This year marks the 30th Anniversary of Pokémon, aka Pocket Monster (Poketto Monsutā). From games and cards to television and movies, Pokémon has defined generations and inspired the entire world. It is more popular today than ever. People steal the cards in major heists, which have gone global, and others use the cards for money laundering. Those of us growing up with this type entrainment, including general anime and manga, were probably told it was stupid and a waste of time and money. But the Japanese beg to differ. These things are an expression of their culture, one that is so influential it has touched the entire world in profound ways. The current Prime Minister quotes Attack on Titan and the government as a whole has decided to help boost these industries, including video games, with 500-billion yen over five years, not because they are failing but due to the fact they are such a key component of the culture — to help spread them while they are already on fire. From storytelling to artwork, and from pushing the boundaries of free speech and creativity to the fantasy and imagination outlet they provide for adults and children. Naturally there are some that despite anime, manga, and video games. They attempt to adulterate them, poison them, and even ban them. Legislation in Texas seeks to ban this part of Japanese culture while various Christian and Jewish groups have over the years argued for the same. Why? Certainly because of religious bigotry, and due to misunderstandings of culture. But could there be more to the story? Perhaps the hyper-masculine and hyper-feminine characters, the archetypical storylines, and the very issue of pushing the boundaries of censorship are highly offensive to a particular agenda. Hentai, for example, sits at the top of most major porn searches naturally and clearly interferes with the artificial propping up of abuse, incest, and LGBTQ content. The same goes for the JAV industry. The pedo argument against anime and manga is popular, but fails to account for key details: the drawings are not human, these things are not just things for kids, the kawaii aesthetic is not understood, fantasy is seen differently, and women make up a signifiant portion of the industry. Furthermore, emphasis is placed on femininity and beauty in Japan whereas ruggedness fills that role in the U.S. Besides, which country has more pedos and more domestic violence? It’s not Nippon. Others argue that this kind of entertainment is not productive, despite the Japanese being considered some of those productive people in the world. Meanwhile, America is seen as increasingly lazier. Perhaps the issue is and what these forms of entertainment inspire people to do. Numerous cases exist internationally of people helping others because they were inspired by fictional manga and anime characters. While most of these so-called cartoons can inspire people to do good things, role models in the west often include lowlife degenerates. The One Piece series has even inspired political resistance to tyranny in Asia.

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