122: The Second Sun w/ Crrow777

Summary

Nephilim Death Squad - Episode 122: The Second Sun with Crow777

Released on February 15, 2025

Introduction

In Episode 122 of Nephilim Death Squad, hosts TopLobsta and Raven delve deep into the enigmatic world of celestial phenomena and the pervasive influence of censorship and artificial intelligence. Their guest, Crow777, brings a wealth of knowledge and firsthand experience, particularly focusing on his groundbreaking observations of a mysterious "second sun." The conversation intertwines Biblical perspectives with contemporary conspiracy theories, providing listeners with a thought-provoking exploration of hidden truths and suppressed information.

Meeting Crow777 and His Work

The episode begins with Raven introducing Crow777, highlighting his extensive work with solar telescopes and his dedication to uncovering astronomical anomalies. Raven remarks, “Today’s guest is one that I’ve been interested in having on the show for quite a long time...” ([04:30]).

Discovering the Second Sun

Crow777 shares his journey into astronomy, emphasizing his perseverance in acquiring a high-end solar telescope over a decade. He recounts his initial findings:

“I kept finding a bright spot in the sky about a third of the sky away from the moon... and I decided to move it around and see if I could see anything. And I did.” ([91:12])

Using hydrogen alpha filters, Crow777 captured compelling images of what he identifies as a second sun. He explains the technical challenges and the painstaking process of validating his discoveries:

“I spent thousands of hours learning how to process the images with just making them look better without adding or changing them.” ([98:24])

His observations suggest that this second sun exhibits electromagnetic properties distinct from our conventional understanding of solar bodies.

The Impact of Censorship and AI

A significant portion of the discussion centers on the increasing control over information dissemination through censorship and artificial intelligence. Crow777 criticizes mainstream platforms for suppressing alternative viewpoints and emphasizes the importance of maintaining independent online presences:

“If you’re going to be talking about things that matter, you must have your own website on a private server.” ([07:05])

Raven echoes these sentiments, noting the fragility of relying solely on major platforms:

“If you really care about your information getting out to people... you’d better do something about it and put it someplace where it’s going to be safe.” ([10:11])

Crow777 elaborates on the pervasive manipulation by AI, warning of a future where AI agents could control personal information and influence perceptions fundamentally:

“There’s more bots than human beings that you’re communicating with... AI can create, imitate, or fake anything beyond our ability to easily detect.” ([12:23])

Historical Manipulation and Cultural Degradation

The conversation shifts to historical narratives and their manipulation, particularly in the realms of music and culture. Crow777 argues that genres like rock and roll and hip-hop were engineered to degrade societal values and promote hedonism:

“Rock and roll was to socially engineer us and to reduce the quality of music and to lower minds... hip hop just went levels beyond.” ([72:26])

Raven adds that this manipulation extends to media and entertainment, using examples like the Super Bowl performances to illustrate how cultural distractions keep the masses subdued:

“Shame on you for writing articles as if this is Real... people want to believe whatever crap is presented to them on their plate.” ([22:17])

Astrological Influences and Biblical Connections

Crow777 connects his astronomical findings with astrological and Biblical concepts, proposing that celestial alignments have direct energetic influences on human consciousness. He references the Vedic notion of a binary sun system and its impact on societal behavior:

“When our sun has a binary... our consciousness goes dark. When it comes back, our consciousness lifts.” ([37:56])

He ties this to the Kali Yuga, suggesting that humanity is emerging from a dark age into a period of heightened awareness:

“We are now coming out of the lowest point on the cyclical wheel called the Kali Yuga... AI is here purposely to do that.” ([38:43])

Evidence and Visualization of the Second Sun

In a climactic segment, Crow777 presents actual footage captured through his solar telescope, attempting to visually substantiate the existence of the second sun. He guides the hosts and listeners through the imagery, pointing out anomalies that defy conventional astronomical explanations:

“There it is without the color added. Do you see the crazy click on the moon one?” ([96:51])

Despite technical limitations, Crow777 asserts the authenticity of his findings and urges the audience to visit his private server for exclusive access to his data and further evidence:

“All of my work is centralized on a private server. You can go to crow37radio.com... membership’s eight bucks after all these years.” ([116:26])

Closing Remarks

As the episode draws to a close, TopLobsta and Raven express their appreciation for Crow777’s insights, emphasizing the importance of questioning mainstream narratives and seeking out suppressed truths. They encourage listeners to support independent research and remain vigilant against manipulation by powerful entities.

“We were doing being red pilling at my, my wife's job... she was telling me about a fake sun...” ([51:46])

Conclusion

Episode 122 of Nephilim Death Squad offers a riveting investigation into the existence of a second sun and the broader implications of information control in the modern age. Through Crow777’s experiences and discoveries, listeners are invited to reconsider established astronomical theories and recognize the potential for hidden influences shaping societal consciousness. This episode serves as a compelling call to action for independent thought and the pursuit of unvarnished truth.

Notable Quotes:

• Crow777 (07:05): “If you’re going to be talking about things that matter, you must have your own website on a private server.”

• Crow777 (22:17): “People want to believe whatever crap is presented to them on their plate.”

• Crow777 (37:56): “When our sun has a binary... our consciousness goes dark. When it comes back, our consciousness lifts.”

• Crow777 (96:51): “Do you see the crazy click on the moon one?”

• Crow777 (116:26): “All of my work is centralized on a private server. You can go to crow37radio.com... membership’s eight bucks after all these years.”

Resources:

• Crow777's Website: crow37radio.com
• Nephilim Death Squad Patreon: patreon.com/NephilimDeathSquad

Note: For full access to exclusive content and further discussions, consider becoming a supporter on Patreon.

Transcript

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[Crow 777]

If you're a maintenance supervisor for a commercial property, you've had to deal with everything from leaky faucets to flickering light bulbs. But nothing's worse than that ancient boiler that's lived in the building since the.

[Top Lobster]

Day it was built 50 years ago.

[Crow 777]

It's enough to make anyone lose their cool.

[David Lee Corbo]

That's where Grainger comes in.

[Crow 777]

With industrial grade products and dependable, fast delivery, Grainger can help with any challenge.

[Top Lobster]

From worn out components to everyday necessities.

[Crow 777]

Call clickranger.com or just stop by Ranger for the ones who get it done.

[Top Lobster]

Welcome to TopLobster.com, the ultimate middle finger to people who hate you anyway. Do you want to turn their mild annoyance into a full blown meltdown? We're not talking about polite little digs. I'm talking about offensive, off the page comments that scream, you can't censor me. You can't tell me what to say. I'd apologize, but I don't think you'd believe me. And frankly, I just don't care what you think. @toplobster.com we know one thing. Playing nice is overrated. We push all the buttons, we cross all the lines, we dot all the I's, and we live in that sweet spot where your style and your words hit like a sledgehammer on the head of your favorite politician. So why play it safe when you could blow it up entirely? If you're too retarded to stop and you're too real to worry about being liked by everybody, well, you just found your favorite website. Go to toplopsa.com, grab a shirt, grab a hoodie, grab a sweater. That'll make your family members scream. Because if they hate you already, you might as well give them something spectacular to complain about. Toplopsa.com Too retarded to stop. I dare you to wear it.

[Crow 777]

Top Lobster Productions. We are being hypnotized by people like this. Newsreaders, politicians, teachers, lecturers. We are in a country and in a world that is being run by unbelievably sick people. The chasm between what we're told is going on and what is really going on is absolutely.

[Top Lobster]

Oh yeah, dude, there's some Nephilim shit.

[David Lee Corbo]

It's like we all know what's going down, but no one's saying shit. What happened to the home of the brave mother? They're controlling this now when no one's talking about how they know this, how to be slaves. And everybody's just walking around heading the closet. Wanna wake up to a in the grave. But welcome back, ladies and gentlemen, to another episode of Nephilim Death Squad. I am David Lee Corbo, AKA the Raven, that is Top Lobster, the father of disinformation. Before we get into today's guest, I would like to remind all of our live viewers that this is a 30 minute preview only. Sometime around the 30 minute mark, we'll be going live exclusively to patreon.com backslash Nephilim Death Squad. If you'd like to continue watching along enjoying an ad free experience, you can do so by signing up. And you don't even have to pay any money because now our free members also gain access to our content. So head on over to patreon.com backslash Nephilim Death Squad, sign up and continue watching along. And guys, today's guest is one that I've been interested in having on the show for quite a long time and I'm glad that we were finally able to get it done after listening to his recent appearance on Tinfoil Hat. I said we need to get this ball rolling. We got to get this guy in and we have to have this conversation. Very excited to welcome to the show Crow 777 Crow. For the audience who might not be familiar with your work, where can they find you and what is it that.

[Crow 777]

You focus on due to censorship? My main hub for everything is crow37radio.com on a private server. That's crrow777radio.com and that includes exclusive access to all my current solar telescope work which will be picking up very shortly as the snows leave us. Most people became aware of me back in 2013 again due to my telescope work. That older telescope work is housed right there on the website. There's a link there. Shoot the moon. That's a two hour film that now has 10 awards out in the world that covers all my older telescope work. It is free to members. You can stream it anytime you want. It has all the lunar waves. I shot a couple from a guy named Randy from Houston. It has, interestingly enough I almost didn't include it, but the first filming of the so called Second Son was included at the end of that movie. And there's a litany of so called weird UFO things as well. All shot through a telescope mostly.

[Top Lobster]

So incredible. Yeah. I just got to say again I love to compliment people on the website. Great looking website. I love how this community, the more I'm in it like they're just like you guys are so unimpressed and not pleased by things like I we're on Patreon. It's slightly embarrassing but they have like a payment system that just is easy for us to work. But like the, the length that you guys go through to create websites like this, to host your material and to get people into it is just incredible. So again, kudos to you guys. Thank you for doing this. It's just like a innovation upon innovation. I love being a part of this community. Just, I mean just for this simple fact.

[Crow 777]

Well we, we didn't have a lot of choice I way back in the day before censorship became the fact, which was on the COVID of wired magazine in 2017 admitting that that was the new way of things out in the open. They've been shadow banning and deleting behind the scenes. But we covered, as I was rolling into episode 77, we covered the Mandalay Bay false flag. And that was the bridge too far. They deleted my channel on YouTube with no warning. I had roughly a hundred thousand plus people at the time and they put it back three weeks later with about 30,000 or 20,000 less subs. And they had put an algorithm. The Google products all have an algorithm. Before they deleted my channel. If you did a search for Crow Triple 7, you would get between 16 and 20 million returns page after page after page. The day they put it back, you got about 1500. And the truth is it wasn't even that because after the first page it just started duplicating returns. So this is why if you're going to be talking about things that matter, you must have your own website on a private server. Even though our president just said, oh, free speech is back. He did that as they took over Tik Tok. Censor the living crap out of it. So it's, it's a bit laughable. They will Tick Tock Tick Tock will.

[Top Lobster]

Be owned by Microsoft. We're all good. Okay. Everything's fine. It's gonna be so good.

[David Lee Corbo]

Yeah. That promise of, of free speech, I mean that's what we're seeing on, on Twitter right now too with Elon Musk who's like ultra based and you know, a hero among people, a champion of free speech. And then you know, there's still. You're always.

[Top Lobster]

Let me say this, the, the moment Elon Musk. I, I'm patient zero for Twitter or X being. I stress tested the out of X right away because I'm, I guess I'm an inflammatory character on there. So like the moment he bought it, he hired that woman, Linda Yakarino. And I made some choice jokes, very funny stuff in my opinion. Pat myself on the back saying like we should launch her to the moon. I forget the, even the joke. It was like something to do with his fake rockets and, and space. And I, my account was deleted. They, they took me off and I was lucky enough to have people in the community. Like someone for Tim Cast wrote an article about me and it got big enough that Vivek Ramaswamy spoke about it, which that guy too. And I got my account back. But it, it was very interesting because right off the bat they came with this narrative of, you know, we're, this is free speech. And I get smacked. Like I, I wasn't even smacked like that with the previous administration, which was horrible. I got smacked by These new guys. And then, yeah, shortly after you heard the freedom of speech, not freedom of reach, that kind of rhetoric going around. So, yeah, it was a wake up call for me, not a wake up call. I mean, like I was, I was seeing what was what and I found out pretty quickly.

[David Lee Corbo]

I, I agree with that though. You do need to diversify it, right? It's like you use these platforms to the extent that you can use these platforms, but if you can centralize your content and your information in something that is, you know, private in that way that you've done, that's, that's, it's the only way to do it. Because for me it feels like an inevitability. It's only a matter of time until we had it on YouTube as well. We had to get rid of our entire catalog in order to not lose the channel. So, you know, if you, if you really care about your information getting out to people, if you care about the community that you've built, and if you, if you care about the hard work that you've put into all these hours of content, well, you'd better do something about it and put it someplace where it's going to be safe. Because don't, just don't get into this habit of trusting whoever the next free freedom of speech champion is, you know, as they show up on the world stage.

[Crow 777]

But it's got, it's gotten much worse actually. And this has been going on longer than we're aware of. But I use social media as a billboard. I don't communicate, I very rarely respond to anyone or post. And the reason for that is, is because I'm not going to knowingly trade to train AI. That's why there's, that's why there's no video of me right now. I'm not giving my image freely to AI so that it can continue to rape the known intellectual property of human beings in this world. And so on these platforms we've gotten to a point and very few are aware of it, where on average there's more bots than human beings that you're communicating with. And what's worse is the way the AI is shaking out is every person's going to have an AI agent assigned to them. This is going to become open and known as people sucker in for the latest iPhone or whatever it is, then it will become known. But these agents that are, that are basically assigned to you are going to have the most extreme dossier on you that's ever been done. And the power that AI can do with this is just ridiculous. And that sets aside that they've basically raped the intellectual property of human beings on this world so that they can train their tools. And this is why, like, I have all these things that I've actually bought to go out and automatically tell people, don't take my information, don't sell it. You know, you know, I'm talking about privacy hawk and other things, but when I called places, I never had a person on the other side of the phone say, screw you, get out of here. Every time it was, okay, how can we help you? Because they know they're stealing your information. They know they don't have a right to it. And so we've got to shift our mindset. And the problem is, is the young folk. The young folk don't know the analog times. They don't know a time when everything is done online. And this has created a real problem because the hidden hand is very clever and they know they'll get those people, and they know that those people will never be able to be shown that you shouldn't just give away everything online. What's worse is like, what's it called? Facebook Messenger.

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[Crow 777]

Yeah, Facebook people knew what Facebook messenger did their jaw would hit the floor. Not only does it track everything on your phone, it goes to every network you're connected to, every contact you're connected to, and it does the same thing like a hydra on a hydra on a hydra. And that is just Messenger.

[Top Lobster]

It's almost to the point as well.

[Crow 777]

Yeah, almost to the point where if someone wants to come to my home, I will ask them, are you running Facebook Messenger? Because if you are, you need to not come in here. And you're certainly not getting on my network. And all my networks are hardwired. I have one WI fi hotspot if I need it and I keep it off. We need to get with the program here of what's going on, and we need to value our data much more readily than we have up to this point.

[David Lee Corbo]

Crow, I can understand for the individual, that sort of a thing, but do you get the feeling that it's too little too late for the vast majority of people? I mean, we're so interconnected in, in such a way that, you know, it's the first thing that people do when they wake up. It's the last thing people do when they go to sleep. And you agree feverishly to terms and conditions that you don't read. This is to the tune of millions of people. I mean, certainly, you know, individuals like yourself who are, you know, when I say that the vast majority of individuals, these are people that are going through that sort of mundanity, right, of like the everyday grind. They're not necessarily sleuthing and digging for information or, you know, doing something like yourself, where you're recording the sun. For an individual like yourself, I'm sure they'd be interested in, in getting access to the various systems that you've set up and you've done a good thing in closing yourself off there. But for the vast majority of people, I mean, how many times have. I don't even know what I've agreed to. And, you know, I, I tend to scrutinize those things a little bit more than, than maybe other people do.

[Crow 777]

Case in point. That's why it's so important to do it now. If you don't tell the universe you're not down with a thing, then you haven't really made a decision and someone else will make that decision for you. It's time to stand up and say, you know what? My image is my image, I own that. I don't have to copyright it. I don't have, you know, this is my stuff. When I type something, that is my intellectual property. And the problem is when we use these like a good example was why I quit posting content to YouTube. And this was before they took me out. I was only posting the first hour of podcasts at that point. No more Scope video because I got a notice way, way back 2015 maybe, that basically notified me that they had partial ownership of all the content I had uploaded to their platform. And that included the first lunar wave. And so if we don't stand up and start demanding better, we're never going to see better, right? I mean, it's basically that simple.

[David Lee Corbo]

How do you end up getting into this situation, Crow, where, I mean, you're, you're taking a real hard look at our skies. I just find it almost unique in, in, in this day and age, because it's laughable. We don't really look up, we're constantly looking down. Even when we walk around, we're looking at our phones. Light pollution has removed our attachment to the night sky, something that the ancients were obsessed with. I mean, it was the number one you could see. Megalithic structures are created in many instances to mirror the night sky in one way or another when it comes to, you know, astrological formations. And so this is something that was hugely important to humanity for the longest time. And then all of a sudden, with the advent of these giant, you know, gigantic cities and we're pouring all this light pollution into the sky, we can no longer see it. And then we are actually just constantly looking down, looking down at her. So I drive now and I see. I was talking about it the other day. I was going to pick up my son, and the high school gets out before my son. And every single. It's just a parade of children looking down at their phones, you know, so. So I do find it unique when somebody's job or their passion is to constantly be looking up. How did you find yourself in. In that field?

[Crow 777]

I had always been drawn to telescopes, but I grew up in a family of teachers, so we were not rich. We didn't even have a color TV till the mid-80s. And part of that was because my father wasn't into that materialism and, and stuff like that. But let me come at this a different way. When powers that be decide to try to control large numbers of people, one of the first tactics is almost always separation from nature. And the reason that is done is because all truth resides in nature. You can't make up anything true, you can't invent anything true. You can discover something that's true. But nature shows us and proves and provides what is true to include how we should be living our lives, which this technology has really sidetracked us, which is why we have a lot of problems. But to make the point, you said all the children are looking down at their phones. That's some clever programming, isn't it? That's the opposite of looking up. And all these older cultures that aligned massive stone monuments and everything else shows you how critically important the most basic things the equinoxes and the solstices are. And the reason for that is because we reside within cycles. And they paid very close attention to it. And even our Bible has a version of it when it refers to the acceptable year of the Lord. I actually just did a podcast with Dylan Socoshio about Robert, the Reverend Robert Taylor's work and about this very thing, and there are plenty of examples that back up what I'm saying. As an example, when the word pagan came to be, a derisive insult launched at people. The word pagan basically means people who lived in the country, they were close to nature. Another good example is April Fools. Everybody knows that the first of the year is not in January. It's at the spring equinox, when everything renews and turns green and the babies will come. And so what happened, supposedly in the Roman times was the people who refused to let go to the appropriate place replacement of the New Year were still celebrating the new year at April 1st. And so they came up with a derisive term to shame them, calling them April Fools. And so this tactic of separation from nature can be discovered and you can become aware of it. But are you doing something about it? For me, if I learn something in nature, I can. It's a bad term. Take it to the bank. I know there is no lie. I know I have been either demonstrated or fortunate enough to have been taught something that is absolutely true. And this is the problem with technology, because we live our lives accepting things that are not only not true, we get to a point where we don't care whether they're true or not.

[Top Lobster]

Yeah, that's why they call me the father of disinformation. I've. It's. I guess it's a bit counterintuitive, but I'll go on Twitter and for lack of better word, post but tell like these lies that should be blatantly obvious. And I've gone viral, I don't know, hundreds of times doing. And it's almost like, shame on you. Shame on you guys for doing this. Shame on you for writing articles as if this is Real like just a cursory. Cursory knowledge of history or even like a simple Google search debunks this stuff. But people want to believe whatever crap is presented to them on their plate. So you know what? I'm. I feel like it's my job to continue to do it until people get smarter and you don't need me anymore. Right.

[David Lee Corbo]

Well, something interesting that that crow just said. There too was this idea that the terminology April fool was invented to shame people that were holding on to what is essentially the truth.

[Crow 777]

Yeah.

[David Lee Corbo]

And that's a really effective mechanism that we still see at play today. Right. I mean, we just went through this entire lockdown and everything. Yeah. Conspiracy theorists. Or just to dismiss people who are deviating from the official narrative as being, you know, non credible or. Yeah.

[Crow 777]

And good example of the shaming of your fellow human beings that have been put in a position where they will do the policing for the powers that be shaming you or not allowing you in, whatever the case may be. It's a good example.

[David Lee Corbo]

Yeah, it, it's one of those things we, we realize these systems or these machinations, they kind of play on repeat and they're effective. And that's why history repeats itself, or at least rhymes. It's like, if it ain't broke, don't fix it. It's a great manipulation tool. But we were talking about these ancient civilizations and how, you know, they dedicated everything to understanding these cycles that we're talking about and, and, and these, you know, astrological formations and such. I believe it's the ancient Sumerians. And I know I'm gonna probably get some of this wrong. This is mixed up with, like, things I've learned a bit of like Zacharias Sitchin and such. Right. But when it comes to the Sumerians, this idea of the Anunnaki, I believe they had depicted on some of their ancient carvings what we would recognize as the solar system. And if I'm not mistaken, I remember learning a long time ago that they had a celestial body that we hadn't accounted for. And I think Sitchin started to talk about this celestial body being Nibiru, being the home of these ancient deities that created us one way or another. And this is something that is still alive and well today. You know, people like Billy Carson espoused this sort of thing to much success. It's a very compelling theory. But, you know, the, the entities and deities aside, this idea that there was an extra celestial body within our own solar system has existed in one way or another. Through a lot of different cultures and mythos. And I've heard ideas that, you know, maybe we exist in a binary star system, and that that's not really very uncommon for a, a system to have a binary sun, and that it's on an elliptical orbit. And this is just like regurgitating things that I've peripherally learned over the years. It's on an elliptical orbit. Whereas the planets will orbit around the sun in essentially a circle, this one celestial body orbits through our solar system on, on what is an oval, more or less. And so for a long period of time, it's allegedly on the outskirts of our solar system, and it returns so many thousands of years. There's a lot of variations of this. It's a very compelling theory. But when I hear a guy like you who is doing the legwork and recording instances of what appears to be a, a second sun, and I've heard you describe it at length, it's very compelling. Where do you place this idea, if at all, in conjunction with these previous mentioned theories of, of elliptical orbits, binary star systems, brown dwarfs, Nibiru.

[Crow 777]

Okay, you put a lot on the table right there. So I've got to back up a little bit, and I'll be straightforward. I spent some portion of my life reading 12 of Sitchin's books before I came to my senses. And just for the record, I don't accept any of it. But to get back to the point, you're right. There's been Vulcan, there's been Planet X, there's been Nibiru, there's been so many. There's another body here. But to me, that's a far cry from pointing a telescope up, hitting record, and saying, here it is. And as we get forward, I'll show you proofs which actually involve an observatory admitting what I have found, and actually calling it by name. But I'm going to share a little thing here. I think I can put it through.

[David Lee Corbo]

And while you do that, Crow, I just want to say, when I was younger, when I was in, in the public school system, in, in middle school and early high school, we were regularly getting school magazines about Planet X. Planet X was a big one. We didn't call it, you know, they didn't call it Nabooru or anything like that when I was a kid. But we were subjected to this idea in middle school that there was this, you know, additional celestial body, Planet X, and, and then, I don't know whatever happened to that? It just kind of faded away. And, and it certainly didn't Stay a constant throughout my. My school experience. Experience. And. And I don't hear much about it to this day.

[Crow 777]

Well, I just. I couldn't drop an image into the. The Streamyard studio. So what I did is I replied to the email where you guys sent me the link. It says Lobster Raven is the handle on the email. There's an image there if you want to put that up. I'll show you what I think is closest to correct about our solar system and I'll back it up with a little bit of. Of evidence.

[David Lee Corbo]

Okay, great.

[Crow 777]

Let me know when you've got it. And I tried to do a search for a better version. Let me do one more search with my other browser. It's called Almages Nuovo 1651, I believe. Just let me do. Oh, okay. Maybe. Okay, here we go.

[David Lee Corbo]

Huh.

[Top Lobster]

All right, so I pulled this up.

[Crow 777]

If you can. Can you put it up? Oh, oh, actually. Okay, hold on. Is this a better version? Give me just one second here, please.

[David Lee Corbo]

Francesco Curtie. Fronti. Fronties piece. Mythological figures.

[Crow 777]

Ah.

[Top Lobster]

I've seen this piece before. This is. All right, these are the three. The three models, right? One's under his foot here.

[Crow 777]

Yeah. So. Okay, so people can see this, right? So what you're looking at here is an image that a jesuit made in 1651.

[David Lee Corbo]

Ah.

[Crow 777]

And what you. What. What you should know is the Jesuits know things. I have read. Whether or not it's true that back in the day when they were looking for people to become. Become Jesuits, they looked for the smartest, brightest of the bright. Like IQ over 200. Some of these guys spoke 14 languages. You're aware of the stories where they show up in some part of the world, meet a culture they never met, and a year or two later, there's a bible in that language.

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[David Lee Corbo]

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[Crow 777]

These people were smart and they're at the center or part of the center for the false historical narrative we got. So what this is is an image that has all kinds of mythology encoding into it. And the reason is the common people who hadn't been educated probably would never realize that the guy on the left with all the eyeballs on him is the hundred or the thousand eyed Argos from Greek myth. All right, so to know a little bit about myth helps you further understand, but I'll just cover the basics here. In the center there's a scale. You can see that one side of the scale is heavier than the other and everybody knows what that means. Above the scale is the hand of God. Now on the right side of the scale is a model of our solar system, or so called solar system by a man named Tycho Brahe, who I think did gave us the best information on the left. The one that's not as heavy, the one that's not as good, that's the one we got from Kepler and Copernicus. Now Tycho Brahe hired Kepler to do math. We are told. Now whether or not Kepler had something to do with Brahe's death, I'm not sure. But what we do know is he got all his data. But here's the rub. Tycho Brahe was an aristocrat who shouldn't even have been working at any level because aristocrats don't do that. He spent his life doing observations and locating to the minutia where 777 stars were ironically, but I'm covering him. But he did it right before the telescope was invented. The basis of what he did launched into the basis of all modern astronomy. Now Kepler and Copernicus never did any observation. They were math wizards. So they took Brahe's data and they made up the nonsense on the left, which is the solar system model we have now. All the way down at the bottom there's another model. That's Ptolemy's model getting stepped on by the feet because it is error ridden. And the worst out of all of them. This is 1651. This is coming from a Jesuit. And I accept as much as I can as the best information we have available the work that Taiko Brahe did. But one of the things Tycho Brahe did was he showed us that we matter. What we call Earth is the center.

[David Lee Corbo]

Yes, yes.

[Crow 777]

And we are not insignificant little spinning on a marble in the spin cycle in a million gazillion light year vacuum. You know, we are the center. All this is here in our place. And us, we, we are special. We have a reason. That's one of the things that he showed us. And another thing is I would state that I think that Venus and Mercury would be better described as moons of the sun than planets. And another thing that I think is important is why do we automatically assume when I look through a telescope and I look at say Jupiter, it is in fact round. That is not a lie. It is in fact rotating. That is not a lie. There are four very easily visible so called moons. I can watch them go across the face of Jupiter, I can watch their shadows follow. I can do the same thing with any number of so called planets. Why do we assume that we are anything like those things? Why do we assume that? Because Jupiter is there. We are like Jupiter in, in shape and motion. Why? And by the way, when we look at our sun, why do we assume that every one of those little dots in the skies is like our sun? We've been told that's true, but there's more. Some years ago in my lifetime, binary so called stars were not an oddity, but they were, you know, interesting novel, let's say. But now that's changed. Now it's probably every star is likely to have a binary. And what I'm saying doesn't exactly back up what I just said, that why am I, why would anyone assume that our sun is like all those stars? But I have located what I believe is our binary for our son.

[David Lee Corbo]

Now, okay, this is a huge thing that we're, we're getting into. And when I was younger and I was going through that kind of Zachariah Sitchin phase and things like that, and I'm sure we'll get into it, so forgive me if I'm getting ahead of us, but the idea that we would have a, a binary star system and that this thing would at some point return, I mean, that seems like it would cause I Don't know. Given the information from NASA and things like this is really only my foundation, my understanding about space. But it just seems to me that the introduction of a large celestial body into our system would change something. I would hope that it wouldn't wreak havoc, but that was a lot of the ideas.

[Crow 777]

Because you accept the gravity theory, I'm guessing, is what you're pointing at.

[David Lee Corbo]

I don't necessarily. I mean, I guess so. Yeah. Right. Because you have this gigantic. If you, if you have an understanding of the theory of gravity as they propose it, then the implications of something that large entering our system would wreak havoc. Right. I mean, I, I couldn't even begin to imagine a lot of people would attribute like, polar shifts to an event like that. And then you have that coupled with the idea that, like, oh, there seems to be some evidence one way or another that our planet has gone through polar shifts and people draw the correlation that that would be because of this celestial body having been here before.

[Top Lobster]

Let me ask that. Yeah, has. So is this second son, is this reappearing or is it always there and we just have not been perceiving it for whatever reason?

[Crow 777]

I wish I could give a lot more information than I can, but what I can tell you is I've always been impressed with the Vedic astrologers who go way back in India and they put forward that our sun has a binary and when it gets further away from us, our consciousness goes dark. We get really, really low minded. And when it comes back, our consciousness lifts. Kind of like what we're seeing now where even we can watch bulldogs grab a skateboard and ride it like a skateboard supposed to be used. If they did that in the 70s, that'd be the most famous bulldog you ever saw in your life. Now everything is, is boosting in consciousness. And so that is from the Vedic idea.

[David Lee Corbo]

But does that correlate crow with the. The idea of the Kali Yuga?

[Crow 777]

Sure. You know, the. The idea is that we are now coming out of the lowest point on the cyclical wheel called the Kali Yuga, or the Dark Age or the Iron Age, that we're turning the corner. Now, we do see consciousness rising. We see a lot of confusion, but AI is here purposely to do that. One of the reasons that they are implementing AI is to confuse us so that we'll accept anything, nearly anything. That's one of the plans with AI but it is my point of view that this will become undeniable. Way back in 2015 or 16, whenever I shot the first one, I Don't have the original file stamp because of, you know, hard drives failing and such. But way back then when I announced it, I did it very low key because I did not want to go through the hell that occurred when I put the lunar wave out. I didn't want to go through all that again. Some years later, another guy named Chris Van Matre replicated what I did. And he said, yep, it's there. And it was in a different position when he did it. Then a lady joined him named Cammy O'Dell and she brought with her a polarizing filter. Chris Van Maitre put the telescope on the so called second sun. She put a polarizing filter and proved that it's not a reflection or a glint or a glare and that it's a body for those who don't know what a polarizing filter is. It's like your sunglasses when you put on sunglasses that are polarized and it removes glare and glint like that. And so there was that confirmation. But then a really big thing happened. In 2016, the SLU observatory was live streaming the sun for young people to show the transit of the so called planet Mercury going across the face of the sun. But they had a problem. The problem was that the so called second son was right next to the sun, almost kissing it. They couldn't get it out of frame. And about 30 minutes into that video, he says, I guess you're all wondering what that other thing is. And to paraphrase he said, that is our second son. NASA knows all about it. They don't want you to know about it.

[David Lee Corbo]

What is, how, how are you supposed to interpret that any other way besides, you know, he's telling the truth is.

[Crow 777]

Is that, well, what you're going to see, I've already noticed some, some people and some bot channels are going out where that's been reposted and saying he's clearly being facetious. He's, he's clearly, you know, in it.

[David Lee Corbo]

If he was to, to, to, you know, if he's being a little snarky there, he was certainly. There's got to be a conventional explanation then because in, in order to have a sense of humor in that moment that lends itself to suggesting like we all know what it is, but I'm going to say something obtuse like it's a second son. So then what?

[Crow 777]

There's the problem. Yeah, you can, you can try to erase what the man said by clever little impositions like that, but you can't erase what's in the video frame.

[Top Lobster]

These scientists are always very serious people until they're. Oh, I was being sarcastic. Like we were making the sacrifice to Shiva, the God of destruction at cern. Yeah, no, no, it was a. That was a joke. But the rest of them are very serious.

[Crow 777]

I meant to address the gravity idea because I think it's an important thing from my point of view. All of the space agencies are in a club and we're always led to believe, oh, that can't be true, because we don't get along with that country. And I'm here to tell you poppycock. It's above all that they're. The space agencies exist to try to ensure you know nothing about where it is you exist. And one of the outcomes of that is if you don't know where you are, you have no way of knowing where you can go. But there's more. This gravity thing is about to get chucked out the window. Gravity is a theory, it's not a law. And you can search all over the Internet and you'll even find people claiming it is a lot to damn theory. And I even made a law to talk about things like this, a law for myself, to help me think properly. And what it basically says is the longer a theory exists without being proven, the less value it is. And if it sticks around long enough, it tends to get used for scientism. That's gravity. That's what gravity is. If it's, if it's real, then let's go ahead, let's make it a law, boys. Let's all roll up our sleeves. It's a theory.

[David Lee Corbo]

Yes, period. Commonly accepted by a lot of people. If you, if you should even highlight that to somebody in, in casual conversation, like, did you know it's actually the theory of gravity? People kind of get upset. They get upset. Yeah. That's a good way. Yeah.

[Crow 777]

I've even known some very smart people that have yelled at me. It's a law, but it's never a good sign. Yeah, it doesn't matter. It's my view that that other body will come into view and it won't be deniable anymore. It's already. You can see it with your naked eye if the conditions are right. So when I film, I shoot in the hydrogen alpha wavelength with my solar telescope that is on the edge of visual spectrum. And by the way, we're damn near blind. Human beings are nearly blind. If you look up the spectrum of frequencies, it is such a narrow sliver that we can call visible, that we can see and detect. I mean, it is minute. But at the edge of that, on the red side, is where I'm shooting. And what my telescope does is it knocks out all the other wavelengths and all the surface brightness knocks it down and zeros in, excuse me, on hydrogen alpha. Which is why I can show you the amazing things I show you. But I predicted way back in the day that I suspected at sunrise and sunset, under the right conditions, you would be able to see the other body with your naked eye. Turns out that's been done a lot of times. I don't know how well you can search on search engines anymore, but there are plenty of people who have shot the other son. Even during the Canadian fires, there was so much smoke, it served as a filter. And at high noon, people filmed the other body. Also, one day I was looking at the MasterCard logo and a bell went off in my head, because that's what it looks like. The colors to me, even looked close. And then I thought about Luke from Star wars on Tatooine. That's what it looks like. And so I wondered, are they making fun? But here's the real kicker, man.

[David Lee Corbo]

Right on its face. The Most logo.

[Crow 777]

Yeah. If I was going to ask you what's the most important psychological tool film that is geared towards space? And you guys might be a little young, but I'll just ask to see what you say. So the most. The biggest deal film that has to do with the moon in space.

[David Lee Corbo]

Oh, I would say. I was gonna say Star wars, but now I'm not too sure.

[Crow 777]

But.

[David Lee Corbo]

But, yeah, I would say Star Wars.

[Crow 777]

2001 A Space Odyssey.

[David Lee Corbo]

That was gonna be my second. I've never actually watched it. I tried to. It's very boring.

[Crow 777]

It is very boring. But there's so much effort was put into that to get that. Look, it was a big deal at the time. And what it was put out for was to get our minds ready to accept that they were going to put a man on the moon. The reason for that film is social engineering. They're going to start prepping the human mind to show you the skit that Neil Armstrong is walking on, a moon he didn't walk on. So there's a sequel to that movie most people aren't aware of. It's called 2010, the year we make Contact. At the very end of that sequel to the very important film 2001, the main character, played by Roy Scheider, the actor gives a speech. And in that speech, closing the movie, he says, we are in a new era where my children will wake up In a world where there are two sons.

[David Lee Corbo]

Fascinating. Oh, okay.

[Ryan Seacrest]

All right.

[David Lee Corbo]

We're at the the 42 minute mark and so we're going to Transition now to patreon.com backslash Nephilim Death Squad for the remainder of the show. We've made it so that for a temporary amount of time you'll be able to sign up at the free tier and continue watching along. I don't know if that's going to be forever, but we're going to do it for now. So if you guys head over to patreon.com backslash Nephilim Death Squad, sign up at the free tier, you will be able to continue watching this episode and also enjoying an ad free viewing experience. But otherwise we are now going to cut the stream to YouTube and elsewhere. So we'll see you guys later.

[Top Lobster]

The link is pinned to the chat guys, so real easy to click it. But yeah, please continue. This is fascinating stuff.

[Crow 777]

I'll share some images with you guys on the other side.

[Ryan Seacrest]

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[Crow 777]

Are we taking a short break here?

[Top Lobster]

Oh no, no we're not. You continue. I don't know where David went. He probably had to pee. Very professional.

[Crow 777]

Why? I might join him. Can we do that real quick?

[Top Lobster]

Yeah, let's do that. We're going to take a quick two minute break, guys.

[Crow 777]

All right.

[David Lee Corbo]

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[Top Lobster]

Taking a quick break. I kind of like that. I kind of like this.

[David Lee Corbo]

Oh, we took a little break.

[Top Lobster]

A mission. Yeah, a little, A little break, a little intermission. I know, yeah.

[David Lee Corbo]

Let everybody catch up over on Patreon. That's a good idea.

[Top Lobster]

Yeah, a little pee break. Piss bottles. We're working on the piss bottles. They'll. They'll show up eventually.

[David Lee Corbo]

That'll be cool.

[Top Lobster]

Yeah, yeah, yeah, yeah.

[David Lee Corbo]

Excellent.

[Top Lobster]

So far. This is, this is going. I, I'm looking at the chat and everybody's kind of, of losing their mind over what's being said here, which is really cool.

[David Lee Corbo]

Dude. I'm excited. I want to get into some of these images and videos and such and then I want to get done with this and go tell my wife that there's a second son.

[Top Lobster]

I was, I was gonna say there was somebody that I was red pilling at my, my wife's job and I was thinking about ways to do it. I was like, we go political Rob. We could talk about the Nephilim or something like that.

[David Lee Corbo]

Tell them there's a son that'll do it.

[Top Lobster]

Well, I, I asked her, I said, have you looked up, have you just looked up and like in the past.

[David Lee Corbo]

Couple of years at all?

[Top Lobster]

Not at all. And I'm like, well, look at that. Mean, they're spraying the skies pretty readily every single day over where you were. Because I see it every day. And I was like, just look up next time. And lo and behold, she did. So next time I saw her a couple weeks later, she was like, sorry about that.

[Crow 777]

I'm good.

[David Lee Corbo]

No, it's.

[Top Lobster]

Oh, all right. Yeah. I was just telling the story about me getting somebody to look up. I figured it was the best way to kind of break this person into the truth. I had them looking at, what's it called, the. You know, the chemtrails. Yeah.

[David Lee Corbo]

When they make them like X's.

[Top Lobster]

Oh, yeah, yeah.

[David Lee Corbo]

They'll do them in grids and the way they expand is like. It's insane. It's. It's not natural at all. And people still don't see it.

[Top Lobster]

So, long story short, she's looking at these chemtrails now because she's finally looking up. And she comes back to me a couple weeks later, and she was telling me about a fake sun, and I was like, I've never heard of. This is. This is a while ago. And here we are. So it's all kind of serendipitous.

[David Lee Corbo]

Yeah, Sometimes that's all it takes is just looking at the sky and going, I think they're spraying something and the sun looks weird.

[Crow 777]

Well, that. That started because people found patents for a fake sun. But I put a very high end telescope on the sun and it's there and. Well, I'll show you images here in a little bit. I'm looking for. Actually, it's gonna share. Oh, there it is. All right, here we go. And where's my. Some of these. These are the personal things that I do. I'll put it in the chat. Oh, let me make sure I'm in private.

[David Lee Corbo]

This is something that's great too. Shout out Nancy. She's one of the supporters of the show, and she says, will you ask Crow if he believes that ophiuchus is the 13th constellation? That was a weird moment in time because we had a 13th constellation to seem, for a brief moment, a man wrestling a snake ofuchus, and then that just kind of fell away. And nobody talks about that anymore.

[Crow 777]

Well, actually, under that paradigm, I would be, you know, I'm Sagittarius under one model, and I'm all focusing the model, but what you need to know is it's there. So it's like every other constellation. It's placed a little strangely. But we always try to force things into our perception zone. And what you should realize is we do damn near everything wrong. We have a solar calendar that was forced upon us, and we have a Gregorian Calendar made by a pope named Gregory, who patented it, I'm told. And this is a civil calendar. Did you know that the Vatican has to switch to a loony solar calendar just to place Easter because their solar calendar won't get them there. Cultures who were sane had many calendars. There are so many cycles in places like the Maya you're familiar with, you know, they might have had a calendar for the grand conjunction of Jupiter and Saturn. They had one for the moon, because once upon a time, a month became a month. The moon is the best way to determine what a month is. And that's where 13 start to show up. Solar calendar, that's a good way to do years and maybe holidays or holy days. My point being is we should have many calendars, and what we've done is jammed it all into one. And to be frank, shouldn't we just have a civil calendar for, like, business and the workings of, you know, that kind of aspect of our thing? My point being is there's almost certainly calendars out there that incorporated ofuchus. There are absolutely systems that used 13. And so we need to broaden out how we think about these things from my point of view, because what we tend to do is pull it into what we're familiar with. And the truth is, we don't do a lot of things that are very close to nature. And nature is where truth resides. And this technical world that we're emerging into is the opposite of nature.

[David Lee Corbo]

I recognize that within my own life, I. I have these cycles that I go through, and I. I tend to embrace them, right? There's like, I go through a cycle for sort of like healthy living and, and fitness. And then I'll go through a cycle that is real, like kind of the grind mode where I'm working really hard and I'm producing a lot of different things. And then I go through a cycle that's a bit of a rest mode. And, and I've recognized that over the years that I can feel when it's happening, and I should almost kind of give into it. Don't push against it, because it's like the path of greatest resistance when you start doing that. Do you think that I give. I give astrology? Is it astrology or astronomy, folks? I don't know which one, which. The terminology escapes me. Which way.

[Crow 777]

It used to be the same thing, but now astronomy is what scientists use, and astrology is what people who are interested in the influences, the energies.

[David Lee Corbo]

And that's exactly what I was going to ask you. Do you think that these celestial bodies and alignments and things of that nature have energetic influences on us.

[Crow 777]

Well, we can prove that they do. It's undeniable. If I go out into the world in June and it's a hundred degrees, and then I go out into the world in December and everything's frozen, what caused it?

[David Lee Corbo]

Right?

[Crow 777]

So how do we deny when we know that this is one of the biggest foundational things we have to contend with in our world, to the point where before the modern era, if you didn't get that right, you could die? You don't plant when you're supposed to plant. You don't harvest when you're supposed to harvest. You don't make it to the fall equinox and recognize why they called it a blood moon. Because guess what? There ain't nothing more to harvest here. We got to kill things, right? To survive. So someone who wants to come along and act like that it's all hocus pocus is ignoring the basic truth of winter and summer and the fact that every culture that ever existed hold stones the size of mountains around to align them to these processes.

[David Lee Corbo]

That goes back to a discussion I had yesterday. Briefly mentioned this idea that I've tried to see if it is correctly attributed to JP Morgan. It doesn't seem to be any way to prove it. I can't find the original.

[Crow 777]

I can help you. I was. I was saying the same thing you were saying up until a few days ago when I got with Dylan Socosio, who loves to look up original language, and he's big on source. He says it doesn't exist, and that that was made up out of thin air. But here's my problem. We're. I'm about to drop an episode this Wednesday on the Bush family. And one of the things. What was it that we put out? Hold on, give me a second. I got the document right here as an example, so. Advertisement okay.

[David Lee Corbo]

That's funny, though, because I.

[Crow 777]

Okay, here. Oh, I'm sorry.

[David Lee Corbo]

Go ahead, go ahead, go ahead. I was gonna say I've been doing the same thing. I've been espousing this, and I'm not too sure. And then I try to look for it and I'm like, I can't.

[Crow 777]

Well, the Internet is not a viable source anymore to determine that. You really need to go to books and things because AI is changing on the fly. So I did an episode. I got so sick of the division and hatefulness that was associated with politics that I did an episode on politics. And in it I included a Very important little piece of information which you cannot verify on the Internet anymore. People have copied it. But to find source. Shortly after we ran the episode. No one can find the source now, but I know it's true. I copied it. And that's an example of what you're wrangling with right now. Maybe what's his face did say that astrology was for billionaires, not millionaires. But we can't find it on the Internet because the Internet's not reliable. So here's what I covered. A man named Montague Norman was the governor of the Central bank of England which was helped model our central bank in 1924. He came to America and gave a speech to the bankers of America. And I'm going to paraphrase this. Basically what he said said, okay banker boys, we got the two political parties in place. Now we can get the masses to fight about nonsense that doesn't matter while us bankers take over the world. This is a fact. And it's a fact that you will bend over backwards trying to prove on the Internet. Now looking for excitement? Chumba Casino is here. Play anytime.

[Unknown]

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[Crow 777]

Play on the train.

[David Lee Corbo]

Play at the store.

[Unknown]

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[Top Lobster]

Play when you're bored.

[Crow 777]

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[Ryan Seacrest]

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[Crow 777]

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[Crow 777]

But there was a time when you could, and this is an example, that information got out and apparently AI went to town in either shadow banning it or however they make the search returns, not viable. But there's the example. And here's the other thing in the era we face. So I put in the chat. I call them my personal laws. I create These kinds of things to help me think about things. So if you want, you can read that.

[Top Lobster]

Yeah. Us. The second law of Crow's Personal Law of Theory. Any theory that remains unproven for years is a speculation of diminishing value and will therefore tend to be applied as propaganda in support of scientism the longer it exists. That's 100 true.

[Crow 777]

So I wrote this, and it was actually gravity is the reason I wrote that. But now here's an example of the age we live in. This law was to deal with back in the day, all the fake UFO and potato cam images that people were trying to pass off. But the problem with what you're about to read here is it no longer applies in the way I wrote it because of AI. So go ahead.

[David Lee Corbo]

This is the first law number one.

[Top Lobster]

Yeah. First law of Crow's Personal Law of hd. What do you mean by hd? Oh, anything filmed in each. Okay. Anything that truly exists can be filmed in hd. It will be filmed in hd. The following sentence was added because of AI. One must know and trust the source of the video, image, slash images to accept them as evidence, as AI can create, imitate, or fake anything beyond our ability to easily detect.

[Crow 777]

So what you're seeing here is the first part of this law, and it's not. I got to be very clear, this is not a law in the world. I. I call it a personal law because I write to help me think more accurately about things. So it's. I'm not trying to say it's a lot, but anyhow, the first part of this stood for quite a while. Anything that truly exists that can be filmed in high definition will be filmed in high definition. But as we see what happens in our world, we reached a point not too, too long ago where that was invalid and had to be modified to fit the situation. And these. I do these kinds of things to help me streamline and hopefully tighten up the way that I'm thinking about things. And then I had another one which drew from an episode we did, and this is incomplete. It never got. I never put it in the mainstream. But this is a critical idea that I still haven't quite figured out how to word it all the way across.

[Top Lobster]

Personal Law of Crossroads. At any crossroad, a decision must be made. One can turn left, right, go back, go straight, or remain where they are. Likewise, new information is unavoidable, is an unavoidable mental crossroad. One can reject, accept, modify, ignore, or challenge new information and must do so without exception.

[Crow 777]

The reason I wrote this is because we live in the so called information age, which is not true. We live in the age of deception. There was a short period that might have been information, but here's the problem. Every time new information is put in front of you, your mind has been dragged against your will or with your will to the crossroad. And until you comprehend the basis of what I'm trying to point out here, so much of that information will go undealt with. And in the era we live with, in a lot of cases, as an example, if you don't make a decision, someone will probably make it for you.

[David Lee Corbo]

Right?

[Crow 777]

So the idea here is when you're walking through the world and you come to a crossroad, you have to make a decision. There's no choice. One of the decisions is you can sit there till you die, which isn't a very good one, but you have to make a decision. Getting new information put in front of you is no different. And the reason I brought this up is because often you're confronted with information you can't resolve. You can't figure out a way to resolve it. And that was why I put this together. Because what I do is I then put it in my back pocket and I wait for life to either confirm it or deny it or make it useful in some other way. But I haven't denied it, I haven't accepted it. It's like sitting there at the crossroad. I haven't made a decision on it yet. I just put it in my back pocket to see if it becomes useful or worthless.

[Top Lobster]

Yeah, that's, that's actually. I mean I. I've somehow adopted these rules without ever knowing that you wrote them down. But yeah, that's something that I do all the time. Yeah, Especially on this show we're presented with a lot of information from a lot of different people. Some people who don't think like us, or maybe even some people that might be trying to manipulate in some, some sort of way, but the information they're presenting is still valuable and I'll take it and I'll put it in my pocket and I'll say I'll look at that later, like this might apply, but I'm not quite sure how. I'm not ready to throw it out though.

[David Lee Corbo]

I think a lot of people make that mistake of, of when they're introduced to something new. They feel a need to react one way or the other. And I take that road more often where I just look at things as interesting.

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[David Lee Corbo]

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[David Lee Corbo]

Them on the back burner and I wait to see how either they play with things that I know or suspect or if they disprove some of those things. But there's no reason to get reactive right off the bat. I mean, at some point you do need to. But there's no rule that says it has to happen in the moment that you're introducing this information. It's like let it simmer there until the emotion goes away. Because that's a lot of what does it, right? It's this emotional knee jerk moment where all of a sudden you have to either love or hate this thing. It's like probably neither of those things, you know.

[Crow 777]

That's kind of what information urges though, right? So you get into bad habits. And by the way, I'm sorry about my phone. I have to leave it on because one of my buddies might be stranded.

[Top Lobster]

Okay, no problem. I was going to say something really funny. I'm a musician and one of the. One of my favorite songs, a classic song, Crossroad by Robert, wrote that Robert Johnson, like the original blues musician. Musician. It's just a song about him being down at the crossroad and he has to make the decision on whether he's going to sell his soul to the devil.

[Crow 777]

And it's like I did an episode on that song. It was actually. That was actually part of the genesis for the crossroads thing you just read. In my view, Robert Johnson never existed as a human being. He's a construct and he was put together as the required foundation for rock and rol. But in the song that you just referenced, Crossroads, it's all about the sky clock. We're back to how important the sky clock is. I went down to the crossroad, fell down on my knees. The crossroad is the astrological sign of the cross where the equinoxes and the solstices are pointed out on the wheel. Why did he fall to his knees? Because at the lowest point of the sun or the hell or devil is at the winter equinox. And that is the sign of Capricorn, represented by your knees. And if you go read the song, I break it down in that episode to show you every word he says. I looked. I looked east and west. Well, why didn't you look north and south? Well, because the path of the sun is east and west. It goes on and on. The whole song is an allegory for hell and the devil when it's actually just talking about the low point of the sun, which is the winter solstice, which is the allegory for hell and the devil. And it's often. It's often encoded the opposite way. Fire and ice, you know, so cold. It's a hellscape.

[Top Lobster]

Wow. So why do you think he was a creative person? Do you think he didn't exist at all?

[Crow 777]

The reason we got rock and roll was to socially engineer us and to reduce the quality of music and to lower minds and to pull us into hedonism. A good friend of mine, fortune to Saint Germain, told me that there has never been a society, a culture that fell into hedonism, that recovered from that. And in one decade, from the 50s to the 70s, they broke the family unit in America. They drugged out the whole nation, which is still going on to this day. And they destroyed moral values. And this was largely done with the help of music people who didn't live back then. You can't really explain what a big deal the music of the time was. It was a massive deal. It was all pervasive. Anyhow, for that, they needed their myth, their starting point for rock and roll. And here's the interesting part. Not long after I ran that episode, I saw this thing advertised on TV for the history of rock and roll. They didn't mention Robert Johnson once. When my whole life I had been told that all the roots of rock and roll go back to this magical guy who had, wait for it, 29 songs. One was missing. Two plus nine is 11. It's a 911 encode. It's. It's all over the place. But to get back to the point, they brought out this new dude, Charlie. I want to say Parker, but that's not right. I forget his name. They had brought, literally brought out a new dude who was missing fingers and who was a slave living on a plantation. And they had begun to shift rock. Patton. Patton, I think his name is. They had begin to shift the position that Johnson once held over to Patton. But now, since Then I've seen it go back and forth.

[David Lee Corbo]

Why do you suspect they introduced this new character? Especially if he's missing fingers? It would be pretty hard to be a accomplished musician.

[Top Lobster]

Yeah, I remember this guy. Yeah, man. And I was like, I think the reasoning. Did this guy even exist? Because that never made any sense.

[Crow 777]

I don't think so. I. I suspect. I mean, I don't know for sure. I, I accept that Robert Johnson was a creation, but I suspect the same of Patton because he's swapping out the. The made up creation. I don't know for sure. It doesn't matter to me at this point. I don't spend the time to try to prove that because I recognize what it is. It's fugazi. Whether he existed as a man or not, the whole thing is fugazi.

[Top Lobster]

The reason he. The reason he was important was because. So he, he pioneered the blues. And the blues are like the pentatonic scale. But it's like there's like one half step in there that is a blue note.

[Crow 777]

The devil's interval.

[Top Lobster]

Yeah, there's. There's something about intervals and frequency when you're playing in different modalities and different scales. You'll see, you'll. Obviously there's like, you know, the Frigian scale which will sound more Spanish. But the blues one has a unique. Has a unique flavor to it. That translates into rock and roll. And then what we get like heavy metal from. And even now like hip hop and. But it just never made sense to me. So it's like some guy missing fingers. That's the reason he played this. And then it became a prominent. It's like. No, it was. It's always about the sequence of. It's a sequence of these notes and what they do to us when they're played in succession or within this scale only.

[Crow 777]

Wow. This is why. Which is why they changed the orchestral tuning for middle A. They made three or four runs at it. We've covered this as well. And they finally got 432 or. And actually in other places in the world there were many so called green tunings that were beneficial frequencies. And they got it changed to 440. And that is not a beneficial frequency. And that has been with the majority of music was. It's all been used as social engineering. All of it. But what's worse is if you look. If you go back to the 40s and you look at the complexity of music, there were so many men and women in this country making a good living off being skilled at Their interest, instrument and playing in big bands and other things all over this country. And you had to be good to get that gig. When rock and roll came, the quality, the intricacy, the music theory, all of it started headed for the basement. And by the way, when it hit the basement, they got out of jackhammer because rap was coming and they jackhammered a hole in the basement so they could lower your mind on steroids with music that isn't even really me half of it. For music to be music, you have to have melody and harmony and things. Much of it doesn't even have that. And it was so bad at the beginning, they would sample, or another word for that is steal, the work of other musicians so that they could try to get traction. And then when you see the tragedy of the super bowl thing that just happened, oh yeah, unbelievable. The kind of gutter sniping, low minded embarrassment that it has all become. And I'm, I'm responsible. My generation is responsible. We went hook, line and sinker for rock and roll and drugs.

[David Lee Corbo]

It's funny because right now if you push back against the super bowl performance, you just, you know, you're alleged to be racist and it's like, well, I thought it was markedly bad. It wasn't, it wasn't good, it didn't sound good, it didn't look good, it wasn't a good performance. But these.

[Top Lobster]

Let me also say, David, that. So what you just said there about being markedly racist, I want to. It perhaps is something you can add to your episode of the the Bankers of when like, like proving, proving how they've manipulated our algorithm right around Wall street, that the Wall. Occupy Wall street movement. There's a, I mean there's specific data that you can look at of news outlets who now we know are being funded by the government in most cases. But there's a spike in the term like racism and these like these buzzwords. It's almost zero. And then right around Wall street, when they did the Occupy Wall street, it spikes and it just stays there until pretty much today, it's coming down today. But it was because these people have targeted the banking system accurately and they pointed at the people who are oppressing them and they're like, yo, we need some, we need some distractions. And out of that we get Tim Pool and we get, you know, the.

[Crow 777]

Rage card always pays dividends without fail in this country, at least until now. And by the way, to be perfectly clear, like you've seen the movie Idiocracy, you've seen the President in that movie.

[Top Lobster]

That's a documentary, actually.

[Crow 777]

Well, it is and it's coming true. But the reason he's the president is because the hidden hand truly feels like those people are less, that these races are less. And one of the reasons is because in their view, historically, there's no great cities and all these things they think are important. But the truth is, you go to Africa as an example, those people could have lived till the end of time because they weren't leaving a footprint in nature. They were living in harmony with their environment. And yet the highest reaches view that as less than somehow meanwhile, where all the cities and the ships and everything is built, it's limited, it does so much destruction. It can't go on forever. And in the movie Godfather, I think it was, they tell you the truth about how they feel when all the Godfathers from the different families get together in a meeting and they talk about drug use in that community. And I won't even repeat what they've said because it's terrible.

[David Lee Corbo]

Yeah, well, now they're terrible. They're using, you know, the people that they think are lesser as, as a cudgel to, to sort of kneecap the culture at large. It was a time when you look at kind of the Laurel Canyon situation and creating Jim Morrison in the Doors and hijacking these, you know, movements. We say on this show that there's no such thing as a, a promising grassroots cultural movement that's not co opted by intelligence agencies and then steered how.

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[David Lee Corbo]

Terms and conditions apply to the detriment of, you know, certainly the West.

[Crow 777]

Not if it matters. Right?

[David Lee Corbo]

Not if it matters. Right. And, and so, but back in the day, those, those were at least talented musicians to some degree. Now it seems like the industry has dumbed us down to the extent where they could push out somebody onto the world stage who's completely talentless and then still, you know, sell millions and millions.

[Crow 777]

Of doll on purpose now.

[David Lee Corbo]

Yeah, well, the reason I suspect they do it on purpose not only to, to, you know, degrade us. But also, if you don't have any talent on your own and all of your success is because you're backed by this industry and the industry wants to push you out, well, that means you live or die by that industry's decision. You can't break away and then go and do your own thing and find success because you're a talented musician. Everything that made you came out of decisions that they made.

[Crow 777]

Right. So you know, they've got you hook, line and sinker.

[David Lee Corbo]

Yeah.

[Crow 777]

The other thing, like the super bowl is a good example. When you take a small percentage of some group that makes up a whole society and then you foist out what's important to the small group, to a hundred percent, that too causes tensions. It's working on so many levels. And the people that they get now, not that everyone in the rock, there were plenty of people that were not that talented in the rock and rolls. I look at Bob Dylan. Can you imagine Bob Dylan singing acapella? And yet when you listen to those songs, you've heard them, so many songs, they're, they're iconic. You've accepted them as such. But if you took his voice back to the 30s or the 40s, he'd have been laughed out of the room.

[David Lee Corbo]

Yeah.

[Crow 777]

Couldn't have happened. And these people now, anyone, damn near anyone could do.

[David Lee Corbo]

Yeah.

[Crow 777]

What they are doing. And that creates a situation where they are literally expendable. They can get thrown away at the blink of an eye. And that's, it's a terrible, terrible thing. But the lowering of the human minds has, you know, in the 90s, they all of a sudden quit funding rock and roll. There was a super group called the Damn Yankees that had Ted Nugent, the guys from Sticks or a guy from Sticks and another guy from I think Night Range. Anyhow, it was a super group and it had done really well. On its first album. They literally got paid something like a million dollars to go away because the directive had come out, we're going to rap now.

[David Lee Corbo]

Yeah.

[Crow 777]

And by the time that had happened, if you go back, I mean, I can't imagine some of these rappers that were back in the day, did they let their children listen to that? No. Some of you women are sex objects, were killing people, shooting police, you know, all the things they did. It is, it's a, it's offensive. It is low minded, gutter sniping trash. And that is what launched the genre. And that doesn't even get into some of the tools like my co host Jason is a audio engineer, and I think it's called one of the machines they use for rap. It's either an 808 or a 606. I forget what it's called. But the very base frequency, and that is meant to be bad for you. And on and on we go.

[Top Lobster]

Yeah, yeah, 808. That's called 808s and heartbreak. That's actually a Kanye west song or album.

[David Lee Corbo]

Kanye west song. Yeah.

[Top Lobster]

Well, you know, that dude's very interesting, right? Like, we. We were looking at his. I mean, we're off the subject here, but we were looking at his album Jesus is King, and each one of those songs has a different frequency. It's not. None of them are recorded in 440. They're all recorded in a very odd, specific frequency.

[David Lee Corbo]

I can't remember one was recorded in 440. Right. And that was a song that. See, it was.

[Top Lobster]

No, that was 444.

[David Lee Corbo]

Oh, it was 444. My mistake.

[Top Lobster]

Yeah. None. None in standard, though, which I'm like. It's interesting because, like you, I. I want to believe that rap is kind of like low tier, because it is. But this guy seems to know, and he seems to be doing things like manipulating on a level that I don't think he's supposed to be.

[Crow 777]

Yeah, I. I don't know what to tell you. I mean, if someone truly becomes a problem, it's dealt with in one way or another.

[David Lee Corbo]

Yes, yes.

[Crow 777]

At this point, I don't think it matters. I think it's more important to comprehend that there is a whole genre which has become front and center, which is unhelpful on every level. And what it has done to the complexity of what human beings can create is. It's put it in the gutter.

[David Lee Corbo]

Yeah, there was. If you thought that the impact rock and roll had, the negative impact that rock and roll had on. On Western culture was significant, I think today's episode is brought to you by purgestore.com what if I told you that more people have died from parasites than have ever died from war? What if I told you that diseases like cancer, multiple sclerosis, acne, rosacea, and rheumatoid arthritis can all be treated with parasite medication. Rid your body of these all too common parasite parasites by using Purge Parasite Cleanse. Purge Parasite Cleanse is made with ingredients like zinc, carrot powder, garlic, black walnut. These are all natural ingredients that keep you safe while killing the parasites. And While you're on purgestore.com try out their Digestives to promote healthy gut bacteria and aid in digestion. These as well as any other products on purgestore.com can be purchased with a promo code. Code NEP H I L I M will save you 15 off of your entire purchase at purchore.com hindsight if you compare and contrast what hip hop has done, it was like, man, they. They got in the door with rock and roll and then what hip hop did was just levels beyond because rock and roll was, you know, sex, drugs and rock and roll. And then hip hop was murder.

[Crow 777]

It just went to glorifying murder without harmony and melody. A lot of it, it's insane frequencies which are obtrusive to your. To the systems of your body.

[David Lee Corbo]

Yeah, it makes you want, as somebody who grew up, you know, in the 90s and the early 2000s, it makes you want to commit violence. And that's a full stop. There's nothing else, like, there's no nuance to add there that there's something about it that makes you want to commit. It makes you want to fight. And so, yeah, it's, it's. I remember even the impression or the feeling that I would have walking around town with my CD player, my headphones on and listening to these songs. It's like a very aggressive kind of vibe that you've got walking down the street. You kind of wish somebody would show up and, and give you a hard time. And I. And you know, that was what it was.

[Crow 777]

There was a movie in the 80s that was in the 80s. There were a ton of movies that were aimed at the young people. And the impact they had is almost undeniable. You know, you got your breakfast club, fast times at Ridgemont High. There's whole slews of movies that were particularly aimed at that Generation X, young generation. There's one called Footloose, the original version with Kevin Bacon. And in it they portray the father who is the pastor for the town, who runs the town, and he has outlawed rock and roll music and dancing, and he's made to just look like the most unreasonable villain. But here's the sad part, and you hate him. By the end of the movie, you are rooting for those kids to get their sex, drugs and rock and roll on and they ain't hurting nobody. But at one point in the movie, he pulls his daughter aside and says basically, I love you. I'm not trying to harm you. But you don't understand what damage this music is doing and you don't understand what value and benefits come with like classical Music and he tells the truth. And the whole movie so cleverly geared to throw the truth under the bus and make you root for the villain.

[David Lee Corbo]

Yes. And look not to. We've been going hard on hip hop and rock and roll. That is not to let emo music off the hook. I think there was a, a sub sect of the population, the youth that they couldn't quite get to with hip hop and they got them to rebel against their parents. Kind of, you know, the old school. That's what, what rock and roll did, but in a different way where it was like depression and sadness. And if you look at us now as a people, right, we're more inundated with SSRIs than we ever have been. Everybody's got so everybody's self diagnosing. I'm, I'm bipolar, I'm, I, I'm manic, depressed, whatever, whatever. The thing is, everybody's on pills for something. We literally had a music genre that like glorified that it was, it was cool to be sad. They made being sad cool. They made hating your parents cool. I mean that had already been happening for a while. But whatever emo music did with, with, with making sad cool was unbelievable. But I, I'd like to get back at the, onto the subject at hand when it comes to these, these images. And I'd be very interested in seeing them.

[Top Lobster]

Yes.

[Crow 777]

All right, I'll offer you one more thing and we'll shift over to the sun. This is how bad it is. And it doesn't matter what the genre of music is. If it came from a record company or that system, it's the same thing. But when I was young, a new genre called punk rock came out and I word, I got in a punk rock band. And what it basically did was said that the rock and roll is too high minded and intricate. We're gonna just go to bar chords and you're gonna play three of them and that'll be good. But the seminal album that the Powers that be launched to launch punk was a band called the Second Pistols. The name of the album was Nevermind. Now fast forward to the 90s where the best tricks are the old tricks. They did the same thing again with a band called Nirvana. And its seminal album was named, and they spelled it slightly different, never mind, that's how bad it is.

[David Lee Corbo]

They do the same thing. This is what we talked about.

[Top Lobster]

Are they gonna do it like do.

[Crow 777]

It as many times as they get away with?

[David Lee Corbo]

It ain't broke, don't fix it. That's what we're talking about these systems. They play on repeat.

[Crow 777]

Let's get to the sun.

[David Lee Corbo]

Let's get to the second sun.

[Crow 777]

We are drifting.

[Top Lobster]

The chat's losing its mind. They said emo music. I'll tell you what, I'm gonna start cutting myself if you guys don't.

[David Lee Corbo]

Dude, that was crazy. While he's pulling that up, I just want to say, like it literally. Emo music is a genre of music that created an epidemic of children cutting themselves. It's an insane thing. If you think that emo music didn't do that, you're totally wrong. I was there. I saw it all. I was friends with these people.

[Crow 777]

Guys, we got a problem. Because I can't drop the IM in this comments section to get them to you.

[David Lee Corbo]

That's strange. How do we recognize.

[Crow 777]

Let me. Let me try again and see if it'll. It says copy, but then it just doesn't do it.

[Top Lobster]

Well, I have your if you need YouTube clip here.

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[Top Lobster]

Yeah. Were you. Did you want to pull up this YouTube clip? What is the clip we see? The sun we see and the one we don't?

[Crow 777]

Sure.

[David Lee Corbo]

Okay, cool.

[Crow 777]

You can kill the audio.

[Top Lobster]

Okay, let's pull this up. Hold on. We got an ad, but that's okay. Boom. Here we go.

[Crow 777]

So you're gonna need to fast forward.

[David Lee Corbo]

Hope your buddy not stranded on the.

[Top Lobster]

Side of the road. I'm assuming to. Let's fast forward to where this hump is here.

[Crow 777]

Okay, so back up a little. Back up a little and I'll. Okay, right there. No more. Back up more. Sorry. Keep going, keep going, keep going. Stop right there. Okay, now you're a little. You need to go back just another.

[David Lee Corbo]

Where your cursor was top. There you go.

[Crow 777]

Right there. All right, so what you're looking at here is the sun we see with our eyes. And this is through a hydrogen alpha solar Scope, that's lens flare. As I'm. What I'm doing is I'm using the hand control to move the scope around. Now watch the top of the frame. Keep watching. It went by. You didn't notice it, but I'm sorry, a little thing go by. Okay, I'm. I'm going, what? What the heck? Okay, there's the sun. We see again. I'm thinking, what was that?

[David Lee Corbo]

Right?

[Crow 777]

I'm gonna keep moving it around because I'm looking for a bright. There it is.

[David Lee Corbo]

Oh my God.

[Crow 777]

So that goes by. I'm all, what the heck? And I pull it in and there is the so called second sun.

[David Lee Corbo]

This isn't an actual video of your first time seeing this, is it? Yes, this is the. Oh man, you must have been. What the hell is.

[Crow 777]

Actually, actually, let me temper that answer. I'm reasonably sure that it is. I lost hard drives and time stamps, but I'm pretty sure. Put it this way, if it's not, it's like right within those days when.

[David Lee Corbo]

You were looking for this or. Or were you looking for this is. Or is this something you stumbled upon?

[Crow 777]

So I had been shooting at night with a full spec camera on the full moon, and I kept finding a bright spot in the sky about a third of the sky away from the moon. And I just got the idea to start looking around because you can't. It's very hard to see anything through a hydrogen alpha scope if there's not something bright like the sun. But I decided to move it around and see if I could see anything. And I did.

[David Lee Corbo]

Wow. Now what are your thoughts?

[Top Lobster]

Yeah, the second sun, is it like behind the sun? Like where?

[Crow 777]

Yes, right now it spends most of its time, as far as I know, behind our sun, but there are plenty of times when it pokes out.

[David Lee Corbo]

And I know this is limited information, right. Because this is something that, that on official record doesn't really exist. Is this thing comparable to the size of our sun? It's probably hard to know. Right.

[Crow 777]

It looks a little bit smaller, but we don't know what the distances are. Right. So.

[David Lee Corbo]

Right.

[Crow 777]

If it was further away, it would look a little bit smaller. But go over to my website. I think we might be able to look at the imagery that I posted for folks to grab. If you hit the sun image link once you get there, maybe we can.

[Top Lobster]

Yeah, okay, I see it.

[David Lee Corbo]

And that, I mean that was such a concrete images as far as if you compare it to the, the image of the sun, I mean that you can't attribute that Go back up.

[Crow 777]

Do you see. Do you see the crazy click on the moon one?

[Top Lobster]

This one here?

[Crow 777]

Yep. This. This is what started it. What this is, is I've got a full spectrum camera looking at the moon. So the part of the moon that's lit that you see is blown out, and the dark part that you normally can't see is lit enough for you to see it. This is.

[David Lee Corbo]

Okay.

[Crow 777]

A full spectrum sees such low light, Rose is going to send you guys a video clip to run. Okay. So that's the camera I was using when I kept finding the bright spot. Anything from me that looks pinkish, I was shooting with that full spectrum Canon camera. All right, so go back and I'll tell you which solar image to throw up.

[Top Lobster]

Okay. Sorry.

[David Lee Corbo]

It's like looking at the picture.

[Crow 777]

Okay, go down. Stop the one all the way to the right. Okay, so what is this?

[David Lee Corbo]

This is our sun, right?

[Crow 777]

This is the sun shot in hydrogen alpha. Now let me be perfectly clear. There's nothing fake in this image except the color. I shoot in black and white so that I can get the most data and information in the image. And I'm shooting an image just like you shoot an image. I'm literally shooting an image. Actually, I think the other view is better. That pop up doesn't look as good. Yeah, that seems to be a little bit bigger. But anyhow, what you're seeing when you look in hydrogen Alpha is you can see all the surface details. And on the edge, those things that look like flames are called prominences. But I left evidence of the second sun in here.

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[Crow 777]

Someday I will call upon you to do a service for me.

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[Crow 777]

And I'm going to show you. Look at the upper left. Do you see that globe peeking out from behind the sun on the upper left?

[Top Lobster]

Yeah.

[Crow 777]

Yeah. Now go down to the lower right. Where is it?

[Top Lobster]

Not there. Right. It's like a slight overlap.

[Crow 777]

That's the glow from the second sun, which is currently when I shot this. Hiding behind. Now go. Go grab a different solar image. Go down. Go down. Grab. Go up one. Oh, is there more down at the bottom?

[Top Lobster]

No. Yeah, there's a second.

[Crow 777]

No, I didn't think so. Yeah, go ahead. All right, Go to the second page. Yeah.

[Top Lobster]

Okay.

[Crow 777]

All right, so get the black and white one. This is what it looks like when I shoot it, except this image has been inverted. That's why those white dots. The white dots are sunspots, which are actually black. I invert it so that you can see the 3D nature. And this is a common practice for people who film the sun. So I'll show another image where it's not inverted, but this is what it looks like out of the camera. Grab the one next to it. This is the same image that I have added color to because it helps your eye to appreciate the detail when you get a color you expect to associate. But now let's grab one where the sunspots are black, where I have not done the inversion.

[Top Lobster]

There you go.

[Crow 777]

Yep. Okay, so notice how it doesn't look as three dimensional. It's because I haven't inverted it. So when I invert it, I've changed nothing other than to try to demonstrate the 3D nature. But look for the glow behind this image. Not so easy because that other object is moving around.

[Top Lobster]

Right, right, right.

[David Lee Corbo]

These are great pictures, by the way. I mean, just. I see you're. You're, you're selling these as. As prints. This is an awesome picture.

[Crow 777]

Yeah. Super cheap too, because any. Any given image you see takes probably, I don't even know how many hours, hours and hours and hours to collect the data and then process it into this and get it ready.

[Top Lobster]

But anyhow, in your estimation, how does it work? What is the. Is the sun behind this sun rotating or is it.

[Crow 777]

Check your email.

[Top Lobster]

Stuck.

[Crow 777]

It's electromagnetic in my view. And I share the point of view that Eric Dollard has put out. Check your email and if Rose has sent you that animation, I can show you the electromagnetic look and feel.

[Top Lobster]

Yeah, this one. Double looping prominence.

[Crow 777]

So I shot this. This is 3 hours of data that is then speeded up so you can see the motion. The only fake thing in this is the speed it is playing back and the color. Nothing has been added. So go ahead and play it. You can see how the magnetic arps, you know, electromagnetic arcs and loops, right? Yeah.

[Top Lobster]

So that's not even fire. You're saying that's.

[David Lee Corbo]

No, that's what I was gonna say. It honestly doesn't look or behave like fire. I mean, it has some semblance of a flame, kind of like an attribute. But it looks, I don't know, not, not what I expected.

[Crow 777]

Alchemists that I expect respect from back in the day said the sun's not hot. And the proof of it is that if the sun was hot, every mountain would not have snow on it because the top of the mountain is closer to the sun.

[David Lee Corbo]

You know what's ridiculous is that was a thought I had as a child and then because of indoctrination I just came to the conclusion, well, that was short sighted and silly because I was a child and sure, it works. Yeah, yeah.

[Crow 777]

They squeeze the common sense out of you, man.

[Top Lobster]

So then what. Well, what is it in your.

[David Lee Corbo]

Yeah, it doesn't look at all. It looks like, I don't know, grass or, or it doesn't look like flames.

[Crow 777]

Plasmas. We need to know a lot more and I'm not smart enough to go into that in detail. I think you should listen to someone like Eric Dollard, who's a thousand times smarter than I will ever be. And he. His points of view, almost all of them match. What I accept is probably correct. But basically we're in a world where we've not been told the truth and there's probably a second sun, which means we have a lot to rediscover.

[David Lee Corbo]

It is incredible that we can get this sort of footage though. I mean to be able to see these things odulating on the surface of the sun. This clearly. I wasn't aware that let me just. Private individual could get this kind of this footage.

[Crow 777]

This is the hardest filming that I have ever done in my life. There is no harder way to try to capture video than this.

[Top Lobster]

So. But this wouldn't even be moving this quickly. This would be, like you said, over 30 hours.

[Crow 777]

This is speeded up about 800 times, probably more than 800 times so that you can see the motion.

[Top Lobster]

So that means that this is moving extremely slow, this material, whatever it is, compared to this.

[Crow 777]

Yes.

[Top Lobster]

That's incredible. That makes no sense at all.

[Crow 777]

There it is without the color added. And you can see how much more detail you can detect when the color is not there.

[David Lee Corbo]

Yeah, yeah, that is wild. I. Like I said I wasn't aware that a private individual could get X. I would have imagined you needed. I don't know.

[Crow 777]

Well, I'm told by the telescope manufacturer that only three scopes of the size I saved up 10 years to get have been sold in North America.

[David Lee Corbo]

Crow, how does, how do you get to. What the heck did you do before that you saved up 10, you went, I want to save up for a meaningful telescope so that I can get this sort of imagery. Ten years is a long time to squirrel away money to look at the sun.

[Crow 777]

Well, go look at, shoot the moon. You know, I. When I was a kid, I wanted a telescope so badly. And my father, who wasn't rich, he actually got me a microscope when I was 12 or something. And I waited and waited and waited. And finally I got out of the Marine Corps. And by chance, this is by chance, and I really wanted a telescope. I even was getting the magazines that showed them. I went to a shopping mall with my wife and some old couple in their upper 70s. The wife had bought the husband a full on full robotic. This is like 94, a full robotic 8 inch mead made in America, good to go, case everything, telescope. And when she gave it to him, he said, this is too much, take it back. So by chance, I walked in and it was sitting up there and I was asking questions about the scope. And the guy said, look, this scope is about a thousand dollars off because it was returned and it's never been used. And at that point I think I went into debt for more than I ever. I. I'm not a guy who carries debt. The only debt I'd ever had was for a car. And I went $2600 in debt in the early 90s on a freaking credit card to top it off, which I never do because I wanted a telescope so badly. And wow was what started all this.

[David Lee Corbo]

And now look at what you now, now you're being deplatformed from everywhere for, for talking about your discoveries with this thing. I mean, those images are absolutely incredible. Like I said, I didn't think that you were gonna get that sort of a thing outside of a professional environment. Not, certainly not in a private collection. Those are really, really tremendous images.

[Crow 777]

What's crazy is I spent from last early March until the snow came or the cold weather came, because the solar scopes don't want to be in freezing. You can damage the etalon, which is the filtration system. But from that time, I can't tell you how many thousands of hours I put in to learning how to process the images with just making them look better without adding or changing them. And one of my biggest beefs is in astronomy photographing, which is a big hobby now. They go out at night, they shoot a nebula and they do stuff like remove every star from the image and then put some of them back in because it looks better and it drives me freaking bonkers. They change stuff, which means In a hundred years, that image is worthless. You can't compare what's happened to that damn image. And so when I set out to do this, it was holy. Nothing gets changed. What I. I put the date on every image, and this can be compared in a hundred years or whatever. The only thing that I am adding is color. And by the way, I have the original black and whites backed up. But it helps the human eye to consider it. I think if you put some orange in there when.

[David Lee Corbo]

So when you see NASA providing all these various images of like, let's say Earth from. From space, and we find that it's all composites and like 3D renderings and things like that is, do you find them valid? In other words, is that the only way that they can possibly do it, or do you find that suspicious?

[Crow 777]

This is what happened in the 90s. I got that new telescope and I started to go to town and I. What I wanted to do was be able to create the images I was being shown from the Hubble. That was like my dream gig. That's what I wanted. I wanted to shoot the Horse Head Nebula and the Orion Nebula. And what I learned, and I was using film back then, by the way, it was much more difficult. You didn't just click off images. You had a piece of film and you had to get it right. So I'm doing this and I'm beginning to realize the shape looks like the shape of what they're showing me, but that's where it ends. And that's when I began to realize. Well, to this day, if you go out into the Astro. Astrophotography communities like Astro Bin, you'll be blown away by the images. With all the digital tools they have that they can get it is mind blowing. But you will regularly see this was made with the Hubble palette, which means the colors are all fake. And so while I'm being a little hypocritical because I just told you I put a fake color on the sun, to me, that's a little bit different. And plus I have the black and white, but it just helps you view it. I think when you get a nebula and there's 20 colors in there and they're all made up, I think that's a little disingenuous.

[David Lee Corbo]

Yeah, yeah, yeah. I would. I would say so step into the.

[Unknown]

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[David Lee Corbo]

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[Unknown]

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[Crow 777]

Someday I will call upon you to do a service for me.

[Unknown]

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[David Lee Corbo]

Have you through watching this thing for as long as you have determined a path? Because it seems to me that if you can observe some of its movement over a long period of time, then you can sort of expand on that and, and maybe assume where it's going to go.

[Crow 777]

I don't even think we understand, comprehend correctly how it moves, which was part of Jiren's problem. I think what they expected to see was not what they saw. And I think that we need to actually come to a point where we know certainly how it's moving, the sun and the moon, because in my view, this place is not moving. I accept what Taiko Brahe laid down. There's people who made models that are just ingenious, real time models of Brahe's work. But he has the Earth moving at a kilometer an hour. And by the way, he doesn't have to fake any of the math like the model we have all kinds of magical math has to go on. But in my point of view, I think the Bible told you the truth. We're stationary. And we are not only stationary, we're the center of it all.

[Top Lobster]

There's a. There's an interesting theory from one of our favorite guests, this guy, Ed Mabry, where he talks about the speed of light and how, well, science says that it's slowed down in the progression of time. I'm not sure where you stand on it. I don't even really know what I think on it. I just, you know, took his word for it. But he's saying that as time goes on, the speed of light slows down because the sun is drawing further from us. So the constitution of what we're made of and the ability for us to interact with other things that might not be or other things that aren't as physical as us to their ability to interact with us in this physical realm has diminished in some sort of ways. So that's why we have some like, you know, the phenomena that we have now with like, I don't know, entities and things like that, I can blow.

[Crow 777]

Your mind with kind of. Related story in the 90s when I got that scope and I was learning everything from Astronomy magazine and everything mainstream could teach me before I Realized that I was being played. I was taught that if you take your thumb at arm's length, you cover up the moon, and that's a degree of sky. You know what we're taught now? We're taught to take our pinky at arm's length to cover up a full moon, and that's a half a degree of sky. And I kept trying to tell people that it had changed, and everyone said, you're misremembering. You're wrong. And then I saw the movie Apollo 13 where Tom Hanks twice puts his thumb up to cover the moon. So if that. If. If the way I remember it is correct, which I think it is, and what he does in that movie is correct, it went from covering a degree to half a degree. That would probably mean it's getting further away from us. Right?

[Top Lobster]

Wow. Yeah. And that would. That would then make, I think, the. The theory that Ed uses that, you know, we're made up of these atoms and they're kind of floating. They're. They're floating around in a circle.

[David Lee Corbo]

Around.

[Top Lobster]

I'm gonna explain it poorly. Whatever. The. The further away we are from the light, the source, the less constitution that we're made up, the less constitution this desk is made up of, because it's all just kind of vibrating.

[David Lee Corbo]

Yeah. His idea was that the ways in which atoms communicate with one another is basically through electricity, you know, for dummies like me. And. And that if. If the speed of light is slowing down, then that suggests that there was a time where communication between atoms and molecules was happening a lot faster, which then could be attributed to the idea that human beings used to live a lot longer. Right. When you go to the Bible and so. And so lived for 300, 400 years, it's like we take that as metaphor or. Or a language that we don't understand. Some, you know, something that escapes us. But it could have been literal that we were heartier.

[Crow 777]

And also, I think it's true. I think we've been limited and this has been going on, this control of human beings. And the reason is. Is because we are very special. The reason is because things like the Bible say, you want to find the kingdom of God, look inside. They're not lying to you. We have the divine spark of life that has been granted us. And apparently there are others who are taking a real interest in this and others here that want to control this very thing. I was going to tell you. Shoot. Slip my mind.

[David Lee Corbo]

Well, one of the other things that he said that you may find interesting Crow is like. He's attributing that to the idea that. That Adam and Eve used to be able to walk with God in the garden. And he thinks that there are these incursions that happen throughout the Bible where man falters and falls away from God, distances ourselves from God, and that eventually this changes to the extent where Moses can only see God in a burning bush. That's very different in contrast to walking with God in the garden. Right. And this is taking the premise that God is light. And so maybe it's not necessarily.

[Top Lobster]

Many cultures have thought. I mean. Yeah. That many cultures look at the sun as this, almost as this create. Well, not a creator, but like this source.

[David Lee Corbo]

It feels connected in some way.

[Crow 777]

Oh, I. I remember. I wanted to answer. You asked me what the sun is. My corrupt point of view is that what you're looking at in my images is probably like a hollow shell. It's not, in my view, a nuclear furnace. It's not nuclear, it's electromagnetic. And that begs where's all the energy coming from? And it is currently my point of view that it's likely coming from somewhere else. Maybe the second sun plays a role in that. But Eric Dollard put it best. I was calling it a transformer. He called it a converter. And he said maybe that energy is coming from counter space. And I think that that's currently what I accept as the best workable idea.

[David Lee Corbo]

What is counter space?

[Crow 777]

Space that isn't here. Hmm.

[David Lee Corbo]

That doesn't help.

[Crow 777]

It's like when. It's like when you hear people maybe, you know, you say dimensions, people talk about, or like the astral plane. You hear versions of the idea all over the place.

[David Lee Corbo]

Yes.

[Top Lobster]

So you're saying he's saying that this is a transformer for the.

[Crow 777]

I said it was a transformer. He called it a converter for the upside down.

[Unknown]

Wow.

[Top Lobster]

That is. That's actually fascinating because the sun does show up in a lot of these testimonies of people that astral project or taken to another. Yeah. Some people even. Even say that it's almost inside. Like they'll be inside of this huge marble room. The sky is marble, but there will be a sun of some type. Yeah, like sometimes they might describe it as a golden clock or even just a traditional sun that we see. It's there.

[David Lee Corbo]

But I wonder, then, Crow, what do you make of the moon? Because that is a strange.

[Top Lobster]

I mean, Dave, we should. I soon as well, because I don't want to. I want to respect this time. And I feel like we're just like, no, yeah, yeah.

[David Lee Corbo]

I don't want you to. You don't have to go into a whole diatribe, but I do. I. I'm curious. You've been looking at.

[Crow 777]

I don't. I think the moon's better described as a luminary. Maybe it's plasma or something like that, but I think calling it a luminary is better. My point of view, you can't put a boot on it. That's my point of view. My point of view is it's not reflecting light from the sun. Yeah.

[David Lee Corbo]

It seems to be projecting its own is is what I hear people say. Well, maybe that's a. A topic that's best saved for another time. I want to thank you for. As I said, this was something that I, I intended to do is to reach out to you for some time and. Oh, I think we just lost him. He's like, I gotta go, dude. Top, are you there?

[Top Lobster]

I'm here. Yep. Oh, it looks like you had to go, but go ahead.

[David Lee Corbo]

Yeah, yeah, yeah, I think we lost him. Oh, there he is. He's back.

[Crow 777]

All right. Blinked me out.

[David Lee Corbo]

Strange. I don't know what happened there, but we're about to bring it in for a landing. I just wanted to thank you for your time and, and as I said, this is something that I wanted to get done for a while and, and hearing you on on Tinfoil Hat really sparked that. So thank you for responding and, and thank you for making some time to speak with us and share this with our audience.

[Crow 777]

Cool guys, thank you so much for having me on. I appreciate it and I want to wish you guys all the best in the new era. Certainly this is going to be a year of change and change and change.

[David Lee Corbo]

One more time, Crow for the audience. Where can everybody find you?

[Crow 777]

All of my work is centralized on a private server. You can go to crow37radio.com that is C R R O W777radio.com members get access to all the forums, threads, comments. They can create all the top levels of those things. They can stream the two hour film called Shoot the Moon. They also I have currently 11 videos that cover my solar work which is exclusive to members and they also get access to all the sun images that we were looking at earlier among other things. And on the sponsored link I find mostly health related products that are finder valuable and if I can I try to get a discount for people but some of this stuff I use every single day and won't go without it. But membership's eight bucks after all these years. So there it is, man.

[Top Lobster]

Okay, I see you have like a sort of rife machine, right? The spooky is definitely something similar. That's one of them.

[David Lee Corbo]

Yeah.

[Crow 777]

They just sent me a new device. I haven't used it yet.

[Top Lobster]

Awesome. Great stuff here. Yeah, guys, again I suggest go to the website. That's Crow with two Rs. 777 radio.com and Crow. Thank you again for joining us. This has been a pleasure. And I mean whenever somebody of your caliber comes and talks with us where it's a blessing and we. I just, I thank you for dropping this knowledge on us and it was a great conversation, man.

[Crow 777]

Hey man, thank you guys so much and and have a wonderful, wonderful day. Bye bye.

[Top Lobster]

Yep. All right guys, until next time, don't forget to obey, submit and comply. See you later.

[Crow 777]

The greatest hypnotist on planet Earth is a oblong box in the corner of the room. It is constantly telling us what to believe is real. You can persuade people that what they see with their eyes is what there.

[Unknown]

Is to see because they'll lack in.

[Crow 777]

The face of an explanation that portrays.

[Unknown]

The bigger picture of what's happened. And they have.

[Crow 777]

It.

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[David Lee Corbo]

A woohooer?

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