150: From Mickey to MKUltra: Disney’s Conspiracy Web w/ Cosmic Peach

Summary

Nephilim Death Squad Episode 150 Summary: From Mickey to MKUltra: Disney’s Conspiracy Web w/ Cosmic Peach

Release Date: April 9, 2025

In this compelling 88-minute episode of Nephilim Death Squad, hosts Top Lobsta Productions and David Lee Corbo engage in a deep dive into the intricate web of conspiracies surrounding Disney, featuring guest Cosmic Peach. The discussion traverses historical affiliations, occult symbolism in media, and the pervasive influence of Disney in shaping cultural narratives. Here's a detailed breakdown of the episode's key points, discussions, insights, and conclusions.

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Introduction to Cosmic Peach and Episode Focus

The episode opens with David Lee Corbo introducing Cosmic Peach:

• David Lee Corbo [02:11]: "We are joined today by Cosmic Peach. Many of you within the conspiracy content absorbing community know who she is."

Cosmic Peach shares her background and interests, highlighting her recent focus on topics like Laurel Canyon and "Program to Kill," setting the stage for an in-depth exploration of Disney's hidden agendas:

• Cosmic Peach [02:28]: "I've been focusing kind of recently on Laurel Canyon stuff and program to kill stuff."

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Walt Disney’s Dark Affiliations and Early Influence

The conversation delves into Walt Disney's early life and associations, pointing out his connections with Nazi figures and secret societies:

• Cosmic Peach [06:27]: "Disney joins the De Molay Society, which is essentially like Mickey Mouse Club for Knights Templar and the Masons in other secret societies."
• David Lee Corbo [14:08]: "He was involved with both World’s Fairs and part of secret society clubs linked to the Masons and the Knights Templar before he was even 20."

This segment contends that Disney's foundational years were steeped in occultism and connections with influential yet nefarious individuals like Werner von Braun, suggesting a deliberate embedding of hidden messages and symbols in his work.

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Occult Symbolism and Subliminal Messaging in Disney Media

Cosmic Peach and the hosts analyze various Disney productions, interpreting them as vessels for occult and subliminal messaging:

• Cosmic Peach [10:03]: "Dick cheese" – a reference to a symbolic representation in early Disney cartoons.
• Julia [19:32]: "It's all interwoven into our government... the FBI getting involved with Disney, he's tax exempt, like he's a church."

They explore how Disney's characters and storylines, such as Yen Sid from Fantasia and themes in Pinocchio or The Shining, are laden with occult and ritualistic elements:

• David Lee Corbo [19:32]: "Yen Sid is literally Disney backwards and he's the most powerful figure in the Disney universe."

The discussion extends to contemporary productions like Moana, where Maui is interpreted as a Nephilim, bridging ancient mythologies with modern storytelling.

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Disney’s Role in Cultural Engineering and Social Engineering

The hosts argue that Disney operates as a powerful propaganda machine, influencing societal norms and ideologies through its extensive media reach:

• David Lee Corbo [25:09]: "Disney is engaging in social engineering to the extent that it's so off-putting you can't even suspend your own disbelief to enjoy a piece of fiction."
• Julia [18:32]: "The Mickey Mouse Club was his homage to the dead... inducting young people into this secret society-type weird thing."

They cite recent data showing Disney Plus losing 700,000 subscribers following funding cuts by USAID, interpreting it as a decline in Disney’s efficacy in cultural manipulation:

• Top Lobster [24:34]: "Disney plus loses 700,000 subscribers... there's active social engineering from the Defense Department."

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Connections to Modern Figures and Cultural Shifts

The conversation shifts to contemporary influencers like Joe Rogan and Elon Musk, positioning them as modern equivalents of historical figures involved in cultural and spiritual engineering:

• Julia [61:11]: "Elon and Joe Rogan are the Laurel Canyon of our new culture... they're directing what conspiracies get big."
• David Lee Corbo [62:04]: "Joe Rogan is the new Laurel Canyon; he's introducing float tanks, psychedelics, telepathy tapes."

They discuss how these figures continue the legacy of shaping public consciousness, potentially steering societal beliefs towards engineered narratives.

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Implications of Disney’s Legacy and Future Cultural Battles

The hosts speculate on the long-term effects of Disney's entrenched influence, suggesting an ongoing spiritual war embedded within media and entertainment:

• David Lee Corbo [55:25]: "We're seeing the rise in Nazi sympathizing because of continuous cultural manufacturing by Disney and allies."
• Julia [55:31]: "It's a spiritual war, inundating society with dark occult inversion and ritualism."

They express concern over the normalization of obscure and controversial themes in mainstream media, warning of a future where cultural and political battles are influenced by deeply rooted conspiratorial agendas.

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Concluding Thoughts and Call to Action

As the episode wraps up, Julia urges listeners to critically examine Disney's outputs and recognize the embedded messages influencing generational mindsets:

• Julia [79:39]: "Any type of programming where it's teaching kids that the fun happens when your parents are dead... it's introducing occultist ideas."

David Lee Corbo emphasizes the importance of discernment and awareness in combating the pervasive influence of these hidden agendas:

• David Lee Corbo [85:31]: "We can't trust our own discernment; we'll always wait for somebody else to confirm conspiracies, which is a masterful manipulation."

The episode concludes with mutual acknowledgments of the intense and ongoing struggle against these deep-seated conspiracies, leaving listeners with a heightened sense of vigilance regarding the media they consume.

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Notable Quotes

• Cosmic Peach [02:28]: "I've been focusing kind of recently on Laurel Canyon stuff and program to kill stuff."
• David Lee Corbo [14:08]: "He joins secret society clubs linked to the Masons and the Knights Templar before he was even 20."
• Julia [19:32]: "It's all interwoven into our government... the FBI getting involved with Disney, he's tax exempt, like he's a church."
• David Lee Corbo [25:09]: "Disney is engaging in social engineering to the extent that it's so off-putting you can't even suspend your own disbelief to enjoy a piece of fiction."
• Julia [61:11]: "Elon and Joe Rogan are the Laurel Canyon of our new culture."
• David Lee Corbo [62:04]: "Joe Rogan is the new Laurel Canyon; he's introducing float tanks, psychedelics, telepathy tapes."
• Julia [55:31]: "It's a spiritual war, inundating society with dark occult inversion and ritualism."
• David Lee Corbo [85:31]: "We can't trust our own discernment; we'll always wait for somebody else to confirm conspiracies, which is a masterful manipulation."

---

Final Thoughts

Episode 150 of Nephilim Death Squad presents a thorough and provocative examination of Disney's alleged involvement in various conspiratorial activities, linking historical events to contemporary cultural shifts. Through engaging dialogue and insightful analysis, Top Lobsta, David Lee Corbo, and Cosmic Peach challenge listeners to question the pervasive influences embedded within beloved media and recognize the broader implications for society.

For those intrigued by this exploration into Disney's hidden conspiracies and cultural manipulation, Nephilim Death Squad continues to offer thought-provoking discussions and insider perspectives on the intersection of media, occultism, and societal control.

Transcript

[David Lee Corbo]

Real soon.

[Top Lobster]

Top Lobster Productions.

[Julia]

We are being hypnotized by people like this. News readers, politicians, teachers, lecturers. We are in a country and in.

[David Lee Corbo]

A world that is being run by unbelievably sick people. The chasm between what we're told is going on and what is really going.

[Top Lobster]

On is absolutely enormous. Oh yeah, yeah, dude, there's some Nephilim.

[David Lee Corbo]

It's like we all know what's going down but no one's saying what happened to the home of the brave they control this now when no one's talking about how they made us and everybody's just walking around heading the closet Won't awaken to a dead in the grave finally too late we need to be ready to raise up welcome to the end of day Everybody is slave. Only some are aware that the government releasing poison in the air. Welcome back, ladies and gentlemen, to another episode of Nephilim Death Squad. I am David Lee Corbo, AKA the Raven. That is Top Lobster, the father of disinformation. Before we get into today's guest, I would like to say that my favorite part of the intro is with the COVID nurses dancing to Vinnie Paz. That's actually my favorite part of the.

[Top Lobster]

I like, I like the end where Donald Trump is just like. Because. And it has nothing to do with like Republicanism or Donald Trump, but I'm like, that's such a huge psyop. It's just like.

[David Lee Corbo]

And it also hits to the beat and everything. Like it's really good, guys. Before we get into today's guest, I would like to remind everybody that this is a 30 minute preview only. Sometime around the 30 minute mark, we'll be going live exclusively to patreon.com backslash Nephilim Death Squad where you can continue enjoying an ad free viewing experience, watching along with the rest of the chat and also gaining early access to the episode before the general public. And you could do it all for free. That's right, guys. Sign up for a seven day free trial and try to absorb as much content as you can get out before the veiling cycle kicks in. But I bet you you're gonna want to stay. That's Patreon do Backslash Nephilim Death Squad. Ah, did you feel the fumble just at the end there? God just really takes coming out of.

[Top Lobster]

My sales 100th time. You'll get it.

[David Lee Corbo]

Don't worry about it 100th time, guys. We are joined today by Cosmic Peach. Many of you within the conspiracy content absorbing community know who she is. But still, for the people who may not know let everybody know where they can find you and what it is that you focus on.

[Julia]

Hi. Well, thanks for having me. My name is Julia, and I have the Cosmic Peach podcast. I cover a lot of the same stuff that. That you guys talk about. I've been focusing kind of recently on Laurel Canyon stuff and program to kill stuff. I really like Dave McGowan. My podcast is available wherever you listen to podcasts. I'm not on YouTube because I decided to end that relationship before they could end it. You know, I was on my second strike, and I just didn't feel like messing with it. But I do have Patreon, where you can see all the videos and. And get early access to everything. And I do throw some extra stuff over there as well. But, yeah, I'm really excited for today because it's something that I haven't actually talked about for maybe a year, but it was a topic that I looked into in great detail. I put together a presentation, and I. I'm excited to get into it because I'm. I'm curious to see what your guys take on it is. And I think what we're going to be getting into is Disney, right?

[David Lee Corbo]

Yes. Yeah. I'm really excited to do this because we've. This is another thing. Oftentimes we have a subject that we don't dive straight into, but we kind of, like, skirt around the edges of it.

[Top Lobster]

Be.

[David Lee Corbo]

You know, Disney is obviously something that's going to come up a lot in these conversations having to do with conspiracy, because in very many ways, it's like Disney is the great big conspiracy propaganda machine, especially nowadays, now that they can own everything. Dude, I was looking at a. A map the other day. You know how they make those conspiracy maps and shout out to Seven Seas. We just had him on recently. Oh, yeah, I love that. I love a conspiracy map. And this was like, all of the things that Disney owns. Dude, I had no idea that Disney owned as much of our, like, media apparatus as it does. It's. It's. It's staggering. And so, yeah, Disney's consolidated pretty much everything underneath its gigantic wings, and it sees fit to propagandize the people, but we've not really delved into it. Yeah, that was Seven Seas. That one's ridiculous. I'm sure that one was Joe Rogan, and I'm pretty sure Disney's probably in there somewhere. That's right, Joe Rogan. And I'm pretty sure it's Disney. Everybody goes, it's the Jews. It's the Jews. It's Disney, actually. I don't know and I don't know who, who works. It's the Disney Jews. Most more specifically, they have like yarmulkers with the, you know, the Disney logo on them. So I don't know where you want to start, but I'm, I'm eager to take it away.

[Julia]

Well, something that also I had forgotten about until I watched an episode like two nights ago. But Family Guy as well is Disney. Yeah, Disney. Disney took over Family Guy and he made an episode where he's like, oh, we can't say that anymore because we're owned by Disney. Like Peter says it in the episode. But yeah, I mean, he creeps up in a lot of stuff. And ever since Disney plus became a thing and you can just stream all your favorite Disney movies and shows, you kind of forget how many things are Disney. And it's all the stuff that you loved growing up. Obviously I have a hard on for a bunch of Disney stuff. And you know, guilty as it sounds, I still enjoy some of that stuff. You know, I have watched, I, I've.

[Top Lobster]

Watched Mufasa now three or four times. It's only been out.

[David Lee Corbo]

I believe it's pronounced Moana, but go on.

[Top Lobster]

No, no, Mufasa. Yeah, yeah, the new thing.

[Julia]

Yeah, it's, it's. What's Simba's dad? It's. Right. It's a whole movie just for Simba's dad.

[David Lee Corbo]

Yeah.

[Julia]

But anyways, yeah, I mean, it's stuff like that. And now they're coming out with all the live actions of stuff that we loved when we were growing up, like LiveAction, Aladdin, LiveAction, Cinderella, Snow White, Little Mermaid. So I mean, it'll never die and it's just like repackaged for our children. We watch the cartoons. Our kids are getting this cool, you know, CGI stuff that looks way better than what we watched and they're just getting a different type indoctrination. But I actually started looking into Disney's past, like who he was growing up, like where he came from. And in order to understand what's going on today, we have to look at the past because this guy's got so much going on. And it's really astounding because he's connected to one of the biggest Nazis out there, Warner Von Braun. And you know, a lot of people like to say, what's going on with Disney movies? Well, in the beginning when it was just cartoons, there was a lot of like Black Magic, NASA type of stuff in the cartoons. There's one in particular, even besides all the go into space stuff, which one of the characters he came up with for that was named Elon, and that was part of the. The first Disney cartoon stuff. But there's one that I always refer to as, like, Dick Cheese because it's Mickey Mouse with, like, a big hanging dick, and he's, like, poking holes in Swiss cheese and, like, pushing it down a conveyor belt. And so it's not like it had super innocent beginnings. I mean, he's working with these, like, top, top, top NASA guys. He's putting all this weird NASA stuff into the cartoons and sexual imagery into the cartoon cartoons. And I came into this research with the mind that Disney makes movies and was connected to Warner von Braun. And someone else that makes movies and is connected to Warner von Braun is Stanley Kubrick. And they're. So they're both connected to Warner von Braun. They're both connected to weird NASA stuff, and what are the chances of that? And they're both propagating the same kind of, like, weird space 2001 a space odyssey. And Kubrick is notorious for probably having faked the moon landing. So. And they're both connected to this one Nazi guy. So it's just interesting to me that that could be a connection. And one of. I think the author of A Clockwork Orange went to some kind of party with Stanley Kubrick. And I heard this from another conspiracy theory guy. His name is Jay Widener. I don't know if you're familiar with him at all, but he does a lot of stuff about Kubrick and the movie the Shining and connecting it to the fake moon landing. But the. The guy that wrote A Clockwork Orange was at a party with Stanley Kubrick. There was a bunch of, like, super secret, like, German people there. People like Warner Von Braun, and they were all talking about just different space stuff and.

[David Lee Corbo]

Oh, my God, this is the video.

[Julia]

Yeah. Look at that. Look at that. Isn't it nuts?

[David Lee Corbo]

Cheese with his boner. That's.

[Julia]

Yeah, Dick cheese.

[David Lee Corbo]

Dick cheese. That's. Yeah, I can see now. I get it. Yeah.

[Julia]

But somehow, like, the conversation, they were all, like, drinking and smoking cigars and being all, you know, eyes Wide Shuttish at this party or whatever. And I guess either Disney was brought up or he, like, showed up to this party. And so it's not even me speculating that he was involved with this stuff. It's like, look at who his friends were. He's friends with, like, weird Nazis and people who are involved with space stuff.

[David Lee Corbo]

Yeah. It's it's kind of weird because a lot of the times we're bringing up these characters, whether it's a Warner von Braun or a Jack Parsons or somebody like that. And. And you get this real feeling that these guys almost got together and decided, you know what? People are really malleable if you can tell them a good story. Why don't we create the greatest story ever or something to that effect? And then they sort of locked us into this paradigm for the next 60 to 80 years.

[Julia]

Yeah. And I don't know where you guys are on flat Earth, but I do think the propaganda started a long time ago to get us to have this fascination with space and other things as well. But if we look at Disney as a young adult, Walt Disney as a young adult, he and his dad were involved in the Chicago World's Fair and the New York World's Fair, and those are the two that are most infamous for, like, the incubator babies and the orphan trains and, like, all this weird stuff going on around that time. So not only was Disney as a young adult of all, involved with both of those World's Fairs, his dad was too. And his dad also got him involved with the red Cross in 1918, which was linked to the Knights Templar and also money laundering operations. So we're starting off with a bang for. For Disney's young career. And later in 1920, he joins the De Molay Society, which is essentially like Mickey Mouse Club for. For Knights Templar and the Masons in other secret societies. Right. And the Day Mole had only just come into being in 1920s, so Walt Disney was one of the first initiates into the de Mole. And what are the odds of him being involved with two World's Fairs and a part of two secret society clubs linked to the Masons and the Knights Templar before he's the age of 20? And then he goes on to become arguably the most famous person on Earth. So before the age of 20, he's involved with the Red Cross, two World's Fair, World's Fairs, and the De Molay, which only had just came into being the same year that he joined. So he was one of the very first members. Now, I just. I'm gonna pause and let you guys kind of talk about that, because that in itself is kind of crazy.

[David Lee Corbo]

Right. I. I just wanted to go exactly on that tangent, which is there's a lot of peripheral knowledge that I have knocking around in my head about Walt Disney, and it's certainly enough anecdotal information to make me suspicious of the guy. But then to go and say that he was associated with both World Fairs, I mean, that is. That itself is a very conspiratorial bag. And then he goes on to be one of the most influential children's media, you know, propagators that the world has ever seen. I mean, that's. That is in a world where I already suspect there's not much to the term coincidence, I don't think there's any there at all.

[Julia]

And I think the Mickey Mouse Club was his homage to the dead, because that's essentially what it was. It was like inducting young people into this secret society type of weird thing. And the Mickey Mouse Club, I mean, look who came out of there. Ryan Gosling, Christina Aguilera, Britney Spears, like, and they all end up being weird and like, at least Britney for sure somebody touched her. Let's be real. Some. Some. Something went down with Britney, if I've seen. Right, right.

[David Lee Corbo]

But then, yeah, I can see that parallel because De Molay seemingly creates some of the most influential people ever. And then you want to look at our stars in. In regards to the music industry and in Hollywood, and the Mickey Mouse Club is generating them. I believe Justin Bieber was Mickey Mouse Club too. Right. So was Timberlake or was. Was just one of the ones that wasn't Timberlake?

[Julia]

No, I don't know if Bieber was, but Justin Timberlake definitely was.

[Top Lobster]

Other people.

[David Lee Corbo]

Yeah, other people, Right, right. Yeah. Well, there is, there is. There's people and I know that. I just want to say I don't think the Mickey Mouse Club is done because my wife was telling me about some girl who's going through the trenches on. On Tick Tock for this and that. And I go, I never heard of her. Who is she? And she's like, oh, she was somebody from the Mickey Mouse Club. And I'm like, damn. So these people are still influential.

[Top Lobster]

Yeah.

[David Lee Corbo]

Even right now there's a girl like.

[Top Lobster]

Jojo that I think so. I think she was a mess.

[David Lee Corbo]

Yeah, that kid's a mess. I don't know if she's Mickey Mouse Club, but I mean, even if she's not Mickey Mouse Club, you could argue Mickey Mouse Club would have certainly laid out the blueprint for how to create these influential stars and traumatize them so that they're open to suggestibility.

[Top Lobster]

Let me ask a question, because I haven't heard. I haven't heard about the World Fair stuff, but he was involved with incubator. Incubator babies. What does that mean?

[Julia]

Not specifically, but that's that's where they were doing that stuff. So it's like he has adjacent ties to a bunch of sketch. Like he and his dad helped out with the World's Fairs, they helped out with the Red Cross. They started all these little organizations and stuff. And the. The New York and the Chicago World's Fairs are infamous for the incubator babies. I don't know if they were directly connected with that, but I do think even if they were a part of setting it up, planning stuff, whatever the little committee is that worked on the. I mean, they're guilty by association in my opinion. You know, it's just. It's just odd.

[David Lee Corbo]

Yeah.

[Top Lobster]

When you're doing. When you're doing Nazi stuff and you're involved with, like, incubator babies. We were speculating that the breeding program has now been, you know, domesticated or like, brought internal with this IVF program that Trump has introduced. So if it's starting there in the 20s and it ends a century later, I wouldn't be surprised if this is what they were kind of working at the entire time, because in my opinion, it seems like they've mastered whatever they're doing here and they're about to just put it all in house.

[David Lee Corbo]

It feels like we are being subjected to the sort of the Opus Magnum of a bunch of occultists, but that we're all kicking their operations off, like in the mid to late 40s, and then it just keeps going and keeps going. And now we're seeing the height. I mean, obviously the. If it continues on, then every moment in the future will be the height of that operation. But really, it feels like right now, all of the. The machinations that they work to put in place are now coming to fruition in very many ways against us. And it's always the same people. It's a. It's a, you know, a club.

[Julia]

Yeah, well, because even it, though Disney himself is dead, it doesn't mean that. That all of it, the projects he was working on, are dead. You know, people take over that they keep it going. They find new ways to introduce it into society. The same ideas in most of the rumors, if you can even call them that, because they're probably pretty true, right? Are that Walt Disney was a wizard and an occultist, a magician, a Satanist, a racist, a misogynist. I mean, the list goes on, but the proof is in the pudding, because if you look at his work, it never promotes a strong family structure.

[David Lee Corbo]

Oh, my God.

[Julia]

It always has some kind of weird. I mean, it's loaded with like magic and rituals and spell casting and you know, could the movies themselves even be like elaborate spells that are casted on us? I mean, bright flashing colors. Yes. You know, the fun always happens when the parents are gone or dead or they even came up with something called the Alice in Wonderland syndrome, which is when people have a inverted view of reality. Like they see everything backwards. There's something wrong with like their optical nerve and they call it Alice in Wonderland syndrome. But that movie, even in and of itself, you know, going down the rabbit hole.

[David Lee Corbo]

Yeah.

[Julia]

Disassociation, you know, magic mushrooms, this, that. And he literally, if you look at the early stuff, it's kind of clear he was an occultist. Yeah, among other things.

[David Lee Corbo]

But the, the, there's like a high wizard in the Disney films. His name is Yen Sid, I believe, which is just Disney backwards. And he's literally like a wizard. Wears a tall pointy hat and everything. And he's kind of like the, the most powerful figure, I would say in the Disney universe is Yen Sid.

[Top Lobster]

David. Yeah, this is unusual to do for stream, but I just, I feel like this is an, we're an unusual show. So I want to address the chat because it's very like chat centric. I've been watching this guy spurg for two episodes now and hey man, I'm a fan of your comments right here. He has to piece out on the stream because he is so far down the rabbit hole that this show is like normie to him.

[David Lee Corbo]

And I'm like, man, I wish this is cool. Someone on the stream isn't who they say they are. We have more ever dude.

[Top Lobster]

I, I listen, Julia, I don't, I don't think you understand. We're reaching new. I don't care about viewership. I care about schizophrenia ship. Like how high can we go in crazy. And we are getting there. It's, it's a beautiful thing. Like, I love it.

[David Lee Corbo]

I love building this community.

[Top Lobster]

I want to see how crazy can really get. Like, it really makes me happy.

[David Lee Corbo]

Before you go, Avalon, please, which one of us is not who they say they are? That's very exciting. That's very exciting because I did have suspicions when, when Cosmic Peach showed up. She has a dope ass tracksuit on. And I expected, even though we've already hung out before, we've already made content before, I was expecting a Russian accent to come out and it didn't come out. And so I am very suspicious of you, Julia.

[Julia]

Yeah, no, let me just clarify it for all the schizos out there. You're right. It's. I'm not who I say I am. I am actually Michelle Obama and.

[David Lee Corbo]

Actually Michelle actually packing a big fat black. All right, yeah, let's, let's continue.

[Julia]

And I love Jennifer Aniston, but listen, so he packs all this magic stuff into the, in the shows, in the movies, whatever. And because of his close connection with Warner Von Braun, I have to mention, like, let's, let's look at who created NASA, right? Crowley, Von Braun, Parsons, L. Ron Hubbard and Walt Disney. So these guys are all. It's the Babylon bunch is what I call it. And have you made, I mean, have.

[David Lee Corbo]

You made a thing with the Brady Bunch? But that I want to.

[Julia]

And make a shirt, make it your Babylon bunch. And it's got, you know, Crowley, Disney, Parsons, Warner Von Braun and Elron Hubard. Yeah, yeah, yeah.

[David Lee Corbo]

And that's got to be T shirt.

[Julia]

They're all conjuring out in the desert, you know, opening, you know, whatever they say. Right? Yeah. And what they, you know, birds of a feather flock together. So of course he's in there with the rest of these guys. They're all dark occultists and scream. We, we see the programming in Disney movies. I mean, they work on depravity, inversion and dark occult rituals were bombarded with it on a massive level. I think it's even worse now that they have a streaming platform because now we can kind of see how far the spider web goes. And they have made movies like National Treasure and it literally kind of tells the story of the Knights Templar and makes them the heroes. It makes them the good guys. And I, I mean, I remember watching that when I was in like third grade and thinking like, I want to be a Templar. I want to.

[David Lee Corbo]

Dude, I love that movie.

[Julia]

Right?

[David Lee Corbo]

Yeah.

[Julia]

And then even the second one, you know, President's Book of Secrets. And they get in there and they're like, oh, we want to see the chapter on jfk. And they're pretty much mentioning in Book of Secrets that, you know, the President is involved with all this stuff. And then I think it's weird like that Trump's on this whole, let's sign this thing and get all the JFK files released. And I mean, it's kind of interesting how that stuff.

[David Lee Corbo]

Someone else is interesting. Julia, Is that a. An organization that has its roots steeped in the occult. And you know, I was looking at Donald Duck in Math Magic Land, which is a, like a 30 minute clip where basically Donald Trump. I mean, Donald Trump, Donald Duck is introduced to a Pythagoras cult, like a numerology cult. And they're explaining like the significance of the Pentagram and the golden ratio Fibonacci sequence. Yeah, yeah, yeah. So that's how they get their roots, right? That's the kind of thing that they're really into. And nowadays what we get mostly from Disney is cultural manipulation. So it's fascinating to me that before it was occult, esoteric ideology and now all these years later it's cultural engineering. That's. That's a very strange.

[Top Lobster]

I don't know if you've come across this Julia, because this is fairly recent and you did this research like a year ago, but the USAID discovery showed that Disney. Well, it doesn't show that they lost, but it just so happens that when the funding was cut, Disney loses. Disney plus loses 700,000 subscribers.

[David Lee Corbo]

Wow.

[Top Lobster]

And here is the, here is their receipts here. So they have active social engineering from the Defense Department of Defense. And it's just the definitive contract. So there's really no amount of money. Just however much they need.

[David Lee Corbo]

It's no way around it. That's what they're engaging is this social engineering.

[Top Lobster]

And it's cut and they lose almost a million subscribers on their streaming platform. So it really makes you think like who the fuck is even buying this stuff? Yeah, who is subscribing to.

[David Lee Corbo]

That's what I've been saying for a while is that Disney really sacrificed the quality of their entertainment. Because you could say is back in the day at least it was good. You know, you might have been getting subverted in one way and subliminally messaged, but it was good. It was entertaining and it was quality and the storytelling was excellent. They've since sacrificed that storytelling and quality is on the back burner. And they are leading with social engineering to the extent that it's so off putting you can't even suspend your own disbelief to enjoy a piece of fiction. So then the question becomes who is watching this? And there's your answer. 700,000 fake people are watching it. That's fantastic.

[Julia]

Yeah. And I mean, so even Starting in the 1950s, Disney was connected to the FBI and specifically J. Edgar Hoover. So it's not like it. That doesn't surprise me because they've used not only their platform but also like Disney World, Disneyland, those things are that he partnered with like the FBI and stuff to get. So here the whole story is basically the FBI knew that he would comply with whatever they wanted him to do. And in the 1950s when he opened Disneyland, it's on Record that he gave the FBI a free pass to use the park for whatever they wanted to use for use it for which was documented, could be for private or recreational purposes. And what does that mean? There was. Well, There was a SRA survivor that I interviewed. Her name was is Dr. Juliet Engel, and she wrote a book on this. But she told me in. In explicit detail some of the stuff that had happened to her. And it's been a long journey for her to try to process and move on with her life since then. But she would say that part of being in these programs were that. That she was taken to Disneyland with a bunch of other kids. And these men would be there and they would say, I'm your daddy for the day and basically take them on rides and get them food and do all this stuff with them, and they'd have a great time. And then they would go home with these men and the rest would be as you could imagine.

[David Lee Corbo]

So the FBI's recreational angle or private SRA?

[Julia]

Well, it says for private or recreational purposes. And Disney just gave them a free pass to come use it for whatever. They're clearly running these programs. There's. There's adult this. The woman that I interviewed was probably in her, like 60s or 70s, and she described it in great detail. You know, it happened multiple times in multiple different groups of children would get taken to these, like, parks, whichever one, and they would basically give them a great time, go on rides, eat food, whatever, do stuff like kids love to do. And like, at the end of the day, they were taken off to some guys that that guy's house and like ran train on or whatever it was that. But I mean, the point is they knew that this was happening there. I think, like, there's. There's been a couple of people who say there's underground tunnels and stuff in these parks, and they're not even. God only knows what they're doing.

[David Lee Corbo]

They don't have to be underground. And so. So what I'm getting at is they there exist apparently. I was just watching a Tik Tok with my wife where people are like, oh, going to explore all of the tunnels like around Epcot and stuff like that or some like that Magic Kingdom, whatever it is. And it is a legitimate labyrinth that, you know, the. The person who's walking through it is like, I haven't seen anybody for a while. You could definitely get lost in here and you could hear people going on rides and stuff. But these are actually meant for you. You're allowed to travel then. This isn't an employees only zone. So even, even areas where you're allowed to go in the park, some areas are a little bit secret and you can find your way into them and you're allowed to be there. If you find your way there, okay. And you will enter a underground labyrinth of. And eventually you'll bump into other people, people and their kids and, and they're laughing, going through. But for the most part, it's not the main attraction. So the vast majority of people don't see it. And, and that alone is. And so you, you imagine this park is huge. It's basically like Vatican City, right? It's got its own rules and its own laws to a certain extent. And they saw fit to equip it with tunnels that don't even really get a lot of play. They're not even the actual hidden ones. You imagine that if they were willing to do that, then there's probably sub divisions or sub areas where once you go in them, you're not coming back out.

[Julia]

Yeah. Oh yeah, sure. Oh my God. Yeah. That's like, it's like a nightmare. Imagine being a little kid trapped in that.

[David Lee Corbo]

You know that about. It's a small world. It's a small world. In particular is one that you hear that sort of a rumor about where there's tunnels and in that ride and they, they take kids from it. Look, before we go any further, I have to. I'm very happy to announce to all the people who are watching on YouTube and Twitter and elsewhere that we are no longer going to let you watch. If you want to continue watching, then you're going to have to do it exclusively on patreon.com backslash Nephilim Death Squad where you can enjoy an ad free viewing experience. You can engage in the live chat and gain early access to the episode before the general public does. And you could do it all for free. I don't know what's stopping you. Head over to patreon.com backslash nephilimdeathsquad. Sign up for and continue enjoying this episode. Otherwise the rest of you will see it when it releases in its entirety in, I don't know, a few days or something like it, whenever we feel like it. How about that? I wanted to ask you really quickly and I know, I'm really sorry because I know you have a presentation and luckily we're not. No, you're good, you're good, but we're going to derail you a shit ton. I heard rumors once upon a time that the Disney Cruise ship used to make stops at Little St. James. Do you know if there's any veracity to those claims? Have you heard that?

[Julia]

I mean, I. I've heard it, and I wouldn't say it's outside the realm of possibility. I don't. I don't ever like to say anything unless I've interviewed someone who's talked about it or like, I have some type of. I can speculate and say that would not shock me at all whatsoever. I know anytime you're on a cruise, they work on maritime law and that shit's all different. And they can pretty much do whatever they want. You know, that's true with any cruise ship, though. I think they're all kind of sketch carnival, Norwegian. If you can bring your kids on there, I would be weary. Because the second you get out to a certain point, you know you're on maritime law.

[David Lee Corbo]

They could butt them. Yeah.

[Julia]

Really. I don't know what their rules are, but it just. To me, I think they used Disneyland in the movies and stuff like that to make it desirable for children to be a part of this. And so even, like with the Mickey Mouse Club, even if they're still doing the Mickey Mouse Club, it may not be as popular. But if you look at the kids who started on the Disney Channel, itself is kind of like a club, and they're all weird, dude. And it's like the guy from that. So Raven is crazy. And, you know, it's. It's, you know Brown. He's Orlando Brown. Yeah, that's his name.

[David Lee Corbo]

He was claiming that he was assaulted by Will Smith and one other person. I forgot who the other person was, but it was like, even I wasn't so taken aback that that Will Smith would his butt. As much as I was taken aback by that Will Smith was doing it with this other guy. I forgot who it was. I was like, they hang out. I didn't know they hung out like that, but apparently I forgot who it was, man. But he was. I mean, you know, we have this tendency to look at actors in Hollywood when they have these mental breakdowns. We just attribute it to, like, drug use or, like, oh, that's just the breaks being in. In Hollywood, you know, you lose your mind sometimes. Meanwhile, the guy is very clearly saying, I'm not. I haven't lost my mind. Will Smith, but me. Okay. Yeah. And. And that's very specific. I'm not. There's a coherence here, a cohesion. You know, it. It makes sense. I'm not. It's not delusional. Or anything. Nevertheless, we dismissed it. And then all these years later, you find out that to some degree there are rumors that are having Will Smith be complicit in what Diddy was doing. And so you go, well, here's an.

[Julia]

Interesting one for you that I've kind of been looking into recently. I'm not sure how familiar you are with the concept of inverted Hollywood. Like women actually being men and men actually being women.

[David Lee Corbo]

This is called egi, right. Elite Gender Inversion. I subscribe to. Some people think it's upwards of, like, 80 of our stars are gender inverted. I would say that with no evidence, I would say that I wouldn't be surprised if that sort of thing was prolific and maybe more so that we knew. But I don't know if it goes that far. What do you think?

[Julia]

I would give it a solid 40%. And the only reasonable. Yeah, the only reason I say that is because I've. I've talked to people and I've watched actual experts, if there is one, talk about how they can. These researchers can go into Egypt and dig up mummies and know and can tell you based on looking at a skeleton with no clothes, no nothing. This is a female, this is a male. Just based on skeletal markers alone, right? And these same people look at these celebrities and they will say, based on skeletal markers, this person was born a biological male or a biological female. It's not nothing to do with. Oh, look at their nose, look at their hair. Look at their. It's literally based on kneecaps, hands, you know, jawline, shoulders, stuff. Like, you can't. You can't fake this stuff. Even if you get plastic surgery and you can change, like, breast and genitals or whatever, there are still certain skeletal markers that will say, this person was born a biological male. This person was born a biological female.

[David Lee Corbo]

Damn it. I was waiting for. These motherfuckers did this to me. They put this skull. This female skull. Actually, I think I did it myself because I was like, I don't believe that people are. So I might have done it to myself, and then somebody else did it to me. But either way, the female skull fits my head. So I don't know what that means. Maybe that's why I dress the way that I do, which is very gross. But.

[Julia]

But it goes beyond that, though. I think you have to look at someone's complete biological makeup, though. I don't think you can go based on somebody's eyes are close together and they have. Well, like. But I do think, you know, there's.

[David Lee Corbo]

There'S veracity to it. Because I saw something the other day that said that these elites, what they'll do is, you know, you have, like, CRISPR technology. Right. And so there. There is. There is technically room in the discussion because we say, like, oh, trans people aren't real. But it's like, well, there are people that are born intersex. Right. And. And so it's my understanding that they're using this technology to. To create intersex children that then go on the stage and they're, like, ambiguous, and they say, this is what Miley Cyrus is, which is whatever Miley Cyrus is. Fantastic voice, by the way. Like, Miley Cyrus is a talent as much as she's a train wreck, which. It's like she was a Disney kid, Right. So of course she's a train wreck. So. So I do have a. You know, I do. I've gotten to this point in my life where I kind of treat these kids with a little bit more. They're our age, but I treat these people with a little bit more grace than I used to. I feel actually very bad for Justin Bieber, and I do feel bad for Miley Cyrus. She is a talent, Tremendous voice. That being said, there is something about her that seems masculine.

[Julia]

Yeah.

[David Lee Corbo]

Yeah, there's something about her that seems masculine.

[Julia]

Well, and the whole reason I bring this up is because you said Will Smith. Right. And he's notorious for probably being gay.

[David Lee Corbo]

Yes, yes.

[Julia]

But these people who look at skeletal markers, let's just give them the benefit of the doubt. They say that Willow is biological male and she's named after Will and that Jaden is biological female and he's named after the mom. Right. Jada. I see where you're going, Jada or Jaden. He's always crying all over freaking, like, all these videos, getting groped on, molested on making out with Justin Bieber. It's like, okay, let's say Willow, who. Let's be real, is the more masculine of the two.

[David Lee Corbo]

She's got armpit hair. Yeah.

[Julia]

And then she could be biological. It's like, is there something to where they choose certain people? And they're like, your kids. You're going to be a part of this. And then we kind of see as they get older, it's almost obvious. It's like Jaden is smaller and he's more petite.

[David Lee Corbo]

Yeah.

[Julia]

And people are always, like, trying to molest him. And he's named after the moment. And then Willow's kind of like a butch dude and has a deep voice. Out of nowhere. And she's named after her father. And I don't know, could there be some literal inversion with those two?

[David Lee Corbo]

I wouldn't be surprised because if you look at that family dynamic, the whole thing screams, like, inversion. Like, you know, they used to. There was a line in a J. Cole song where he said he. He referenced, like, that Jada and that Will love as being like, a goal, right? Like a goal to have a relationship. Like Jada Pinkett Smith and Will Smith. And then all these years later, you find out it's very much a glass house and they are completely cheating on him. He's banging dudes, butts, you know, and then she's tearing him down on. On TV and emasculating and humiliating him. And, you know, to the extent that you're like, is this a humiliation ritual? Then of course, how. How much of a superstar Will Smith is right in. In Hollywood? He's like the. I mean, I don't really see a lot of Will Smith movies I don't like, if I'm being perfectly honest, serious. And so. So in that way, you have this family that is perceived one way, and then when the curtain gets pulled back, you find out that it's all actually inverted. And. And so, yeah, I would, you know, if anybody's doing that to their kids, it would not surprise me at all if it was. It was Will and Jada. Yeah.

[Julia]

Yeah. Well, and I mean, that's the thing, too. It's like, he's such a family guy, right? And he's the. The one that's like butt kids on the Disney Channel. So you literally can't. You cannot trust anything anymore.

[David Lee Corbo]

He's also presented as a heartthrob. And then you find out that he's actually like, a gay dude. So so much of it is, like, presented as one thing. In reality, it's totally the opposite.

[Julia]

Right. And kind of getting back to something that you said. You mentioned Epcot a little bit ago. And so Disney opened the park in the 50s and IT. Then in the 60s, during Project Paperclip, he comes out with the City of Tomorrow based on Nazi ideals, which is Epcot. And it's a long story on how. But it. After he opened these parks, Disney is on record as being tax exempt, like a church. So again, he's got this FBI weird thing with J. Edgar Hoover and come use the park for whatever you want. I got this Nazi City of Tomorrow Epcot going on, and I'm tax exempt. Like, what is going on here, really?

[David Lee Corbo]

Whatever they want.

[Julia]

Yeah, yeah. And I actually have a problem with when people try to separate spiritualism or, or ritualism and government stuff. Oh yeah, it's almost, it's, it's like, well, this is CIA and this is government and this is FBI and whatever. And this is all like occultist and ritualistic and whatever. And it's like they separate those two things when they're really synonymous and they're actually the same thing. I mean the, the government literally works off of the same ancient rituals as these dark occultists do. I mean it's like the Canaanite mystery religions and like the Akkadian, Hittite, Babylonian rituals and the families who started all this stuff, like the Collins and the Sinclairs and all these, these super old elite bloodlines that became a part of the government. Their elite families that were connected with like Disney and they all work on like northern European, European like Celtic weird druid rituals and.

[David Lee Corbo]

Yeah, the druids. Yes.

[Julia]

Yeah. I mean it's all interwoven into our government. So when you see like the FBI getting involved with Disney, he's tax exempt, like he's a church. He's got all this like, there's so many layers. And at. When you get to a certain point, you have to say this is more than just cartoons for kids 100 that.

[David Lee Corbo]

That'S something, a notion that we can 100 leave in the past. Now given, given the, the reach and the cultural impact that Disney has, you could at least look at that and say this is far beyond in excess of just creating children's cartoons. But I've been saying that. Go ahead, top.

[Top Lobster]

What's interesting about Disney is like if you study the politics and it's like from a left right dynamic. I remember back during COVID Disney was doing something I don't. Oh, oh, oh, the don't say gay stuff. They were promoting that and they were promoting. Yeah. And the right wing, which was Ron DeSantis, we're here in Florida. So Ron DeSantis was like, oh, word. Your church status, your ability to self govern. Because that little, that little island, it's like a terraform island that they have at least for the Magic Kingdom and, and some of their other properties. They do whatever they want.

[David Lee Corbo]

It's.

[Top Lobster]

They are literally their own government there.

[David Lee Corbo]

So that's why I said it's like Vatican City almost very much so.

[Top Lobster]

Like that. Like they have their own police. I almost got arrested by Mickey Mouse police for buying bootleg tickets from Crackhead. Carry on the side of the Roadbag Story. Yo, hold on.

[Julia]

That's kind of hilarious.

[Top Lobster]

Very. I mean, listen, you don't know fear until some gay dude with Mickey Mouse ears pulls you to a back room and he's asking you questions about your backstory. And it's a whole. It's a whole thing.

[David Lee Corbo]

Your children screaming and you're like, are you going to address that? Is there. There's children screaming in these back rooms? He's like, no, this is about you, sir.

[Top Lobster]

Tickets, sir? And I'm like, I don't know. You're talking about. I'm in the army.

[David Lee Corbo]

That kid just said, help me. Are you going to help that kid? Look, I. When. When. When people look at, like, ritual and. And druid shit, right? And ceremony and Babylonian magic and they say that that sort of thing doesn't exist, or it doesn't exist in our government, maybe it does exist, but in some weird niche, kind of Helter Skelter, satanic panic kind of way. Like, you have cults that are engaging in this sort of thing. It's like, no, that's not true. You have this government apparatus in the form of the propaganda machine, creating terminology like US conspiracy theorists and tinfoil hat and everything to dismiss people that are looking down these roads. Meanwhile, they are dedicating insane amounts of resources to studying them themselves. Right? The intelligence agencies are obsessed with, like, psychic powers. And. And, you know, we talked about, at the top of the show, some of the biggest American institutions started off the back of the most famous occultists. You know, we're talking Werner von Braun and Jack Parsons and all these people that we just talked about.

[Top Lobster]

What I was getting at is like, so, all right, politics is theater at the highest level, right? And it's like, but then why, like, why would the right wing then go after Disney in this way? Why would, you know, Donald Trump coming in and USAID being gutted basically take a huge portion of Disney's subscribing funds? You know, it's like, why, where there's like some kind of weird struggle. I think in the end they're headed in the same direction, but there is the. It's undeniable when you see it this way. Why is there this struggle? Why is there a right wing versus a left wing? Even though in reality it seems like they're moving in the same direction, but they're kind of like, doing this, like, soft battle in front of us. And it's. It's a legitimate soft battle. You're talking about billions of dollars. We're talking about people's lives and livelihoods.

[David Lee Corbo]

You know, why it might be A weird one. If you can beat down Disney, who has been the most egregious when it comes to injecting leftist ideology, ideology into, into the west, if you can make a public display of them, they're a monolith. It's not going to fall apart, right? They're not going to lose funding all of a sudden because they're, you know, they're getting pushback from Ron DeSantis. But if you can make them struggle enough internally that they then have to turn the other foot, well, then they're going to start that culture, which is the culture that we see coming, right? We see this big pendulum swing coming, you know, from, from the left to the right. It's going to be cultural, it's going to be political, it's probably going to go too far. And, and you need this very same propaganda machine that introduced, you know, these, these liberal ideologies to us to now. Either that or make a whole new propaganda machine. Not gonna happen. We've been building Disney since the 40s, right? So there's already an established propaganda machine here. Push back against it. Make it struggle internally. Make it look like it's got new management and the new management is now going in this more conservative direction and thus the entire industry follows because that's what happens whatever Disney does. Okay.

[Julia]

Is it wrong opposition? It's controlled opposition to Disney.

[David Lee Corbo]

Yeah, I, I would say it's exactly what it is. And Disney has a tendency to tell us that things are okay to talk about. Like, for example, the Wolverine and Deadpool movie started to do things like make fun of gay themes again and, and, and like that. And for the first time, it was, I would say, the first film that came out of Disney and, and, and Marvel and like that. That was pushing against those liberal ideologies. And it was a box office hit. It crushed, you know, probably one of the biggest things they've done in a long time. Because the industry took a, A during the Biden administration in a massive way. They weren't cranking out any good movies. I'm talking about Disney and Marvel in particular. And what comes along to save that, that, that category, that Marvel movie category is Deadpool and Wolverine and, and very much it felt like, oh, homophobia is back on the menu, boys. That's what it felt like after they did that. And so I think, yeah, it's, it's a matter of pushing back against them so that you can say, like, oh, look, this failed. We didn't do it. Right? And now we're pivoting and we're going back to what the people want. And as soon as they do that, Disney gives you the green light. The rest of the industry, the green light to go in that direction.

[Julia]

I think you will see in the coming months or years, more right wing looking Disney stuff.

[David Lee Corbo]

Yes.

[Julia]

Because if you look on Facebook and like, Instagram, whatever, you got all these, you know, and I'm one of them, like, Southern mamas, and they're all talking about, look at this Disney movie. Look at this, look at this. Look at what they're putting in. Look what. And there's, as you said, this pendulum swinging back. And it's gonna go super, super, super far. Right.

[David Lee Corbo]

Yes. Yeah.

[Julia]

It has to be this way. It has to be this way.

[David Lee Corbo]

Yes. Because it's manufactured. But they had that movie Inside out, and Inside out had, like, real gay themes. It was like the main character was going to be lesbian. They had all these things prepared to roll out. And then the culture was like, what. It was kind of towards the end of the Biden administration, and they. They corrected that. So that was the beginning of it.

[Top Lobster]

I didn't realize that that was.

[David Lee Corbo]

Yeah, yeah, yeah. The main character from Inside out was going to be lesbian. And. And, you know, they ended up getting. Getting rid of that whole thing. And then there's also a couple of other instances of Disney basically doing damage released to the public. So it was like all of these whispers about trans ideology and lgbt, whatever values. And then by the time it was ready to release, there was internal struggles. Disney squashed some of those elements, so they still existed to some degree. But some of the more egregious oversteppings were crushed.

[Top Lobster]

It works like a charm because I could sit here and do this show, and obviously people see what this show is about and, like, we can go sort of black, black belt level on this show. And still I'm like, just no more, you know, Buzz Lightyear kissing, like, I will please, Daddy, Daddy, Disney, give me some. Give me some conservative something so I could, like, enjoy a little bit. And it's like, yeah, I'm welcoming it. And I understand the Psyop probably better than most people, but I'm still, like.

[David Lee Corbo]

I'm still excited to see it.

[Top Lobster]

Yeah.

[David Lee Corbo]

Just please.

[Top Lobster]

I can't. Because I can't do another. Another for you anymore. Yeah.

[David Lee Corbo]

If one more kid cuts off their penis, I just. I don't know. I'm gonna freak out. I'm gonna freak out. Lose it. I'm gonna lose.

[Julia]

I've talked about this with my husband a little bit. Because it's like, I'm not homophobic or any like that. You know, I could care less. I could care less. But the thing is, it's like, what happened to just being plain old, like, gay like that? That's, like, not a thing anymore. Like, you can't just be gay. You can't just be like, oh, I like chicks.

[David Lee Corbo]

You know, it has to be very disrespectful.

[Julia]

What?

[David Lee Corbo]

He put me on the big screen. The running joke on this show and is. Is that I am.

[Julia]

Is that your day?

[David Lee Corbo]

Closeted homosexual. Yeah, because I dress. I dress really well.

[Julia]

Nothing wrong with it. But what is it?

[David Lee Corbo]

Like, you can't.

[Julia]

You literally can't be just gay. Now.

[David Lee Corbo]

That's my.

[Julia]

Can't you.

[David Lee Corbo]

Can you suck a dick and not make the voice? Can you make. Can you suck a dick and not do the voice? Why do you have to sound like you?

[Julia]

Can you suck a dick and not want to cut yours off? Right, right. Why do we have to leave the problem? It's like, it's gotten way too far into, like, you know, maybe kids.

[David Lee Corbo]

Oh, she got a little caught up there. Something happened to our Internet connection. Disney doesn't like that we're talking about the gays. We're gonna give her a second to pop back in. Let's see how. What if he said, okay, there we go. You froze a little bit because Disney doesn't like that you were talking about the gays one more time.

[Julia]

Oh, I said, just because a little boy is effeminate, maybe he's gay. Whatever. Doesn't mean he needs his dick cut off. That's all I'm saying is, like, there is plain old, regular old gay. And for the most part, that was all right for a while. Just like, oh, I'm a lesbian. Oh, I'm gay. Well, whatever you. But now it's, like, got kids involved. It's got tranny parades involved. It's got, like, education involved. And now it's got, like, big pharma and cutting our dicks off involved. And, like, how did we get here?

[David Lee Corbo]

Let me ask you this, because I just saw something in my head, and my head's full of dumb, but maybe this isn't I. So, okay, you have the Nazi Party, you know, fascist regime, you know, iron grip, dictatorship. And obviously the world sees that and rallies against it. And that's the. That's the surface level story. I know we can get into a whole bunch of other Weimar Republic yada, yada, yada. Whether or not he was a Rothschild or some doesn't matter. The point is this narrative that we're all accepting generally on the surface, fascist iron fisted dictatorship and that falls apart and then all of a sudden the inception of all these industries takes place right after it, after Operation Paperclip. And so many of these institutions that get set up then are our cultural manufacturing institutions. And you have to ask, why then would institutions that were started by fascist dictatorship regime, why would it push gay shit on us, right? Because that's the opposite. That's liberal. And it's almost like they said, okay, it doesn't work if you force it on people. What if you make them beg for it? What if you make them choose it? What if you give them the opposite so much? So to the extent that they get sick of it, what if you push them to the brink of freaking out over this, make it that bad and then have them ask for it and we'll come give it to them because it's it.

[Julia]

To me, I think all of this, even like with Disney stuff is actually just a big spiritual war and it's got less to do with, you know, a lot of people want to say, I won't, I won't let my kids watch Disney, I won't let whatever. And that's fine, you probably shouldn't, I don't know. But I think the, the real problem is that these ideas are based on dark occult inversion, ritualism. It's a spiritual war. They're going after the kids in, in multiple generations of programming and propaganda. And you should act like this. You, you should want this, you should behave like this. And so, I mean, it's like a lot of serial killers, and I learned this from Program to Kill, a book by David McGowan, is that they're, they're children of generational Satanism. And so if you can get generations of children to look at a specific thing for this is what's acceptable in the world, you will keep them in. Like from the 40s, Disney has been the staple of this is a culturally appropriate thing and this is what everybody should be into. Princesses, dead parents, and now it's gay stuff, right?

[David Lee Corbo]

It's like it's synonymous with like Americana.

[Julia]

Well, yeah, it's like it's like generational programming and they change it a little bit for each different generation.

[David Lee Corbo]

Is it any wonder right now that we're seeing the rise in like Nazi sympathizing and, and like Hitler, you know, praising. I think that's actually, I mean, it's perfect if you look at the way it's it started like I just laid it out, right? It's like, you can't force people into a fascist dictatorship, but you can make them beg for it. And I don't know what else you call, you know, Nazi sympathizing and praising Hitler except for begging for it. Right. Which I think is why Donald Trump is being so well received right now. And I would. You know, we talk about it all the time. He wrote the Art of the Comeback. He made the greatest comeback in the world. It was like the Biden administration was almost set up in a way to get us clamoring and begging for Trump to come back in. We, when we get pushed to the extremes, need a strong man to step in. And I. I think this whole thing has been orchestrated to get us to this point where, you know, things are so debaucherous and so morally debased that we're now begging for a strong man to step in. And that's what's giving rise to this, you know, Hitler was based in all this other. That we're getting a lot of lately.

[Julia]

I've heard so many people talking about it, and they're like, was Hitler really even a bad guy? I'm like, oh, I don't. I don't know. Do you believe the Holocaust happened? Some people don't.

[David Lee Corbo]

Well, what you do is you screw up the numbers about the Holocaust, and if you screw up the numbers about the Holocaust, you basically make the entire argument, like, highly speculative, Right? If it wasn't 6 million and it was somewhere less than that, well, it's still a horrifying thing, right? And if they had, you know, if they weren't actually turned into lampshades, does that turn the whole thing on its head? You know what I mean? So you say, like.

[Top Lobster]

Like what? What does it matter if JFK got killed? That was so long ago. And then people go, well, how about the Holocaust? And it's like you create this resentment against it, and then, yes, it does.

[Julia]

It.

[David Lee Corbo]

It.

[Top Lobster]

It contributes brilliantly to this movement of, like, well, then obviously Hitler must be good.

[David Lee Corbo]

And it's like, exactly.

[Top Lobster]

What? No, not really.

[David Lee Corbo]

That. I don't know. I guess we do it on the show often. But there is part of me that is hesitant, despite what the audience might hear from my mouth, constantly, is hesitant to attribute a grand conspiracy from that long ago all the way up to now. But it's hard for me to see it any other way. It does look like 80 years worth of setting us up.

[Julia]

Well, and if you look, it's. It's like I was saying about the spiritual war, because Hitler was all about this real society and communicating with these beings that were going to give him knowledge that nobody else had. And he was getting all weird about sending troops over to Tibet looking for some kind of. Oh, God, I can't remember what it's.

[David Lee Corbo]

Called, but you get all your ascended masters, right? Yeah, yeah.

[Julia]

He wanted to get. He. He thought if he got to a certain level, that these. This real society, these real beings that are, like, blonde hair and blue eyes, and that's where the whole Aryan thing comes in. And. But it's the same. So he was working off of, like, spiritual ideas. That's why he used the swastika and inverted that. Now it's like a death symbol. But so was Charles Manson. He was working off of spiritualism. He was part of, like, a MK Ultra program. 100 people need to look into that. They need to read the book Chaos. They read the book Program to Kill. But anyways, it's like, it's the same spiritualism that's. Even now, oh, maybe Hitler wasn't such a bad guy. I'm sure what they're going to focus on is stuff that got misled translated from him, because that's what they keep bringing up. Elon's doing, like, the whole, like, salute thing.

[David Lee Corbo]

Yeah.

[Julia]

It's becoming a weird, like, ritualism thing.

[David Lee Corbo]

Well, that's the other thing.

[Julia]

But it's always been so there.

[David Lee Corbo]

There is, you know, among the. The sort of Nazi sentiments and. And the. The. The praise of Hitler, it happened. I can't see organically because it feels like a really long plan, but the plan happened in such slow motion that people thought they're coming to these conclusions on their own. And then I think that there are these other moments that come along, like an Elon Musk dramatically shifting the Overton window on that conversation, or like a Kanye west dramatically shifting the Overton window on that type of conversation. These people come along and they'll nudge it in a big way, and everybody will suddenly get on that track and just start going. And they watch it, and they go, okay, everything's going along right now. We could use another push. Kanye, are you up for the task? Okay, come on over, Kanye. And let's. Let's give it another push. Let's use the super bowl, you know, some giant moment where everybody's watching. I think the super bowl this past one had, like, some of the highest viewership of any of its previous years. And so, yeah, it is almost impossible for me to look at it any other way except for culture, cultural manufacturing, by the way, all of this is cultural manufacturing, right? That's what Disney's game is. Elon Musk, obviously, doing the Zig Hyo and all this other. And you look at him, he's, he owns the biggest cultural manufacturing machine on the planet in the form of Twitter. He owns it. He steers the narrative. He, he collects and scrapes all the data. He knows the public sentiment, he knows where our ideologies are at at any given time. And he has the ability to alter the algorithm to steer it in this direction or that direction. He has the money and the influence and the power on the world stage to orchestrate these little. I'm not saying that Elon Musk is the end all, be all mastermind of this thing, but he is a hundred percent engaging in cultural engineering.

[Julia]

Well, I think Elon and Joe Rogan are the Laurel Canyon of what our new culture is. So, I mean, I think, and that's why I also think it's interesting that one of the first shows, the first cartoons that Disney ever put out, it was about going to space and going to Mars and, and the character that went's name was Elon. So again, it's like weird spiritualism and like predictive programming type stuff. And I do think that Elon and Joe Rogan are the Laurel Canyon of what's to come. Like, they're directing what we like we're, they're directing the culture, they're directing what conspiracies get big, which comedians get big, what jokes we laugh out, what supplements we take, what we're interested in. ELON, Joe Rogan, 100%.

[David Lee Corbo]

So what did Laurel Canyon give us? I mean in the biggest way they, they killed the anti war movement and they introduced the psychedelics movement, if that's what you want to call it, into the United States. And then so much of what was going on there, that's, that's part of the, the intelligence agencies. Laurel Canyon. And so you look at Joe Rogan and it's like, what's he doing? He's introducing sensory deprivation tanks. You know, the audience has heard this quite a bit, but I'm just, I'm, I'm pleased to hear somebody else say it because I, I've said the same thing. I think he is the new Laurel Canyon. He's introducing the float tanks, he's introducing the psychedelics. You know, he's introducing even the telepathy tapes. And, and you know, we've talked about on Occult Rejects, what the celebrity Tapes actually seem to be, which is some sort of unholy mashup of the MK Ultra program and the vaccine schedules to induce, you know, telepathic communication between what? Human beings and these entities. Right. All these occultists for all these times that, you know, it's, it's. You got to mention it, you got to say it. It's like they're not just doing occult ritual for the sake of occult ritual. They're doing it to commune with ancient entities. And so we're getting the same thing. It's coming back again. I. I've been joking around. Joe Rogan is responsible. There's a constant conga line. It never stops. It's. It's just flooding into the Amazon and it's nothing but white women with dreadlocks. And they're going there to drink ayahuasca and to communicate with these entities. Like, yeah, 100. I agree with that. He is the new Laurel Canyon.

[Julia]

He is. And you know, I think Elon could play a part in that too, because it's like, how many people are gonna have to get removed off X or whatever for saying that doesn't fit? Whatever. Like that's why I took myself off YouTube. It's just like, if you're not following whatever this certain thing is, like, you can believe in some conspiracies, but not these ones. And don't talk about these ones and don't talk about these authors and don't bring these people up. And it's like if you start really looking into it, even conspiracy theory stuff is kind of like a gatekeepy weird thing is going on.

[David Lee Corbo]

Yeah, yeah, 100%. There's, there's a lot of like. I mean, here, let's take one that's relevant to the conversation. Europa. It's a 10 hour documentary on, you know, the Weimar Republic and how the Jews subverted and then infiltrated and basically destroyed. They started a bunch of revolutions, they destabilized Germany and, you know, the Bolsheviks take over Moscow. They pass anti Semitism laws. I'm literally only regurgitating the first few hours of a thing that I watched before I was like, this feels weird. This is so it's presented as like information that most people aren't privy to, AKA conspiracy theories.

[Top Lobster]

Right.

[David Lee Corbo]

And then as you're watching it, you're like, this feels like a propaganda piece in favor of the Nazi regime against the Jews and absolving Hitler of, you know, whatever he may or may not have done. And it gave me such a weird impression that I stopped watching it. I was, I was watching it with the Patreon members only. We were just, it was just a live watch or watch party. And, and I pulled away from it because I was like, something about this feels weird. It's just, it, it, it feels like damage control. It feels like propaganda. Feels like there's a lot of truth in here. But then to jump to the conclusion that Hitler was a super base good guy is, is a bit of a stretch to me. And then I watched that, like, really become the running narrative for all of Twitter. Like, everybody, all the, the biggest accounts are all Jew noticing and, and they're all talking about the Weimar Republic. Like, I, I literally am on a Jew documentary. I forgot all about this. I, I'm on a documentary, Stu Peters documentary. And he has me on. He's like, ah, you're. You're not afraid to talk about the Jews. I'm like, yeah, we're not afraid to talk about it.

[Top Lobster]

So.

[David Lee Corbo]

And he's like, would you mind coming on and we'll do a documentary. I go, okay, cool. Next thing you know, he locks me in for an hour. And he's like, he's asking questions like, tell me why it's important to call out the Jewish. And I'm like, I mean, it is important. No, you know what I mean?

[Julia]

What a question.

[David Lee Corbo]

Yeah, I'm not gonna not say Jew, but it's important to know. And then I, you know, so we get into this conversation and, and I'm like, well, look, I don't think Hitler's that much of a good guy. Yada, yada, yada. I think he was, you know, engaged in like Zeus veneration. Like, not only was he part of the, the Vril society, but whatever the deity is that calls itself Zeus or previously called itself BAAL Haddad in Sumer. Your. It's symbols are all over the Reich. It's all over the Reich. And so to me, there's like this question of whether or not he's Catholic or Christian. I'm like, all of his iconography is that of Zeus, who I believe is a fallen angel. But whatever the case may be, I don't think he's the good guy. But I. You're not going to keep an hour worth of material in your documentary. So I'm there for an hour just saying all this. What gets super cut is like, the Jews are doing it. You know, that's what goes out into the world.

[Top Lobster]

There's a, there's such like a line, right? It's like, well, because they are. But There is, like, so much nuance to be had in the conversation. I had. I had a conversation with Stu recently also that got cut off when I was like, actually, Hitler's not so great. He's like, oh, what do you mean? I was like, it seems like they.

[David Lee Corbo]

Were coming up on time.

[Julia]

Yeah.

[David Lee Corbo]

Yeah. That's what.

[Top Lobster]

Yeah.

[Julia]

Doesn't it feel like that, though? It's like a Gatekeepy thing.

[David Lee Corbo]

Yeah.

[Julia]

Where they want you to. They want certain conspiracies out there, but not like all of them or parts of them or even, you know, the Gaia Network. And it's got like. It's all this. Aliens are coming back for us.

[David Lee Corbo]

There's Galactic Federation of Light Ship.

[Julia]

Yeah. Federations. And they blow up on Instagram. They've got millions of followers. These people who say Blue Avians are coming back for us. And it's like, me, I've been, you know, grinding for years now. I've been on Tinfoil Hat multiple times, and I've slowly grown my audience. And I try to say as true as stuff that I can find or. Or present to people in a way. And it's like, all I would have to do if I really wanted to, guys, is say that Blue Avians were coming back for us tomorrow, and my would blow up everywhere, and I'd be the most famous conspiracy theorist out there. But it's like, that's why I think it's. Gatekeepy is like Graham Hancock. He gets that show on Netflix flicks, Ancient Apocalypse stuff.

[David Lee Corbo]

Ancient Apocalypse, Yep.

[Julia]

Yeah. And he's dancing around the flood story. He's dancing around the Nephilim story. He's saying there's giants. He's saying they built. Help built this stuff. He's saying that they engineered all of these civilizations, but he won't say what it is, and he won't really talk about biblical stuff. And it's like, there are parts of the truth we are allowed to consume, but if you go too far in, then just forget it. You can. You're shadow banned or whatever they say.

[David Lee Corbo]

I'm. I'm trying to figure that out myself. So it's like on this show, we. We have people on to just. We don't even have to necessarily agree with them. It's like, tell me what you think, dude. And. But. But, you know, you constantly have to question your own ideas, and especially when suddenly they, like, become a mainstream conspiracy narrative. And our moment for that, I feel like, has happened actually multiple times. But the one that comes to mind most is Tucker Carlson. You know, talking about this idea that the UAP phenomenon is spiritual, and then he just drops the word nephilim. And. And I think he's talking to Roseanne Barr when he does that. And as soon as he does that, I'm like, what the. Do I think? Like, am I. What am I talking about here? Because I don't disagree with that. And that's weird. I shouldn't see, like, a Tucker Carlson, say, some conspiratorial, spiritual. You know what I mean? And then, like, find myself being like, yeah, I agree. But I do agree. So what's going on? Or is it just that part of the story is now unraveling? So they're doing damage control. It's like you. There are certain things that you might want to keep under wraps, but if they should get out in a big way, it's best to co op them with somebody that you can control, at least. Right?

[Julia]

Or that's what it is. I. That's. I'm hoping that for me, that's what I think it is.

[David Lee Corbo]

Because the other side of it is you want us to believe the nephilim narrative. And it's like, like, so much of what I talk about here, I don't have, like, concrete proof. I've had some experiences that have galvanized me to Christianity in a really big way because. And now, you know, nobody can dismiss my experiences. At least I have that. That's some, like, weird form of gnosis, right? But. But beyond that, I'm, like, speculating. I'm taking information. I'm trying to see how it fits. And so I'm not married to very many of these ideas. So I'm looking at this one. This is the name of the show. The name of the show is Nephilim Death Squad. And it's something that I do believe, and I don't think you can take that away from me. I've just seen too much and heard too much.

[Julia]

And in my opinion, and this is just my opinion, you can use your discernment to figure out for yourself what you feel is true. Because I've heard many conspiracy theorists say things, and I've even seen them back it up with weird stuff that they found on the Internet. But there's been something in me that's like, I cannot get on board with this for some reason. And anytime I hear stuff about the nephilim, and not all of it, but there are certain aspects, because I would consider myself to be a Christian that have always resonated with me, I'll get goosebumps. Sometimes I feel like it, it actually changed my perception of life after I discovered a lot of this stuff. I've talked to many people. Gary Wayne from the, the Genesis 6 conspiracy. I mean I've talked to people who have put almost their life's work into looking into this stuff. And for me it's just been one that's always like almost gave me chill bumps like how true it is. And so I'm with you. But I think people can use their discernment. It's like not everything you hear is going to be accurate. Not everything you hear is going to be like there are a lot of theories out there. And I don't know, I think sometimes the conspiracy theory game is co opted and people come out with like maybe the nephilim thing got the train went off the rails and now they have to put a bunch of like fake conspiracy theory people in the mix that are like saying ridiculous. So people don't believe it anymore. They think it's.

[David Lee Corbo]

I mean you know what I think is kind of like that. So I have these topics that for whatever reason just give me pause and it doesn't mean that I don't believe them. It's just like, it's almost like the feeling is not yet. There's too much of a mess going on with it and I can't touch it because I don't have the ability to parse through that mess. And one of them is flat Earth in particular. Like, you know, I, I look at a lot of things and I go Firmament really seems to have some veracity to it. You know, a lot of different studies and things like that or experiments, you know, not to, not like the final experiment but like all these different things with like why can you zoom in and be able to see the bottom of a ship that's supposed to be well beyond the curvature and it's like, well maybe at the bare minimum they have to re engineer the equation for curvature per square mile, let's say or whatever. Maybe they were wrong about that. But I see enough that I go and then Werner von Braun, right, he, his, his headstone literally is, is, is the, the, the text from the Bible that says God showeth his handiwork in the firmament. So there's a lot of that. But for some reason I look at the flat Earth community and there's a lot of homies that I have in there and they're like come on over, come on over. This is great. And I'm like no, I don't want to Talk about it. I certainly don't want to be on somebody else's show talking about it. I don't care if somebody comes here and presents it. I can't throw my two cents in there, because something about it feels like a purposely chaotic mess. And it clears up. I'm not touching it.

[Julia]

Well, it'll always be until you can get on something and go up there and report back to us what you see. Nobody really knows for real. And the problem is, I started getting into the whole fake space thing because two things can be true at the same time. Maybe it's not flat, but I don't think we've ever been to space. You know, like, Cube, the cubic stuff with the fake moon landing. And if I think it's one of the least known, Kubrick works. If you look at this stuff, it's like, the worst B movie I've ever seen in my life. And then it shows, like, the. The rocket going back to Earth, and it's like, who the left on the moon? Like, why'd they leave that jerk off on the moon? You know, like, what. What is going on here?

[Top Lobster]

Bye.

[Julia]

See you, guys.

[David Lee Corbo]

You got a phone call. You got a phone call from the moon. Like, what are you talking about? You got a phone call from the moon, right?

[Julia]

And the thing is so small, but somehow we're supposed to. There was, like, a whole dune buggy on there that they offloaded, and they were just bouncing around.

[David Lee Corbo]

Yeah. And you go, how did the dune buggy fit in the crap? It doesn't even make sense. Yeah.

[Julia]

How? And who got off first to, like, film him getting off and taking the first steps on the moon? Who's filming that?

[David Lee Corbo]

That guy took the first.

[Julia]

They just left that jerk off on the moon. He's just still there floating around. Like, I hope everybody liked it.

[David Lee Corbo]

They played golf on the moon. Like, come on.

[Julia]

Come on.

[Top Lobster]

But it's also like, they leave you clues. Like, so he has the NASA shirt in the Shining, but there's also. Yeah, there's a clue of. Jesus. What's the name? Not To Kill a Mockingbird. The Catcher in the Rye. The clue of the Catcher in the Rye in the Shining as well, which is going to hint at Kubrick's complicity in the MK Ultra experiments, which are also, in our opinion, that's just Nazi holdover stuff. So. From NASA.

[Julia]

And he's friends with all those, so.

[Top Lobster]

Yeah, that too. But it's like he's. You know, he's telling you because you could be friends with somebody. We're Friends with Thomas, Paranoid American. I'm not a, you know, a Freemason Mason.

[Julia]

Right?

[David Lee Corbo]

Yeah.

[Top Lobster]

But if I'm out there doing like free Masonic, then you'd be like, okay, well, I think Top's a Freemason too. But this guy's actually, he's doing this stuff in his artwork, in his, in his films. He's presenting this and telling you this compelling story of both NASA and MK Ultra experiment. That MK Ultra really shining through more than NASA, which is kind of unfortunate. I think it's unfortunate that he gets like, he gets pinned with the fake moon landing stuff because I feel like.

[David Lee Corbo]

His revelations were greater.

[Top Lobster]

Yeah, he has greater revelations of what he was involved with and how that for sure.

[Julia]

I mean, if like, let's look at it and break it down. He has Lolita, which is basically a movie about pedophiles. Then he has the Shining, which is multi layered with all kinds of stuff. Moon landing could be grouped in there. Clockwork Orange. Come on. That's MK As. And then we have Eyes Wide Shut. What is going on here? This guy is literally laying out so much.

[David Lee Corbo]

Space Odyssey 2001. A Space 2001.

[Julia]

A Space Odyssey is another one. And he's friends with Disney, he's friends with Warner Von Braun. He's friendly. It's like, come on, you know what?

[David Lee Corbo]

We deserve it. We deserve it. This guy made his revelations and put them on the world stage to the extent that they're some of the most iconic films that we reference to this day. And we don't see it. People don't see it. Imagine that. Imagine anybody saying, if he was like, you know what? I'm gonna make movies about all the, that we're like lying about. And his homies went, you can't do that. You can't make movies about it. They're gonna know if you make movies about it. And he goes, they're not gonna know.

[Julia]

Because they're never gonna know. They're gonna know.

[David Lee Corbo]

They're gonna deserve it, man. We absolutely deserve it. I don't know what greater it's like, humanity and the way that we operate. We need. And this is what's been driving me nuts about this, this community lately, this conspiracy community, whatever you want to call us. It's like, what, what gets us is. Or, or what gets me about it is we have all these suspicions and we wait for so long for the JFK files to come out and like confirm what you suspected. It's a, it's an amazing thing that we suspect foul play of the government and wait for the government to confirm its foul play. It's incredible. So we can't. Short of somebody coming down and standing in front of a podium and doing a filibuster and staying up there for three days to tell us all the. We'll never get. We'll never trust our own discernment. We'll always wait for somebody else to give. And it's. It's. It's an incredible function of. Of human psychology and one that they have leveraged against us magnificently.

[Top Lobster]

The Ian Carroll phenomenon. Almost. Right. It's like, it wasn't okay. And I listen, I like Ian, but, like, what he's been doing here with, like, he's like, did you guys know that RFK is compromised? I was like, yeah, RFK has been like a heroin addict, sex addict, degenerate Kennedy for his entire life. Like, yeah, we knew he was compromised, but now we have the documents, so now it's okay to say. And it's just like, God, like, do we need proof? Or can you just trust your eyes when you're looking at something clear? You know, that makes you a conspiracy theorists.

[Julia]

I'm with you guys, but that's kind of all I had on Disney. I mean, I. I always end the presentation with saying, you know, any type of programming where it's teaching kids that the fun happens when your parents are dead.

[David Lee Corbo]

Yeah.

[Julia]

Or your parents are away. And it introduces occultist ideas, ritualistic ideas, magic, and, you know. Yeah. Even pedophilic kind of stuff like Pinocchio and the Treasure island or whatever. Pleasure. Whatever. Yeah. And then, you know, Tom Hanks goes on to play not only je pedophile, but he also plays Walt Disney in saving Mr. Banks. So it's like, if you really look at the. The layers, if you really look at where this guy came from. World's Fairs, de Mole, Red Cross Society, FBI. He's. He's tax exempt. He's got all this weird stuff going on. And so I just invite everybody to look at what comes out in the future and compare it to what, you know, the propaganda was back when we were kids, because Peter Pan, Alice in Wonderland, Cinderella, Snow White, dead parents, you know, magical lands where little boys are forever little boys and stuff like that. It's just, you know, there. They might be getting trickier with how they put this stuff in, but it's still. It's gonna be there if you look for it. And just because Disney's dead doesn't mean, like, the. The programming is. So that's. That's always how I like to look at it, and I think people should look into Disney for themselves if they're curious, because all this stuff is easy to find if you know what you're looking for.

[David Lee Corbo]

Or you could just wait for them to thaw out his head.

[Julia]

Right, right. The Frozen thing.

[David Lee Corbo]

That's right. I mean, yeah. I don't know. It's. Maybe they will switch it up so that it's harder to see the symbolism or harder to see the messaging. But really looking at it right now, it's never been very hard to see. How else do you interpret an old man talking about taking little boys to Pleasure Island? It makes me wonder about people's filter, like back in the day, where now, if you did it, if I was sitting on my sofa and I saw that I was watching a Disney movie, I would catch that instantly. There's no way you would get that past me, but I think you got it past every single person who saw Pinocchio at its release. You know what I mean? Like, it's. It's one of the biggest Disney films. It's. You know, there's certain. Certain films that are fundamental to Disney's legacy. Snow White, Pinocchio, you know, Cinderella. Like, those kind of movies are fundamental. I would say later on, like, you had, like, one of my favorites was Hercules, but you could remove Hercules from the Disney universe, it wouldn't change. But if you remove, like, Snow White and the Seven Dwarves, or you remove Cinderella or any of those things, that would fundamentally change. Even Fantasia is not a massive film in comparison as far as being wide known or well known. But if you removed it, it would change. I think, in some ways, Disney's legacy and what they, you know, their body of work in a. In a pretty meaningful way. They never really obscured any of it. Some of it did, right? You get, like. We didn't even talk about it. It's not worth talking about, but you get these subliminal messages that are put in, right? You have sex spelled out into. Yeah, Z man. This is how gay I am. This is why I'm the. The gay member of Nephilim Death Squad. My original podcast was called Where I Belong, which is literally the song from Hercules you want to talk about. That's why I said that, because he knows. He knows. Deep raven lore, but. So I guess you never understand how much of an impact these childhood films have on you until you're an adult man naming your part.

[Julia]

I loved them. I thought they were great. I mean, I. I was obsessed with them when I was a kid. But if you look, it's like the story of the Nephilim. Hercules.

[David Lee Corbo]

Oh, yeah.

[Julia]

Little Mermaid sirens and stuff. And then you got. I mean, it's. If you look. I'm telling you, it's in there.

[David Lee Corbo]

What's her name Top's been talking about all the time? Moana. Moana's Huge Nephilim. Huge Nephilim. You know, Maui is a demigod, also known as a Nephilim. You know, I think, uh, uh, what's her name? Uh. What the hell is a girl's name? Moana becomes, like, gibbering by the end of it. She becomes augmented. She changes somehow. She becomes part Nephilim. The whole thing is. Yeah, it's all on its face. It's right there. But that's. That's what I'm saying. I. Maybe the symbolism will change. Maybe the subliminal messaging will change. But I even struggle to call it subliminal messaging. It's just messaging. They're just telling you. They're just doing it right in front of your face, and you're like, oh, you know, jerking off the Marvel films and. Yeah, I'll go see the next one.

[Julia]

Right? Yeah. Well, I will probably see all of the new stuff that comes out, because, I mean, you. You gotta see it in order to talk about it for, like, shows and stuff. You know, somebody told me, oh, you gotta see that one. It's about that little girl starting her period, and it's called Red Panda or something.

[David Lee Corbo]

Yes, yes, yes. Yeah, that was. That was. Yeah, yeah.

[Julia]

I mean, it's like, I didn't want to watch it, but now it's like, you got to. Because, like, how. Why. Why did they do this?

[David Lee Corbo]

I hope. You know what I hope. I hope we're at the end, and I hope whatever machine they put in motion had an ends, had a goal, and I hope that goal is right around the corner. I hope we get to see the fruition of. I don't know, the Opus Magnum, right, Of. Of some of the most iconic occultists that have ever stepped foot in American soil. It feels like we're there, and I would just like to see what. What the point is. What does it all go to? Are we gonna galvanize to the Trump administration and he's going to be new Hitler? Is that what it is? Is this a big resurrection of the Nazi regime or, you know, is it something I do believe? You're. You're correct in the spiritual implications. This is a spiritual war, and we're inundated by spiritual warfare constantly. And we don't know it, some of us, but there's no such thing as a neutral party in war. You're engaging whether you know it or not. It's just if you don't know it, you're probably losing, so.

[Julia]

Right.

[David Lee Corbo]

Well, listen, thank you very much. This has been fascinating. I'm glad that we got to have you on. We've known about you for a long time and your appearances on Tinfoil Hat, and we had the pleasure of talking to you on Occult Rejects. It was a great conversation. So I'm glad we got to carry some of that over and expose you to, to our audience and. And them to you. But before we wrap this up, where can people find you? Just to remind them.

[Julia]

Yeah, thanks. I had a great time. I have a lot of other presentations if you guys are ever in the mood to just hear some weird stuff. I have the Cosmic Peach podcast available wherever you listen to podcast, extra stuff on Patreon and early releases on Patreon. I do have Instagram. I don't. I, I'm not your typical Instagram poster. I mean, I think I, I. The last selfie I posted was 2022, so don't get excited out there, gentlemen. I just like to post. Yeah, no, I'm not really. I just, I post, like, cool stuff that I find funny stuff that I find. I actually have this weird conspiracy theory about the Ghost Adventures team. That's why I have that one there with Aaron from Ghost Adventures. But.

[David Lee Corbo]

Really? Yeah. Is there some meat on that bone?

[Julia]

Oh, there's a lot of meat on that bone. But, yeah, I, I like to dig into some. Some interesting, fun stuff. I have a real hard on for Kubrick. You can see all my shining carpet stuff is everywhere. But, yeah, I, I try to dabble into stuff that people either aren't really talking about a lot or stuff that I just find interesting. I have a presentation that I do on John Denver that blows everybody away, and he's like, one of my favorite artists. I just. I don't know how he's been able to get away with so much for so long, but.

[David Lee Corbo]

I don't know, man. After this conversation, I think you could pretty much do whatever the hell you want to us. I think you can do whatever you want to us. You could show us whatever you want, and we're simply not you. Unless you stand in front of us and say, this is what it is and this is what it means. You could just do it to us. It's just fine. So, yeah, I'm sure he's just figured that out as well.

[Julia]

Yeah. But thanks so much for having me. It's been a blast.

[David Lee Corbo]

Of course, of course we'd love to have you back, I think, you know, clearly you got enough material that we can go down another deep dive. So it'll happen for sure. But until next time, guys, Top. Do we have anything else?

[Top Lobster]

Are you gonna do it? Are you gonna.

[David Lee Corbo]

No, I don't want to do. I want you to do it. I just dare you to do it. No, I just wanna No, I don't want. I just want to push the ball to you, that's all.

[Top Lobster]

Go ahead, do it.

[David Lee Corbo]

Here's the ball. I got the ball.

[Julia]

You do it.

[David Lee Corbo]

I giving it to you. Don't forget to obey, submit and comply. The greatest hypnotist on planet earth is a oblong box in the corner of the room. It is constantly telling us what to believe is real. You can persuade that what they see with their eyes is what there is to see because they'll laugh in the face of an explanation that portrays the bigger picture of possible and they have.