With her amazing new book, CAROUSEL: An Essay On Seeing (Yale University Press), Sarah Minor offers a multi-threaded exploration — lecture, memoir, and art criticism — of how we see and are seen, how our language changes with our vantage points, how all these screens are changing human consciousness (and physiology). We talk about the history of the panorama painting and how it presages today's phone-panopticon, the COVID-era constraints that sparked the book (and the other constraints she needs for writing), and how she struggled with a conventional literary nonfiction structure for Carousel after years of crafting visual essays, then found its shape and voice after a live reading. We get into the comfort of white space, the humor of the Bayeux Tapestry (not a tapestry), the benefits of having a mother who was a late-breaking medievalist, and what happened when a student heard her read from Carousel and asked, "How do you balance historical context with reader fatigue?" We talk about how (some) students prefer lectures over discussion and how she almost made it through college without reading a contemporary writer, her shadow-performance collaboration and why it's important to have artistic offshoots, and more. Follow Sarah on Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter