
Join Greg and his guests in the Bronze Age to explore the ancient Indus civilisation.
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Greg Jenner
BBC Sounds Music Radio podcasts. Hello, and welcome to youo're Dead to me, the Radio 4 comedy podcast that takes history seriously. My name is Greg Jenner. I'm a public historian, author and broadcaster. And today we are jumping back to the Bronze Age and sailing down the Indus river to learn all about the archaeology of toilets, terracotta ornaments and even unicorns. Yes, it's the Indus civilization. And to help us excavate this buried history, we have two very special guests in History Archaeology Corner. She's a postdoctoral fellow at University of Cambridge Museums and postdoctoral research associate at Pembroke College, Cambridge. Her research includes the archaeology of the Indus civilization of South Asia, as well as empire and race in museum collections. And she's a founding member of the European Society of Black and allied archaeologists. It's Dr. Danica Parik. Welcome, Danica.
Dr. Danica Parik
Hello. Thank you for having me, Greg. I'm excited to dig in.
Greg Jenner
Oh, an archaeology pun. Well done. Congratulations. Secret handshake for you. And in Comedy Corner, he's a stand up comedian, writer and podcast regular. You might have seen his stand up special dots on a HBO Max, or heard him on Radio 4, or seen him on Mock the Week or have Got News for your or Live at the Apollo or MASH Report. He's very busy and you'll definitely remember him from our Julius Caesar episode. It's Ahir Shah. Welcome, Ahir.
Ahir Shah
Hello, Greg. And as I learned, it's actually Julius Caesar. So who's the historian now, eh? Eh?
Greg Jenner
Today we're going way back into the ancient past, so way beyond Julius Caesar to explore a topic with much lower name recognition. So what do you know about the Indus civilization here?
Ahir Shah
So I think that Indus is like where the word Hindu like comes from. Etymologically. I think that that's the thing. I imagine that this is what is now like northwest India and Pakistan. I'm sure that the current government of India would like us to believe that it was exclusively in India and these people identified as Hindus and had little statues of Ganesh that they carried around with them all the time and invented faster than light travel and all of this sort of business until they were rudely disturbed or what have you. But I'm not sure qu how historically accurate some of the BJP's claims on that front are.
Greg Jenner
So what do you know? Great. Well, that brings us to the first segment of the podcast, the so what do you know? This is where I have a go at guessing what you, our lovely listener, might know about today's subject. And I'll bet you've Heard of Troy, the subject of Homer's epic poem the Iliad, as well as the slightly dodgy film with Brad Pitt. And we've previously regaled to you about the glories of Ramesses the Great in ancient Egypt and the New Kingdom and all that. But these mighty cities came centuries after the Indus people were doing their thing. And yet the Indus civilization doesn't get anywhere near as much coverage in modern films or books or television or whatever. Maybe you've seen the Hindi language film set in the city of Mohenjo Daro. It stars Bollywood heartthrob Hrithik Roshan. Or maybe you've read Vineet Bajpai's trilogy of thriller novels. But for most of you, I reckon you're coming into this episode feeling pretty blank. So who were the ancient people of the Indus, and what were they eating? And where did they go to the toilet? And how do we know anything about them? And what has this got to do with unicorns? Let's find out. Danuka. Let's start with the basics. When and where was the Indus civilization and how long ago are we going back?
Dr. Danica Parik
The sites of the Indus civilization, which is also known as the Indus Valley Civilization or the Harappan civilization, existed in what's now modern Pakistan and India, with a bonus single site in Afghanistan. It's been dated to about 4500 to 4000 years ago. So that's between about 2600 and 1900 BC. This makes it roughly contemporary with the building of Stonehenge, and its decline predates the reign of Hammurabi in Babylon and the Mycenaean civilization in ancient Greece by a century. So this is the first phase of urbanism in South Asia. But it's also worth noting that the name Indus civilization is contested. Civilization is kind of a loaded and problematic term. And while it's often called the Indus Valley in popular culture because it was much wider than the Indus Valley, archaeologists actually rarely refer to it this way. There's an incredible range of sites. There's other cities. It's not just Harappa and Mohenjo Daro, which are kind of the two best known ones. There's also a site called Dholavira, which is situated in the Ran of Kutch in Gujarat, and another city called Rakhigadi in Haryana in India. And there's many other village and town sites as well in coastal areas along rivers located, you know, near sources of raw materials for, you know, mining and quarrying and things like that. There's really a very wide spread of these Sites. And the important thing to remember is that most Indus people would not actually have lived in cities like Mohenjo Daro and Harappa.
Greg Jenner
Harappa is the modern name. What does Mohenjo Daro mean?
Dr. Danica Parik
So Mohenjo Daro, which is in Sindh, in Pakistan, the name's been translated to mean mound of the dead.
Ahir Shah
Sick.
Greg Jenner
Ahi. What's your favourite heavy metal band?
Ahir Shah
Yeah, yeah. It seems like they came out of Oslo and they're about to release their second lp. May I ask, when we say cities nowadays, you think like there are cities in the world that have 10 million people in them or whatever, but I'm assuming that we're not talking of that kind of scale. So what does it mean to be a city?
Dr. Danica Parik
At that time, Mohenjo Daro, which was the biggest city, was about 250 hectares in size, which in normal people measurements is I think, two and a half kilometers or something.
Greg Jenner
I think what we can do actually here is show you an aerial photograph of the biggest of the cities, Mohenjo Daro.
Ahir Shah
Oh, wow.
Greg Jenner
Okay, so on the left we've got our aerial view and then on the right we have a reconstruction of what the city might have looked like when people were living in it.
Ahir Shah
What's immediately striking to me is that so last year I went to visit Pompeii and just like the levels that you see and there's sort of grid elements to it and you can almost tell that this is this quarter and this is that quarter. It's remarkable to be like looking at a picture of something like this in South Asia and having wandered around something in Europe. Obviously there are differences, but there's also certain striking similarities to me of. I guess this is just how human beings instinctively conurbate in this way, regardless of where we're from, which is pretty cool.
Greg Jenner
I love the word conurbate. Excellent GCC geography flooding back into my brain there.
Ahir Shah
Yeah, no oxbow lakes in this shot.
Dr. Danica Parik
Unfortunately, Indus cities were well planned, with wide streets running from north to south and east to west. Cities like Mohenjo Daro and Harappa were built on huge platforms made of mud brick. At urban sites, buildings were constructed from baked bricks, while at smaller sites mud bricks were used for construction. Despite the focus on Indus civilization as urban, rural ways of life were also really important, evidence actually shows that these smaller sites were not entirely characterized by agriculture, but also formed part of the craft economy. So they were producing and using elite goods, including beads, ornaments, bangles, and sometimes seals. So in some of the excavations that I've Worked on at very small sites. We've even found things like occasionally, you know, a gold bead and things like that, which is really exciting.
Greg Jenner
It's important that you've outlaid that. But I just heard the word seals and then immediately just thought of like seals balancing beach balls on their noses. What is a seal in an archaeological sense?
Ahir Shah
It's kiss from a rose seal. He's had a really long, very career. He's gone all around the place.
Dr. Danica Parik
Well, a seal in the Indus sense, they're often made from carved stone and then they're used to stamp onto clay, perhaps used to seal fastenings around doors or used to seal perhaps containers. They're often, you know, square seals made of stone and they feature elements of the indescript symbols and often animal motifs, actually mythical and real animals. And the animals depicted include unicorns, bulls and elephants, and occasionally also things like rhinoceroses, gharials, which is a type of crocodile, and even scorpions, you know, unicorns.
Ahir Shah
Right, let's go with this as a question about, like unicorns and like dragons and everything. Given that in so many parts of the world where they didn't know each other and yet they've still got the idea of like, oh, there's this lizard that breeds fire, or ah, there's this horse that's got a stick on his head. Right. Who are we to say that they didn't exist? I think it's just that the archaeological evidence of the unicorns hasn't been found yet. I'm Team Unicorn on this one.
Greg Jenner
So let's talk about daily life in the city. And I want to get down and dirty here and I want to talk to you about the toilet situation. In fact, I'm going to ask you, having been to Pompeii, what do you think the toilet situation would have been comparably 2000 years earlier in South Asia?
Ahir Shah
Maybe something like chamber pots and collections to be used for fertiliser in fields on the outskirts. Maybe something like that.
Greg Jenner
It's a very good guess, Danica. I think we can, I'm going to say it here. The Indus people were pretty impressive when it came to sanitation infrastructure. They're turd nerds, aren't we?
Dr. Danica Parik
All of us here. I assume this was the support group. Well, yeah, Greg's right. One of the most extraordinary things about these ancient cities is their sanitation infrastructure. You know, at Mohenjo Daro, there's actually hundreds of wells for drinking water distributed around the city, and there's drainage channels connecting to most buildings, meaning that Lots of people could probably have used toilets in their home, potentially sending the waste down these drainage channels far away from their homes. It's even been argued by some historians that this kind of widespread sanitation plumbing wasn't seen again in major cities until the 1890s in Victorian Britain.
Ahir Shah
Wow. Okay. What, like water would be directed in channels and then that would take everything away?
Dr. Danica Parik
Yeah, that's the speculation that you could have used the toilet in your house and then, you know, maybe with a pot of water or something, flashed the waste already.
Greg Jenner
I'm impressed by the Indus. I mean, the scale of the city. We're talking 4,000 years ago, at least the same time in history. We have ancient Egypt, we have ancient Mesopotamia. So is there interconnectivity not just between the Indus cities, but also outside of their empire, to use a modern word?
Dr. Danica Parik
Yeah, absolutely. Evidence really does demonstrate trade between the Indus and neighbouring cultures. In the Arabian Gulf, in western Central Asia and in peninsular India, archaeologists have found objects like beads of carnelian from Gujarat and lapis lazuli from Afghanistan in Mesopotamia, demonstrating contact between the cultures. And additionally, from 2400 to 2000 BC, records from Mesopotamia testify to trade with a place called Meluha, which archaeologists think may have been the Indus civilization.
Greg Jenner
Meluha. That's nice. So there's a lot of animal imagery, and yet the Indus is sometimes dubbed the faceless civilization. Do you want to guess why?
Ahir Shah
I am going to guess that it is because there is no sort of equivalent like portraiture or anything like that. You know, you've got these things of animals, but you don't have it of people and the faces of people.
Greg Jenner
At least that's a sensible guess, but I don't think that's quite right. So, Danico, why is faceless used as an adjective?
Dr. Danica Parik
Yeah, I don't know if I love it. I feel like it's a bit dehumanizing. I think the answer is somewhere in between. We do have lots of representations of people. I think what's hard to know is whether they are actually representing individuals every time. The other thing is that these figurines, they teach us a lot about the Indus civilization. And some of them have really beautiful details, I think, of daily life. Sometimes they do show smiling people. Some of them show women nursing infants, things like that. Human figurines can help us read gender. Many of them are easily recognizable as male or female, whereas others suggest that they may have been a cultural practice for more than two genders. We can see them wearing things like headdresses or Necklaces, robes, bangles, things like that. And sometimes they are naked as well. That's one of the things that helps us read gender. These things can teach us a lot about how people may have dressed and live in daily life.
Ahir Shah
Why are they called Faceless then? They don't sound very faceless to me.
Dr. Danica Parik
Yes, thank you. Why are they called Faceless?
Greg Jenner
We don't have the specificity of individual names and identities perhaps, but there are these two very famous figurines. One's called the Priest King. He sounds fancy. And the other is called Dancing Girl. Feels like there's a bit more presumption there. But Danica, why are they called Dancing Girl and Priest King and do we think that's valid and where are these figurines now?
Dr. Danica Parik
Well, it's definitely not valid, I would say. I mean, the names come from British archaeologists who are really speculating. The Priest King was labeled because some archaeologists assumed that Indus might be a theocracy due to a lack of evidence for military based rule. And the Dancing Girl is based on an initial description that I think relied on colonial ideas of Indian dancers. It's kind of a sexualized, colonialized, orientalist idea, really. They are a bit unusual in the canon of Indus figurines as well. But the story of where they are now is also very interesting, I think so. Both statues were found at Mohenjo Daro and ended up in New Delhi at the headquarters of the Archaeological Survey of India, also known as the ASI. When India became independent from British colonial rule in 1947, it was partitioned into India and Pakistan. Following partition, they became part of the collection of the National Museum of India. Although the site of Mohenjo Daro was then in Pakistan. And following the Shimla Agreement in 1972, the so called Priest King was returned to Pakistan, but the Dancing Girl actually remained in New Delhi. So they were separated. And the two most famous symbols of the Indus civilization were separated by the border. Much like the border now bisects the spread of the Indus civilization and separates all of those sites.
Ahir Shah
This sort of modern division. Does that make your job as an archaeologist more difficult when you're trying to ascertain the truth of this civilization that spanned these contemporary boundaries?
Dr. Danica Parik
It definitely complicates things. I think one of the things that I find really sad is that I think it's probably easier for Western archaeologists to work in both India and Pakistan than it is for Indian and Pakistani archaeologists to work in the other countries. It would be nice if we could have like a lot more dialogue Kind of in how we were interpreting new finds, how we were sharing that information. So I think there's a lot of very fraught arguments and lots of kind of claims of ownership about who the civilization belongs to and whose heritage it really is and things like that.
Greg Jenner
Yeah, I mean, history is political. We talked about the faceless civilization, which we then decided, no, that's not fair at all. I mean, Mohenjo daro means mound of the dead. That means presumably, therefore, there are dead. Right. There must be human remains that archaeologists have excavated. What do we know about people through their.
Dr. Danica Parik
The thing is that burials were actually generally relatively scarce. And, you know, in over a century of excavation, we're talking hundreds rather than thousands that have been found.
Greg Jenner
But we have some bones and obviously archaeological, modern scientific techniques. They're quite exciting. Strontium analysis and isotopic analysis and that sort of thing. And you can figure out what people ate and so on. So, wait, what? Oh, yes, I hear long after you've gone, I will know what you had for lunch.
Ahir Shah
So this is the thing with a show like this, with people very illustrious academic credentials and whatnot, where every so often someone just, like, throws out a little thing. And as a layperson, I'm like, what?
Greg Jenner
Hold on.
Ahir Shah
You just. You had to peek at my bones and, you know, what I've been eating? That's like, don't just let that hang there. That's so cool.
Greg Jenner
In terms of the science available now, we can tell where people grew up from the sort of soil quality and water quality. I think there's all sorts of things, aren't there, Danica?
Dr. Danica Parik
Yeah, absolutely. For example, if, you know, we find your body in a location.
Ahir Shah
This is very sinister. If we were to find your body in, like, an abandoned warehouse.
Dr. Danica Parik
Let me revise that. When I excavate your body, I can take one of your teeth and find out, for example, if you died at a different location from where you grew up.
Ahir Shah
Wow.
Dr. Danica Parik
We can find a lot of information from your teeth, basically. So if you ever want to donate your teeth to science.
Ahir Shah
Oh, my God. So, like, you'd be able to tell my parents. Skeletons would show that they were likely born in India.
Dr. Danica Parik
Yes, absolutely. We would be able to know that from your parents. Skeletons. I'm sorry, I feel rude for saying that, but yes, we would know that from their teeth. Wow.
Greg Jenner
What do we know about what people ate then?
Dr. Danica Parik
Domestic animals are predominant in the zoo archaeology. Buffalo or cattle account for over half of all animal bones. Sheep and goats account for around 10% and pigs around 2 or 3%, right. So, you know, the numbers suggest very high beef consumption and the other 38%.
Ahir Shah
Are unicorns or that's.
Greg Jenner
It's just so tasty. That's why they're extinct.
Dr. Danica Parik
We also know that, you know, from the majority of domestic animals, they were prob exploiting other products like milk and cheese and other variations to the diet as well. Wild animals like deer or hares, fish, mollusks, reptiles, birds, all kinds of things.
Greg Jenner
So it's a protein rich diet. You can see why they need all those toilets plumbed in. So what other non meaty foods were going into the lunchtime meals?
Dr. Danica Parik
Rice, millet, pulses, seeds and fruits. We know that people made use of winter and summer rainfall for agriculture. We do also have evidence for ingredients like ginger, turmeric, mango and aubergine.
Greg Jenner
N We've also got a building called the Granary, I hear. Do you know what the granary was for?
Ahir Shah
This is gonna be one of your annoying ones where I say that it was, well, it was for storing grain. And you're like, no, it was a pub. The King's Head isn't where you store. The King's Head. It's just a pub, isn't it? It's like, damn it. So I'm gonna say that it's where they stored grain and you're gonna be like, no, it was like a coffee shop, cun art gallery. Like, it's a.
Greg Jenner
You're onto us. The granary was not a granary. Danica. What? How come?
Dr. Danica Parik
I had figured it out. It was a gentrified pub Now. Well, sadly, you know, there's a building at Harappa Week that we call the Granary, but we don't actually know that. It may have been a public building where officials met, or it may have had a ritual function. And you know, some people also call it the Great hall now. But names like the Granary at Harappa and the College of Priests at Mohenjo Daro have been given by 20th century archaeologists. And they aren't necessarily based on the evidence. A lot of these buildings, we can't identify definitively what they would have been used for. None of the monumental buildings at Harappa and Mohenjo Daro have been definitively identified as temples or palaces.
Greg Jenner
Do we have any evidence of powerful people, an aristocracy at least? Is this a socialist utopia? What's happening here?
Dr. Danica Parik
A lot of people have speculated that it was, you know, a peaceful society, that it was a socialist utopia, that it wasn't very differentiated. The answer is a bit more complicated.
Greg Jenner
Ugh, damn it I know, I know.
Dr. Danica Parik
This is why you shouldn't have brought me on the show. But the problem is that we don't have evidence for things like warfare and a ruling class on the same scale as we see in other contemporaneous societies. We don't have a huge amount of weaponry. We don't have obvious palaces or lavish burials or huge statues. But we do have other evidence. So studies on burials, for example, including an ossory outside the city wall at Harappa, have argued for social stratification.
Ahir Shah
What does that word mean? Sorry? An ossuary.
Greg Jenner
A bonehouse.
Dr. Danica Parik
Yes, thank you. That's the best way of putting it.
Ahir Shah
Bonehouse sounds very different.
Dr. Danica Parik
What's a tasteful way of describing this?
Ahir Shah
A granary, but for boats.
Dar Aubrey
Thank you.
Dr. Danica Parik
Yes, exactly.
Greg Jenner
A bonery. Yeah, it's where you store bones after people have died, but they sort of all get put together. Right, okay. But in terms of evidence of stratification, there might be evidence of rich and poor, right?
Dr. Danica Parik
Yes. I mean, you know, skeletal analyses and studies on the ossuary and other cemeteries have shown that certain groups were more at risk of both structural violence and disease. Skeletons also show evidence for interpersonal violence through things like head injuries and broken noses. And additionally, buildings and daily material culture were made of, you know, a variety of materials that probably show things like status and economic differences. We don't know for certain if it's a theocracy, if people are in charge, if it's kind of competing groups, but it doesn't look like a centralized single ruler or something. We do know that there is status, there's differences, groups in society that are treated maybe a bit worse.
Greg Jenner
The indocivilisation. One of the big questions is why does it end? And it ends about 4,000 years ago. And Ahir, we've got a mini quiz for you here. So I've got four options. Which of these four has not been suggested as a reason for the end of the Indus civilization?
Ahir Shah
Not been suggested.
Dr. Danica Parik
Got it.
Greg Jenner
Not suggested. So, first one. So invasion and military destruction. The second would be environmental damage and climate change. The third will be a meteor impact. And the fourth would be increased population, leading to resource exhaustion. Which of those do you not think has been suggested as a reason by archaeologists?
Ahir Shah
So I think that meteor is one of these tricky ones that you will put. And there is evidence of there being a meteor somewhere near at the time. But because as we said, like, there are no evidence of, like, grand battles or something like that, I'm going to say that inexplicably, no One suggested war.
Greg Jenner
I like your answer. I prefer it to the actual answer. The actual answer is meteor, because I made that up.
Ahir Shah
It's a double trick.
Greg Jenner
Double, double, double. Yeah, but, Danica, these are all reasons that have been given. Do we have any sense of which of them might be more true, or are they all equally true? How are we making these assumptions?
Dr. Danica Parik
Yes, no meteor, but what we do know is it's a slow process of decline or kind of a transition. All of the urban centers had reduced or been abandoned by the 1900s BC. Previously, scholars kind of did wonder if Indo Aryan invaders were responsible, but we don't have any evidence for this theory. There is some evidence that violence did increase immediately following the urban phase. And the decline of cities was also paralleled by a rise in diseases like leprosy and tuberculosis. Now, the reasons why it happened, I mean, it could have been rivers shifting, but it's been difficult and, you know, kind of tricky for archaeologists to date when this happened. But it could also have been, you know, drying of lakes, aridification, climate events. Short answer, we are still figuring it out.
Ahir Shah
It's gonna turn out it was a meteor, and then you're gonna feel really silly.
Greg Jenner
Greg, it was the revenge of the dinosaurs. The meteor took them out. They came back and went, right, we're having a vengeance on the Indus.
Dr. Danica Parik
You said vengeance. Did you imagine there was a dinosaur in this long, epic feud?
Ahir Shah
Clearly you've not read my fanfic.
Greg Jenner
Danica. What does happen to the sites in the 1920s? Are they excavated? Who's excavating them? What is that process then?
Dr. Danica Parik
Yes. So you know, they're excavating these sites in the 1920s. We make all of these kind of incredible discoveries. And in some ways, actually connecting the Indus to what's happening in the broader Bronze Age is how we actually find out how old it is. Because the material culture is published in the uk and archaeologists who are working in West Asia see that and connect it to what's happening in Mesopotamia and the. That's when suddenly people realize how old it is. But it doesn't have the same allure on popular imagination in some ways, actually, I think the archaeologists who excavated it even sometimes did it a disservice. So John Marshall, who was the Director General of the Archaeological Survey of India, I don't want to misquote him, but as far as I remember, he said something like, it was as dull and orderly as a Lancashire mining town. Bonus. For some reason, burn on Lancashire. I don't know why, but, you know, kind of element of classism there, but also not. Not maybe himself seeing it as exciting as it could have been.
Ahir Shah
That's baffling to me because you could say it's as dull and orderly as a Lancashire mining town, or you'd say, this is as dull and orderly as a Lancashire mining town and it's four and a half thousand years old. That's an exciting thing. All of the things that thrill me the most when we see these pictures or hear about these histories is not the differences. It's the fact that you essentially flush your loo and then go to the local swimming baths. And the fact that we can all fit our lives in a world that feels so removed in so many ways into the experience of these people. The mundanity of it is what's breathtaking.
Greg Jenner
The nuance window. This is where our her and I put down our trowels and we listen to Danica for two uninterrupted minutes while she tells us something we need to know. So my stopwatch is ready. And if you are ready, Dr. Danica, please take it away.
Dr. Danica Parik
So the Indus civilization has been discussed as having been discovered by British explorers and archaeologists, but this sort of narrative discounts whatever local knowledge there was of these sites before. It's a Eurocentric idea that bestows legitimacy from a moment of discovery that has to be validated by Western scholarship now. Now, to be very clear, it did take archaeologists to kind of figure out the extent and age of the Indus civilization and to link Mohenjo Daro and Harappa, and then, of course, all of these other sites. But Indian archaeologists were also a really important part of this story. Now, the first excavations at Mohenjo Daro were actually begun by the Bengali archaeologist Rakhal Das Banerjee. So one of the difficulties, I think, with studying the archaeology of the Indus civilization is that many colonial or Orientalist ideas have persisted and proved extremely, frustratingly difficult to shift in, both in academia and in popular culture. The Indus has been characterized for a long time as homogenous, you know, mundane, unchanging. Over time, it was kind of a reflection of this Orientalist idea of the unchanging East. And even the names given to the priest king and the dancing girl reflect European ideas of Indian society. And I find it hugely frustrating that a sexist term like dancing girl has persisted for so long. Now, it's really important for us to think about where our ideas come from if we engage with archaeology, whether we're professional archaeologists, whether we're volunteers, whether we're podcast listeners, what we need to do is think about where these ideas have come from. And sometimes we need to recognize a lot of these early theories were speculation born from people's personal worldviews and maybe just let go of them. Because a lot of misinterpretation has come from comparisons to Mesopotamia and ancient Egypt, where it's kind of seen as falling short somehow. Or also, you know, comparisons with later periods in India where people project social and religious ideas onto the Indus civilization that just aren't supported by the data. What we need to do is kind of let go of the theories that aren't working, understand that archaeological knowledge keeps growing and changing, and absorb all of this incredible new information that's coming out. The best part for all of us is that 4,000 years later, we keep finding new things to say about this very, very fascinating society.
Greg Jenner
All right, well, thank you so much, Ahir. Thank you so much Dr. Danica and Listener. If you want to explore more an archaeological mysteries, then why not listen to our episodes on China's Terracotta army or Stone Age Shattle Hoyuk in Turkey. Or if South Asian history is your thing, then check out our episode on the Mughal Empire. You'll find them all and more on BBC Sounds. And remember, if you've enjoyed this podcast, please leave a review. Share the show with friends. Subscribe to youo're Dead to Me on BBC Sounds so you never miss an episode. But it's now time for me to say a huge thank you to our guests. In History Corner we had the amazing Dr. Danica Parik from the University of Cambridge. Thank you Danica.
Dr. Danica Parik
Oh, thank you for having me, Greg. I've had a lot of fun.
Greg Jenner
And in Comedy Corner we had the awesome Ahiyr Shah. Thank you, Ahir.
Ahir Shah
Absolutely my pleasure. It's always such a pleasure doing this. So interesting.
Greg Jenner
Thank you. And to you lovely listener. Join me next time as we dig up more fascinating historical nuggets. But for now I'm off to go and record my archaeology inspired heavy metal album, Mound of the dead. Bye.
Izzy Suttee
From BBC Radio 4, this is what Seriously. I'm Dar Aubrey.
Dar Aubrey
And I'm Izzy Suttee. And in our new series we're bringing you short stories and tall tales.
Izzy Suttee
What Seriously is packed with real life strange but true stories that make you go what Seriously? And provide you with excellent social ammo to impress your friends.
Dar Aubrey
The twist is we don't know how each story unfolds and we'll have to figure it out one fragment at a time with our special guests who each have a mysterious connection to the tale.
Greg Jenner
That's right. I am your spy expert. And I don't really want to bring you back to the real facts of the story, because you're making me laugh, so. But I feel like I should.
Dr. Danica Parik
We're the only country in the world that eats the animal on our crest.
Greg Jenner
Like. And I never know whether to feel terrible or brilliant about that.
Dar Aubrey
All these engineers trying desperately to reduce the amount of dust in space, and you get Izzy taking up a balloon full of glycine.
Greg Jenner
Wow.
Ahir Shah
You're welcome. Chuck that one on the house. I know, right? It's like I'm reading from a sheet or something. But no, I have.
Izzy Suttee
Join us for What? Seriously. From BBC Radio 4, available now on BBC Sound.
Podcast Summary: You're Dead to Me – The Indus Civilization (Radio Edit)
Host: Greg Jenner
Guests:
Greg Jenner opens the episode by setting the stage for an exploration of the Indus Civilization, an ancient society often overshadowed by contemporaries like Egypt and Mesopotamia. Highlighting the civilization's intriguing aspects—from archaeology of toilets to mythical unicorns—Jenner introduces his guests, Dr. Danica Parik and comedian Ahir Shah, to delve into this lesser-known yet fascinating Bronze Age culture.
Notable Quote:
Greg Jenner [00:01]: “Today we are jumping back to the Bronze Age and sailing down the Indus river to learn all about the archaeology of toilets, terracotta ornaments and even unicorns.”
Dr. Danica Parik provides an overview of the Indus Civilization, also known as the Indus Valley or Harappan Civilization, dating back to approximately 2600–1900 BCE. The civilization spanned modern-day Pakistan and India, with a single site in Afghanistan, contemporaneous with structures like Stonehenge.
Notable Quote:
Dr. Danica Parik [03:18]: “The sites of the Indus civilization... existed in what's now modern Pakistan and India, with a bonus single site in Afghanistan. It's been dated to about 4500 to 4000 years ago.”
Greg, Ahir, and Danica discuss the sophisticated urban planning of Indus cities such as Mohenjo Daro and Harappa. These cities featured wide, grid-like streets and advanced sanitation systems, including well-planned drainage channels and numerous wells for drinking water.
Notable Quotes:
Ahir Shah [05:08]: “What's immediately striking to me is... the grid elements to it... it's pretty cool.”
Dr. Danica Parik [07:01]: “One of the most extraordinary things about these ancient cities is their sanitation infrastructure...”
A significant portion of the conversation centers on the Indus Civilization's remarkable sanitation systems. Dr. Parik explains that many homes likely had toilets connected to extensive drainage systems, a level of sophistication not seen again until Victorian Britain in the 1890s.
Notable Quotes:
Greg Jenner [08:37]: “...the Indus people were pretty impressive when it came to sanitation infrastructure. They're turd nerds, aren't we?”
Dr. Danica Parik [08:55]: “There’s actually hundreds of wells for drinking water... and drainage channels connecting to most buildings.”
The Indus Civilization engaged in extensive trade networks, evidenced by the discovery of materials like carnelian beads from Gujarat and lapis lazuli from Afghanistan in Mesopotamia. This highlights the civilization's interconnectedness with neighboring regions.
Notable Quote:
Dr. Danica Parik [10:03]: “Evidence really does demonstrate trade between the Indus and neighbouring cultures...”
The discussion shifts to Indus art, particularly seals carved from stone featuring mythical creatures like unicorns, bulls, and elephants. Ahir humorously speculates on the existence of unicorns, reflecting on the shared mythical motifs across disparate cultures.
Notable Quotes:
Ahir Shah [07:11]: “It's kiss from a rose seal. He's had a really long, very career... [referring to seals].”
Dr. Danica Parik [07:50]: “They feature elements of the indescript symbols and often animal motifs, actually mythical and real animals. And the animals depicted include unicorns...”
While earlier speculations suggested a possible socialist utopia due to the lack of evident military structures or lavish burials, Dr. Parik explains that skeletal analyses and burial sites indicate social stratification. Evidence includes differences in material wealth and signs of interpersonal violence.
Notable Quotes:
Dr. Danica Parik [18:20]: “A lot of people have speculated that it was... a peaceful society... but the answer is a bit more complicated.”
Ahir Shah [19:06]: “Bonehouse sounds very different.”
Dr. Danica Parik [19:44]: “Skeletons also show evidence for interpersonal violence through things like head injuries and broken noses.”
The reasons behind the decline of the Indus Civilization remain a subject of debate. Suggested factors include environmental changes, climate events, shifting rivers, and possible social upheavals. The comedic interlude about a meteor impact adds levity, but Dr. Parik clarifies it was a fabricated option.
Notable Quotes:
Greg Jenner [20:24]: “Which of these four has not been suggested as a reason by archaeologists?”
Ahir Shah [20:42]: “...meteor is one of these tricky ones that you will put. And there is evidence of there being a meteor somewhere near at the time. But because as we said, like, there are no evidence of, like, grand battles or something like that, I'm going to say that inexplicably, no One suggested war.”
Dr. Danica Parik [21:19]: “...it could have been rivers shifting, but it's been difficult... we are still figuring it out.”
The team explores the history of excavations at Indus sites, emphasizing the colonial biases that impacted interpretations. Dr. Parik criticizes the Eurocentric narrative and highlights the contributions of Indian archaeologists like Rakhal Das Banerjee, stressing the need to move beyond outdated, colonial interpretations.
Notable Quotes:
Dr. Danica Parik [24:24]: “The Indus civilization has been discussed as having been discovered by British explorers... but this sort of narrative discounts whatever local knowledge there was...”
Ahir Shah [23:24]: “...you could say it's as dull and orderly as a Lancashire mining town, or you'd say, this is as dull and orderly as a Lancashire mining town and it's four and a half thousand years old. That's an exciting thing.”
In the concluding segments, Dr. Parik urges listeners to critically assess archaeological narratives and be aware of the lingering colonial biases in popular representations of the Indus Civilization. The episode wraps up with reflections on the civilization's enduring fascination and the continuous discoveries that keep enriching our understanding.
Notable Quotes:
Dr. Danica Parik [26:32]: “...we keep finding new things to say about this very, very fascinating society.”
Ahir Shah [27:28]: “All these engineers trying desperately to reduce the amount of dust in space, and you get Izzy taking up a balloon full of glycine.”
Greg Jenner successfully intertwines humor with academic insight, making the complexities of the Indus Civilization accessible and engaging. Through expert analysis and comedian commentary, listeners gain a comprehensive understanding of this ancient society's urban sophistication, social dynamics, and the challenges in unraveling its history amidst modern geopolitical divides.
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Final Quote:
Greg Jenner [27:31]: “...record my archaeology inspired heavy metal album, Mound of the dead. Bye.”