Podcast Summary: Nephilim Death Squad – "TIME CAPSULE: From Mickey to MKUltra: Disney’s Conspiracy Web w/ Cosmic Peach"

Podcast: Nephilim Death Squad Biblical Conspiracy
Hosts: TopLobsta & David Lee Corbo (Raven)
Guest: Julia (Cosmic Peach)
Date: January 29, 2026
Episode Theme:
A deep dive into Disney’s hidden history, suspected occult connections, and its role in cultural and psychological engineering, set within a biblical and conspiratorial framework.

Episode Overview

This episode features guest Julia from the Cosmic Peach Podcast joining hosts TopLobsta and Raven to dissect the far-reaching influence of the Disney corporation. The conversation weaves through Disney’s historical ties to secret societies, NASA, occultism, and its suspected involvement in social engineering—both past and present. The trio critically explores Disney’s role as a propaganda machine and the uncanny overlaps among entertainment, government, and spiritual warfare.

Key Discussion Points & Insights

1. Introducing Cosmic Peach & Her Focus (04:28)

• Julia defines her research interests: notably, Disney’s occult and intelligence ties, the Laurel Canyon phenomenon, and government mind-control programs.
  • "I haven't actually talked about [Disney] for maybe a year, but it was a topic that I looked into in great detail. I put together a presentation." – Julia (04:28)

2. Disney’s Media Empire and Ubiquity (05:48)

• The hosts discuss the scale of Disney’s media holdings and its wrap-around influence on pop culture, children, and society.
  • "Disney is the great big conspiracy propaganda machine, especially nowadays, now that they own everything. ... I had no idea that Disney owned as much of our media apparatus as it does." – Raven (05:48)

3. Nostalgia, Indoctrination & Repackaging for New Generations (08:18)

• Julia remarks on how Disney keeps its mythos evergreen by repackaging classic cartoons into new CGI and live-action formats, ensuring cyclical indoctrination for each generation.
  • "They're just getting a different type of indoctrination. I actually started looking into Disney's past, like who he was growing up, like where he came from. And in order to understand what's going on today, we have to look at the past because this guy's got so much going on." – Julia (08:18)

4. Walt Disney's Mysterious Origins & Early Secret Society Links (13:11)

• Julia traces Walt Disney’s early participation at the Chicago and New York World’s Fairs (infamous for "incubator babies" and "orphan trains") and involvement with the Red Cross—both organizations connected to Masonic and Templar groups.
• Disney is said to be among the first members of the DeMolay Society (a youth order associated with Freemasonry).
  • "What are the odds of him being involved with two World's Fairs and a part of two secret society clubs linked to the Masons and the Knights Templar before he's the age of 20?... Then he goes on to become arguably the most famous person on Earth." – Julia (13:11)

5. Disney, Nazi Scientists, & Esoteric Connections (10:00–13:11)

• The guest outlines direct connections between Disney, Wernher von Braun (Nazi rocket scientist brought to the US under Operation Paperclip), and other figures like Stanley Kubrick, Jack Parsons, L. Ron Hubbard, and Aleister Crowley—suggesting a “Babylon Bunch” behind NASA and Disney’s space-related programming.
  • "Let's look at who created NASA, right? Crowley, Von Braun, Parsons, L. Ron Hubbard and Walt Disney. These guys are all—it's the Babylon bunch, is what I call it." – Julia (23:22)

6. Subtle & Overt Occult Symbolism in Disney Content (20:32)

• Disney’s persistent use of occult themes, dissociated family structures, and ritual magick across its films is explored.
  • "The proof is in the pudding, because if you look at his work, it never promotes a strong family structure. ... It's loaded with magic and rituals and spell casting. ... Could the movies themselves even be elaborate spells that are cast on us?" – Julia (20:32)
  • Notable Quote:
    "There's like a high wizard in the Disney films. His name is Yen Sid, I believe, which is just Disney backwards. And he's literally like a wizard." – Raven (21:32)

7. Disney/FBI Ties and Surveillance State Themes (27:50)

• Julia recaps Disney’s partnership with the FBI, giving the organization a “free pass” to use Disneyland for undisclosed "private or recreational purposes"—leading to allegations involving grooming of children and secret tunnels within Disney parks.
  • "They've used not only their platform, but also like Disney World, Disneyland ... the FBI knew that he would comply with whatever they wanted him to do. ... He gave the FBI a free pass to use the park for whatever they wanted." – Julia (27:50)
  • "There was a SRA survivor...she was taken to Disneyland with a bunch of other kids. And these men would be there and they'd say 'I'm your daddy for the day'...and the rest would be as you could imagine." – Julia (28:28)
  • "It is a legitimate labyrinth...The park is huge—it's basically like Vatican City, right? It's got its own rules and its own laws. They saw fit to equip it with tunnels that don't even really get a lot of play. ...If they were willing to do that, then there's probably sub-areas where once you go in, you're not coming back out." – Raven (31:04)

8. Disney's Ongoing Social Engineering (36:22–43:21)

• Conversation expands to the shift from occult/esoteric programming to straightforward cultural and political orientation—detailing Disney's alignment with government social engineering, DOD contracts, and manufactured public sentiment.
  • "What we get mostly from Disney is cultural manipulation. ... They are leading with social engineering to the extent that it's so off putting you can't even suspend your own disbelief to enjoy a piece of fiction. So then the question becomes who is watching this? And there's your answer. 700,000 fake people are watching it." – Raven (27:16)
  • "Even if Disney himself is dead, it doesn't mean that all of it—the projects he was working on—are dead. ... The programming continues." – Julia (19:50)

9. The Mickey Mouse Club & Grooming of Pop Culture Icons (16:08)

• Parallels are drawn between Disney’s DeMolay/Mickey Mouse Club and the grooming of celebrities subjected to trauma and subsequent suggestibility.
  • "It was like inducting young people into this secret society type of weird thing. And the Mickey Mouse Club—look who came out of there. Ryan Gosling, Christina Aguilera, Britney Spears...and they all end up being weird. At least Britney for sure, somebody touched her. Let's be real." – Julia (16:08)

10. Spiritual Warfare & Biblical Frameworks (43:21, 56:25)

• Julia contends the Disney phenomenon illustrates a wider spiritual war wherein ancient rituals and occult practices underpin entertainment and governance structures.
  • "The government literally works off of the same ancient rituals as these dark occultists do. ... It’s all interwoven into our government. So when you see like the FBI getting involved with Disney—he's tax exempt like he's a church. ... There are so many layers. At some point you have to say this is more than just cartoons for kids." – Julia (43:21)
  • "I think all of this...is just a big spiritual war...they're going after the kids in multiple generations of programming and propaganda." – Julia (55:44)

11. Control of Discourse & Manufactured Opposition (47:03–50:20)

• The hosts argue that left/right cultural warfare is theatre—Disney acts as a bellwether for these manufactured battles, with "controlled opposition" narratives scheduled in advance.
  • "Is it wrong opposition? It's controlled opposition to Disney." – Julia (49:03)
  • "Whatever Disney does, the industry follows. ... They give the rest of the industry the green light to go in that direction." – Raven (50:20)

12. Gatekeeping & Mainstreaming Conspiracy Theory (66:07–70:48)

• Julia observes that the conspiracy landscape is "gatekeepy." Some theories (e.g., Ancient Apocalypse) are sanitized for mass consumption, whereas deeper or biblically-rooted ideas (Nephilim, giants) are suppressed.
  • "If you look at the kids who started on the Disney Channel itself, it’s kind of like a club, and they’re all weird, dude. ... The guy from That’s So Raven is crazy." – Julia (34:00)
  • "There are parts of the truth we are allowed to consume, but if you go too far, then just forget it. You're shadow banned or whatever they say." – Julia (70:20)

13. Kubrick, Predictive Programming, & MKUltra (78:38)

• Kubrick’s filmography is unpacked as a series of nods to the intelligence community, ritual abuse, and mind control.
  • "He has Lolita, which is basically a movie about pedophiles. Then he has The Shining, which is multi-layered with all kinds of stuff. Clockwork Orange—that’s MK Ultra. Eyes Wide Shut. This guy is literally laying out so much. And he's friends with Disney, with Von Braun." – Julia (78:38)

14. Disney’s Core Mythologies, Open Symbolism & Rebranding (81:39)

• Disney’s most iconic films are dissected for their enduring, explicit mythic and esoteric themes (Nephilim, dead parents, magical realms). The conclusion is that the old programming is alive but ever-evolving in message and method.
  • "Any type of programming where it’s teaching kids that the fun happens when your parents are dead or your parents are away and it introduces occultist ideas...just because Disney's dead doesn't mean, like, the programming is." – Julia (81:39)
  • "Peter Pan, Alice in Wonderland, Cinderella, Snow White—dead parents, magical lands where little boys are forever little boys...It's still going to be there if you look for it." – Julia (82:31)

Notable Quotes & Memorable Moments

• "Disney is the great big conspiracy propaganda machine, especially nowadays, now that they own everything. ... It's staggering." – Raven (05:48)
• "There's like a high wizard in the Disney films. His name is Yen Sid...just Disney backwards. ... The most powerful figure in the Disney universe." – Raven (21:32)
• "They've used...Disney World, Disneyland...The FBI knew that he would comply...He gave the FBI a free pass to use the park for whatever they wanted." – Julia (27:50)
• "What are the odds of him being involved with two World's Fairs and a part of two secret society clubs linked to the Masons and the Knights Templar before he's age 20?" – Julia (13:11)
• "Let's look at who created NASA...Crowley, von Braun, Parsons, L. Ron Hubbard and Walt Disney. The Babylon bunch." – Julia (23:22)
• "If you remove, like, Snow White and the Seven Dwarfs, or Cinderella...that would fundamentally change Disney’s legacy...they never really obscured any of it. ... They're just telling you, they're just doing it right in front of your face." – Raven (83:09)
• "Any type of programming where it's teaching kids that the fun happens when your parents are dead or your parents are away and it introduces occultist ideas...just because Disney's dead doesn't mean, like, the programming is." – Julia (81:39)

Timestamps for Important Segments

• Walt Disney’s Secret Societal Roots — 13:11
• Disney's Relation with NASA, Occultists, and the Origins of the Mickey Mouse Club — 10:00–16:41
• FBI Ties & SRA Allegations at Disney Parks — 27:50–32:03
• Occult Symbolism & Explicit Programming in Disney Films — 20:32–21:32, 81:39
• Kubrick, NASA, MKUltra Connections — 78:38–79:13
• Controlled Opposition & the Future of Disney’s Messaging — 47:03–52:25
• Gatekeeping in the Conspiracy Community — 66:07–70:48

Tone & Language

The episode is conversational, witty, and irreverently skeptical. The hosts and guest blend dark humor with earnest research, frequently challenging and mocking official narratives, and diving boldly into taboo territory. The tone is conspiratorial but demonstrates extensive referencing of books, documentaries, and infamous historical episodes.

Final Thoughts

Julia (Cosmic Peach) and the Nephilim Death Squad hosts urge listeners to look past Disney's nostalgic surface and interrogate the occulted power structures, programming techniques, and persistent themes running through its history. They suggest Disney’s evolution from cartoon studio to cultural engineering leviathan is no accident, cautioning that its spiritual and societal implications are both profound and ongoing.

“Just because Disney’s dead doesn’t mean…the programming is.”
— Julia (Cosmic Peach), 81:39

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