S5 Ep 7 - Save Your Drama For Your Mama

Summary

True Fiction Project: Season 5, Episode 7 - "Save Your Drama For Your Mama"

Host: Reenita Hora
Guest: Bill Abernathy
Release Date: September 24, 2024

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1. Welcome and Introduction

At the outset of Season 5, Episode 7 of True Fiction Project, host Reenita Hora warmly welcomes Bill Abernathy, a seasoned musician and seasoned corporate professional. Rinita sets the stage by highlighting Bill’s unique journey, which spans over four decades in the corporate world before returning to his musical roots, culminating in the release of multiple singles that have made significant waves in the adult contemporary charts.

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2. Bill Abernathy’s Dual Journey: Music and Corporate Leadership

[02:06] Rinita Hora: "Welcome to the True Fiction Project. I am your host, Rinita Hora, and we have with us today a musician. Bill Abernathy has embarked on an exceptional journey, courageously navigating through the ebbs and flows of his musical and corporate life."

Bill delves into his early passion for music, detailing his education at conservatories and how a vocal issue led him to temporarily step away from his musical pursuits. Instead, he embarked on a corporate career with Bayer, ascending to a leadership role as the Head of Logistics Excellence for North America.

[04:56] Bill Abernathy: "I was a bit of a supply chain guru. I worked with various manufacturing sites, warehousing sites, and administrative sites, analyzing their business processes and coming up with improved ways for them to do what they do."

Rinita expresses her surprise at the unconventional shift from music to logistics, to which Bill draws parallels between program/project management in the corporate sector and songwriting, emphasizing storytelling fundamentals.

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3. Returning to Music: From Retirement to Streaming Success

After 43 and a half successful years at Bayer, Bill retired and unearthed a compilation of his previously written songs. Collaborating with friends and entering the studio rekindled his musical journey, resulting in the release of five records and garnering millions of streams.

[06:16] Bill Abernathy: "I ended up sitting on the leadership team of one of the largest corporations in the world... And when that came to an end and I got the opportunity to retire, I reached down into my file and found a bunch of songs that I had written over the course of time."

Rinita inquires about building an audience later in life, to which Bill attributes his success to data-driven strategies reminiscent of his corporate experience and effective management partnerships.

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4. Storytelling in Music: Introspection and Societal Commentary

Bill discusses his songwriting approach, which balances introspective themes with social and political commentary, heavily influenced by his lifelong passion for science fiction literature. His songs often draw analogies from classics like George Orwell’s 1984, reflecting on contemporary societal issues.

[10:32] Bill Abernathy: "I write a veritable plethora of different kinds of songs... introspective songs, kind of looking at yourself... and then there's the songs that are a little bit more science fiction and politically tainted."

Rinita highlights the importance of storytelling, aligning it with the podcast’s mission, and Bill elaborates on how his narratives resonate with diverse audiences across the globe.

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5. "Save Your Drama For Your Mama": Inspiration and Message

The centerpiece of the episode revolves around Bill’s song "Save Your Drama For Your Mama," inspired by the pervasive drama in modern politics and media.

[13:56] Bill Abernathy: "I was watching something on TV and I thought, are you freaking kidding me?... Stop the madness. And so that's how the song kind of started."

The song critiques the sensationalism in politics and media, drawing direct parallels to Orwellian themes of manipulation and control.

Notable Quote:

[16:15] Bill Abernathy: "Save your drama for your mama... corporate drama is bad, but in today's society, it seems like the whole do your job and add value is somewhere in the backseat to, let's generate some more drama."

This commentary underscores the societal shift towards valuing drama and sensationalism over substantive contributions, mirroring the dystopian warnings found in 1984.

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6. Audience Engagement: Interactive Challenge

Bill introduces an interactive challenge for listeners, encouraging them to analyze his songs for references to classic science fiction works.

[20:24] Bill Abernathy: "Here's your challenge... I've given this to some friends of mine who found it fascinating and fun to do. I want you to listen to those two songs and I want you to find and document what Bill is referencing... Is it 1984, Atlas Shrugged, Big Brother, Brave New World, or another work?"

Rinita promotes this challenge, inviting listeners to submit their analyses for a chance to receive a special giveaway, thereby fostering deeper engagement with the episode’s content.

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7. Conclusion and Future Prospects

The episode wraps up with Rinita expressing her enthusiasm for Bill’s work and the thematic threads that intertwine his music with broader science fiction narratives. Bill shares his contact information, directing listeners to his website for more details on his music and accolades.

[22:48] Rinita Hora: "Bill, thank you so much for being a guest today on the True Fiction Project."

As the episode transitions to the musical segment, listeners are treated to "Save Your Drama For Your Mama," encapsulating the themes discussed and serving as a bridge between non-fiction interviews and their fictional interpretations.

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8. Listening Segment: "Save Your Drama For Your Mama"

The episode culminates with the airing of Bill Abernathy’s song, allowing listeners to experience firsthand the fusion of storytelling and musical prowess that defines both his work and the True Fiction Project. The song’s lyrics poignantly critique the current socio-political climate, echoing the podcast’s exploration of transforming real-life narratives into compelling fiction.

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Key Takeaways

• Interconnected Journeys: Bill Abernathy’s seamless transition from a corporate leader to a successful musician underscores the universal threads of storytelling and leadership.

• Storytelling’s Power: The episode emphasizes the potency of narratives in both business and art, illustrating how personal experiences and societal observations can fuel creative expression.

• Societal Reflections: Through his music, Bill offers critical insights into contemporary issues, drawing inspiration from classic science fiction to highlight and critique modern-day phenomena.

• Engaged Community: The interactive challenge fosters a participatory community, inviting listeners to delve deeper into the content and connect with the broader themes of the podcast.

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Further Engagement

Listeners are encouraged to:

• Participate in the Challenge: Analyze Bill’s songs for science fiction references and submit their findings via www.renita.com/contact for a chance to win exclusive giveaways.

• Explore Bill’s Work: Visit billabernathy.com to discover more about his music, awards, and social media presence.

• Subscribe and Connect: Join the True Fiction Project community by subscribing on Substack at substack.com/forward/@reenitahora for additional content, including video versions of episodes for paid subscribers.

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True Fiction Project continues to bridge the gap between real-life narratives and fictional storytelling, offering a unique platform for voices like Bill Abernathy’s to inspire and engage a global audience.

Transcript

[Indeed Advertiser]

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[Bill Abernathy]

My home teacher that came to my house was a science fiction person and so she gave me some great science fiction and fantasy books to read. For example, I read Lord of the Rings trilogy when I was in grade school. I have no idea how many times I've read 1984. And they tend to show up in my music, especially when I'm looking at society and some of the things that are going on in today's world. There's a lot of analogies that Orwell and those guys wrote about that I'm kind of looking at and going, huh, that sounds familiar.

[Indeed Advertiser]

Welcome to the True Fiction Project, a podcast series that explores the origins of fiction. Every week we begin with an interview nonfiction followed by a creative piece, fiction inspired by something from the interview. The idea is to demonstrate, of course, that fiction is born out of our life experiences. Now here's your host, storyteller, author, public speaker, health and wellness expert Rinita Hora.

[Rinita Hora]

Welcome to the True Fiction Project. I am your host, Rinita Ahora, and we have with us today a musician. Bill Abernathy has embarked on an exceptional journey, courageously navigating through the ebbs and flows of his musical and and corporate life. What does that mean? We are going to ask him. He has released a series of singles in the adult contemporary charts. We're going to talk about some of his music and why or how or in what way it's related to science fiction. So without further ado. Hello Bill.

[Bill Abernathy]

Well, hello and thank you very much for having me. I'm excited to be here and chat with you today. It'd be fun.

[Rinita Hora]

I am very Excited? I have a whole slew of questions, starting out with just a little bit about your journey. You have been part of the corporate world as well as the musical world. Explain that to our audiences.

[Bill Abernathy]

I think it's pretty simple. I did a lot of music when I was young and that was my education and all that. I went to the conservatories of music and studied all that. And then I decided. It was kind of decided for me just because of an issue that I had with my voice. But I decided to step away from music and just get what I consider to be a normal job and live my life kind of that way. And that normal job kind of evolved over the course of time. I ended up sitting on the leadership team of one of the largest corporations in the world and got to travel all over the world to do all kinds of really cool things and did that for 43 and a half years. And then. And when that came to an end and I got the opportunity to retire, I reached down into my file and found a bunch of songs that I had written over the course of time. And so just got together with some friends, went in the studio, started making records and I don't know, five records later and a few million streams and all that, here we are talking about music. So it's been an interesting ride.

[Rinita Hora]

So what was the company you were working for?

[Bill Abernathy]

For Bayer. Bayer. Depending on where you are in the world, it's Bayer in Europe. In the United States, we just call it Bayer. I worked at their agricultural division. I had a big old, long, really impressive sounding title. I was the head of the logistics Excellence for North America was my title. So essentially what that meant was I was a bit of a supply chain guru. So I worked with various and sundry manufacturing sites, warehousing sites and administrative sites, analyzing their business processes and coming up with improved ways for them to do what they do. And did that for a long time. It was a lot of fun. Had a great career. Yeah.

[Rinita Hora]

Very interesting though, that, and I don't know how to even react to it that they would pick you out of music school, conservatory training and put you in logistics. I mean, it's on one hand it's good to know and on the other.

[Bill Abernathy]

Hand, if you think about it, it's not so different. So a lot of what I did was really program and project management.

[Rinita Hora]

Right, I see.

[Bill Abernathy]

Which is not so different than writing a song. You know, you have to have an opening, you have to have an ending, you have to tell your story, you have to make your point. Right. And then at the end of the day, you have to wrap it all up and put a bow on it. So it's really not so much different than writing a song. Just the content was a little different. How's that?

[Rinita Hora]

No, that's great. That's great. And I love the fact that you are talking about being a storyteller and creating a story with the beginning, middle and end, because really, that is the premise of the show and everything that we do here, the True Fiction project, it's all about the creative work, which is exactly that, the story. So 43 years after doing this, you go back into music, did the thing with your voice sort itself out or fix itself, and how do you go from there to 2 million or so streams? And that's incredible.

[Bill Abernathy]

I had multiple surgeries over the course of time on my voice. You know, for those that know music, sometimes you get what's called vocal dodes. Well, I got vocal dodes when I was young and attempted to let them heal themselves, and that didn't work out. And then over time, I had a few surgeries and it got to the point where it's better, you know, I will never be the guy that I was when I was 19, but I'm 66 now, so I'm not going to be that guy anyway. Right. But, yeah, it's better. So I thought, well, I've got all these songs. I wonder what would happen if I made a few records. And the first record that I made won some songwriting awards. And then I followed that up with another album and another album and won a bunch of stuff and found that actually there is a audience out there in the world for an old hippie sitting around in his loft making music.

[Rinita Hora]

So I am so curious about that. How do you find. It's difficult for anyone to find an audience. So how do you find your audience? How did you. How do you. At that age, at that stage, where do you start from? How do you get it going?

[Bill Abernathy]

Yeah, well, the music industry is an interesting place to operate in anyway, you know, so it doesn't really work like any other business. Right, right. So you really have to spend quite a bit of time looking at who's listening to your music, analyzing data. It kind of falls back into my corporate gig a little bit. You look at the situation, you analyze the situation, you figure out how that situation could get better and how you can expand it. And over the course of. Through great management, I work with Michael Stover and mts and through great management, a lot of press, doing a lot of what we're doing today, I found that there are people out there across the world that listen to my music. So it's pretty cool to pull up, you know, all the data. We're data driven in today's world, right? So pull up all the data and see people in Australia and England and South America and Ukraine seems to listen to my music a little bit. So, you know, it's just kind of cool to realize that there seems to be a place out there for everybody. Now, I'm never going to be Taylor Swift, clearly, and nobody wants to see me dance on stage. That's a fact, right? But there are. There are people out there that listen to what I do and like what I do. And so it's kind of cool to realize that I'm not alone in this world, I suppose, right?

[Rinita Hora]

Yeah, yeah, yeah, no doubt. But how did you get your music out to these audiences around the world?

[Bill Abernathy]

Well, it's probably no different than your podcast, right? You advertise, right? And you see what. What information the advertisements glean, and then you tweak your advertisements and then you find who's watching and who's listening. So it's really no different than that. It's just business, right? And so once you find kind of a sweet spot, which, you know, I've been fortunate enough to have found, that you have some songs that people can relate to that they can either laugh to or cry to, or just maybe sometimes a song that just makes you think, right? When you find those folks, you find that there's an organic element of growth that happens. Somebody likes it, they send it to a buddy, who sends it to a buddy, who sends it to a buddy, and the next thing you know, you've got a pretty decent sized audience.

[Rinita Hora]

And why do you think they are relating to these songs? Is it the story? Is it the music? Is it both? Is it everything?

[Bill Abernathy]

Well, as a songwriter, you have an advantage, right, because you could actually just share what you're thinking. I write a veritable plethora of different kinds of songs, right? So on the album that's out now, the three songs that have been put out of all went number one on multiple charts, hundreds of thousands of streams, you know, and all that stuff. And they're kind of introspective songs, right? Kind of looking at yourself and saying, okay, here I am at 66. What am I doing? Why am I the way that I am? And how can I improve that kind of thing? And then there's the songs, like, we're probably going to Talk about today that are a little bit more science fiction and politically tainted, which I have found that people tend to enjoy if I base that on comments that I get on social media. So.

[Rinita Hora]

Interesting.

[Bill Abernathy]

Yeah, yeah, it makes it fun.

[Rinita Hora]

Dying to get into those before I do though. When you say you advertise the other ads, pointing them to your Spotify streams or how does it work?

[Bill Abernathy]

Well, it's not dissimilar from you probably. So Spotify is a big deal in the music industry, right? Apple, itunes, Amazon, you know, all those places. My stuff's available in all those spots. And when you push it, which is not my forte by the way, I kind of believe in staying in my lane. So I make music and then I hand it off to the professionals, right? And they do all that and they figure out where it's going to go and who's going to listen to it. All that. So I just get to sit back and watch the show.

[Rinita Hora]

You get to sit back and watch this show that you have created about stories of science fiction and social political issues. So many questions. Is this the through line for all of your music or the particular song you are going to share with us today?

[Bill Abernathy]

I have what I would call five songs spread out over different albums that have these what I call social statements in there. Now I am, I'll be honest with you, I am a science fiction guy. I love it. I have read it and studied it my whole life. It started actually when I was a little kid. I got a heart disease and had to miss a year of school, Right. And my home teacher that came to my house was a science fiction person and so she gave me some great science fiction and fantasy books to read. So for example, I read Lord of the Rings trilogy when I was in grade school. Oh wow. I have no idea how many times I've read 1984 and Fahrenheit 451 and you know, all the great science science fiction classic and they tend to show up in my music, especially when I'm looking at society and some of the things that are going on in today's world. There's a lot of analogies that Orwell and those guys wrote about that I'm kind of looking at and going, huh, that sounds familiar.

[Rinita Hora]

So yeah, so 1984, just. Let's talk about that one for a sec. We could talk about all of these, but that one for a sec. Considering we are so way past 1984, I would love to ask you, when you read it in grade school, sort of what your thoughts or emotions or ideas were versus the way the world turned out.

[Bill Abernathy]

Well, you know, Orwell had a very, you know, it's obviously dystopian, right? Yeah, a very dystopian look at the world. And then when I was a kid, I looked at it and I go, oh, God, I'm glad that'll never happen. Right, right. But unfortunately, I do actually have a T shirt that I wear regularly that says, let's make Orwell fix it again. So you see a lot of things in society that trigger those thoughts for me. So all that information that you put in your mind, it's going to come out. And when I'm writing those memories and the analogies to what I see on TV and what I read in the newspaper and all that, I look at that and go, man, that sounds a whole lot like Orwell to me. Right. So, love it.

[Rinita Hora]

So what is the song you're going to share with us today? Has a very interesting title.

[Bill Abernathy]

It's called Save youe Drama for your mom. And it's a different song. So the first three songs that we released off of this album are really introspective and very deep in thought and kind of self evaluation. Or what is love? And how hard it is to kind of share yourself with people at my age. But then Save youe Drama came from watching the news. And it fascinates me how we as a society are so susceptible to drama and how it's utilized in our society, particularly in politics and in the news cycle, to generate clicks and follows and all that. Right. It's not about information as much as it is about dramatizing what's out there. If you're familiar, right, with 1984, which I'm sure you are, that was a thing in that movie, right? The Newspeak, all that. You can't say these words because it's offensive. So we're going to change them to these words. It's fascinating to me. And the analogies just come one right after the other. And I remember when I sat down to write this song, it was one of those kind of pissed off songs, right. I was watching something on TV and I thought, are you freaking kidding me? And I think what it was was one of the politicians of the day had decided that he had something so important to say that he said it, you know, at his news conference, right? And literally then just physically dropped the bike. He was so impressed with what he had said, which was incorrect, by the way, that he wanted everybody to understand this is how important this is. I'm gonna Not a bike drop moment. He literally dropped the mic and walked off stage. And I thought, really? Are you that impressed with yourself, man? Stop the madness. And so that's how the song kind of started. And then it evolved from there.

[Rinita Hora]

I see.

[Bill Abernathy]

Yeah.

[Rinita Hora]

Amazing. Save the drama for your mama. That pertains to my state of mind, certainly this morning.

[Bill Abernathy]

Well, I mean, if you want to draw an analogy back to my corporate gig. Right. I had three goals. Every day when I went to work, I would go to work. And the first goal that I had was to do my job. Yeah, right. Seems simple enough. The second goal that I had was try to add some value. Right.

[Rinita Hora]

Okay.

[Bill Abernathy]

That's why they were paid me, add value. And my third goal was to avoid drama at all costs. Corporate drama is bad, but yet in today's society, it seems like the whole do your job at add value is somewhere in the backseat to, let's generate some more drama. Because that gets me clicks. That gets me follows, which evidently they think evolve into votes.

[Rinita Hora]

Wow. Just to listen to you say that. I mean, it's so true and. Oh, my gosh. Depressing in a way. Corporate drama, it's just like, you know, more and more and more.

[Bill Abernathy]

Yeah, yeah, yeah.

[Rinita Hora]

Oh, my gosh. Okay. Well, thank you, Bill. I cannot wait to listen to the song now before we actually flow into that part of the episode. I know that you are also offering a little bit of an extra bonus for our subscription audiences. Is that another song or. Why don't you tell us what that is?

[Bill Abernathy]

Yeah, it's another song that has a lot of science fiction references to it. It talks about. I call it. It is what it is till it's not. Right? So I'm a big fan of free speech, and I am not a fan of people's speech being restricted, and I'm really not a fan of what seems to be termed cancel culture. Right. I don't like what you say, therefore, I'm going to cancel you. You know, and that's really what that song is about. It talks a lot about our friends in Washington. Right. It talks a lot about. About people who think they have the power to cancel somebody. And it talks a lot about. Well, it's the title. It is what it is. That's the society we live in today. Right? But the point is, it is what it is till it's not. We have the ability to change that. It may take a long time and it may take a lot of votes, but we have the ability to change that. We don't really have to live in that.

[Rinita Hora]

So interesting to hear you say this because, I mean, this just goes straight to my heart. I have a new historical fiction novel. There are freedom of speech issues. I'm totally with you on the campaign cancel culture. I feel like I grew up in an age and stage and world and planet where you could say anything and now you cannot. But in terms of. I have to ask you, I mean, is it going to take votes? This is not something that we can do ourselves. That's what it requires for us to get those votes in order to change the situation.

[Bill Abernathy]

Well, not necessarily, but it's part of it. You know, there's no black and white. Here's the answer. But I think that there's an element of politics involved in that because it's allowed. Right. I also think that we have a culture that has evolved into what I call always tell the teacher. Right. So you see something you don't like, you call the teacher. You tell the teacher. Well, that's evolved as people get older. There's no more teachers. So what do you do? You call a lawyer. I don't like something you said. I'm going to call my lawyer. And that whole. That whole tell the teacher scenario is really a bad thing. But that's what we've done and that's how we operate. So I have several friends of mine that are lawyers and some of the cases that they get, fortunately enough, these are pretty good lawyers. They turn them down. But some of the cases that they get proposed to them are really crazy. It's just nuts. It's stuff that you and I could sit down and have an adult conversation about and probably resolve. But having that conversation doesn't get you a lot of. They get you a lot of ink. That gets you a lot of likes that get you a lot of follows. That gets you a lot of press.

[Indeed Advertiser]

So back to that.

[Rinita Hora]

Back to that. Yeah. Amazing. It is what it is. Till it's not. That is for our subscription audiences. So if you are interested, please do subscribe. Links are in the show notes. And Bill, I think we've got to have you back on this show because there's so much more of your music that I want to explain, explore, and talk to you about the threads that run through. Because I'm finding this fascinating.

[Bill Abernathy]

That's why I'll give you a challenge then. Can I give you a challenge?

[Rinita Hora]

Yes, please do.

[Bill Abernathy]

So, yeah, you have two of my songs, right? You have the savior drama for your mama, which is kind of fun, kind of cute. Just got statements in it, right? And then you've got it is what it is till it's not. And you are a science fiction expert. Expert, correct.

[Rinita Hora]

Okay, so me, Are you referring to me or just you and your audience?

[Bill Abernathy]

So here's your challenge, right? I've given this to some friends of mine who found it fascinating and fun to do. I want you to listen to those two songs and I want you to find and document. Write a note to yourself. What is Bill referencing Then? Is it 1984? Is it Atlas Shrugged? Is it Big Brother? Is it Brave new World? Is it? Because they're all in there somewhere.

[Rinita Hora]

I see.

[Bill Abernathy]

It's a fun. See, it's a challenge.

[Rinita Hora]

Okay, so, all right, for folks who are up for this challenge, please get in touch with us at my website, www.renita.com. contact and send us the answer to this challenge. What are these songs related to? Which of these? Or is it another work of science fiction? And I'm going to check with Bill and if you get the answer right, whoever you are, we're going to send you something special. I'm not going to reveal what that is right now, but a giveaway. You're going to get something special in your inbox. So once again, www.renita.com forward/contact is where you send that answer. Bill, where can our audiences find out more about your work, your songs, your music, Anything you want to tell us?

[Bill Abernathy]

Yeah, I always tell people I'm like a bad rash. I'm all over it. I won't go away. So a social media thing, I'm on it. The best place to go is my website. So it's just billabernathy.com and on there you can find out, you know, all my social media links and contact information, all that stuff. There's also quite a bit of information in there about the albums themselves and some that they've done, you know, some of their awards and number ones and all that fun stuff. So billabernathy.com is really a good place to start.

[Rinita Hora]

Bill, thank you so much for being a guest today on the True Fiction Project.

[Bill Abernathy]

Oh, so much fun. I enjoyed it.

[Rinita Hora]

Thank you. That was Bill Abernathy. He is a singer, a songwriter, a masterful storyteller who has nurtured a long lasting bond with his audience, carving a niche for him in the hearts of music lovers across the world. Now for the next part of this episode, we get to listen to his music, specifically his song, save your drama for your mama. This is the True Fiction Project and I am your host, host Rinita Hora.

[Indeed Advertiser]

As humans, we're naturally driven by the search for better. But when it comes to hiring, the best way to search for a candidate isn't to search at all. Don't search Match with Indeed. When I was looking to hire someone, it was so slow and overwhelming. I wish I had used Indeed. If you need to hire, you need Indeed. Indeed is your matching and hiring platform with over 350 million global monthly visitors, according to Indeed Data, and a matching engine that helps you find quality candidates fast. Ditch the busywork. Use Indeed for scheduling, screening and messaging so you can connect with candidates faster. And Indeed doesn't just help you hire faster. 93% of employers agree Indeed delivers the highest quality matches compared to other job sites, according to a recent Indeed survey. And listeners of this show will get a $75 sponsored job credit to get your jobs more visibility@ Indeed.com podcast that's Indeed.com podcast. Terms and conditions apply.

[Rinita Hora]

And now to the premise of the True Fiction Project, which of course is to create fiction out of nonfiction.

[Bill Abernathy]

Save your drama for your mama. You all should be ashamed Save your drama for your mama Quit shruggin off the blame we're all so sick and tired of all your politics and games Save your drama for your mama. You're driving me insane I see these folks in D.C. proclaiming all's okay inflation is just another transitory phase so take that long vacation while the markets take a bath drowning in their policies cause they don't get the math this new green force transition is booming all their stocks they fought before they passed the bill to maximize their profit While Mother earth is ripped and raped and no one seems concerned by slaves and children digging mines to post record returns so save your drama for your mama you all should be ashamed Save your drama for your mama Quit shruggin off the blame we're all so sick and tired of all your politics and games Save your drama for your ma Ma you're driving me they set the stage to tell their tales Dystopian and spooky with mistletoe they scream their lives to fire up their groupies and if you're not in their club the IRS's lawyers will make sure that you're audited by the residential order so listen what they really say Delusional and crazy claiming they can save the world by spending all your money lay filibuster posing live Reuben there's no doubt that the next pandemic in the USA is diarrhea other mouth so save your drama for your mama. You all should be ashamed save your drama for your mama quit shrugging our off the plane we're all so sick and tired of all your politics and games Save your drama for your mama you're driving me Save your drama for your mama you're driving me insane Save your drama for your mama Quit shrugging off the plane we're all so sick and tired of all your violence.

You'Re.

Driving me insane.

[Rinita Hora]

Here at the True Fiction Project, we're always looking for great stories that make for compelling fiction. So if you have a great story, you know someone who does. Or if you're a writer who'd like to be featured on the show, then please do get in touch with [e-mail] contact and if you haven't signed up for our newsletter, then you can do so by visiting substack.com/forward/@realal anitahora all spelled out one word. That's substack.com forward slash @r E E N I T A H O R A I'll be offering paid subscribers something a little extra special each time, including a video version of this podcast.

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