Podcast
The Play Podcast
Hosted by Douglas Schatz · EN
Welcome to The Play Podcast where we explore the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play's origins, its plot, themes, characters, structure and impact. For us the play is the thing.
Visit www.theplaypodcast.com for more information, including extra Footnotes on each episode and a complete list and profiles of our guests.
Visit www.patreon.com/theplaypodcast to become a Patron and enjoy additional content and generously support the podcast. Thank you.
Also, listen to The Play Review for reviews of some of the current shows on stage in London.
19episodes
Episodes
Newest firstAll episodes
The Play Podcast - 109 - Romeo and Juliet, by William Shakespeare
2w ago01:17:07Tap to summarizeEpisode 109: Romeo and Juliet by William Shakespeare Host: Douglas Schatz Guest: Dr Hester Lees-Jeffries Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. William Shakespeare's Romeo and Juliet is arguably the most famous love story of all time. The tragic tale of their ecstatic young love has become iconic, not only in the theatre, but in the countless forms it has been retold, in musicals, dance, opera and film. As we record this episode a daring new production is playing in London's West End, directed by Robery Icke, and starring Sadie Sink and Noah Jupe as the "star-crossed lovers". I'm delighted to be joined to explore the play by Dr Hester Lees-Jeffries from Cambridge University, author of the introduction to the New Cambridge Shakespeare edition of the text.
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The Play Podcast - 108 - The Lady from the Sea, by Henrik Ibsen
Feb 1901:01:40Tap to summarizeEpisode 108: The Lady from the Sea by Henrik Ibsen Host: Douglas Schatz Guests: Professor Kirsten Shepherd, Tzen Sam Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. When Henrik Ibsen's lyrical play The Lady from the Sea premiered in 1889, the critics were bewildered. On the surface it is a conventional drama of marital strife and the constrained social position of women, but the play is enriched by its acute portrait of psychological trauma and mystical undercurrents. I was prompted to explore the play having seen Simon Stone's modern adaptation at the Bridge theatre in London in the Autumn of 2025, and I am delighted to welcome Ibsen expert, Professor Kirsten Shepherd, back to the podcast, to discuss this intense and mysterious work. Kirsten and I are also joined by Oxford PHD student, Tzen Sam.
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The Play Podcast - 107 - Entertaining Mr Sloane, by Joe Orton
Feb 401:04:20Tap to summarizeEpisode 107: Entertaining Mr Sloane by Joe Orton Host: Douglas Schatz Guest: Dr Emma Parker Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Joe Orton's black comedy Entertaining Mr Sloane offended many established critics when it premiered in 1964. Orton's first full-length play signalled the arrival of a unique new voice, defined by its anarchic farce, camp sexuality, and faux-refined language, like a ramped-up Oscar Wilde let loose in the emerging age of free love. The play's first production was promoted with ads warning that it was "not for the narrow minded". I have long wanted to cover Orton on the podcast, and I was prompted to start with this play by the recent revival staged at the Young Vic theatre in London. I am delighted to welcome Orton enthusiast and expert, Dr Emma Parker, to help me explore Orton's provocative farce.
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The Play Podcast - 106 - End, by David Eldridge
Jan 1300:59:36Tap to summarizeEpisode 106: End by David Eldridge Host: Douglas Schatz Guest: David Eldridge Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. David Eldridge's new play End is the final instalment of what David has described as a "triptych for the theatre", following Beginning in 2017, and Middle in 2022. Each of the plays in the series presents a snapshot of a couple at a particular time of life. In End we meet a couple who are facing the premature end of their life together. The play is not only an emotionally painful meditation on mortality, but also a testament to the life affirming power of love. As we record this episode End is playing at the National Theatre in London, with Saskia Reeves and Clive Owen as the couple. I was privileged to talk with David about Beginning way back in episode 11 of the podcast, and then Middle in episode 47, so I am delighted to be able complete the trilogy by welcoming David back to talk about End.
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The Play Podcast - 105 - The Weir, by Conor McPherson
Dec 2201:01:01Tap to summarizeEpisode 105: The Weir by Conor McPherson Host: Douglas Schatz Guest: Conor McPherson Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. The curtain rises on a small rural pub in northwest Ireland. A few of the regulars have dropped in for company and bit of the craic. This is the simple premise of Conor McPherson's breakthrough, internationally successful play, The Weir. The play is a quiet, yet mesmerising piece of drama that consists of nothing more than a handful of people coming together and telling a few stories. Stories which reveal not only personal anxieties, regret and grief on the part of its characters, but which, in the telling, draw us into a collective experience of the mystery of being alive. The Weir premiered in a tiny space at the Royal Court Upstairs in July 1997. It has since been performed all over the world, and as we recorded this episode a new production was playing in London's West End, directed by the author himself and starring Brendan Gleeson as Jack. I'm delighted to be able to talk with Conor himself about his magical play.
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The Play Podcast - 104 - Twelfth Night, by William Shakespeare
Oct 2101:12:06Tap to summarizeEpisode 104: Twelfth Night by William Shakespeare Host: Douglas Schatz Guest: Will Tosh Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. William Shakespeare's romantic comedy, Twelfth Night, or What You Will is one of Shakespeare's most popular comedies, renowned for its clever cross-dressing plot and festive hi-jinks, but also for its elusive tone, fluctuating between the comic and a darker cruelty. The play is also infused with desire, both declared and suppressed, even subversive, as the characters search for love, status and identity. As we record this episode a new production of the play is playing at Shakespeare's Globe theatre in London, and I'm delighted to welcome to the podcast the Globe's Director of Education, Dr Will Tosh.
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The Play Podcast - 103 - Titus Andronicus, by William Shakespeare
Oct 200:57:51Tap to summarizeEpisode 103: Titus Andronicus by William Shakespeare Host: Douglas Schatz Guest: Max Webster Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Titus Andronicus is Shakespeare's first tragedy, although in fact, scholars believe that Shakespeare did not write the whole play himself. Whatever its origins, the play is notorious for its graphic horror, which includes multiple killings, amputations, decapitations, rape and cannibalism. Horrors that have overwhelmed audiences and alienated critics for centuries. Although the play was hugely popular in Shakespeare's time, later critics dismissed it for its excessive violence and crude, fragmented structure. However, the play's bleak portrait of amoral leadership, sexual violence, racial conflict, and personal and political despair has struck a chord in more recent times, with several acclaimed productions and restored critical opinion. As we record this episode an exciting new production of the play is on stage at the Hampstead theatre in London, having transferred following its acclaimed run at the Royal Shakespeare Company in Stratford. The production is directed by Max Webster, who joins me to explore Shakespeare's full-blooded tragedy.
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The Play Podcast - 102 - Every Brilliant Thing, by Duncan Macmillan and Jonny Donahoe
Sep 2500:46:14Tap to summarizeEpisode 102: Every Brilliant Thing by Duncan Macmillan and Jonny Donahoe Host: Douglas Schatz Guests: Duncan Macmillan Jonny Donahoe Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Every Brilliant ThingWhen their mother attempts to take her own life, a seven-year old child decides to start a list; a list of "everything brilliant about the world. Everything worth living for." A list for mum. This is the premise for Every Brilliant Thing, the hit one-person play created by playwright Duncan Macmillan and performer Jonny Donahoe. The play started life at Ludlow Fringe Festival in 2013, and in the decade or so since, it has been seen in over 70 countries around the world. As we record this episode Every Brilliant Thing has reached London's West End, with a rotating cast of five different performers appearing over its three-month run at the Soho Place theatre. The critic, Lyn Gardner, described Every Brilliant Thing as "one of the funniest plays you'll ever see about depression." She is spot on – it is funny and poignant and finally life affirming. I am very privileged to be joined in this episode by the show's two creators, Duncan Macmillan and Jonny Donahoe.
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The Play Podcast - 101 - The 101 Greatest Plays
Sep 1001:17:05Tap to summarizeEpisode 101: The 101 Greatest Plays Host: Douglas Schatz Guests: Michael Billington Mark Lawson Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. In 2015 the esteemed theatre critic, Michael Billington, published The 101 Greatest Plays – From Antiquity to the Present. Michael wrote that his selection was intended as a "provocation", a "prelude to debate". Ten years on I invited Michael and the arts journalist, Mark Lawson, to join me to review and debate his criteria and selection. During our discussion we not only wrangled over specific inclusions and exclusions in Michael's list, including most controversially his omission of both King Lear and Waiting for Godot, we also addressed more general questions about the criteria for selection, what elements make a great play, and what makes a play more likely to endure beyond its own time. Join us in the debate!
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The Play Podcast - 100 - A Moon for the Misbegotten, by Eugene O'Neill
Aug 1301:15:57Tap to summarizeEpisode 100: A Moon for the Misbegotten by Eugene O'Neill Host: Douglas Schatz Guest: Beth Wynstra Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. A Moon for the Misbegotten is the last play that Eugene O'Neill wrote. It is in some way a eulogy for his brother, Jamie O'Neill, who like the character of Jim Tyrone in this play, drank himself to death. In fact, it is also an epilogue of sorts to his autobiographical masterpiece Long Day's Journey into Night, where we first met Jim Tyrone. It is eleven years later, and Jim is about to leave the family home in Connecticut following the death of his parents, but not before saying a final goodbye to the woman who lives next door, Josie Hogan. Josie and Jim have unacknowledged feelings for each other, but their tortured moonlit night together does not offer them the salvation or future that they may have thought possible. As we record this episode, a new production of A Moon for the Misbegotten is playing at the Almeida theatre in London, and I am delighted to be joined by O'Neill expert, Beth Wynstra, to explore what one American critic called 'a major minor-masterpiece". To mark our 100th episode listeners have a chance to win £100 of theatre tokens – visit https://www.theplaypodcast.com/100-a-moon-for-the-misbegotten-by-eugene-oneill/ for details on how to enter!
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