Playwright Laurie Flanigan-Hegge, two directors, and a puppet artist discuss staging "Prick," a play about Scottish witch trials, now opening in Chicago November 6-16.

In August 2023, we spoke with playwright Laurie Flanigan-Hegge about Prick, her play about the Scottish witch trials. It had just premiered at the Edinburgh Fringe Festival.

Two years later, the play has traveled to New Orleans, Wellington (New Zealand), and opens November 6-16, 2025 at the Den Theater in Chicago.

We reunite with Laurie and puppet artist Madeline Helling, and meet two directors: Jeff Mills of Chicago's Proboscis Theater Company and Amy Chaffee from Tulane University.

The conversation covers what it's like staging historical violence, why the single puppet design works so powerfully, and how a play about 17th-century Scotland keeps finding new relevance.

About the PlayPrick examines the Scottish witch trials through three women: an Unknown Woman lost to history, Marioun Twedy of Peebles, and Isobel Gowdie. The title refers to "pricking"—searching accused women's bodies for the "devil's mark" with sharp instruments.

The play moves between past and present, uses dark humor and Scottish folk music, and centers on a single haunting puppet created by Madeline Helling.

What They DiscussThe rehearsal process: Both directors talk about the challenge of staging the pricking scenes, even with a puppet. Jeff's Chicago cast continues working through how to show violence respectfully. Amy's New Orleans students couldn't bring the instrument near the puppet—they performed the gesture from twelve feet away.

The puppet's power: Madeline designed one puppet to represent all the accused women. It's specific enough to feel real, neutral enough that audiences project onto it. The puppet travels between productions and comes back to her for repairs.

Contemporary connections: The play addresses ongoing witch hunts in countries where witchcraft remains a state crime. Amy teaches in Louisiana and discusses working in a politically charged environment. Jeff talks about theater as "rehumanization" in response to current dehumanization.

The music: Both productions use songs by Heal and Harrow, a folk duo who created an album for the Witches of Scotland Campaign. Jeff adds Scottish guitar with electronics. Amy's students performed acapella arrangements.

Cultural complications: Amy reflects on taking the play to Wellington, New Zealand—a colonial capital—at a conference focused on integrating Māori culture with acting and voice techniques. The play deals with Scotland as both colonized and colonizer, which created complex responses from audiences of different backgrounds.

"Remembrance Is Resistance"This Witches of Scotland Campaign motto runs through the conversation. The campaign seeks pardons and memorials for nearly 5,000 documented accused. They created a tartan anyone can wear to show support.

At Tulane, one student built a monument inscribed with every name from the database and installed it in the lobby.

Chicago ProductionNovember 6-16, 2025 The Den Theater, Milwaukee Avenue Tickets: thedentheatre.com (search "Prick")

Two weekends only. Proboscis Theater Company's production features new jackdaw puppets and is reaching out to both theater audiences and Chicago's pagan communities.

Links

Get Tickets to the Chicago Production at the Den Theatre

www.healandharrow.com

National Archives, Scotland, Early Modern Witch Trials

Prick: A Play of the Scottish Witch Trials Podcast Episode

Sign the Petition: MA Witch Hunt Justice Project

Join One of Our Projects

The Thing About Salem Podcast

Rehumanizing Scottish Witch Trial Victims through Theater: An Update on the Play Prick

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