you know I'd love nothing more than to spend the night naked with you, riding out the snowstorm. No pun intended. But as tempting as a proposition, it is. No, I don't want you making the hour drive over here tonight. In this weather. It'd probably take you double that to get here on a night like this, even if you don't slide off the road and land in a ditch.

[Lauren]

Are you saying I'm a bad driver?

[Jason (phone conversations and interactions)]

No, no, no, no.

[Man with no Shadow]

Well, yeah, but listen.

[Jason (phone conversations and interactions)]

Come on, you know I'm only joking. You're a great driver. Every time I get in the car with you and speed around those hairpin turns, I think it'll be my last day on Earth. But no, you. You always prove me wrong. I survived the trip every time, and I emerged very shaken, slightly more religious and grateful that I'll live to see another day in spite of your driving.

[Lauren]

Oh.

[Old Woman / Grandma Myrna]

You.

[Narrator / Storyteller]

Okay?

[Jason (phone conversations and interactions)]

No, but seriously, though, not only will the roads be shit tonight, but if you did come over, you'd have to drive back early tomorrow morning and take care of your grandma. Myrna, right? Is that her name?

[Old Woman / Grandma Myrna]

Yeah.

[Lauren]

Myrna Void.

[Jason (phone conversations and interactions)]

Hey, wasn't that an old movie actress?

[Lauren]

That's Myrna Loy. My great grandparents were big movie fans, so they gave my grandmother that name because it sounded like the movie stars.

[Jason (phone conversations and interactions)]

That's so funny. How's she doing, by the way?

[Lauren]

Grandma? Oh, she's as good as she is. That's the best I can say about her. She forgets where she is sometimes. She's always singing these old songs she used to know from her childhood. Moonlight Bay is her favorite. And sometimes she thinks I'm her sister who died 30 years ago. But it's okay. She's pretty lucid half the time. Luckily, someone's there with her during the week. I just have to stay with her on Saturdays to make sure she doesn't wander off. Poor Grandma. She's really sweet. Hey, maybe you can stop by tomorrow. My sister's supposed to give me a break at around noon. We could go out and grab some lunch or something.

[Jason (phone conversations and interactions)]

I'd love to, you know that, but I can't. You know how shitty my car is in the snow. Besides, I gotta go into work for a while tomorrow afternoon. I just hope the roads are plowed by then.

[Lauren]

I can't believe they're asking you to.

[Old Woman / Grandma Myrna]

Work on a Saturday.

[Jason (phone conversations and interactions)]

Well, I guess that's why they pay me the big bucks.

[Lauren]

Yeah, right. Oh, I wanted to tell you, my parents asked us over for lunch next weekend. Do you think you can come? They're having a party for my sister because her birthday's the following Wednesday, but.

[Jason (phone conversations and interactions)]

Hold on a minute. There's somebody at the door.

[Lauren]

Who is it?

[Jason (phone conversations and interactions)]

I don't know. I didn't check the lobby camera yet. Hold on a minute. I wish they'd put in a bigger screen for the lobby monitor. This thing is about the size of my iPhone. It always takes a second for it to come on. Yo. Okay, there it goes. Okay. It's just some guy. I wonder what he wants. Hello, Can I help you?

[Police Officer / News Reporter]

Zelli's Takeout Delivery.

[Jason (phone conversations and interactions)]

Zabelis? For real? I just called a few minutes ago.

[Police Officer / News Reporter]

Yeah, well, with the snow on the way, they're rushing all the deliveries, dude.

[Jason (phone conversations and interactions)]

No, that's impossible. Zabeli's is at least a 30 minute drive from here. They couldn't have even made the food yet, man. I literally just got off the phone with the place, like two minutes ago, and the guy who took my order said my delivery would take at least 45 minutes. Are you sure you have the right address?

[Police Officer / News Reporter]

Are you Jason? 37 Ridgewood Place, apartment 3C.

[Jason (phone conversations and interactions)]

Yeah, yeah, that's. That's right. But no, that can't be my food, dude. That. It must be somebody else's order. You can't have driven all that way over here in that little time.

[Police Officer / News Reporter]

Phone number's 425-6670.

[Jason (phone conversations and interactions)]

Yes, but I'm telling you that it can't be my food, man. They must have given you the wrong information or something.

[Police Officer / News Reporter]

Listen, the order has your name and address. I have an order here for an eggplant hero and garlic knots, plus a side salad with blue cheese dressing. Come on, man, I'm freezing my ass off down here. Just buzz me in and take your food. I gotta get back.

[Jason (phone conversations and interactions)]

Okay? Okay, okay. Where's the bag?

[Police Officer / News Reporter]

What do you mean, what bag?

[Jason (phone conversations and interactions)]

The bag of food, man. If you're from Tibeli's, where's the food?

[Police Officer / News Reporter]

I got it right here.

[Jason (phone conversations and interactions)]

Listen, I don't know what kind of shit you're trying to pull, but I have you on the Lobby camera. And I can see you're not holding a bag of food.

[Police Officer / News Reporter]

I put it down. All right, but it's here. Come on, open the door. I have a bunch of other deliveries to get to before the snow starts.

[Jason (phone conversations and interactions)]

Buddy, I can see all the way down to your feet and there's no bag of food there. And also, who's that standing behind you?

[Police Officer / News Reporter]

Behind me? There's nobody behind me. And I have your food right here. Now just buzz me in.

[Jason (phone conversations and interactions)]

Jeez, I can see a woman standing behind you by the door with her back to the kid. Look, hold on, I'm gonna call Zabellis and straighten this out. Lauren, are you hearing this? I'll call you back in a minute. I gotta call the pizza place.

[Lauren]

What's going on?

[Jason (phone conversations and interactions)]

Nothing, just some joker at the door who says he's from Zabeli's. I gotta go. I have to call them and see what's going on.

[Lauren]

Okay, call me back.

[Jason (phone conversations and interactions)]

Alright, bye, hon. Damn. Guess they are getting a lot of orders tonight. Must be a lot of hungry people. Just like you said. Damn snowstorm. Hey man, I just called Zabelli's but the number is busy. I'll try them in a few minutes. Why don't you just go back with the food it and. Hey, what the. Where the hell did he go? Huh? Guess he just gave up and left. Thank God for that. Oh, I almost forgot. I better call Lauren back. Who is it?

[Police Officer / News Reporter]

Zabelli's Takeout delivery.

[Jason (phone conversations and interactions)]

Hey, how did you get in the building?

[Police Officer / News Reporter]

What do you mean how did I get in? This is apartment 3C, right? Jason, you ordered an eggplant parm hero and garlic knots, Side salad with blue cheese.

[Jason (phone conversations and interactions)]

How the hell did you get in the building? Did someone buzz you in?

[Police Officer / News Reporter]

Listen, pal, I don't know what you're talking about. I just got here. I gotta drop off this food and get going. And your bill comes to $24.98. I'll take cash or Venmo. Now would you please open the door?

[Kate]

Shit.

[Man with no Shadow]

Now what?

[Jason (phone conversations and interactions)]

Lauren? Lauren, is that you?

[Lauren]

Jason? Of course it's me. Let me in. I drove all the way over to see you. The roads are shit, but I didn't want you to be alone tonight.

[Jason (phone conversations and interactions)]

But no, you couldn't have driven here. Lauren, I just talked to you. You live an hour away.

[Lauren]

What are you talking about? Just let me in. I told you I wanted to come over and keep you warm. Why don't you buzz me in then get undressed and get into bed. I'll be right up the SNUGGLE up next to you after I get all these wet clothes off. Come on, buzz me in.

[Police Officer / News Reporter]

Hey, Jason, it's a Belly's delivery. Listen, if you don't open the door, I'm gonna get in a lot of trouble. I have your order here and I have to drop it off and collect the money or I'm screwed, okay? You wanna get me fired?

[Jason (phone conversations and interactions)]

I'm not letting you in. Take the food back, okay? Tell them to call me and I'll pay for it over the phone. But I'm not opening this door, you hear?

[Lauren]

Jason, let me in. Look at me. I'm soaked from the snow. Buzz me in so I can come up and take these wet clothes off and get in bed with you. I came all the way to see you. Why won't you let me in?

[Jason (phone conversations and interactions)]

Lauren, or whoever you are. No, I'm not letting you in. Just. Just go away.

[Police Officer / News Reporter]

Jason, it's the Belly's Pizza. I have your goddamn delivery here. Eggplant parm hero, garlic knots, salad with blue cheese pressing. Come on, open the door and take your food, for Christ's sake.

[Jason (phone conversations and interactions)]

God, this is fucked. What the hell is going on here? It's just too weird.

[Lauren]

91 1, what's your emergency?

[Jason (phone conversations and interactions)]

My name is Jason lang. I'm at 37 Ridgewood Place, apartment 3C. Look, someone is trying to break into my apartment. I. I need you to send someone over right away.

[Lauren]

You said someone broke into your apartment, sir, Are you in a safe place?

[Jason (phone conversations and interactions)]

No, no, they're not in my apartment. They're trying to get in.

[Lauren]

How are they trying to get into your apartment, sir?

[Jason (phone conversations and interactions)]

There's this guy. First he was in the lobby, now he keeps banging on my apartment door, telling me to let him in. He says he's the pizza delivery guy, but I know he isn't. I mean, it can't be him. Now, just please send someone over.

[Lauren]

Have you been drinking or doing any.

[Pizza Delivery Person]

Kind of drugs, sir?

[Jason (phone conversations and interactions)]

What? No, no, I'm telling you, there's this guy and he's pounding on the door, trying to get in. There, there, there. There it is. Can you hear it? He won't go away. And there's this girl in the lobby trying to get in, too. She looks like my girlfriend, but she isn't. I mean, it's not. It's not really her. I think they're in on this together. You have to send someone over right away, please.

[Lauren]

You got it, boss. We'll send an officer over as soon as we can.

[Pizza Delivery Person]

Give us about 45 minutes. He'd be there Soon. But everyone's ordering takeout because of the snow. Hey, what was that order again? Oh, yeah, I got it here. Eggplant, palm hero and garlic knots. That right? Anything else you want to drink with that? We Got Orange Crush, 7Up, Pepsi, Diet Pepsi, you name it.

[Jason (phone conversations and interactions)]

What the fuck is going on here, Jason?

[Police Officer / News Reporter]

It's the Belly's takeout delivery. Let me in and take your goddamn food. I have to get back and make more deliveries. You think you're the only one who wants to eat tonight.

[Lauren]

Jason? Buzz me up. I came all this way. I have to get out of these clothes and snuggle up next to your naked body. Come on, buzz me in.

[Pizza Delivery Person]

We'd be there sooner, but everyone's ordering takeout because of the snow. There's a lot of hungry people out there tonight, pal. A lot of hungry people. All right, let's see. We got one Eggplant Bomb Hero, garlic knots and a side salad with.

[Jason (phone conversations and interactions)]

What's that sound? What's that tapping sound at the window?

[Kate]

Jason, open the window. It's Myrna. Myrna Lloyd. Lauren's grandma. It's awfully cold out here. Let me in. My Lord, the snow is mighty heavy tonight. And this wind. Open the windows so I can come in and get out of these clothes.

[Lauren]

Then the two of us can snuggle.

[Kate]

Up to each other naked in bed. We were sailing up, we'd be there sooner.

[Pizza Delivery Person]

But everyone's ordering.

[Lauren]

You know you want to snuggle up. It's so cold out, they seem to.

[Pizza Delivery Person]

Say we got one eggplant farm hero. A lot of hungry people out there tonight.

[Narrator / Storyteller]

A lot hungry.

[Lauren]

Come on, J.C. we got one eggplant, garlic and a fried salad with.

[Man with no Shadow]

The window open. Mr. Lang. Mr. Lang, it's the Bayfield Police. Are you okay?

[Narrator / Storyteller]

Mr. Lang, open the door, please.

[Man with no Shadow]

We know you said there was someone trying to get in your apartment, but you're safe now. There's no one in the hallway.

[Narrator / Storyteller]

I have another officer down here in.

[Man with no Shadow]

The lobby keeping an eye on the entrance just in case they try to come back.

[Narrator / Storyteller]

Open the door, please.

[Jason (phone conversations and interactions)]

Ah, thank God.

[Kate]

We were sailing along on Moonlight Bay we could hear the voices ringing. They seem to say you have stolen her car. Now, don't go away. I know you're all hungry on a night like this, but save some for me. Oh, what a nice, juicy young man. Scoop out some of the giblets for me, will you, honey? Oh, thank you, dear. My favorite part.

[David Cummings]

WNSP will return after a worse from our sponsors. You want longer episodes? No ads and lots of bonus content. Find out more at Sleepless the no Sleep podcast.com let's agree on this. Everyone loves a good scare, just not the kind that comes from waking up sore and exhausted. That's where Ghostbed can help. They build mattresses designed to keep you cool, comfortable and supported so your nights are peaceful for once. No tossing, no turning, no waking up at 3am wondering what went wrong and what's lurking under your bed. Ghostbed is a family run company backed by more than 20 years of mattress making expertise. They're not a flashy startup, they're true manufacturers who know how to build a bed that actually lasts. Every mattress is made with bright premium materials and proven cooling technology and each one is backed by a 20 to 25 year warranty. You also get a 101 night sleep trial and fast free shipping. Most orders arrive in two to five days, so you could be sleeping better by next week. And with prices up to 50% lower than comparable brands, it's real quality without the nightmare price tag. Right now during Ghostbed's Black Friday sale, you can get 25 off already reduced prices. For a limited time, just go to ghostbed.com nosleep and use promo code nosleep at checkout. That's ghostbed.com no sleep promo code no sleep upgrade your sleep with Ghostbed, the makers of the coolest beds in the world. Some exclusions apply. See site for details. Now back to WNSP's presentation of the no Sleep podcast. When it comes to dealing with weather, sometimes it's the oppressive heat that makes it a challenge. Especially if you want to do some exercise outside in South Texas. Just like the man we'll meet in this tale shared with us by author Anthony D. Herrera, he's trying to lose some weight by walking laps at a local park, but strange circumstances make the endeavor more than just hot. It becomes downright shitty. Performing this tale are Atticus Jackson and special guest voice actors Giancarlo Herrera Ivy Savage. So make sure you choose the right kind of exercising. You don't want to become the Shithouse Exorcist.

[Narrator / Storyteller]

The chemical toilet in McCarran park was a full 4x4 plastic cuboid affair with an oatmeal grey roof and apple red walls. Upon entering, you would immediately find yourself assaulted by an odor that, though the finer notes may vary depending on previous occupants, was a tangible miasma which groped your flesh with sweaty hands and pooled like an oil slick at the back of your throat. In the left corner was the toilet proper, whose seat was invariably soiled, ensuring that only the desperate or depraved ever sat on it. The rest of the interior was taken up by a concrete floor that was completely bare save for a dark dried splatter stain in the upper right corner. The door was kept shut by a flimsy lock that could only have stopped the polite and would offer no safety from the motivated. The interior walls were covered in graffiti, about which I will expand upon later. Unlike the weathered benches, rusting swing sets and cracked basketball courts that populated the rest of the park, the chemical toilet had no plaque planted nearby or affixed to its structure. These plaques were there to remind you that the monkey bars that drew blood and the water fountain that hasn't worked since 1980 were built in honor of some long forgotten city councilor or state senator, though it would have been a far more fitting tribute to the likes of such public servants, the chemical toilet was not generally considered by most to be a memorial to anyone, but then again, most people didn't know about Grenas or how he turned that festering shithouse into a monument of pain. The road to my enlightenment concerning that cursed toilet began with a fish. I had recently started coming to McCarran park to walk the mile long track which makes up its perimeter. At that point, a spate of personal disasters and a lifetime of poor decisions had found me at the age of 35, living with my mother and weighing 397 pounds. With my life seemingly out of control, I chose weight loss as the key to curing my depression and I chose McCarran park because it was close to my mother's house which would save on gas money. My first attempt to circumnavigate the track was on a Saturday in early October, which in South Texas terms functionally meant late summer. I began to sweat and gasp for breath well before the quarter mile mark. It would eventually puke on myself from heat exhaustion just after the half mile point. But I kept to it, mainly because I had nothing else and by November I could walk one complete circuit before having to sit and rest. That was around the time that I first saw the fish. The fish appeared one day lying on the grass next to the trash cans which sat six feet in front of the chemical toilet. It was a foot long largemouth bass with greenish gray scales. It had no grill marks or chunks taken out of it, even though one would assume it was barbecue detritus. In fact, the fish was perfectly intact and looked quite tasty. Being as cash strapped as I was, I nearly picked it up on that first day to take home to eat. Luckily, some part of me realized that consuming a dead fish that had been lying near garbage cans situated in front of a public toilet would more than likely be detrimental to my weight loss, depression, and immune system in general. So I passed the fish by on that day. The next day, the fish still lay there, and again I passed it on by, and would do so again on the third day. But on the fourth day, I got to thinking. I thought about how strange it was that after four days the fish had remained untouched. It had been ignored not only by the city workers who had recently recently emptied the trash cans, but also by the swarms of flies that regularly attacked all scraps of food left behind in the wake of cash strapped cookouts and birthday parties. Even the packs of stray dogs that plagued the park had shown absolutely no interest in the fish. There was also the fact that after nearly a week of exposure to high temperatures in the low 80s, the fish showed no signs of decay. I became fascinated. I sometimes spent up to 20 minutes just staring at the fish, contemplating an explanation. Were microplastics keeping the fish unspoiled? Was the fish a delusion brought on by a particularly pathetic nervous breakdown? Or had the fish somehow achieved a kind of sainthood where the degradations of the grave could not touch it? During the two weeks of this fish vigil, I came to realize that I was being watched. She lived in one of the houses directly across the street from the park, which afforded her a lovely view of the trash cans and toilet. A Mexican woman of about 80, she was skeleton thin with white hair and a toothless mouth. She mostly wore an aquamarine house dress and would add or subtract clothing depending on the weather. She sat on her porch every day watching the park. She didn't move a muscle and no expression ever crossed her face. But I could feel her gaze on me while I was deep in thought about such things as the possible of fish beatification. Despite never speaking to her, it felt as though we were sharing the mystery. The last day I ever saw the fish was also the first day I heard the whispering. I was deep in contemplation, my skin itching under the old woman's stare. I was looking into the empty, upturned eye of the fish when the usual weekday morning silence was suddenly shattered by a drawn coming from my right. When I looked up, I saw the door of the chemical toilet slowly opening once fully ajar. I could see the toilet was empty. Figuring that it had to have been the wind, I was about to return my attention to the fish when I heard it, a slithery whisper. It was clearly coming from inside that factory of filth, which was clearly unoccupied. Had my mind not been scrambled for the past fortnight by constant musings about a miracle fish, I probably would have recognized the danger and fled. But at that juncture of my life, I found the whispering alluring rather than alarming. Slowly, I crept to the toilet. The smell was already unbearable, but it didn't stop me. I realized that the whispering was getting clearer as I got closer. It was four words being repeated over and over, but it remained distant, like a radio in another room. That was the first time I entered the toilet. Public facilities on my side of town were never worth bothering with, and the sight of the stain in the corner and the streaks on the toilet seat only confirmed this. The smell was so thick I could taste it. My mouth had gone dry, as if my tongue were trying to kill itself rather than process the sensory information I saw. The graffiti on the walls was a mix of street gang tags, swear words, and childish sprawl. Crude sketches of genitalia in a phrase that was written six times by six different hands. Grenas vive. But I took all this in peripherally, for I could now clearly hear what the whispering was saying.

[Man with no Shadow]

Give me your pain. Give me your pain. Give me your pain.

[Narrator / Storyteller]

The soft hiss was coming from inside the toilet. Well, against all reason, I leant over to look. The mountain of human waste sitting atop a pool of dark chemical blue had me gagging almost immediately. But it was the sudden appearance of furious air bubbles rising from that putrid sea that broke me out of whatever trance I was under. I tore out of the toilet, gulping as much fresh air as I could, barely holding down the contents of my stomach. When I finally got myself under control, I looked up to see the old woman staring impassively as ever. And when I looked over to the trash cans, the fish was gone. It would be a little over a week before I returned to the park. Sanity would dictate that my absence would stretch far longer, preferably into eternity. But events would soon make that impossible. First, there were the dreams. They all revolved around what I had seen in the toilet. Sometimes the dream centered on an albino hand reaching out of the blue liquid, the white skin unblemished by the chemicals and filth. In others, the dream would focus on the mound of shadow, which would begin to convulse, and dozens of jaundiced eyes would suddenly spring open across the rancid mass. But even worse was the fact that I could still hear the whispering.

[Man with no Shadow]

Give me your pain.

[Kate]

Give me your pain.

[Man with no Shadow]

Give me your pain. Give me your pain.

[Narrator / Storyteller]

It dug into my brain like a noxious melody. Constantly repeating. Its meanings seemed to alternate with every revolution, from threat to plea to promise. I had to hum loudly and stomp my feet to drown it out. The only peace I ever got were the few blissful seconds after screaming into a pillow where the whispering seemed to vanish but soon returned stronger than ever. I was losing it so completely that my mother started hiding in her room and locking her door. By the fourth day, my need to stop the whispering had turned suicide from an option into an inevitability when I received a text from one of my few friends who stayed in contact with me. Is this the park you go to? Read the text along with a link to a local news story. As soon as I clicked it, the whispering seemed to fade into the background until it was as distant as the first time I heard it. The report was about a murder that occurred the previous evening. A 14 year old boy who had run away from home was believed to have sought shelter in the chemical toilet when a thunderstorm moved in during the night. At some point in the early hours of the morning, he was attacked by an assailant inside the chemical toilet. He had been stabbed several times, his face mutilated. He wasn't discovered until the afternoon when city workers had come to clean the facility. They did briefly mention the fact that the door had to be forced because it was locked from the inside, but that was quickly glossed over. Stunned, I got on my laptop and went to YouTube to search for any video reports posted by local news stations. They all provided essentially the same information, save for the fact that during the live broadcast by the local CBS affiliate, you could clearly hear a passerby scream grenas vive. As the on scene reporter was wrapping up her story, I had made given much thought to the phrase grenius vive when I first saw it on the walls of the toilet. At its most literal, grenius meant tangle but was often used as slang for pubic hair. So I took the phrase to mean something like pubic hair lives or long live pubes, which made about as much sense as anything else scrawled on those walls. But I started to have the feeling there was much more to it than that. By this point the whispering had come back full volume. It was obvious to me that my future held only two options, insanity and suicide or face whatever killed that boy. Though Both options meant death. The second one would at least bring in lightning. But if I was to die, I didn't want to face my murderer in total ignorance. I needed to know exactly what I was dealing with. Unlike crumbling mansions or abandoned hospitals, there was no dusty tomes or city records detailing the macabre history of park toilets. So I would have to go to the only person I knew who would have any expertise on this matter, the old woman. As soon as I made the decision to return to the park, the whispering stopped. Though it was initially a relief, I knew that if I reneged on my promise, it would soon return and never cease until I did. I waited four more days just to be sure there was no longer a police presence. I arrived around 5pm I parked the ancient Toyota Tercel that had once been my little brother's decades ago and walked out into the first cold and blustery day of the season. I tried not to look at the chemical toilet as I passed it, but in the periphery of my vision I could see the remains of caution tape flittering in the wind all around its red walls. The woman sat on her porch as usual. There was a heavy quilt covering her legs, but her arms remained bare, the brown paper thin skin covered in liver spots. As I approached, I lowered the hood of my jacket and became self conscious. Conscious of the food stains on my sweatpants. She seemed to stare right past me as I stood before her in silence. After several torturously long seconds, I finally managed to blurt out, hello, ma'. Am. There was no response. She simply continued staring, and I tried a few more half hearted greetings before finally concluding that she hadn't been watching me at all. Her eyes may have been open, but she couldn't comprehend a thing. I was about to turn and go when suddenly she spoke.

[Old Woman / Grandma Myrna]

Grenas Gras.

[Man with no Shadow]

Yes.

[Old Woman / Grandma Myrna]

What is grasp of sorrow? A heart of violence. A stranger. He came one day. Lived in the ditches, slept on the benches, ate from the trash. He could hear the angels cry and the demons sing. He screamed. He screamed. He screamed. His hair a jungle not covered in bogs. He had no name. We christened him Grenyas. Pets disappeared. Blood on the trees. Jesus forgives.

[Narrator / Storyteller]

She paused to swallow and smack her lips absently.

[Old Woman / Grandma Myrna]

The freeze came. No power. Deep cold Texas hell. We were lost. Grenyas went to the toilet to escape the wind and the snow. It would not save him. Death was coming. He took a knife, stabbed himself. Kidneys, lungs, heart. He died by his hand. Not God's plan. Frozen snow melted. Body taken. But he remained. That is his house. That is his pain.

[Narrator / Storyteller]

Very slowly, her head began to move and she looked right at me.

[Old Woman / Grandma Myrna]

Give him your pain, fat man.

[Narrator / Storyteller]

Then she went back to staring into space. Now that I knew who my killer was, I returned to my car and waited. The only thing that kept me company was the whispering, which had returned pain. At 11pm when the park officially closed, I made my way to the chemical toilet. It felt so much colder than the 45 degrees that my phone was claiming. The wind ripped straight through my jacket and sweatpants. Even my layers of fat couldn't hold the sting of the icy night at bay. I began to run, some foolish part of me certain that it would be warmer once I was inside the toilet. When I opened the door, I could see the boy's blood stains dried to the concrete. They were the same color as the stain in the corner. And I realized that Grenas suicide had been its source. The facilities were as disgusting as my last visit. So I chose the least offensive corner near the door and sat. When I leant against the wall, the whole structure seemed to shift, but soon settled. I locked the door just to be safe. Though I had expected something to happen by midnight, it was already 1am When I started to get sleepy. The whispering had taken on a soothing quality, almost like a lullaby. Those four words were stretched and softened until they were like silk, gently caressing my brain. I nodded a few times before finally succumbing. I dreamt of a garbage dump blanketed in snow beneath a sunless cobalt blue sky. All around me, the discarded remnants of human existence seemed to shiver before shattering into pieces. Half buried in the snow, thousands of rats cried out in pain before they too shattered into pulpy red shards. The ground began to shake and then split as a cloud of crimson gas erupted. When the cloud hit me, it was the worst thing I had ever smelled. It was pure decay. The decay of everything, body, mind and soul. It shredded my nostrils so violently that it woke me up. But I quickly found that I had not escaped it. The smell was all around me. Suddenly a sickening gurgle erupted from within the toilet well. I was frozen with fear as a kitchen knife with a 4 inch blade covered in the brown rust of dried blood slowly began to rise out of the well. It was gripped in a hand that was the same blue as the chemicals within. There was an ear piercing screech as another blue hand appeared and gripped the edge of the seat. The thing within began to pull itself out. At that moment, all convictions about meeting my fate disappeared. I quickly rose and furiously tried opening the door, but the lock wouldn't give. As my screams mixed with the shrieks coming from the being pulling itself from the pit, I began throwing myself against the wall. But each blow was like ramming my body into granite, and some force was holding the structure firm. Despite the pain, I clamped my eyes shut and continued hammering against the unyielding wall. My cries for help, not drowning help. The sickly squelch of that inhuman form birthing itself from an obscene womb. I was on the verge of shattering my left shoulder with another futile collision when an icy chuckle stopped me dead. Seemingly against my will, I slowly opened my eyes and beheld called Grenyas. It was squatting atop the toilet well, knife in his right hand. His skin wasn't blue as I had initially thought, but transparent like plastic. It was a thin sheet that held within it a dark blue liquid. Inside the liquid floated large gobs of human effluents, toilet paper, used tampons, cigarette butts, and other trash. The body was naked, thin and wiry. The skeletal face smiled at me, a thick cloud of waste floating inside the transparent skull. A wild and filthy tangle of human hair sat atop his head like a crown. I stared at him in awe and terror for a few seconds.

[David Cummings]

Hey, fat man, give me your pain.

[Narrator / Storyteller]

He launched from the toilet and had his legs wrapped around my midsection in an instant. I didn't have time to react before he brought the knife down three times in my left shoulder. I was so shocked that I didn't feel it until the the dull knife got stuck in my flesh on the third stab. I screamed in agony as he wiggled the knife back and forth, trying to wrench it out. His frustration bubbled over as he reared his head back and with a vicious snarl, lunged forward and snapped his teeth around my left ear, almost ripping it off in one bite. As he tore at the left side of my head with his mouth. His free hand clawed at my face, tearing flesh with each swipe. Desperately, I tried to dislodge him, but his legs were like iron bars around my waist. As the clawing continued, his thumb found its way into my mouth and on instinct I bit down. The clear flesh ripped like a water balloon, and my mouth was filled with the dark liquid. I could feel little chunks of awfulness dance around my tongue. Despite the bloody carnage being done to my face at that moment, all my energy was devoted to keeping that putrid slush from going down my throat. In that, I failed. As the liquid snaked its way down my gullet it felt like a river of ice flowing through my body. It seemed to inundate my cells until my flesh, organs and bones were assaulted with the deep knowledge of physical death. I could feel what it meant to rot. My senses panicked as I came to the conclusion that I was now nothing more than a mass of putrefying, oozing meat. While the liquid was teaching my body these lessons, it was also filling my mind with visions. No, not visions. Memories. Memories of a life indistinct from hell. Violence. Violence at every turn. Never, never once, compassion. Never once pity. A childhood that would break any mind. And at the center of that nightmare was one figure. A towering, shirtless man with an extension cord wrapped around his fist. His eyes were wide and glowing with rage above a coal black beard. He rained down blows relentlessly, and with each strike came his refrain. This is my pain, Miguelito. This is my pain. Every time the figure repeated the phrase, the fear grew stronger and stronger. But I realized that the fear wasn't mine. It was borrowed. The fear belonged to someone else. All of this took mere seconds to absorb, but it was time enough for Grenyas to wrench the knife from my shoulder. As he raised the blade, screeching, ready to bring it down into my left eye, I quickly shouted, this is my pain, Miguelito. This is my pain. The effect was like a shotgun blast. Grenas was launched into the wall opposite and crumpled to the floor. Not wasting any time, I shouted again. This is my pain, Miguelito. He writhed and screamed on the concrete as the refrain tortured him like his whisper had tortured me. He was thrown into such violent spasms that his joints bent and snapped at sickening angles. His lower jaw twisted to the back of his head while his hateful eyes remained on me. Finally, when he could take no more, he dug the knife into his chest and split his body open.

[David Cummings]

Open.

[Narrator / Storyteller]

The liquid gushing out and flooding the concrete. Praying the spell was now broken, I threw my body against the door. It flew open and I ran for my car. I thought not at all about my bloody, ruined face or the wounds in my shoulder. I simply got in the Tercel and did the only thing I could think of to do. Drive my car through the park and ram it straight into the chemical toilet. The walls of the toilet exploded in all directions and my back right tire sunk into the well. I got out of the car and, satisfied with the destruction, quickly passed. It was a video taken by a neighborhood woman that would lead to my infamy. She ran from her house and excitedly narrated the footage. She captured of my bloated body lying in front of the wreckage of the car and toilet. A screen capture from the video soon became a viral meme template used for instances of personal disaster. And when I finally told my story, I was dubbed the Shithouse Exorcist by the Internet. I'm facing prison time, of course. My face is permanently disfigured, but it was never much to begin with. I spent a month in the hospital from the bacterial infection caused by my wounds, which led to me losing 60 pounds. I've also gained several new followers online and and their well wishes have really buoyed my spirits. I must admit, I haven't felt as good in a long time. As for the fish, I still have no idea what was behind that. Most likely it was God. It usually is.

[David Cummings]

It.

[Old Woman / Grandma Myrna]

Foreign.

[David Cummings]

Valley Campgrounds Looking for a place to escape your busy life and reconnect with nature? Goat Valley Campgrounds features 300 acres of quiet forest and peaceful scenery for you to enjoy. Come meet Kate. She runs the place like her parents before her. We know you'll enjoy your stay as long as you behave yourself and follow the rules. Your survival depends on it. The no Sleep Podcast Presents Goat Valley Campgrounds Season 2 by Bonnie Quinn Chapter.

[Kate]

My family has a strategy for dealing with the we don't confront them directly. Okay, we don't confront them directly. With a few exceptions. Those exceptions are usually the creatures that can be effectively shot with a gun or set on fire, everything else off limits. It's a survival strategy. I know that's rather ironic considering that the prior generation isn't making it to see their 60s. But hey, I'm here, right? It's sort of working for us. Because the creatures we can't shoot or burn also tend to be the ones with rules. You follow along with what they want. You generally turn out okay. Most of the long term creatures on this campground are like that, and my family knows how to handle that. We don't attack them directly because it doesn't work. But a creature that has plans, has schemes that go back generations. That's a new sort of danger and one that we don't have any history dealing with. There's no playbook. This time I have to write the rules, so that's what I'm gonna do. And we're not going to be playing the man with no Shadows game anymore. I'm bad at seeing through his deceit and I don't like it. We're gonna play my game instead. And that game is just good old fashioned violence. The family Specialty. My name is Kate, and this is Goat Valley Campgrounds. It isn't obvious which house is mine. On the campground, it's tucked away in a corner, separated from the rest of the grassy field by a wooden fence. The family graveyard is back here as well. Just around the corner, screened by a thick clump of trees. Are the other houses belonging to people that make their residence here. My aunt and uncle are among them. Campers don't have a reason to come to this part of the campground, and those that stumble across it tend to respect the private property signs posted at the fence. There are sometimes exceptions, though. Yeah, what is it?

[Narrator / Storyteller]

A man with no shadow wants to see you.

[Kate]

Rule number 17. Don't talk to the man with no shadow. How is this so hard to comprehend?

[Man with no Shadow]

He's at his grove. He swears he won't harm you. It's meant to be a peaceful conversation.

[Kate]

He abruptly turned and walked away, his task done and the message delivered. I watched him turn down the road leading back to the camping areas, and then he stopped. He looked confused, but after a moment, he shook himself and began walking off, clearly satisfied with whatever excuse his brain had invented for him being in a place he didn't remember walking to. I looked hard at his shadow, searching for the second shadow that I knew had to be there. It was a mere sliver, but I saw it turn and look back at me for a brief moment. Just how many pawns does this asshole have? At least he was one of the Inhumans. That would be keep his word. If he said I'd be safe visiting him in his grove, then I would be. The other creatures in the deep woods wouldn't even harass me until our business was concluded. There was etiquette to be respected. I didn't even bother to bring my shotgun along. It's a lovely little grove. The trees are thin enough that grass grows in the clearing, and flowers crowd around the base of a large boulder resting in the middle. It feels inviting, like an angler fish luring the prey into its mouth. I hope you don't mind, but I'm not gonna set foot in there.

[Man with no Shadow]

But I gave you my word.

[Kate]

It's the principle of it.

[Man with no Shadow]

Fine. But I hope you don't mind if I stay within the boundaries of my grove. Humans aren't nearly as honest as we Inhumans.

[Kate]

What did you call me out here for?

[Man with no Shadow]

You owe me something.

[Kate]

Like hell I do.

[Man with no Shadow]

Pity. I thought you were smarter than. Than this. Think hard, Kate. You have all those rules floating around in that head of yours. How do they Apply to you, to your family, to your childhood.

[Kate]

You. Is this about when you took my friends? My mother knew you left the campground. Wait. How did she get you to release my friends?

[Man with no Shadow]

We had a bargain, your mother and I.

[Kate]

She let you leave. She gave you permission three times.

[Man with no Shadow]

I could ask. That was our agreement. I used it twice before she died.

[Kate]

Well, she's dead now, so. Sucks for you, I guess.

[Man with no Shadow]

Oh, that's not how this works. You know that's not how this works.

[Kate]

I'm aware. I don't honor my mother's bargain, and you get all offended. But I think the relationship between us went bad a long time ago. And I don't give a shit if I insult you by refusing to uphold an agreement. I'm human. I'm not bound to these agreements the way you are. I get to choose.

[Man with no Shadow]

Yes, you do get to choose. And I'm fully aware of your feelings towards me. Your mother hated me just as much as you do. So I built some leverage into the agreement. Do you remember your friends?

[Kate]

You let them go. Mom said you let them go.

[Man with no Shadow]

And I did. No mind control there. Well, except for the one that started the whole mess. I claimed her mind long before your mother came to rescue everyone. But the rest went free. Except for one tiny thread. One weak and useless little tie that'll dissolve once our business is concluded. Unless you break the agreement, that is. Then that tie is no longer so small, and I can do whatever I want with them. Feel like killing your friends with your own hands again, Kate? I don't doubt you could. Your mother raised you well.

[Kate]

They're not my friends anymore. I haven't seen them in a long time.

[Man with no Shadow]

Except when you go into town, of course. When you see them with their families, whispering about you behind your back. Look. That's Kate. They say to their children, stay away from her. She's dangerous. She gets people killed.

[Kate]

Shut up.

[Man with no Shadow]

Ultimately, it's your choice. You can refuse my request, of course. I think some part of you wants to kill them. If only to remove yet another reminder of how alone you are.

[Kate]

Damn it. Damn you.

[Man with no Shadow]

Take a moment to think it over if you need to, But I will need a decision before you walk off.

[Kate]

You want to leave? Fine. What day do you want to leave on?

[Man with no Shadow]

I'm going to need a window. Humans are treacherous, after all. And I'd rather not discover there's a pack of black dogs waiting for me just outside the gate. Two weeks. I can leave for 24 hours at any time within the next two weeks.

[Kate]

You have my permission.

[Man with no Shadow]

Exact wording if you don't mind.

[Kate]

You can leave for 24 hours at any time in the next two weeks. Are you satisfied now?

[Man with no Shadow]

I am. And your family's debt is fulfilled. You made the right choice. Part of me is a little disappointed I won't get to see you destroy yourself by killing your childhood friends. But I'm glad to see you aren't so far gone that hostages won't work on you. Your father would be proud.

[Kate]

Don't you dare mention my parents again.

[Man with no Shadow]

See, this is why I wanted to have the conversation at my grove. You're itching to have another go at me, aren't you? Well, I'm safe in here, and you're safe out there. Works well for both of us.

[Kate]

I'm starting to think the lady with extra eyes didn't help me after all. I liked it better when I couldn't have a conversation with you.

[Man with no Shadow]

Well, I'm done here, so you don't have to tolerate my presence any longer. Run along, Kate. I got what I wanted.

[Kate]

I flipped him off as I walked away. Petty, but it was about all I could do. And the frustration of it all ate at me a two week window. The rally the town was planning fell within that time frame. Since I wasn't meant to find out about it, I had no doubt that the man with no Shadow intended to be there. I also figured that if he got even a slight hint that I'd figured out what was happening, he'd change tactics. If I wanted a shot at him, then I had to make him think everything was working the way he intended. I worked with Russell on our plan. We communicated via text so that he wouldn't be seen at my house too much, and so neither of us could be overheard on the phone. This is one advantage we have over the man with no Shadow technology. For the first step, we needed to convince the man with no Shadow that he had me cornered, that I was too afraid to leave my campground, and that my fear was causing me to drive people away. The sheriff's idea was to stage a highly visible blowup at one of my staff. Yell at them over something trivial, make it look like I was stressed to the point that any little thing would set off a collapse. I was still considering which staff member to target, who would be the most resilient to being unexpectedly yelled at when my brother presented himself as a target instead. It wasn't an intentional change of plans. We were meeting in town for lunch and it just sort of happened. I'm not even sure how the conversation turned towards Selling my campground. But it did. And things just escalated from there. You wanted me to sell the campground like everyone else.

[Narrator / Storyteller]

No. Why would you think that?

[Kate]

Because if this place isn't owned by the family anymore, then you're not on the hook for it. You don't have to worry anymore that someday something will kill me, and then you'll be the one listening to the little girl crying outside your window.

[Jason (phone conversations and interactions)]

Yes, I don't want the campground.

[Kate]

I never did.

[Jason (phone conversations and interactions)]

But that doesn't mean I try to take it away from you. I know how important this place is to you. And I know what will happen to the town if it ever stops being old land.

[Kate]

Really? Is that more important than your family? Your wife hates me, and I know it because she's afraid whatever child you have someday will end up inheriting the campground.

[Jason (phone conversations and interactions)]

Can't deal with this right now. Go home, Kate. I think the stress is making you say things you don't mean.

[Kate]

I'm ashamed to say that wasn't part of the plan. It was an honest fear, One that finally broke free under the weight of all the paranoia I was carrying. My brother has certainly been the target of my anger before. I've said a lot of apologies over the years, but as I watched him walk away, I wondered if this would be the last time he'd tolerate it. If maybe sorry wouldn't be enough this time and there was no one left to hate but myself.

[David Cummings]

I.

[Kate]

At least it set the scene nicely for our final act. We played it out at the sheriff's office, where Russell was filling in until the election. And there were plenty of prying ears around. Small towns are especially efficient at distributing gossip.

[Narrator / Storyteller]

Damn it, Kate, you keep doing this. Your parents are gone, and your brother.

[Police Officer / News Reporter]

Is all that's left.

[Kate]

Oh, sure, that's easy for you to say when you don't have to deal with this crap every single day. It wasn't entirely an act, either. Russell hadn't warned me in advance what our argument would be over. He went straight for the open wound.

[Narrator / Storyteller]

Oh, look at me. I'm Kate, the campground manager, and everyone hates me.

[Police Officer / News Reporter]

I better make sure it stays that.

[Narrator / Storyteller]

Way so I can keep the tough girl act going.

[Man with no Shadow]

It'd be awful if people realized how scared I am.

[Kate]

I'm not scared.

[Man with no Shadow]

Kate. You've been scared since the day your parents died.

[Kate]

I closed my eyes. He wasn't wrong. But I couldn't say that. At least not in a way that the eavesdroppers in the other room would hear. I had to let my anger take the reins Instead, you. Russell, you don't have the right to tell me how I feel.

[Police Officer / News Reporter]

Fine.

[Narrator / Storyteller]

Go hide in your house. If you want to be alone so badly, we'll all be happy to oblige.

[Kate]

Even when you know they don't mean it and that you'll be able to reconcile when it's all over. It still hurts when someone turns on you like that. I wasn't in the best state of mind when I went to complete the final step of the plan, but honestly, it was better that way. It helped me sell it. I hadn't told Russell about this. He'd find it too risky. He might have tried to stop me. We would have fought for real if that happened. I will sometimes listen to suggestions, but I do not take kindly to being told what to do. I went to see the man with no Shadow. The weather was mild that day, so I wore a shirt with a low collar so that the discoloration on my neck and face was clearly visible. The bruises given to me in the courthouse basement were taking their time to vanish. Purple and yellow blotches covered the entirety of one side of my neck, down onto my collarbones, with lingering patches on my jaw. It was still very tender with those visible, and with my shotgun in hand, I went to the grove where the man with no Shadow lives. He watched me approach, sitting on a large stone, one barefoot tucked up close to his body, the other stretched out to touch the grass. He conspicuously eyed my gun a moment and then lazily glanced up to meet my gaze.

[Man with no Shadow]

I thought we'd already reached him.

[David Cummings]

Agreement.

[Man with no Shadow]

Surely you don't want to go back on your word.

[Kate]

No. I've got a different offer. You want off this land? I'll release you if you promise to leave. Go somewhere far away. Another state would work for me.

[Man with no Shadow]

Kate. Oh, Kate. I thought you were smarter than this.

[Kate]

He hopped off the stone and walked towards me. I hoisted my shotgun, letting my hands shake, and he hesitated only briefly at the edge of his grove. Then slowly, deliberately, he stepped out of his territory and continued to advance towards me. I pointed the gun at him and he paused, barely a foot away from the barrel.

[Man with no Shadow]

That's not what I want.

[Kate]

Then he jerked a hand up so quickly I might not have been able to react if I weren't expecting it. It was an effort to not squeeze the trigger. I almost did. My hand twitched reflexively, but I fought the urge down and let him grab the gun and rip it out of my hands. He tossed it aside onto the forest floor. I cried out in surprise and stepped backwards but he wasn't letting me escape. He lunged forwards, grabbed the front of my shirt, twisting the fabric between his fingers, and he pulled me close. I was forced to tilt my head back to look up into his eyes, and the bruises on my neck were clearly visible. He traced them with one finger of his free hand, and I didn't have to pretend as I trembled in fear.

[Man with no Shadow]

Or maybe you're not being stupid. Maybe you're desperate. Poor thing. Humans aren't really cut out for this. Wouldn't it be a relief to let it all go? Is your family's legacy worth this?

[Kate]

He gently brushed a lock of my hair behind my ear, the tenderness of the gesture offset by how tightly he still held my shirt, pinning me in place.

[Man with no Shadow]

I have some authority over the town. I can tell them to stop trying to kill you, give you a little peace in which to make your decision. But Kate, wait too long and I may not be able to restrain them entirely. That hatred you see in their eyes is not entirely of my making. They won't kill you, but neither will they leave you intact.

[Kate]

The threat was not unexpected. Even though I'd mentally prepared myself for this on the walk to the grove, I still felt sick hearing the words and understanding their full implication. My words stuck in my throat and I was unable to reply.

[Man with no Shadow]

I'll give you some more time. A gesture of kindness. I don't actually want you dead after all. I just want you to sign the campground over.

[Kate]

It all sounded very convincing, and without the lady's tea, I would have believed every word. I still don't understand why you want to make the campground no longer be old land.

[Man with no Shadow]

You don't have to understand. You just have to do what I want.

[Kate]

He smiled broadly and patted me on the cheek. Then he let go of my shirt and briskly walked away, casually putting his back to me. I eyed the distance between myself and the shotgun. I admit it was very tempting. I wasn't sure I wanted to gamble all of this on having better reflexes than him.

[Man with no Shadow]

Though this was a good talk. It's nice to have actual conversations. Maybe I'll visit the lady in the woods and give her my thanks for supplying you with the tea. And then I'll kill her. Of course.

[Kate]

My pride was shattered, and I was trembling in frustrated anger. But it was done. I'd offered him escape because I knew he wouldn't take it. He didn't know that I'd discovered the buyer's identity. I knew what he wanted was control. The rally announcement had stirred up the town enough to ensure a good turnout at the meeting. It was likely that almost everyone would be there. All the man with no Shadow had to do was go out in front of them and introduce himself and they would all be his. Everyone in town that was undecided or still on my side, they would be his. Unless, of course, someone killed him. What a shame that would be. Since I was without a car. The plan was that Brian would pick me up shortly before the meeting was scheduled to start. The old sheriff was already in position. I'm not sure what it says about him that he knows how to get a good angle on the town hall with a scoped rifle, but I'm glad he's on our side. I was armed with a pistol and a shotgun. There was a knock at my door as I sat waiting. Startled, I grabbed my shotgun and hurried to answer, surprised that I hadn't heard Brian's truck pull up. The man with the skull cap was on my doorstep. This is a bad time. Can we talk about that kiss some other day?

[Man with no Shadow]

What makes you think I came here to talk about that? Perhaps I am here because of how you tried to refuse my offer of a drink.

[Kate]

I froze like every muscle in my body was shot through with ice. Locked up in terror. Some part of my brain gibbered that I was going to die horribly, and while I heard what he said next, I didn't register the words. Not until he said my name to get my attention and repeated himself.

[Man with no Shadow]

I am not going to kill you. Not after all I've done to keep you alive. But you will have to atone for your mistakes, and there have been many as of late.

[Kate]

He sighed and traced the rim of his cup with one finger, his eyes half closed.

[Man with no Shadow]

When you went to the vanishing house, I told you not to empty the cup. It is easy enough to refill when it runs low. Refilling it when it is emptied is another matter. I honestly would have preferred you return it empty and let me refill it, as I could have managed it properly instead. And he returned to me something flawed and a flawed vessel can only hold together for so long. But what's done is done, and now you need to finish what you started.

[Kate]

What was wrong with how I refilled it? Blood that was already there. Blood freely given and blood forcibly taken. He looked me dead in the eyes, and with a flat, emotionless stare that never wavered from my face, he turned the cup sideways until the liquid spilled out and puddled on the porch. He tilted the cup upright before the last few drops fell. Blood from what was already there. Then he lifted his hand to his mouth and bit carefully down on a knuckle. The skin split open and brilliant drops of blood beaded up. He tipped his hands so that they collected together and spilled out and into the cup. Blood freely given. The man with the skull cup handed it to me along with his knife.

[Man with no Shadow]

The requirements are higher when it has been emptied. Blood of an enemy forcibly taken. That's where you went wrong. Don't screw it up this time.

[Kate]

Blood of an enemy. The sheriff was forced into his role. He was never my enemy. But the man with no shadow sure as hell is. Brian and I arrived at the town hall fashionably late. I took a shallow breath and let it out slowly, trying to calm myself, and then gave up on that. Screw it. I didn't need to be calm. I needed to be angry. Anger had carried me through every hard thing I'd done, whether it was just or not, and it would carry me through this as well. I slammed the door of the pickup truck behind me. Brian's dogs watched me go, lined up at the edge of the pickup's bed with their tongues hanging out. I walked alone to the closed doors of the town hall, took a breath, and then shouldered them boldly open. Kicking them open would have made a more impressive entrance, sure, but I didn't want to risk spilling the contents of the cup I carried. The man with no shadow stood behind the podium at the fore of the room. Beside him was the buyer. My unwitting cousin looked nervous, his eyes wide and his forehead shining with sweat. He seemed ready to bolt at any moment, and for a brief second he looked relieved for the interruption. Then he saw the knife in my hand and he went pale, opened his mouth to say something, perhaps to yell for someone to call the police, and then that died when he realized that no one else was moving like this was normal. It kind of is around here. I stopped halfway to the man with no shadow, who had not moved from the podium. He stared at me in fury and shocked. Clearly our gamble had paid off, for he did not expect me to be here. I raised the knife and pointed the tip at him. That is not your friend. That is an abomination. No different from all the other monsters that I keep trapped on my land so that you can all sleep safely in your beds at night.

[Man with no Shadow]

Kate, didn't you get a concussion recently? Maybe you should see your doctor about these outbursts you've been having lately. Is your brother speaking to you again yet?

[Kate]

The old sheriff had picked up some things during his tenure, things about surveillance, and he'd wired up the podium so that he could listen in to what was being said while he was in his sniper position. At the moment when the man with no Shadow paused before anyone in the room could react, a bullet came through the window and into the side of his head. The force of it knocked him over. My cousin, the buyer, shrieked and threw himself to the ground. The rest of the room stirred. Some stood, but before real panic could set in, the man with no Shadow slowly picked himself up. The assembled townsfolk went still and quiet.

[Man with no Shadow]

Fine, fiiiine. This plan was annoying anyways. I don't like being around humans. I don't like pretending to be your friend. I just want to feed.

[Kate]

He knocked the podium aside with one sweep of his arm. It smashed sideways to the floor. People were on their feet now. Someone screamed, and they bolted to the edges of the room, crowding near the walls, desperate to get away from the creature that was stalking down the aisle to where I stood. I saw raw hunger in his eyes. They all saw him for what he was, standing there, bleeding freely from a bullet hole that would have killed a normal human, instantly cursing their humanity, and it didn't matter.

[Narrator / Storyteller]

Come.

[Police Officer / News Reporter]

Come to me they went.

[Kate]

They turned over chairs in their haste, eyes maddened and empty. I saw the intention in their mindless stares as they rolled across the room in a wave of human flesh. They would tear me apart and feed me to their master, whose words poisoned their minds and overrode their senses and turned them into monsters. I've dealt with plenty of monsters on my land. We have a simple guns and dogs, and Brian's hounds came in through the door, ripping it off the hinges with the impact of their body weight, and they rolled past me in a black, angry pack of fur and fangs. They hit the line of people closing in on me, a heavy collision of muscle and fur into flesh, and they all went down, a veritable barricade of flailing and fighting. There were screams. I couldn't tell if it was rage or pain, for the dogs had cleared a pathway between me and the man with no Shadow, and I was running forward. The man with no Shadow came to meet me, stretching greedy fingers towards my shadow, ready to rip it to pieces and devour it. I gripped the knife tight, and just before we collided, the old sheriff took his second shot, and the man with no Shadow's knee exploded into red ruin. I reached for him. I'd hold his head and slit his Shadow's throat and it would be all over. I had the full weight of my anger pushing me forward. And nothing, not even my own doubts, could stop me. Then someone grabbed me from behind, wrapped their arms around my torso, pinning my arms to my side.

[Narrator / Storyteller]

What are you doing?

[Kate]

Let go.

[Narrator / Storyteller]

I'm not letting you just. Just murder someone.

[Kate]

He's a monster, damn it.

[Narrator / Storyteller]

I'll see you at my grove, Kate.

[Kate]

His body collapsed into shadows. They flitted like moths across the ground, past the townspeople, past the dogs, and out into the night. The room went quiet. Even the people that were on the ground, pinned under the weight of the dogs, subsided into muffled whimpering. They stopped trying to get to me. They just stared, wide eyed, breathing fast. And no one dared to speak. I told you he was a monster. With the fact he survived a bullet to the head not enough for you? Now let go, you idiot. This time I was able to throw the buyer off of me. He landed hard on the ground, but I ignored him. The man with no Shadow had bled plenty, and I wasn't going to waste it. I crouched and carefully scooped up in my hands some of the blood pooling on the ground from Russell's gunshots. I poured what little I'd collected into the cup, hoping it would be enough blood of my enemy forcibly taken. Then I left. No one tried to stop me.

[David Cummings]

Goat Valley Campgrounds Season 2 was written and adapted for audio by Bonnie Quinn, produced for the no Sleep podcast by Phil Mikulski. Musical score composed by Brandon Boone. Starring Lindsay Russo as Kate, Jesse Cornett as Russell, Jeff Clement as Tyler, Graham Rowett as the man with no Shadow, Mick Wingert as the man with the skull cup, Ollie A. White as the camper and Joel Blackwell as the buyer. Join us next week for Chapter 10 of Goat Valley Campgrounds Season 2. Our tales may be over, but they are still out there. Be sure to join us next week so you can stay safe, stay secured and stay sleepless. The no Sleep Podcast is presented by Creative Reason Media. The musical score was composed by Brandon Boone. Our production team is Phil Mikulski, Jeff Clement, Jesse Cornett and Claudius Mo. Our editorial team is Jessica McAvoy, Ashley McAnally, Ollie A. White and Kristen Samido. To discover how you can get even more sleepless horror stories from us, just visit sleepless.thenosleeppodcast.com to learn about the Sleepless Sanctuary. Ad Free extended episodes each week, week and lots of bonus content for the dark hours. All for one low monthly price. On behalf of everyone at the no Sleep Podcast, we thank you for joining us and seeking safety from the things that stalk us in the night. This audio program is copyright 2025 by Creative Reason Media, Inc. All rights reserved. The copyrights for each story are held by the respective authors. No duplication or reproduction of this audio program is permitted without the written consent of Creative Reason Media, Inc.

[Kate]

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[Narrator / Storyteller]

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[Kate]

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[Jason (phone conversations and interactions)]

Dude, this new bacon, egg and chicken.

[Narrator / Storyteller]

Biscuit from AM PM Total winner, winner, chicken breakfast.

[David Cummings]

Chicken breakfast? Come on.

[Narrator / Storyteller]

I think you mean chicken din, bro.

[Jason (phone conversations and interactions)]

Nah, brother. Crispy bacon, fluffy eggs, juicy chicken, and a buttery biscuit. That's the perfect breakfast.

[Jason Lang]

All right, let me try it.

[David Cummings]

Okay.

[Narrator / Storyteller]

Yeah, totally.

[David Cummings]

Winner, winner, chicken breakfast.

[Narrator / Storyteller]

I'm gonna have to keep this right here. Make sure every breakfast is a winner.

[Man with no Shadow]

With the delicious new bacon, egg and.

[Narrator / Storyteller]

Chicken biscuit from AM PM AM P.

[Man with no Shadow]

M. Too much good stuff.